From cetepper at ucalgary.ca Mon Jan 3 12:17:02 2022 From: cetepper at ucalgary.ca (Charles Tepperman) Date: Mon, 3 Jan 2022 19:17:02 +0000 Subject: [acc-cca-l] Position posting: Canada Research Chair in Race, Social Justice and Digital Media Message-ID: Dear friends, colleagues- Please help circulate this call for applicants. Many thanks! Charles https://careers.ucalgary.ca/jobs/8242017-canada-research-chair-tier-ii-in-race-social-justice-and-digital-media-department-of-communication-media-and-film Position Description The Department of Communication, Media and Film (CMF) in the Faculty of Arts at the University of Calgary invites applications for a Canada Research Chair (CRC) Tier II in Race, Social Justice and Digital Media. The successful candidate will be appointed at the rank of Assistant Professor (tenure- track) or Associate Professor(with tenure) and will be nominated for a CRC Tier II. The successful candidate will have a PhD in Communication, Media Studies or closely related field. The anticipated start date is 1 July 2022. Tier II Chairs are intended for exceptional emerging scholars (i.e., candidates must have been an active researcher in their field for fewer than 10 years at the time of nomination) and provide protected time and other supports for research. Candidates who are more than 10 years from having earned their highest degree and who have had career breaks, such as maternity, parental, or extended sick leave, clinical training, and research interruptions due to the COVID-19 pandemic, etc., may have their eligibility for a Tier II Chair assessed through the program?s Tier II justification process. Please contact UCalgary?s Office of Research Services for more information: ipd at ucalgary.ca. Further information about the Canada Research Chairs Program can be found on the Government of Canada?s CRC website [https://www.chairs-chaires.gc.ca/home-accueil-eng.aspx], including eligibility criteria. The Chair will establish an active research program that leads to peer-reviewed scholarly publications and external grant funding, and is aligned with the strategic plans of the Faculty of Arts and the University of Calgary. The incumbent will be an emerging scholar identifying with the general area of Race, Social Justice and Digital Media, and demonstrating excellence in research in one (or both) of the following specializations: i. Activism and digital media: This area of focus attends to user practices that engage digital media in anti-racist activism and organizing. Research in this area may address issues of anti-racist digital communities and publics; emergent socio-technical practices such as hashtagging; and/or intersectional historical analyses of these practices. ii. Digital design justice: This area of focus attends to the production contexts of digital media in order to better understand how digital media operates as racialized technology. Research in this area may address issues of racial bias in platform, app, and software design; critical studies of algorithms and data; and/or digital surveillance. The Chair will develop cutting edge research that addresses the grand challenge of decolonizing digital media. By engaging media and mediation processes as an integral aspect of (de)colonization, this research will create vital and timely new knowledge about the possibilities for, and limitations of, digital platforms, social media, and online activisms to ?un-settle? the logics of racial inequality out of which they emerge. The Chair will also play an important role in teaching and research supervision of students in CMF?s undergraduate and graduate programs. Service to the department, faculty, University, and community is also expected. The Chair will have the opportunity to be part of a prolific and diverse research environment in CMF, with access to state of the art core infrastructure. Outstanding opportunities for collaboration are available with established research programs in feminist media studies, media activism, environmental media, and film studies. The successful candidate at the Assistant Professor level must have a record of high-quality peer-reviewed publications, external research funding, and effectiveness in teaching at the University level. The successful candidate at the Associate Professor level must have an established body of high-quality peer reviewed publications, external research funding, effectiveness in teaching at the University level, and evidence of effective graduate student supervision (where possible). The Department of Communication, Media and Film is a research-intensive department with high standards in teaching. We value interdisciplinary and multidisciplinary approaches to research and training, and strongly encourage collaboration. For more information about the Department of Communication, Media and Film please visit https://arts.ucalgary.ca/communication-media-film. Interested individuals are encouraged to submit an application online via the 'Apply Now? link here: https://careers.ucalgary.ca/jobs/8242017-canada-research-chair-tier-ii-in-race-social-justice-and-digital-media-department-of-communication-media-and-film. Please be aware that the application process allows for only four attachments. Your four application attachments should be organized to contain the following (which may require you to merge documents, such as publications): * Cover letter and curriculum vitae, including the name and contact information of three referees * Statement of research interests and two samples of peer-reviewed work that demonstrates scholarly expertise * A teaching dossier that includes a statement of teaching philosophy, a record of teaching experience, sample syllabi and evidence of teaching effectiveness * An equity, diversity, inclusion (EDI) statement identifying the applicant?s contributions or potential contributions to advancing a culture of equity and inclusion on the basis of lived experience and understanding of racialized groups Review of applications will begin on Feb. 15, 2022 and continue until the position is filled. Questions may be addressed to: Dr. Charles Tepperman, Department Head Department of Communication, Media and Film c.tepperman at ucalgary.ca The University of Calgary has launched an institution-wide Indigenous Strategy in line with the foundational goals of Eyes High, committing to creating a rich, vibrant, and culturally competent campus that welcomes and supports Indigenous Peoples, encourages Indigenous community partnerships, is inclusive of Indigenous perspectives in all that we do. The University of Calgary recognizes that a diverse staff/faculty benefits and enriches the work, learning and research experiences of the entire campus and greater community. We are committed to removing barriers that have been historically encountered by some people in our society. We strive to recruit individuals who will further enhance our diversity and will support their academic and professional success while they are here; in particular, we encourage members of equity-deserving groups (women, Indigenous People, persons with disabilities, members of visible minorities and diverse sexual orientation and gender identities) to apply. All qualified candidates are encouraged to apply; however in appropriate circumstances, preference in hiring may be accorded to candidates from the groups noted above. In accordance with Canadian Immigration requirements, priority will be given to Canadian citizens and permanent residents. To ensure a fair and equitable assessment, we offer accommodation at any stage during the recruitment process to applicants with disabilities. Questions regarding diversity or requests for accommodation can be sent to Human Resources (hrhire at ucalgary.ca). The University of Calgary recognizes that candidates have varying career paths and that career interruptions can be part of an excellent academic record. Candidates are encouraged but not required to provide any relevant information about their experience and/or career interruptions to allow for a fair assessment of their application. Selection committees have been instructed to give careful consideration to, and be sensitive to the impact of career interruptions, when assessing the candidate?s research productivity. Additional Information To learn more about academic opportunities at the University of Calgary and all we have to offer, view our Academic Careers website. For more information about the Faculty of Arts visit Careers in the Faculty of Arts. COVIDSafe Campus Strategy The University has implemented a new Vaccination Directive that requires all faculty and staff to be fully vaccinated against COVID-19 by January 1, 2022. You will be required to upload proof of vaccination prior to commencing your duties. Please review the COVIDSafe Campus website for further information and access to additional resources. About the University of Calgary The University of Calgary is Canada?s leading next-generation university ? a living, growing and youthful institution that embraces change and opportunity with a can-do attitude. Located in the nation?s most enterprising city, the university is making tremendous progress on its Eyes High journey to be recognized as one of Canada?s top five research universities, grounded in innovative learning and teaching and fully integrated with the community it both serves and leads. The University of Calgary inspires and supports discovery, creativity and innovation across all disciplines. For more information, visit ucalgary.ca. About Calgary, Alberta Calgary is one of the world's cleanest cities and has been named one of the world's most livable cities for years. Calgary is a city of leaders - in business, community, philanthropy and volunteerism. Calgarians benefit from a growing number of world-class dining and cultural events and enjoy more days of sunshine per year than any other major Canadian city. Calgary is less than an hour's drive from the majestic Rocky Mountains and boasts the most extensive urban pathway and bikeway network in North America. Charles Tepperman, PhD Associate Professor & Department Head Department of Communication, Media and Film | University of Calgary Director, Amateur Movie Database project: http://www.amateurcinema.org The University of Calgary is located on traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut?ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to M?tis Nation of Alberta, Region III. The traditional Blackfoot name of the place we now call Calgary is ?Moh?kins?tsis? . -------------- next part -------------- An HTML attachment was scrubbed... URL: From cetepper at ucalgary.ca Mon Jan 3 12:24:05 2022 From: cetepper at ucalgary.ca (Charles Tepperman) Date: Mon, 3 Jan 2022 19:24:05 +0000 Subject: [acc-cca-l] Position posting: Assistant Professor, Critical Media Practice, University of Calgary Message-ID: <3BA28E47-F9B2-4151-B644-60DF3075564C@ucalgary.ca> Dear friends, colleagues- Please help circulate this posting for another exciting opportunity at the University of Calgary. Many thanks! Charles https://careers.ucalgary.ca/jobs/8242016-assistant-professor-critical-media-practice-department-of-communication-media-and-film The Faculty of Arts, Department of Communication, Media and Film invites applications for a tenure track position at the rank of Assistant Professor, in the area of Critical Media Practice. The anticipated start date is 1 July 2022. The successful candidate will establish an active research program that leads to peer-reviewed scholarly publications and external grant funding, teach graduate and undergraduate courses in their area of specialization in addition to a wide range of courses in the programs of Communication and Media Studies and/or Film Studies, contribute to the graduate program, participate in the affairs of the department and faculty, and engage with the wider community. A PhD in Communications, Media Studies, Visual Culture, Digital Media, Cinema and Media Arts or a related field is required by the time of appointment. We seek a colleague who is a media maker-scholar, whose work falls into the area of critical media practice, exploring the intersections between theory, history, and media/film making. Primary responsibilities include teaching courses in media and/or film studies and media production. Applications are invited across a range of specializations in digital media practice and research, including (but not limited to) emerging media; critical race and/or postcolonial perspectives on film and media; documentary media; queer media; interactive narratives; maker culture; podcasting; activist media, software and platform studies; game studies and design; creative coding; disability and media. The successful candidate will help create new opportunities for students to learn about media making as part of their critical studies degree by developing courses in their areas of interest. The successful candidate must display evidence of excellence in research, creative activity, and teaching. Candidates may demonstrate excellence in research through peer-reviewed publications and/or exhibitions. The successful candidate will have a strong track record of creative activity as demonstrated through exhibition or publication of digital media, which may include community presentations, festival presentations, awards and accolades, peer-reviewed performances, and/or web-based or professional production. Applicants should demonstrate potential for establishing a strong record of research productivity and successfully securing external grants. Experience with community engagement in research and teaching is an asset. The successful candidate will demonstrate the potential for excellence in teaching at the undergraduate and graduate levels. We are especially interested in qualified candidates who can contribute to equity, diversity and inclusion through their teaching, research, creative activity, and service. The Department of Communication, Media and Film is a research-intensive department with high standards in teaching. We value interdisciplinary and multidisciplinary approaches to research and training, and strongly encourage collaboration. For more information about the Department of Communication, Media and Film please visit https://arts.ucalgary.ca/communication-media-film. Interested individuals are encouraged to submit an application online via the 'Apply Now? link here: https://careers.ucalgary.ca/jobs/8242016-assistant-professor-critical-media-practice-department-of-communication-media-and-film. Please be aware that the application process allows for only four attachments. Your four application attachments should be organized to contain the following (which may require you to merge documents, such as publications): * Cover letter and curriculum vitae, including the name and contact information of three referees * A research/creative work dossier that includes two samples of scholarly work and links to recent media works with accompanying maker statements * A teaching dossier that includes a statement of teaching philosophy, a record of teaching experience, and evidence of teaching effectiveness * An equity, diversity, inclusion (EDI) statement identifying the applicant?s contributions or potential contributions to advancing a culture of equity and inclusion on the basis of lived experience and understanding of racialized groups. Review of applications will begin on Feb. 15, 2022 and continue until the position is filled. Questions may be addressed to: Dr. Charles Tepperman, Department Head Department of Communication, Media and Film c.tepperman at ucalgary.ca The University of Calgary has launched an institution-wide Indigenous Strategy in line with the foundational goals of Eyes High, committing to creating a rich, vibrant, and culturally competent campus that welcomes and supports Indigenous Peoples, encourages Indigenous community partnerships, is inclusive of Indigenous perspectives in all that we do. The University of Calgary recognizes that a diverse staff/faculty benefits and enriches the work, learning and research experiences of the entire campus and greater community. We are committed to removing barriers that have been historically encountered by some people in our society. We strive to recruit individuals who will further enhance our diversity and will support their academic and professional success while they are here. All qualified candidates are encouraged to apply; however Canadians and permanent residents will be given priority. In this connection, at the time of your application, please answer the following question: Are you a Canadian citizen or a permanent resident of Canada? (Yes/No) Additional Information To learn more about academic opportunities at the University of Calgary and all we have to offer, view our Academic Careers website. For more information about the Faculty of Arts visit Careers in the Faculty of Arts. COVIDSafe Campus Strategy The University has implemented a new Vaccination Directive that requires all faculty and staff to be fully vaccinated against COVID-19 by January 1, 2022. You will be required to upload proof of vaccination prior to commencing your duties. Please review the COVIDSafe Campus website for further information and access to additional resources. About the University of Calgary The University of Calgary is Canada?s leading next-generation university ? a living, growing and youthful institution that embraces change and opportunity with a can-do attitude. Located in the nation?s most enterprising city, the university is making tremendous progress on its Eyes High journey to be recognized as one of Canada?s top five research universities, grounded in innovative learning and teaching and fully integrated with the community it both serves and leads. The University of Calgary inspires and supports discovery, creativity and innovation across all disciplines. For more information, visit ucalgary.ca. About Calgary, Alberta Calgary is one of the world's cleanest cities and has been named one of the world's most livable cities for years. Calgary is a city of leaders - in business, community, philanthropy and volunteerism. Calgarians benefit from a growing number of world-class dining and cultural events and enjoy more days of sunshine per year than any other major Canadian city. Calgary is less than an hour's drive from the majestic Rocky Mountains and boasts the most extensive urban pathway and bikeway network in North America. Charles Tepperman, PhD Associate Professor & Department Head Department of Communication, Media and Film | University of Calgary Director, Amateur Movie Database project: http://www.amateurcinema.org The University of Calgary is located on traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut?ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to M?tis Nation of Alberta, Region III. The traditional Blackfoot name of the place we now call Calgary is ?Moh?kins?tsis? . -------------- next part -------------- An HTML attachment was scrubbed... URL: From alloing.camille at uqam.ca Mon Jan 3 13:22:36 2022 From: alloing.camille at uqam.ca (Alloing, Camille) Date: Mon, 3 Jan 2022 20:22:36 +0000 Subject: [acc-cca-l] =?windows-1252?q?Parution_de_l=92ouvrage_=3A_=C9valu?= =?windows-1252?q?er_la_communication_des_organisations=2E_7_concepts_et_l?= =?windows-1252?q?eurs_mesures?= Message-ID: [?EXTERNAL] Bonjour ? toutes et tous, Je vous souhaite tout d?abord une belle ann?e 2022, avec du bonheur, souvent, et la sant?, tout le temps :) Pour bien commencer l?ann?e, je suis ravi de vous annoncer la sortie, le 5 janvier de l?ouvrage collectif ?valuer la communication des organisations. 