From marc.battier at paris-sorbonne.fr Mon Dec 15 00:26:45 2014 From: marc.battier at paris-sorbonne.fr (Battier Marc) Date: Mon Dec 15 00:23:28 2014 Subject: [Emsan-l] Octogrois version 2 Message-ID: Robert Normandeau announced version 2 of the spatialization plugin Octogris. http://octogris.sourceforge.net/ M. Battier Bonjour, (The English version will be posted in a few weeks, as soon as the manual is translated. In the meantime, this a good opportunity to practice your French!) Le Groupe de Recherche en Immersion Spatiale (GRIS) que je dirige est fier de vous offrir la version 2 d'Octogris, un plugiciel de spatialisation sonore multiphonique. Octogris2 a ?t? publi? une premi?re fois en 2012 et a connu plusieurs versions. La version 2 est cependant une r??criture compl?te du plugiciel avec plein de nouvelles fonctionnalit?s. Nouveaut?s de la version 2: ? Deux modes de fonctionnement: Free Volume avec positionnement libre des sources et des haut-parleurs (celui qui existait dans la version 1), et Pan Volume, o? un algorithme de panoramisation effectue les calculs de compensation d'amplitude lors du d?placement du son. ? Dans le mode Pan Volume, des r?glages de Volume et de Filtre sont maintenant int?gr?s qui permettent le d?placement du son vers le centre des haut-parleurs autant qu'? l'ext?rieur de ceux-ci, pour des effets r?alistes de proximit? et d'?loignement. ? Positionnement pr?cis des sources et des haut-parleurs. ? Des trajectoires types ? cercle, ellipse, pendule, al?atoire, etc. ? ont ?t? ajout?es qui permettent de programmer des d?placements tr?s pr?cis dans l'espace. ? Versions AudioUnit et VST (VST Windows et AAX ? venir) ? Contr?le externe via OSC ou Leap Octogris2 est un plugiciel Open Source disponible avec le manuel (en fran?ais pour le moment) sur SourceForge: http://sourceforge.net/projects/octogris/?source=directory Merci ? toute l'?quipe. Joyeux No?l! ??????????????????????????????????????? Robert Normandeau Vice-doyen aux ?tudes en cr?ation et technologie Professeur titulaire de composition ?lectroacoustique Facult? de musique, B-660, 343-6111 poste 3486 Universit? de Montr?al http://www.musique.umontreal.ca/personnel/normandeau_r.html -------------- next part -------------- Skipped content of type multipart/related From ezsr2 at CAM.AC.UK Tue Dec 9 23:35:00 2014 From: ezsr2 at CAM.AC.UK (Ely Rosenblum) Date: Mon Dec 15 13:28:18 2014 Subject: [Emsan-l] [MUSICOLOGY-ALL] Call for Contributions to Sound Studies: Art, Experience, Politics Message-ID: <63958EDE-654A-461C-996E-FED2EF5E7E32@cam.ac.uk> Call for Contributions Sound Studies: Art, Experience, Politics July 8-10th 2015 Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge Sound Studies: Art, Experience, Politics is a three-day conference featuring leading researchers and artists in the field. The conference will include presentations by leading academics, as well as a sound art installation by an artist in residence, and an evening Sound Art and Criticism Salon. The conceptual foundations of this conference are that sound is a vast assemblage of multisensory experiences and multivalent conceptualisations, and that sound is at once embodied, social and political. Sound Studies: Art, Experience, Politics invites researchers to consider not only the relationship between sound and broader sensory perception but also the social, political and economic implications of sound. Conference sessions will include papers on: ? Gendered Sounds ? Sound, Conflict & War ? Urban Phonography ? Sound, Embodiment & the Multisensory Sound Studies: Art, Experience, Politics aims to draw attention to the international growth of sound studies, and to emphasise the innovative and potentially subversive nature of research that steps outside of the norms of academic investigation into visual and textual materials. The conference concludes with a plenary by Steven Connor, Grace 2 Professor of English, University of Cambridge. We are seeking contributions in the form of academic papers, sound art, and an artist residency. Information can be found at the URL: Call for Academic Papers - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Academic_Papers.pdf Call for Sound art and Criticism Salon - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Sound_Art_and_Criticism_Salon.pdf Call for Artist in Residence - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Artist_in_Residence.pdf All proposals should be emailed to soundatcambridge@gmail.com by March 15th 