From marc.battier at paris-sorbonne.fr Sun Apr 21 02:38:46 2013 From: marc.battier at paris-sorbonne.fr (Battier Marc) Date: Sun Apr 21 02:38:10 2013 Subject: [Emsan-l] 'Reel to Real' archival sound website launched Message-ID: <790327D9-54B1-48E4-9EDA-9ADF6A0D1833@paris-sorbonne.fr> ---------- Forwarded message ---------- From: Noel Lobley Date: 2013/4/19 Subject: [MUSICOLOGY-ALL] 'Reel to Real' archival sound website launched To: MUSICOLOGY-ALL@jiscmail.ac.uk *** Dear All, 'Reel to Real' is a sound curating project, funded by the Esm?e Fairbairn Collections Fund, designed to catalogue, digitise and make available online, in gallery spaces and beyond the Pitt Rivers Museum's unique archival field recordings. The content of the recordings ranges from spirits singing in the rainforests of the Central African Republic to children's songs and games in playgrounds throughout Europe. The project website has now been finalised and includes information about and playlists from all of the Museum's original ethnographic recordings, video and interview resources, ethnomusicology seminars, our SoundCloud account and much more. Please visit the Reel to Real Project Website and Blog. http://pittrivers-sound.blogspot.co.uk/2013/04/reel-to-real-project-website.html Kind regards, Noel *** __ Dr Noel Lobley Ethnomusicologist and Researcher at the Pitt Rivers Museum, University of Oxford http://pittrivers-sound.blogspot.co.uk/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://mailman.ucalgary.ca/pipermail/emsan-l/attachments/20130421/75eec0d3/attachment.html From marc.battier at ems-network.org Sun Apr 21 03:07:05 2013 From: marc.battier at ems-network.org (Marc Battier EMS) Date: Sun Apr 21 03:06:25 2013 Subject: [Emsan-l] EMS13, Lisbon, 17-21 June 2013 Message-ID: Announcement EMS13 - Electroacoustic Music Studies Network Annual Conference "Electroacoustic Music in the Context of Interactive Approaches and Networks" Culturgest, Lisbon, Portugal, 17-21 June 2013 The first interactive systems for sound synthesis control were developed at the end of the 1960s, adding new tools and possibilities to the practice(s) of electroacoustic music. Since then, real-time interactive technologies, techniques and practices have led to the emergence of new electroacoustic music approaches, within both composition and performance. Currently, technological solutions for sound interactivity are ubiquitous and inexpensive, making them easy for musicians to access. After almost half a century, changes in electroacoustic music practices justify being studied, not only from the technical and technological point of view, but also from the musicological one. Registration is now open Hope to see you in Lisbon. The Conference team http://www.ems-network.org/ems13/EMS2013-Home.html -------------- next part -------------- An HTML attachment was scrubbed... URL: http://mailman.ucalgary.ca/pipermail/emsan-l/attachments/20130421/2d8982b3/attachment.html