7 concepts et leurs mesures que j?ai dirig? aux Presses de l?Universit? du Qu?bec. Regroupant les contributions de 16 auteur-e-s, universitaires et praticien-ne-s de la communication, ce manuel propose d?interroger l??valuation de la communication des organisations par le prisme de 7 objets, en ligne et hors-ligne : l?audience, l?opinion publique, l?influence, l??motion, le discours, la cr?ativit? et la m?diation. Vous trouverez ci-joint le r?sum? ainsi que la liste des chapitres et auteur-es, et sur mon blog une courte pr?sentation : https://cadderep.hypotheses.org/467. Le livre sera disponible en librairie au Qu?bec/Canada, et sur divers sites de vente en ligne. La sortie pour l?Europe est pr?vue en avril, mais vous pouvez d?j? acheter une version num?rique. Je reste ? disposition pour toute question, et m?excuse d?avance pour les doublons. Bon d?but de semaine et bonne rentr?e. Camille Alloing, PhD Professeur Adjoint [lg-Departement-communication-sociale-publique-interne-COUL] T?l. : 514 987-3000 poste 1990 Membre et Directeur du Laboratoire sur l?Influence et la Communication (LabFluens) https://labfluens.uqam.ca Membre du Laboratoire sur la Communication et le Num?rique (LabCMO) https://labcmo.ca Web @caddereputation -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image002.jpg Type: image/jpeg Size: 3533 bytes Desc: image002.jpg URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Flyer_Evaluer-la-communication.pdf Type: application/pdf Size: 580194 bytes Desc: Flyer_Evaluer-la-communication.pdf URL: From ecrantotal at uqam.ca Tue Jan 4 15:40:08 2022 From: ecrantotal at uqam.ca (Exposition Ecran Total) Date: Tue, 4 Jan 2022 22:40:08 +0000 Subject: [acc-cca-l] Reminder SHERRY TURKLE - January 18th on Zoom - a conversation about her EMPATHY DIARIES at UQAM Message-ID: [?EXTERNAL] Dear colleagues, We have the pleasure to welcome Sherry Turkle (MIT) as a special guest for the closing event of ECRAN TOTAL (UQAM) on January 18, 2022 via ZOOM at 6pm. She will talk about her recent book, The Empathy Diaries: A Memoir (Penguin Press, 2021). It ties together her personal story with her groundbreaking research on technology, empathy, and ethics. You can find a book review here: https://www.nytimes.com/2021/03/01/books/review-empathy-diaries-memoir-sherry-turkle.html. Sherry Turkle is the Abby Rockefeller Mauz? Professor of the Social Studies of Science and Technology in the Program in Science, Technology, and Society at MIT, and the founding director of the MIT Initiative on Technology and Self. Professor Turkle received a joint doctorate in sociology and personality psychology from Harvard University and is a licensed clinical psychologist. Professor Turkle writes on the ?subjective side? of people?s relationships with technology, especially computers. She is an expert on culture and therapy, mobile technology, social networking, and sociable robotics. All the best, Ola Siebert (doctoral candidate at UQAM and coordinator of ECRAN TOTAL) The co-curators of ECRAN TOTAL Amandine Alessandra (UQAM), Marine Baudrillard (Cool Memories), Carole L?vesque (UQAM), Katharina Niemeyer (UQAM) and Magali Uhl (UQAM) https://ecrantotal.uqam.ca/ Twitter: @ecrantotal_UQAM -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- An embedded and charset-unspecified text was scrubbed... Name: ATT00001.txt URL: From Emmanuelle.Caccamo at uqtr.ca Wed Jan 5 07:11:38 2022 From: Emmanuelle.Caccamo at uqtr.ca (Caccamo, Emmanuelle) Date: Wed, 5 Jan 2022 14:11:38 +0000 Subject: [acc-cca-l] =?windows-1252?q?TR=3A_AAC_colloque_=22A_l=27=E9preu?= =?windows-1252?q?ve_des_donn=E9es=22_/_Lille_/_27-28_octobre?= In-Reply-To: References: <93879549-7180-4F46-B393-7C9382758886@ulb.be> <943B8496-4482-410C-A5CD-8BF34F80CA7C@ulb.be> Message-ID: [?EXTERNAL] Ch?res et chers coll?gues, Dans le cadre de la premi?re ?dition de la Biennale Ecoposs qui se tiendra en octobre 2022 (https://www.univ-catholille.fr/ecoposs-osons-leloge-du-futur), le laboratoire ETHICS de l?Universit? Catholique de Lille organise un colloque intitul? ? A l??preuve des donn?es. Sensibilit?, interpr?tation et appropriation des donn?es num?riques ? qui se tiendra les 27-28 octobre. Vous trouverez l?argument et l?appel ? communication en pi?ce-jointe de ce mail. L?intention g?n?rale du colloque est de questionner les rapports ?thiques et politiques qui peuvent se nouer ? partir de la pluralit? des exp?riences que nous faisons des donn?es num?riques et d?envisager des formes d?exp?rience qui nous d?centrent de nos rapports habituels de celles-ci. Si le colloque est avant tout un ?v?nement scientifique, il a aussi pour vocation de s?adresser ? un public plus large qui serait susceptible d?assister dans le cadre de la Biennale. Les participations en anglais sont les bienvenues. N?h?sitez pas diffuser dans vos r?seaux ! Bien cordialement, Tyler Reigeluth Ma?tre de conf?rences en philosophie Chaire Ethique, Technologie & transhumanismes [logoEthicsSigantureEmail] Ethics EA 7446 Universit? Catholique de Lille ? Maison des chercheurs 60, Boulevard Vauban, 59800 LILLE Cedex Sites Internet: https://lillethics.com/chaire-ethique-transhumanisme/ Site academia : https://univ-catholille.academia.edu/TylerReigeluth Retrouvez toute l'actualit? d?Ethics EA7446 sur les r?seaux sociaux [FB-BD] [twitterBD] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.jpg Type: image/jpeg Size: 4554 bytes Desc: image001.jpg URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image002.png Type: image/png Size: 1614 bytes Desc: image002.png URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image003.png Type: image/png Size: 1551 bytes Desc: image003.png URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Colloque A l'?preuve des donn?es.docx Type: application/vnd.openxmlformats-officedocument.wordprocessingml.document Size: 28337 bytes Desc: Colloque A l'?preuve des donn?es.docx URL: From Sharon.Jeannotte at uottawa.ca Thu Jan 6 14:22:26 2022 From: Sharon.Jeannotte at uottawa.ca (Sharon Jeannotte) Date: Thu, 6 Jan 2022 21:22:26 +0000 Subject: [acc-cca-l] =?windows-1252?q?We_want_to_hear_from_you!_StatCan_w?= =?windows-1252?q?ants_to_measure_well-being_using_an_app/_Nous_voulons_av?= =?windows-1252?q?oir_de_vos_nouvelles!_StatCan_mesurera_le_bien-=EAtre_?= =?windows-1252?q?=E0_l=92aide_d=92une_application?= Message-ID: [?EXTERNAL] (Le fran?ais suit l?anglais.) Greetings from Statistics Canada! We hope this email finds you, your family and your colleagues safe and healthy. We are delighted to invite you to participate in an exciting new project. Statistics Canada will soon be conducting the Pilot Study on Everyday Well-being, in collaboration with Canada Council for the Arts and Canadian Heritage. The survey will run from January 10 to March 31, 2022. This project will use a new mobile-phone application called Vitali-T-Stat to test a new way of collecting data. The goal of this survey is to gain a better understanding of the impact of certain activities, such as arts and cultural activities, that can influence the day-to-day changes in emotional moods and mental states of participants. These types of data are especially important at a time when COVID-19 has had an impact on the physical and emotional well-being of many Canadians. These data could be used to better understand the factors that can promote emotional and mental resilience, which could result in the development of programs and services that improve the quality of life of all Canadians. Download the app to get started! ? Visit Google Play or App Store, search for Vitali-T-Stat by Statistics Canada and download the app onto your mobile device (Android or Apple). Your responses are confidential and secure : The responses collected are transmitted directly to Statistics Canada?s secure Electronic Collection Portal. No response is stored on your mobile device. The technology used to support the application meets Statistics Canada?s rigorous standards for both cybersecurity and privacy protection. That includes measures to physically and electronically limit the number of authorized employees with access to the data collected through this survey. Who can participate? Anyone over the age of 15 with a mobile device can download the free app and participate in this voluntary survey. How can you help? We would appreciate your help in getting the message out so that as many people as possible have an opportunity to participate. Stay tuned! On the week of January 10, 2022, we will send you more information that you can send to your networks and share on social media. If you have questions, please don?t hesitate to contact us Monday to Friday (except holidays), from 8:00 a.m. to 7:00 p.m. (Eastern Time): ? 1-877-949-9492 (TTY: 1-800-363-7629*) ? infostats at statcan.gc.ca *If you use an operator-assisted relay service, you can call during regular business hours. You do not need to authorize the operator. . Thank you, Sylvie Cyr Director Collection Planning and Research Division _____________________________________________________________________________ Salutations de Statistique Canada! Nous esp?rons que vous, ainsi que votre famille et vos coll?gues, ?tes en sant? et en s?curit?. Nous sommes ravis de vous inviter ? participer ? un nouveau projet passionnant. Statistique Canada m?nera bient?t l??tude pilote sur le bien-?tre quotidien, en collaboration avec le Conseil des arts du Canada et Patrimoine canadien. L?enqu?te se d?roulera du 10 janvier au 31 mars 2022. Ce projet utilisera une nouvelle application pour t?l?phone mobile appel?e Vitali-T-Stat pour tester une nouvelle fa?on de recueillir des donn?es. L?objectif de cette enqu?te est de mieux comprendre l?impact de certaines activit?s, telles que les arts et les activit?s culturelles, qui peuvent influencer les changements quotidiens de leurs sentiments et les ?tats mentaux des participants. Ces types de donn?es sont particuli?rement importants ? un moment o? la COVID-19 a eu un impact sur le bien-?tre physique et ?motionnel de nombreux Canadiens et Canadiennes. Ces donn?es pourraient ?tre utilis?es pour mieux comprendre les facteurs qui peuvent favoriser la r?silience ?motionnelle et mentale, ce qui pourrait entra?ner l??laboration de programmes et de services qui am?liorent la qualit? de vie de tous les Canadiens et Canadiennes. T?l?charger l?application pour commencer ! ? Visitez Google Play ou App Store, recherchez Vitali-T-Stat de Statistique Canada et t?l?chargez l?application sur votre appareil mobile (Android ou Apple). Vos r?ponses sont recueillis en toute s?curit? : Les r?ponses recueillis sont transmise directement au portail de collecte ?lectronique s?curis? de Statistique Canada. Aucune r?ponse n?est stock?e sur votre appareil mobile. La technologie utilis?e pour appuyer l?application r?pond aux normes rigoureuses de Statistique Canada en mati?re de cybers?curit? et de protection de la vie priv?e. Cela comprend des mesures visant ? limiter physiquement et ?lectroniquement le nombre d?employ?s autoris?s ayant acc?s aux donn?es recueillies dans le cadre de cette enqu?te. Qui peut participer? Toute personne de plus de 15 ans qui poss?de un appareil mobile peut t?l?charger l?application gratuite et participer ? cette enqu?te volontaire. L?application est gratuite et la participation est volontaire. Comment pouvez-vous nous aider ? Nous appr?cierions votre aide pour transmettre le message afin que le plus grand nombre possible de personnes puissent participer. Restez ? l??coute ! La semaine du 10 janvier 2022, nous vous enverrons plus d?informations que vous pourrez envoyer ? vos r?seaux et partager sur les m?dias sociaux. Si vous avez des questions, n?h?sitez pas ? communiquer avec nous du lundi au vendredi (sauf les jours f?ri?s), de 8 h ? 19 h (heure de l?Est) : ? 