2015. Conveners: Ely Rosenblum (Cambridge, Faculty of Music) Anija Dokter (Cambridge, Faculty of Music) Professor Steven Connor (Cambridge, Department of English) http://www.crassh.cam.ac.uk/events/25663 https://www.facebook.com/soundatcam https://twitter.com/soundatcam -- Ely Rosenblum PhD candidate Faculty of Music University of Cambridge From ezsr2 at CAM.AC.UK Tue Dec 9 23:35:00 2014 From: ezsr2 at CAM.AC.UK (Ely Rosenblum) Date: Mon Dec 15 14:43:54 2014 Subject: [Emsan-l] [MUSICOLOGY-ALL] Call for Contributions to Sound Studies: Art, Experience, Politics Message-ID: <63958EDE-654A-461C-996E-FED2EF5E7E32@cam.ac.uk> Call for Contributions Sound Studies: Art, Experience, Politics July 8-10th 2015 Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge Sound Studies: Art, Experience, Politics is a three-day conference featuring leading researchers and artists in the field. The conference will include presentations by leading academics, as well as a sound art installation by an artist in residence, and an evening Sound Art and Criticism Salon. The conceptual foundations of this conference are that sound is a vast assemblage of multisensory experiences and multivalent conceptualisations, and that sound is at once embodied, social and political. Sound Studies: Art, Experience, Politics invites researchers to consider not only the relationship between sound and broader sensory perception but also the social, political and economic implications of sound. Conference sessions will include papers on: ? Gendered Sounds ? Sound, Conflict & War ? Urban Phonography ? Sound, Embodiment & the Multisensory Sound Studies: Art, Experience, Politics aims to draw attention to the international growth of sound studies, and to emphasise the innovative and potentially subversive nature of research that steps outside of the norms of academic investigation into visual and textual materials. The conference concludes with a plenary by Steven Connor, Grace 2 Professor of English, University of Cambridge. We are seeking contributions in the form of academic papers, sound art, and an artist residency. Information can be found at the URL: Call for Academic Papers - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Academic_Papers.pdf Call for Sound art and Criticism Salon - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Sound_Art_and_Criticism_Salon.pdf Call for Artist in Residence - http://www.crassh.cam.ac.uk/assets/general/Sound@Cam_-_Call_for_Artist_in_Residence.pdf All proposals should be emailed to soundatcambridge@gmail.com by March 15th 2015. Conveners: Ely Rosenblum (Cambridge, Faculty of Music) Anija Dokter (Cambridge, Faculty of Music) Professor Steven Connor (Cambridge, Department of English) http://www.crassh.cam.ac.uk/events/25663 https://www.facebook.com/soundatcam https://twitter.com/soundatcam -- Ely Rosenblum PhD candidate Faculty of Music University of Cambridge From couprie.pierre at free.fr Wed Dec 17 09:13:46 2014 From: couprie.pierre at free.fr (Pierre Couprie) Date: Wed Dec 17 18:22:19 2014 Subject: [Emsan-l] TENOR 2015 : First International Conference on New Technologies for Music Notation and Representation Message-ID: [Apologies for cross postings] [Please distribute] Second call for papers TENOR 2015 First International Conference on New Technologies for Music Notation and Representation Paris, France, 29-30 May 2015 University of Paris-Sorbonne / Ircam Information & submission: http://tenor2015.tenor-conference.org . Deadline for papers submission: January 15, 2015. The first International Conference on New Technologies for Music Notation and Representation is dedicated to issues in theoretical and applied research and development in Music Notation and Representation, with a strong focus on computer tools and applications, as well as a tight connection to music creation. Until very recently, the support provided by the computer music to the field of symbolic notation remained fairly conventional. However, recent developments indicate that the field of tools for musical notation is now moving towards new forms of representation. Moreover, musical notation, transcription, sonic visualization, and musical representation are often associated in the fields of musical analysis, ethnology, and acoustics. The aim of this conference is to explore all recent mutations of notation and representation in all domains of music. Topics of interest Musical creation ? Notation in electronic and electroacoustic music ? Notations for interactive music ? Notation for sound installations ? Notation for the multimedia and mixed arts ? Live coding Musical notation ? Innovative computer applications for music notation ? Languages for music notation ? Gesture notation ? Notation and mobile devices ? Exchange formats for music notation ? Online tools and languages for music notation and representation Analysis, notation & pieces studies ? Analysis of contemporary notations ? Semiotic of new notation forms ? Ontology of the notation of interactive music ? Data mining, music notation corpus, databases Representation, transcription ? Sound visualization ? Interactive representation ? Transcription in ethnomusicology and representation of non-written musics ? Non-western or ancient music trans-notation ? Representation and transcription in acoustic ecology and sound landscape ? Optical music recognition Listening, teaching ? Listening guides ? Live and offline annotation ? Notations for music pedagogy With the collaboration of: Institut de Recherche en Musicologie, CNRS UMR 8223 Universit? Paris-Sorbonne Ircam LAM, Lutheries - Acoustique - Musique, UPMC GRAME, Centre national de cr?ation musicale, Lyon AFIM, Association Fran?aise d'Informatique Musicale -------------- next part -------------- An HTML attachment was scrubbed... URL: http://mailman.ucalgary.ca/pipermail/emsan-l/attachments/20141217/d08f021d/attachment.html From robert.normandeau at umontreal.ca Thu Dec 18 09:46:03 2014 From: robert.normandeau at umontreal.ca (Normandeau Robert) Date: Sat Dec 20 01:33:18 2014 Subject: [Emsan-l] =?utf-8?q?Lancement_de_Octogris_version_2=3A_mise_?= =?utf-8?q?=C3=A0_jour_pour_OSX_10=2E8?= Message-ID: <8B2F8D32-8D41-45A8-B07C-F0722E844AB9@umontreal.ca> Bonjour, Nous venons d'apporter une petite correction ? Octogris2 permettant une compatibilit? avec 10.8 et + (la pr?c?dente ?tait seulement 10.9 et +). La version est la 2.0.14. Elle est disponible sur SourceForge. A simple correction has been added to the Octogris2 version: it is now compatible with OSX 10.8 and + (the previous version was only 10.9 and +). The version number is 2.0.14. Available on SourceForge. Joyeuses f?tes Happy Holidays. ******************** (The English version will be posted in a few weeks, as soon as the manual is translated. In the meantime, this a good opportunity to practice your French!) Le Groupe de Recherche en Immersion Spatiale (GRIS) que je dirige est fier de vous offrir la version 2 d'Octogris, un plugiciel de spatialisation sonore multiphonique. Octogris2 a ?t? publi? une premi?re fois en 2012 et a connu plusieurs versions. La version 2 est cependant une r??criture compl?te du plugiciel avec plein de nouvelles fonctionnalit?s. Nouveaut?s de la version 2: ? Deux modes de fonctionnement: Free Volume avec positionnement libre des sources et des haut-parleurs (celui qui existait dans la version 1), et Pan Volume, o? un algorithme de panoramisation effectue les calculs de compensation d'amplitude lors du d?placement du son. ? Dans le mode Pan Volume, des r?glages de Volume et de Filtre sont maintenant int?gr?s qui permettent le d?placement du son vers le centre des haut-parleurs autant qu'? l'ext?rieur de ceux-ci, pour des effets r?alistes de proximit? et d'?loignement. ? Positionnement pr?cis des sources et des haut-parleurs. ? Des trajectoires types ? cercle, ellipse, pendule, al?atoire, etc. ? ont ?t? ajout?es qui permettent de programmer des d?placements tr?s pr?cis dans l'espace. ? Versions AudioUnit et VST (VST Windows et AAX ? venir) ? Contr?le externe via OSC ou Leap Octogris2 est un plugiciel Open Source disponible avec le manuel (en fran?ais pour le moment) sur SourceForge: http://sourceforge.net/projects/octogris/?source=directory Merci ? toute l'?quipe. ??????????????????????????????????????? Robert Normandeau Vice-doyen aux ?tudes en cr?ation et technologie Professeur titulaire de composition ?lectroacoustique Facult? de musique, B-660, 343-6111 poste 3486 Universit? de Montr?al http://www.musique.umontreal.ca/personnel/normandeau_r.html -- You received this message because you are subscribed to the Google Groups "CEC-Conference" group. To unsubscribe from this group and stop receiving emails from it, send an email to cec-conference+unsubscribe@googlegroups.com . To post to this group, send email to cec-conference@googlegroups.com . Visit this group at http://groups.google.com/group/cec-conference . 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