1-877-949-9492 (ATS : 1-800-363-7629*) ? infostats at statcan.gc.ca *Si vous utilisez un service de relais t?l?phonique, vous pouvez appeler pendant les heures normales de bureau. Il n?est pas n?cessaire d?autoriser le t?l?phoniste ? communiquer avec Statistique Canada. Merci, Sylvie Cyr Directrice Division de la planification et de la recherche en mati?re de collecte -------------- next part -------------- An HTML attachment was scrubbed... URL: From bgirard at iamcr.org Fri Jan 7 02:39:45 2022 From: bgirard at iamcr.org (Bruce Girard) Date: Fri, 7 Jan 2022 10:39:45 +0100 Subject: [acc-cca-l] Call for Co-editors for Palgrave/IAMCR book series Message-ID: [?EXTERNAL] See this call online Call for Expressions of Interest for Co-Editors of the Palgrave/IAMCR Series: ?Global Transformations in Media and Communication Research? The Palgrave/IAMCR book series, Global Transformations in Media and Communication Research, was launched in 2014 and has since produced 17 books (with one more in the pipeline). With the current editorial team (Claudia Padovani and Marjan de Bruin) completing their term and stepping down, the series requires a new team of two co-editors to take on the responsibility. The IAMCR Publications Committee invites expressions of interest for two new co-editors for the series. See https://iamcr.org/publications/EOI-Palgrave-series for information about the series and the role of the co-editors. The series? webpage has further information, including details of the books already published. IAMCR members are eligible to apply. The call is for a team of two co-editors. Individual applications will not be considered. The two members should apply as a team, submitting a single application that includes: * An expression of interest clearly stating the names of the proposed team, briefly outlining your publishing experience and what you might bring to the role (no more than 1 page), and * A 2-page CV for each team member Expressions of interest should be sent by email to: palgrave-series at iamcr.org Deadline: 10 February 2022, 23:00 hrs GMT Decision process: 1. A 5-member sub-committee from the IAMCR Publication Committee will review the applications and recommend a ranked shortlist within one month after the closing date. 2. The International Council will be asked to endorse the ranking proposed by the 5-member sub-committee. The IC can also decide to alter the ranking, or to reject the proposal and ask for the call to be re-opened. 3. The Executive Board will then invite the team of co-editors to take up the positions. For informal queries, please email palgrave-series at iamcr.org See this call online ________________________________ -- Bruce Girard Executive Director, IAMCR https://iamcr.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From SusanHarada at cunet.carleton.ca Fri Jan 7 13:59:12 2022 From: SusanHarada at cunet.carleton.ca (Susan Harada) Date: Fri, 7 Jan 2022 20:59:12 +0000 Subject: [acc-cca-l] Call for Paper Abstracts: 2022 WJEC online conference Message-ID: [?EXTERNAL] Reimagining Journalism Education in the Age of Change June 30, 2022 8 a.m. ? 12 p.m. U.S. Central Time The 2022 WJEC online conference will focus on reimagining journalism curriculum, the future of j-education and the challenges it currently faces. Journalism pedagogy has been a central theme in the WJEC gatherings since the first congress in Singapore. However, the shift to online teaching, triggered by the COVID-19 pandemic, necessitates a paradigm shift. The conference will follow the global conversations about ?Journalism education for the 21st century,? a series of roundtables organized by WJEC, with the support of UNESCO. Conference streams: The 2022 WJEC online conference will run in parallel streams. Inspired by the format of WJEC syndicates, these sessions will focus on the following themes (see detailed information on the full conference and on each stream here): ? Covid-19 and journalism education ? Teaching journalism online ? Journalism education in the age of misinformation ? Bridging the gap between the classroom and the newsroom ? Teaching journalism in the era of social networks ? AI and the journalism curriculum ? Journalism education and inclusive society ? Research-led journalism education ? Teaching crisis reporting ? Journalism education and climate change ? Press freedom and journalism education ? Journalism education and cancel culture Everyone MUST register for the conference (deadline and details to come). Participants will be able to register for ONE session only. To join one of the streams above, interested participants must submit an abstract of up to 300 words outlining their take on the topic. These abstracts might also include recommendations on how to improve teaching on the subject. All abstracts will be blind-reviewed. A full description of streams can be found at https://wjec.net/2022-online-conference/ Guidelines for abstract submissions Abstracts must be submitted by the January 30, 2022 deadline at: https://cmt3.research.microsoft.com/WJEC2022or https://bit.ly/WJEC-2022 This email contains links to content or websites. Always be cautious when opening external links or attachments. Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages. When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: From racheldubrofsky at gmail.com Sun Jan 9 05:53:51 2022 From: racheldubrofsky at gmail.com (Rachel E. Dubrofsky) Date: Sun, 9 Jan 2022 07:53:51 -0500 Subject: [acc-cca-l] =?utf-8?q?We_want_to_hear_from_you!_StatCan_wants_to?= =?utf-8?q?_measure_well-being_using_an_app/_Nous_voulons_avoir_de_?= =?utf-8?q?vos_nouvelles!_StatCan_mesurera_le_bien-=C3=AAtre_=C3=A0?= =?utf-8?b?IGzigJlhaWRlIGTigJl1bmUgYXBwbGljYXRpb24=?= In-Reply-To: References: Message-ID: [?EXTERNAL] I would be happy to complete this survey. However, you will need to provide a method of doing so that does not require users to download an app. On Thu, Jan 6, 2022 at 4:22 PM Sharon Jeannotte > wrote: [?EXTERNAL] (Le fran?ais suit l?anglais.) Greetings from Statistics Canada! We hope this email finds you, your family and your colleagues safe and healthy. We are delighted to invite you to participate in an exciting new project. Statistics Canada will soon be conducting the Pilot Study on Everyday Well-being, in collaboration with Canada Council for the Arts and Canadian Heritage. The survey will run from January 10 to March 31, 2022. This project will use a new mobile-phone application called Vitali-T-Stat to test a new way of collecting data. The goal of this survey is to gain a better understanding of the impact of certain activities, such as arts and cultural activities, that can influence the day-to-day changes in emotional moods and mental states of participants. These types of data are especially important at a time when COVID-19 has had an impact on the physical and emotional well-being of many Canadians. These data could be used to better understand the factors that can promote emotional and mental resilience, which could result in the development of programs and services that improve the quality of life of all Canadians. Download the app to get started! ? Visit Google Play or App Store, search for Vitali-T-Stat by Statistics Canada and download the app onto your mobile device (Android or Apple). Your responses are confidential and secure : The responses collected are transmitted directly to Statistics Canada?s secure Electronic Collection Portal. No response is stored on your mobile device. The technology used to support the application meets Statistics Canada?s rigorous standards for both cybersecurity and privacy protection. That includes measures to physically and electronically limit the number of authorized employees with access to the data collected through this survey. Who can participate? Anyone over the age of 15 with a mobile device can download the free app and participate in this voluntary survey. How can you help? We would appreciate your help in getting the message out so that as many people as possible have an opportunity to participate. Stay tuned! On the week of January 10, 2022, we will send you more information that you can send to your networks and share on social media. If you have questions, please don?t hesitate to contact us Monday to Friday (except holidays), from 8:00 a.m. to 7:00 p.m. (Eastern Time): ? 1-877-949-9492 (TTY: 1-800-363-7629*) ? infostats at statcan.gc.ca *If you use an operator-assisted relay service, you can call during regular business hours. You do not need to authorize the operator. . Thank you, Sylvie Cyr Director Collection Planning and Research Division _____________________________________________________________________________ Salutations de Statistique Canada! Nous esp?rons que vous, ainsi que votre famille et vos coll?gues, ?tes en sant? et en s?curit?. Nous sommes ravis de vous inviter ? participer ? un nouveau projet passionnant. Statistique Canada m?nera bient?t l??tude pilote sur le bien-?tre quotidien, en collaboration avec le Conseil des arts du Canada et Patrimoine canadien. L?enqu?te se d?roulera du 10 janvier au 31 mars 2022. Ce projet utilisera une nouvelle application pour t?l?phone mobile appel?e Vitali-T-Stat pour tester une nouvelle fa?on de recueillir des donn?es. L?objectif de cette enqu?te est de mieux comprendre l?impact de certaines activit?s, telles que les arts et les activit?s culturelles, qui peuvent influencer les changements quotidiens de leurs sentiments et les ?tats mentaux des participants. Ces types de donn?es sont particuli?rement importants ? un moment o? la COVID-19 a eu un impact sur le bien-?tre physique et ?motionnel de nombreux Canadiens et Canadiennes. Ces donn?es pourraient ?tre utilis?es pour mieux comprendre les facteurs qui peuvent favoriser la r?silience ?motionnelle et mentale, ce qui pourrait entra?ner l??laboration de programmes et de services qui am?liorent la qualit? de vie de tous les Canadiens et Canadiennes. T?l?charger l?application pour commencer ! ? Visitez Google Play ou App Store, recherchez Vitali-T-Stat de Statistique Canada et t?l?chargez l?application sur votre appareil mobile (Android ou Apple). Vos r?ponses sont recueillis en toute s?curit? : Les r?ponses recueillis sont transmise directement au portail de collecte ?lectronique s?curis? de Statistique Canada. Aucune r?ponse n?est stock?e sur votre appareil mobile. La technologie utilis?e pour appuyer l?application r?pond aux normes rigoureuses de Statistique Canada en mati?re de cybers?curit? et de protection de la vie priv?e. Cela comprend des mesures visant ? limiter physiquement et ?lectroniquement le nombre d?employ?s autoris?s ayant acc?s aux donn?es recueillies dans le cadre de cette enqu?te. Qui peut participer? Toute personne de plus de 15 ans qui poss?de un appareil mobile peut t?l?charger l?application gratuite et participer ? cette enqu?te volontaire. L?application est gratuite et la participation est volontaire. Comment pouvez-vous nous aider ? Nous appr?cierions votre aide pour transmettre le message afin que le plus grand nombre possible de personnes puissent participer. Restez ? l??coute ! La semaine du 10 janvier 2022, nous vous enverrons plus d?informations que vous pourrez envoyer ? vos r?seaux et partager sur les m?dias sociaux. Si vous avez des questions, n?h?sitez pas ? communiquer avec nous du lundi au vendredi (sauf les jours f?ri?s), de 8 h ? 19 h (heure de l?Est) : ? 1-877-949-9492 (ATS : 1-800-363-7629*) ? infostats at statcan.gc.ca *Si vous utilisez un service de relais t?l?phonique, vous pouvez appeler pendant les heures normales de bureau. Il n?est pas n?cessaire d?autoriser le t?l?phoniste ? communiquer avec Statistique Canada. Merci, Sylvie Cyr Directrice Division de la planification et de la recherche en mati?re de collecte _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From cordelier.benoit at uqam.ca Wed Jan 12 06:57:18 2022 From: cordelier.benoit at uqam.ca (=?iso-8859-1?Q?Cordelier=2C_Beno=EEt?=) Date: Wed, 12 Jan 2022 13:57:18 +0000 Subject: [acc-cca-l] =?iso-8859-1?q?=5BAAA=5D_Questions_de_communication_?= =?iso-8859-1?q?43_=3A_dossier_=AB_Soutien_social_et_pair-aidance_num=E9ri?= =?iso-8859-1?q?ques_=BB?= In-Reply-To: References: <10378aba-a46a-59e7-bfd7-19944d4d0c7a@univ-lorraine.fr> Message-ID: [?EXTERNAL] [cid:part1.DHQiugaY.Ctw0NGce at univ-lorraine.fr] Soutien social et pair-aidance num?riques Entre pouvoir d'agir et instrumentalisation Coordination Beno?t Cordelier (Universit? du Qu?bec ? Montr?al) et Olivier Galibert (Universit? de Bourgogne) Date limite de soumission : 15 mars 2022 (format : 2 ? 3 pages) Parution : 1er semestre 2023 Texte complet de l'appel (format PDF) AAA-questions-de-communication-43 -- Benoit Cordelier Professeur, D?partement de communication sociale et publique Universit? du Qu?bec ? Montr?al, UQAM Pzl?n -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: aac-qdc43-banni%C3%A8re.jpg Type: image/jpeg Size: 88241 bytes Desc: aac-qdc43-banni%C3%A8re.jpg URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: aaa-ques2com43.pdf Type: application/pdf Size: 128341 bytes Desc: aaa-ques2com43.pdf URL: From ghislain.thibault at umontreal.ca Thu Jan 13 12:28:46 2022 From: ghislain.thibault at umontreal.ca (Ghislain Thibault) Date: Thu, 13 Jan 2022 19:28:46 +0000 Subject: [acc-cca-l] REMINDER: CCA 22 deadline is Jan. 17 / RAPPEL: date limite pour l'ACC 22 est le 17 janvier Message-ID: [?EXTERNAL] Hello everyone, and best wishes for a hopeful and safe New Year ! A friendly reminder that the deadline for submitting your proposal to CCA 2022 is a few days away: Monday January 17, 2022. Hope to see you at CCA 2022! ? The CFP is here: https://acc-cca.ca/wp-content/uploads/2021/11/CCA22_CFP_EN.pdf ? Proposals may be submitted here: https://www.openconf.org/cca2022/openconf.php Best, Ghislain Thibault CCA Vice President and Conference Chair ////// Bonjour tout le monde, Mes meilleurs voeux pour nouvelle ann?e remplie d?espoir. Un petit rappel au sujet de la date limite pour soumettre une proposition de communication pour l?ACC 2022, c?est dans quelques jours, le lundi 17 janvier 2022. J?esp?re vous y voir ! ? L?appel ? communication est ici : https://acc-cca.ca/wp-content/uploads/2021/11/ACC22_CFP_FR.pdf ? Merci de soumettre vos propositions ? https://www.openconf.org/cca2022/openconf.php Ghislain Thibault Vice-pr?sident de l'ACC et organisateur du colloque -------------- next part -------------- An HTML attachment was scrubbed... URL: From cetepper at ucalgary.ca Fri Jan 14 12:57:01 2022 From: cetepper at ucalgary.ca (Charles Tepperman) Date: Fri, 14 Jan 2022 19:57:01 +0000 Subject: [acc-cca-l] CMF Race in Media Lecture: Dr. Safiya Noble (via Zoom) Feb 7, 2022 Message-ID: All are welcome to attend! CMF Race in Media Lecture: ?Algorithms of Oppression: How Search Engines Reinforce Racism Dr. Safiya Noble (University of California, Los Angeles) Monday, February 7, 3:00-4:00pm (MT) To register for the Zoom webinar, visit: https://ucalgary.zoom.us/webinar/register/WN_NKTf9i4TTtuX5xOiD0F1fQ For more information visit: https://arts.ucalgary.ca/communication-media-film/events#!view/event/event_id/398284 The landscape of information is rapidly shifting as new imperatives and demands push to the fore increasing investment in digital technologies. Yet, critical information scholars continue to demonstrate how digital technology and its narratives are shaped by and infused with values that are not impartial. Technologies consist of a set of social practices, situated within the dynamics of race, gender, class, and politics, and in the service of something ? a position, a profit motive, a means to an end. In this talk, Dr. Safiya Umoja Noble will discuss her book, Algorithms of Oppression, the impact of marginalization and misrepresentation in commercial information platforms like Google search and the power struggles over representation on the web, as well as the implications for public information needs. Dr. Safiya Noble is a 2021 MacArthur Fellow and author of the highly acclaimed Algorithms of Oppression: How Search Engines Reinforce Racism (NYU Press). She is an Associate Professor of Gender Studies and African American Studies at the University of California, Los Angeles (UCLA) where she serves as the Co-Founder and Director of the UCLA Center for Critical Internet Inquiry (C2i2). She and her work have been featured in TIME, The Guardian, the BBC, CNN International, Wired, The New York Times, among many others. Her talks and research focus on the ways that digital media impacts our lives and intersects with issues of race, gender, culture, and technology. [cid:07397131-0b17-40e8-8ef9-7ecf252bd7bd at CANPRD01.PROD.OUTLOOK.COM] Charles Tepperman, PhD Associate Professor & Department Head Department of Communication, Media and Film | University of Calgary Director, Amateur Movie Database project: http://www.amateurcinema.org The University of Calgary is located on traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut?ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to M?tis Nation of Alberta, Region III. The traditional Blackfoot name of the place we now call Calgary is ?Moh?kins?tsis? . -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Noble poster.jpg Type: image/jpeg Size: 90244 bytes Desc: Noble poster.jpg URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Noble poster.pdf Type: application/pdf Size: 622991 bytes Desc: Noble poster.pdf URL: From marcel at uwaterloo.ca Mon Jan 17 10:41:21 2022 From: marcel at uwaterloo.ca (Marcel O'Gorman) Date: Mon, 17 Jan 2022 17:41:21 +0000 Subject: [acc-cca-l] Wendy Chun in Conversation Message-ID: <208E30A7-81CE-4D5F-87DB-FFF2C993A5AC@uwaterloo.ca> [?EXTERNAL] Dear CCA Friends, I am pleased to announce a conversational event on February 10 at 7:00 pm EST with Wendy Chun, author of Discriminating Data and a graduate of UWaterloo in both English and Systems Engineering. Wendy was supposed to visit us in person, but COVID blah blah. Instead, we will be meeting in Gather.Town, a 2D space for social interaction. The conversation will be preceded by a ?data jam? and followed by a 2D social mixer. I hope you can join us for this ?more than just a talking head? event. This is the SECOND of SIX events in the Critical Tech Talk Series designed by the Critical Media Lab. Event details here: https://uwaterloo.ca/arts/critical-tech-talk Tickets here: https://www.eventbrite.ca/e/critical-tech-talk-2-wendy-chun-tickets-243049917847 Best regards, m. -- Professor Marcel O'Gorman, PhD University Research Chair Past President, Society for Literature, Science and the Arts (SLSA) Founding Director, Critical Media Lab Department of English University of Waterloo Waterloo, Ontario, Canada N2L 3G1 Tel: 519 888 4567 x32946 http://criticalmedia.uwaterloo.ca http://marcelogorman.net I acknowledge that I work and teach on the traditional territory of the Attawandaron (Neutral), Anishnaabeg, and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, land promised and given to Six Nations, which includes six miles on each side of the Grand River. -------------- next part -------------- An HTML attachment was scrubbed... URL: From marcel at uwaterloo.ca Mon Jan 17 11:10:27 2022 From: marcel at uwaterloo.ca (Marcel O'Gorman) Date: Mon, 17 Jan 2022 18:10:27 +0000 Subject: [acc-cca-l] Critical Media Tenure-Track Position UWaterloo Message-ID: [?EXTERNAL] Dear CCA/ACC, I apologize for the spam this week, but it?s a busy time in my lab and department. We are hiring an Assistant Professor in Digital Media and Rhetoric. Please spread the word. https://ofas.uwaterloo.ca/job-details/32 UWaterloo can provide a great platform for someone doing critical media studies, especially if they enjoy hands-on creative work or want to learn those skills. The teaching load is 2/2 (including 1 grad course/year), the pay is generous, benefits are excellent, and there are great research funding opportunities. I am hoping to invite the right candidate to join me as Co-Director of the Critical Media Lab. Glad to answer any questions. Warm regards, Marcel -- Professor Marcel O'Gorman, PhD University Research Chair Past President, Society for Literature, Science and the Arts (SLSA) Founding Director, Critical Media Lab Department of English University of Waterloo Waterloo, Ontario, Canada N2L 3G1 Tel: 519 888 4567 x32946 http://criticalmedia.uwaterloo.ca http://marcelogorman.net I acknowledge that I work and teach on the traditional territory of the Attawandaron (Neutral), Anishnaabeg, and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, land promised and given to Six Nations, which includes six miles on each side of the Grand River. -------------- next part -------------- An HTML attachment was scrubbed... URL: From ghislain.thibault at umontreal.ca Tue Jan 18 13:27:01 2022 From: ghislain.thibault at umontreal.ca (Ghislain Thibault) Date: Tue, 18 Jan 2022 20:27:01 +0000 Subject: [acc-cca-l] CRTC Prizes: Reminder and Deadline extended to March 1, 2022 / Rappel et nouvelle date limite (1er mars 2022) pour les prix CRTC Message-ID: [?EXTERNAL] Hello Graduate Students, If you are working on, or have completed, an MRP, a Master?s Thesis or a PhD dissertation that addresses communications policy-related questions, internet governance, mass media or telecommunications, this prize might be for you ! We are extending the deadline to March 1, 2022. Even if you haven?t submitted a paper proposal for the CCA Conference 2022, the winning papers will automatically be included in the conference program, so there is still time. CRTC Prizes in Policy Research 2022 The CRTC co-sponsors the CRTC Prize for Excellence in Policy Research with the Canadian Communication Association (CCA). The Prize encourages a new generation of academics to contribute to Canada?s public policy development through research on emerging issues in information and communication studies. The winners of the prize receive the following: ? Monetary awards in three categories: ? PhD candidates: $2,500 ? Master?s degree candidates: $1,500 ? Postdoctoral researchers: $1,000 ? A one-year International Institute of Communications (IIC) Future Leaders Network Membership. ? A one-year membership with the CCA. ? Translation and publication of the winning papers in both official languages on the CRTC website. ? Remote presentation of winning papers before CRTC Commissioners. ? Presentation of winning papers at the CCA annual conference. To apply, candidates have to submit a 6000-8000 words research paper by March 1, 2022 to ghislain.thibault at umontreal.ca. We are seeking applicants working on a wide range of topics related to policy in Canada: ? The emergence of online audio and video platforms ? Defining, measuring, and promoting Canadian content ? The production of online Canadian spaces ? New behaviours and trends in media consumption ? Indigenous perspectives in communications policy ? Media concentration and democracy ? Telecommunications and bridging the digital divide ? Services affordability ? Evaluating diverse representations on-screen and/or behind the camera ? Telework and high-speed internet infrastructure ? Legislative changes to broadcasting and telecommunication landscapes (e.g. Bill C-10) ? Issues relating to gender, race, class, ability, age, education, and/or nationality within international, national, and/or local media landscapes ? Platform power, algorithms, and Internet regulation ? Data protection, privacy, and artificial intelligence ? Understanding and managing misinformation, disinformation, and fake news ? Local news and community media ? Traditional radio ? Spectrum ? Canadian web series ? Podcasts and the return of long form audio ? Canadian media on YouTube or other streaming platforms ? Niche platforms To verify your eligibility, to know how to apply and read the terms of reference, please visit the CCA website and the CRTC website: https://acc-cca.ca/index.php/prizes-prix/prix-crtc-prize/ If you have any questions, please contact me at ghislain.thibault at umontreal.ca Ghislain Thibault, Vice-President, Canadian Communication Association ?????????????? ? tou.te.s les ?tudiant.e.s des cycles sup?rieurs en communication, Si vous travaillez sur une probl?matique qui aborde d?une fa?on directe ou indirecte les questions de politiques de communication, ce prix est peut-?tre pour vous! Prix d?excellence pour la recherche sur les politiques du CRTC 2022 Le CRTC coparraine le Prix d?excellence du CRTC en recherche sur les politiques avec l?Association canadienne de communication (ACC). Le Prix a ?t? lanc? en 2015 pour encourager une nouvelle g?n?ration de chercheuses et de chercheurs ? contribuer au d?veloppement de la politique publique au Canada, plus particuli?rement en ce qui concerne les enjeux ?mergents dans le domaine de l?information et des communications. Les r?cipiendaires re?oivent: ? Prix en argent dans trois cat?gories : ? candidates et candidats au doctorat : 2 500 $ ? ?tudiantes et ?tudiants ? la ma?trise : 1 500 $ ? chercheuses et chercheurs postdoctoraux : 1 000$ ? Adh?sion d?un an au R?seau ? Future Leaders ? de l?Institut international des communications (IIC). ? Adh?sion d?un an ? l?ACC. ? Traduction et publication sur le site Web du CRTC des articles gagnants dans les deux langues officielles. ? Pr?sentation ? distance des articles gagnants devant les commissaires du CRTC. ? Pr?sentation des articles gagnants ? la conf?rence de l?ACC. Pour soumettre votre candidature, vous devez soumettre un article de recherche de 6000 ? 8000 mots d?ici le 1er mars 2022 ? ghislain.thibault at umontreal.ca Nous sommes ? la recherche de candidats dont les travaux abordent l?une ou plusieurs des probl?matiques suivantes: ? L??mergence des plateformes audio et vid?o en ligne; ? D?finir, mesurer et faire conna?tre le contenu canadien; ? La production des espaces canadiens en ligne; ? Nouveaux comportements et tendances dans la consommation des m?dias; ? Points de vue des Autochtones dans les politiques en mati?re de communications; ? Concentration des m?dias et d?mocratie; ? Les t?l?communications et la r?duction du foss? num?rique; ? Abordabilit? des services; ? ?valuation de diverses repr?sentations ? l??cran ou derri?re la cam?ra; ? T?l?travail et infrastructure d?Internet ? haut d?bit; ? Changements l?gislatifs dans le paysage de la radiodiffusion et des t?l?communications (p. ex. projet de loi C-10); ? Les questions relatives au genre, ? la race, ? la classe, ? l??ge, ? l??ducation ou ? la nationalit? dans le paysage m?diatique; ? Puissance des plateformes, algorithmes et r?glementation d?Internet; ? Protection des donn?es, vie priv?e et intelligence artificielle; ? Comprendre et g?rer la m?sinformation, la d?sinformation et les fausses nouvelles; ? Nouvelles locales et m?dias communautaires; ? Radio traditionnelle; ? Spectre ?lectromagn?tique; ? S?ries Web canadiennes; ? Les balados et le retour de l?audio long format; ? M?dias canadiens sur YouTube ou d?autres plateformes de diffusion continue; ? Plateformes de niche Pour v?rifier votre admissibilit?, savoir comment faire une demande et obtenir de plus amples renseignements, veuillez consulter le site Web de l?ACC ou le site Web du CRTC : https://acc-cca.ca/index.php/prizes-prix/prix-crtc-prize/ Si vous avez des questions, n?h?sitez pas ? communiquer moi Ghislain Thibault, vice-pr?sident, Association canadienne de communication -------------- next part -------------- An HTML attachment was scrubbed... URL: From hpimlott at wlu.ca Tue Jan 18 14:18:36 2022 From: hpimlott at wlu.ca (Dr. H. F. Pimlott) Date: Tue, 18 Jan 2022 21:18:36 +0000 Subject: [acc-cca-l] New Book - Wars of Position Message-ID: [?EXTERNAL] Dear Colleagues, I am pleased to announce the publication of my book, ?Wars of Position? Marxism Today, Cultural Politics and the Remaking of the Left Press, 1979-90?, last month (December 2021) by Brill Academic Publishers in the Historical Materialism Book Series (No. 248). ?Inspired by Raymond Williams? cultural materialism, H.F. Pimlott explores the connections between political practice and cultural form through Marxism Today?s transformation from a Communist Party theoretical journal into a ?glossy? left magazine. Marxism Today?s successes and failures during the 1980s are analysed through its political and cultural critiques of Thatcherism and the left, especially by Stuart Hall and Eric Hobsbawm, innovative publicity and marketplace distribution, relationships with the national UK press, cultural coverage, design and format, and writing style. Wars of Position? offers insights for contemporary media activists and challenges the neglect of the left press by media scholars.? I should add that the book also draws upon some of the insights and critiques that Raymond Williams?s offered during this period that were larger overlooked or ignored on the left. The book includes a series of images of the changes in Marxism Today?s design. https://brill.com/view/title/21878 The hardback and e-book costs make this book more suitable as a purchase by a University Library. However, in 12-14 months time, a paperback version will be published. Faithfully, Hillary Pimlott -------------- next part -------------- An HTML attachment was scrubbed... URL: From E.Salamon at hud.ac.uk Thu Jan 20 08:35:38 2022 From: E.Salamon at hud.ac.uk (Errol Salamon) Date: Thu, 20 Jan 2022 15:35:38 +0000 Subject: [acc-cca-l] Postdoctoral Fellowship - Yorkshire Film and Television School Innovation Lab Message-ID: [?EXTERNAL] Dear colleagues, I am pleased to share that we are hiring a postdoctoral fellow in the Lab in which I work in the Department of Media and Performance at the University of Huddersfield. Postdoctoral Fellow Position - Yorkshire Film and Television School Innovation Lab* *Two Year Post - ?35,654 to ?40,105 per annum* *International Applicants Welcome* Do you have expertise researching equality, diversity and inclusion in the media industries? The University of Huddersfield are seeking a Research Fellow to work on the Yorkshire Film and Television School Innovation Lab (YFTS iLab), an ambitious new interdisciplinary research project that aims to address systemic inequalities in the film and television industries. The YFTS iLab is inherently inter- and multi-disciplinary and we are looking for someone who is comfortable working in an interdisciplinary and experimental context. We are also seeking an applicant with a clear commitment to EDI in research and are particularly encouraging applications from diverse groups currently under-represented at this level, such as members of the Black, Asian and Minority Ethic community and those with a disability. We offer a strong commitment to support the career and personal development of researchers and a friendly working environment. *For more information see https://vacancies.hud.ac.uk/tlive_webrecruitment/wrd/run/ETREC107GF.open?VACANCY_ID=0293327wfa&WVID=3887655noN&LANG=USA *If you have any questions about the post, please contact Professor Catherine Johnson: C.Johnson2 at hud.ac.uk. Best wishes, Errol Dr. Errol Salamon Senior Lecturer in Digital Media and Communication Department of Media and Performance School of Arts and Humanities University of Huddersfield Queensgate Huddersfield HD1 3DH Co-editor, Journalism in Crisis: Bridging Theory and Practice for Democratic Media Strategies in Canada (University of Toronto Press, 2016) University of Huddersfield inspiring global professionals. [https://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterSeptember2021.jpg] This transmission is confidential and may be legally privileged. If you receive it in error, please notify us immediately by e-mail and remove it from your system. If the content of this e-mail does not relate to the business of the University of Huddersfield, then we do not endorse it and will accept no liability. -------------- next part -------------- An HTML attachment was scrubbed... URL: From biwiens at uwaterloo.ca Thu Jan 20 08:55:07 2022 From: biwiens at uwaterloo.ca (Brianna Wiens) Date: Thu, 20 Jan 2022 15:55:07 +0000 Subject: [acc-cca-l] Speaker Series: Networked Feminisms Message-ID: [?EXTERNAL] Dear Colleagues, We hope that you will join us for a series of feminist dialogues with the brilliant contributors of Networked Feminisms: Activist Assemblies and Digital Practices (Lexington Books, 2021)! These interdisciplinary conversations will focus on the relationship between digital technologies and intersectional feminist practices, community-building, and resistance. We have three upcoming speaker sessions: 1. Session One on Conceptual Frameworks for Networked Feminisms with Tara L. Conley, Melissa Brown, and Helena Su?rez Val will take place January 27, 2022, from 11:00am-12:30pm Eastern Time. 2. Session Two on Networked Digital Identities and Communities with Adan Jerreat-Poole, Ace J. Eckstein, and Elizabeth Nathanson will take place February 16, 2022, from 5:30pm-7:00pm Eastern Time. 3. Session Three on Digital Activism in Practice with Leandra H. Hern?ndez, Radhika Gajjala, Sujatha Subramanian, and Angela Smith will take place March 14, 2022, from 2:00pm-3:30pm Eastern Time. Register for the first session here, with links to the next sessions to follow: https://www.eventbrite.com/cc/networked-feminisms-speaker-series-88669 Please share the link and poster below with your circles! Many thanks, Brianna [Graphical user interface, text Description automatically generated] -- Brianna I. Wiens (she/her), PhD Postdoctoral Researcher, Digital Activism, Design Equity, and Feminist Media Futures Lecturer, Department of Communication Arts Co-Founder and Co-Director, Feminist Design Research Lab | http://www.qcollaborative.com/ University of Waterloo The University of Waterloo acknowledges that much of our work takes place on the traditional territory of the Neutral, Anishinaabeg and Haudenosaunee peoples. Our main campus is situated on the Haldimand Tract, the land granted to the Six Nations that includes six miles on each side of the Grand River. While acknowledging territory allows us to recognize the enduring presence and actions of Indigenous communities, peoples, and lands, more work must follow: Beyond Acknowledgement. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.jpg Type: image/jpeg Size: 321237 bytes Desc: image001.jpg URL: From melmillette at gmail.com Thu Jan 20 12:30:55 2022 From: melmillette at gmail.com (=?UTF-8?Q?M=C3=A9lanie_Millette?=) Date: Thu, 20 Jan 2022 14:30:55 -0500 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_communications_=3A_colloque_?= =?utf-8?q?=22Le_num=C3=A9rique_au_prisme_des_pratiques_=3A_enjeux_?= =?utf-8?q?th=C3=A9oriques_et_m=C3=A9thodologiques=22?= Message-ID: [?EXTERNAL] Bonjour, hi! Voici un appel ? communications pour le colloque Le num?rique au prisme des pratiques : enjeux th?oriques et m?thodologiques qui aura lieu au congr?s de l'ACFAS, ? Qu?bec, en mai 2022. Les propositions sont accueillies jusqu'au 15 f?vrier. Merci de faire circuler dans vos r?seaux. Bien cordialement, M?lanie Millette, PhD. Professeure, D?partement de communication sociale et publique, UQAM Membre r?guli?re et responsable de l'Axe m?thodologique du LabCMO Twitter : @MelMillette melmillette.com --- APPEL ? COMMUNICATIONS Colloque international du Laboratoire sur la communication et le num?rique (LabCMO) dans le cadre du 89e congr?s de l?Association francophone pour le savoir (Acfas) 9 et 10 mai 2022 ? Qu?bec, Canada Le num?rique au prisme des pratiques : enjeux th?oriques et m?thodologiques Pleinement int?gr? dans la soci?t?, le num?rique accompagne des transformations importantes dans les mondes du travail, de l??ducation, de la sant?, de la culture, de l??conomie, et de la vie politique. Elles touchent plus largement les mani?res de vivre, de travailler, de consommer, de s'informer et d?interagir avec autrui. Ces changements de fond donnent ? voir l??mergence de nouvelles pratiques autant qu?ils participent ? reconfigurer les pratiques sociales existantes dans lesquelles s?int?grent les technologies et m?dias num?riques. C?est sur l??tude des pratiques sociales en relation avec les dispositifs techniques que ce colloque se penchera pour mieux comprendre les transformations associ?es ? l?essor du num?rique dans la soci?t?. Ces transformations ont ?t? jusqu?? pr?sent essentiellement analys?es dans une perspective qui place les technologies au coeur de la r?flexion, selon deux approches : celle, au niveau macrosocial, de l??tude des impacts de la technologie, et celle, au niveau microsocial, de l??tude de leurs usages. Ce colloque invite ? suivre une troisi?me approche en mettant les pratiques sociales, culturelles, professionnelles, scientifiques, etc., dans lesquelles s?ins?rent les technologies et m?dias num?riques, au centre de l?analyse. Plus pr?cis?ment, cette posture invite ? appr?hender les transformations de fond associ?es ? l?essor du num?rique en d?pla?ant l?attention des dispositifs eux-m?mes sur les diff?rents contextes d?activit? sociale que ces dispositifs contribuent ? transformer voire ? faire ?merger. La notion de pratique conna?t par ailleurs depuis plusieurs ann?es un regain d?int?r?t en sciences sociales, et notamment dans le domaine des ?tudes sur la communication et les m?dias, au point que l?on peut y d?celer l??mergence d?un ? tournant de la pratique ?. Ce dernier s?incarne dans plusieurs d?veloppements r?cents des th?ories de la pratique (Cetina et al 2005; Couldry 2004; Hui et al 2016; Reckwitz 2002; Schatzki 2016). En outre, l??tude des pratiques sociales comme unit? d?analyse pour saisir les enjeux de la num?risation de la soci?t? a fait l?objet d?appels r?currents de la part des chercheurs et chercheuses du domaine, notamment au sein du courant de la sociologie des usages. En en faisant le th?me du pr?sent colloque, le LabCMO entend r?pondre ? cet appel en r?unissant les chercheurs et chercheuses francophones int?ress?s par la question, et contribuer ainsi aux r?flexions et d?bats contemporains sur les enjeux th?oriques et m?thodologiques de l??tude du num?rique au prisme du concept de pratique. Les discussions seront structur?es autour de trois axes : Axe 1 : Approches th?oriques et conceptualisations de la pratique. Les contributions s?int?resseront aux fondements th?oriques du concept de pratique dans l??tude des mutations sociales en lien avec le num?rique. Elles pourront prendre la forme de travaux g?n?alogiques sur le concept de pratique, ses diff?rentes d?clinaisons et leur op?rationnalisation pour aborder l?incidence du num?rique dans divers contextes. Axe 2 : Enjeux m?thodologiques de l??tude des pratiques en contexte num?rique. Les contributions se concentreront sur les m?thodes ? mettre en ?uvre pour saisir les pratiques sociales en relation avec les dispositifs num?riques, en abordant les d?fis, ?cueils, ainsi que les opportunit?s d?innovations m?thodologiques pour la conduite de recherches en terrains num?riques. Axe 3 : ?tudes empiriques mobilisant le concept de pratique. Les contributions rendront compte de travaux portant sur des pratiques sociales impliquant des dispositifs num?riques dans diff?rents contextes d?activit?. Elles jetteront un ?clairage sur des pratiques ?mergentes et/ou feront ?tat de reconfigurations de pratiques dans lesquelles s?ins?rent les technologies et m?dias num?riques. Format des propositions Nous invitons les chercheuses et chercheurs int?ress?s ? soumettre une proposition de communication (en format Word ou PDF) comprenant les ?l?ments suivants : - Les noms, affiliations et courriels des auteurs et autrices - Le titre de la communication (maximum 180 caract?res espaces comprises); - L?axe du colloque dans lequel s?inscrit la communication; - Un r?sum? de 500 mots (r?f?rences non comprises) faisant ressortir l?int?r?t de la contribution et comportant un aper?u de la probl?matique, du cadre th?orique et/ou de la m?thodologie, du terrain r?alis? et des r?sultats le cas ?ch?ant); - Une liste des r?f?rences cit?es; - Le mode de pr?sentation choisi : en ligne ou en pr?sentiel ? Qu?bec. Les propositions doivent ?tre envoy?es au plus tard le 15 f?vrier 2022 ? l?adresse suivante : colloque at labcmo.ca Dates importantes ? Date limite de soumission des propositions : 15 f?vrier 2022 ? Annonce des propositions retenues : 25 f?vrier 2022 ? Dates du colloque : 9 et 10 mai 2022 Lieu et format du colloque Le colloque se tiendra en format hybride, ? l?Universit? Laval, Ville de Qu?bec, Canada et en ligne via la plateforme de l?Acfas o? le colloque porte le num?ro 432 (voir : acfas.ca/congres). Comit? scientifique et d?organisation Guillaume Latzko-Toth, D?partement d?information et de communication, Universit? Laval Florence Millerand, D?partement de communication sociale et publique, UQAM Madeleine Pastinelli, D?partement de sociologie, Universit? Laval Alexandre Coutant, D?partement de communication sociale et publique, UQAM Claudine Bonneau, D?p. d'analytique, op?rations et technologies de l'information, ESG-UQAM M?lanie Millette, D?partement de communication sociale et publique, UQAM Assistants : Augustin Kasita, Universit? Laval Wail M?taoui, Universit? Laval Contact et renseignements colloque at labcmo.ca https://labcmo.ca/s/3552 -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: AAC - Colloque Acfas 2022.pdf Type: application/pdf Size: 364575 bytes Desc: not available URL: From alison.harvey at glendon.yorku.ca Thu Jan 20 13:30:57 2022 From: alison.harvey at glendon.yorku.ca (Alison Harvey) Date: Thu, 20 Jan 2022 20:30:57 +0000 Subject: [acc-cca-l] CFP || Global Media and China Special Issue: Feminist Media Production and Beyond Message-ID: [?EXTERNAL] Hello everyone. We are pleased to share the Call for Papers for a special issue of Global Media & China on Feminist Media Production and Beyond. We invite you to consider submitting an abstract proposal for this special issue by May 1, 2022, and to share the CFP with your colleagues and students. Thank you! Global Media and China CFP Special Issue: Feminist Media Production and Beyond https://journals.sagepub.com/pb-assets/Call%20for%20Papers%20-%20Feminist%20Media%20Production%20and%20Beyond%20-%20revised%2015%20Jan-1642506989.pdf Guest Editors: Dr. Tracy Ying Zhang (Communication and Media Studies, York University) Dr. Alison Harvey (Communications, Glendon College, York University) Overview: The underrepresentation of women in media-making, as well as their marginalization and discriminatory practices faced within the working environment have been well-documented across history in traditionally-studied industries ranging from broadcast television (Meehan, 2002, Ball & Bell, 2013) to film (Banks, 2009, Hill, 2016, Reynolds, 1998) to video game development (Consalvo, 2008, Prescott & Bogg, 2011). The obfuscation of women?s participation in cultural, creative, and technical fields, including in assembly and other forms of work typically overlooked in the literature (Nakamura 2011, 2014, Mayer, 2011) cannot be disentangled from the historical association of femininity with consumption and the private, domestic sphere (Kearney, 1998), and the devaluation of women?s production activities (White, 2015). Feminist scholarship of media production activities, both within professional industrial contexts and in spaces beyond this such as new digital economies (Duffy, 2015), have highlighted the role of women in media work as well as the social, technical, economic, and political structures that contribute to the ongoing devaluation of women?s work. This special issue seeks to extend this conversation and open up new horizons for research on feminist media production. At a time where the few high profile women in media making are held up as examples of change when the #MeToo movement and its ripple effects have highlighted ongoing pervasive issues, the moment is ripe for critical, intersectional, and transnational discussions of feminism and media-making. This is all the more pressing given the global fight against workplace-based sexism has waned in light of the exigencies of the Covid-19 pandemic. Paradoxically, within this context and an ever-expanding digital cultural economy, gendered inequality and employment precarity have become even more acute. At a virtual conference hosted by Women in Television and Film Canada in 2021, speakers noted the disproportionate impact of crises like COVID-19 on women and people of color in the media. Evidence shows that women are struggling with not only a shortage of employment opportunities but also challenges related to care responsibilities, mental health, and/or domestic violence (Boserup, McKenney, & Elkbuli, 2020, Bradbury-Jones & Isham, 2020, Power, 2020, Seedat & Rondon, 2021). In tandem with this, scholars have noted how the proliferation of digital platforms offer content creators, including women, new avenues and tools to disseminate their works and connect with new audiences (Lauzen, 2021). This special issue seeks to explore women?s production cultures and practices, the subject-positions they entail, and the labour relations and policies they are entangled with. We seek submissions from scholars in diverse fields to advance interdisciplinary dialogues on feminist media production. We are interested in empirical, theoretical, and historical contributions that address long-standing and emerging questions regarding the relationship between media production, gender, race, labor, embodiment, nationalism, surveillance capitalism, platform politics, neoliberalism, and reactionary politics. Submissions that deploy intersectional feminist, decolonial, and anti-colonial approaches are especially welcome. We are also very interested in papers that explore approaches and methods for examining feminist media production in emerging and digital media. We encourage those considering submission to take a broad view of media production and a local perspective on these practices, as we are interested in case studies from different parts of the world. Relevant topics include, but are not limited to: * Feminized and feminist media production activities * Aspirational, affective and immaterial labor and precarity in media production * Care, intimacy, and social reproduction in the context of media-making * Racialization of women's cultural work * Inclusions and exclusions in media production training * Internships, mentorship, and professionalization activities in media production * Global mobility, migration, and women's media production * Craft, handmade, amateurism, and vernacular practices of media production * Independent production, do-what-you-love, and passion discourse * Female entrepreneurialism and the hustle in media-making * Algorithmic shaping and data feminism approaches Schedule: * 1 May 2022: abstract proposals (title, 500 words outlining argument, theoretical framework, and methods with short bibliography) Please submit to Dr Tracy Ying Zhang (tracyyzh at yorku.ca) and Dr Alison Harvey (alison.harvey at glendon.yorku.ca) * June 2022: notification of acceptance of accepted abstracts * 30 November 2022: full paper submission * December 2022 - March 2023: double-blind peer review * April - June 2023: revision * July - August 2023: second round of double-blind peer review * August 2023: revision * September - December 2023: editorial final review References Ball, Vicky & Bell, Melanie (2013.) ?Working Women: Women?s Work: Production, History, Gender.? The Journal of British Cinema and Television, 10(3), pp. 547-562. Banks, Miranda J. (2009.) ?Gender Below-the-Line: Defining Feminist Production Studies.? In Production Studies: Cultural Studies of Media, edited by Vicki Mayer, Miranda J. Banks & John Thornton Caldwell. Routledge, pp. 87-98. Boserup, Brad., McKenney, Mark, & Elkbuli, Adel. (2020). ?Alarming Trends in US Domestic Violence during the COVID-19 Pandemic.? The American Journal of Emergency Medicine, 38(12), pp. 2753-2755. https://doi.org/10.1016/j.ajem.2020.04.077 Bradbury-Jones, Caroline., & Isham, Louise. (2020). ?The Pandemic Paradox: The Consequences of COVID-19 on Domestic Violence.? Journal of Clinical Nursing, 29(13-14), pp. 2047?2049. https://doi.org/10.1111/jocn.15296 Consalvo, Mia. (2008). ?Crunched by Passion: Women Game Developers and Workplace Challenges.? In Beyond Barbie & Mortal Kombat: New Perspectives on Gender and Gaming. Edited by Yasmin B. Kafai, Carrie Heeter, Jill Denner and Jennifer Y. Sun. Cambridge and London: MIT Press, pp 177-191. Duffy, Brooke Erin. (2015). ?The romance of work: Gender and aspirational labour in the digital culture industries.? International Journal of Cultural Studies, pp. 1-17. Hill, Erin. (2016.) Never Done: A History of Women's Work in Media Production. Rutgers University Press. Kearney, Mary Celeste. (1998). ?Producing Girls: Rethinking the Study of Female Youth Culture.? In Delinquents and Debutants: Twentieth Century American Girls? Culture, ed. Sherrie Inniss, New York: New York University Press, pp. 285-310. Lauzen, Martha M. (2021). ?Indie Women in a Pandemic Year: Behind-the-Scenes Employment of Women in U.S. Independent Film, 2020-21.? A report published by the Center for the Study of Women in Television & Film, San Diego State University. https://womenintvfilm.sdsu.edu/indie-women-in-a-pandemic-year-behind-the-scenes-employment-of-women-in-u-s-independent-film-2020-21/ Mayer, Vicky. (2011). Below the Line: Producers and Production Studies in the New Television Economy. Duke University Press. Nakamura, Lisa. (2011). ?Economies of Digital Production in East Asia: iPhone Girls and the Transnational Circuits of Cool.? Media Fields Journal, 2. Nakamura, Lisa. (2014). ?Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture.? American Quarterly, 66(4), pp. 919-941. Power, Kate. (2020). ?The COVID-19 Pandemic has Increased the Care Burden of Women and Families.? Sustainability: Science, Practice and Policy, 16(1), pp. 67-73. https://doi.org/10.1080/15487733.2020.1776561 Prescott, Julie & Bogg, Jan. (2011). ?Segregation in a Male-Dominated Industry: Women Working in the Computer Games Industry.? International Journal of Gender, Science and Technology, 3, pp. 206-227. Reynolds, Si?n. (1998). ?The Face on the Cutting-Room Floor: Women Editors in the French Cinema of the 1930s.? Labour History Review, 63(1), pp. 66?82. Riordan, Ellen. (2002). ?Intersections and New Directions: On Feminism and Political Economy.? In Sex & Money: Feminism and Political Economy in the Media, edited by Eileen R. Meehan & Ellen Riordan. University of Minnesota Press, pp. 3-15. Seedat, Soraya & Rondon, Marta. (2021). ?Women?s Wellbeing and the Burden of Unpaid Work.? BMJ, 374:n1972. https://doi.org/10.1136/bmj.n1972 White, Michele. (2015). Producing Women: The Internet, Traditional Femininity, Queerness, and Creativity. New York and London: Routledge. -------------- next part -------------- An HTML attachment was scrubbed... URL: From iszeman at uwaterloo.ca Fri Jan 21 13:16:37 2022 From: iszeman at uwaterloo.ca (Imre Szeman) Date: Fri, 21 Jan 2022 20:16:37 +0000 Subject: [acc-cca-l] 4 tenure-track position in the Department of Communication Arts, University of Waterloo Message-ID: <112783CA-BBCF-4B6A-B406-F291808DCBC8@uwaterloo.ca> [?EXTERNAL] Dear colleagues, I?m pleased to bring to your attention the following tenure-track positions in the Department of Communication Arts at the University of Waterloo. Further info can be found by visiting the links underneath the titles of the positions. The closing date for all positions is February 22, 2022. For info on the Department, its program offerings, and its departmental objectives, please visit: https://uwaterloo.ca/communication-arts/about-our-department Just in case the links below don?t work, you can find Waterloo faculty positions at: https://uwaterloo.ca/arts/faculty-positions-available 1. Communication Across the Curriculum, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_communication_across_the_curriculum.pdf 2. Communication, Technology, and Design, Tenure-Track Assistant or Associate Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist-assoc_prof_communication_technology_and_design.pdf 3. Digital Media Arts & Production, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_digital_media_arts_and_production.pdf 4. Theatre and Performance, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_theatre_and_performance.pdf Best, Imre Imre Szeman (il/lui | he/him) University Research Chair of Environmental Communication Professor, Department of Communication Arts University of Waterloo | 200 University Avenue West Waterloo, ON | N2L 3G1 (Office: ML-241) iszeman at uwaterloo.ca || www.imreszeman.ca || www.energyhumanities.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From marcel at uwaterloo.ca Sat Jan 22 07:38:56 2022 From: marcel at uwaterloo.ca (Marcel O'Gorman) Date: Sat, 22 Jan 2022 14:38:56 +0000 Subject: [acc-cca-l] 4 tenure-track position in the Department of Communication Arts, University of Waterloo In-Reply-To: <112783CA-BBCF-4B6A-B406-F291808DCBC8@uwaterloo.ca> References: <112783CA-BBCF-4B6A-B406-F291808DCBC8@uwaterloo.ca> Message-ID: [?EXTERNAL] Hey Man. Have you seen these jobs? Super unusual to have 4 line replacements like this, and it?s pissing off my department. But still, here they are. And Number 2 might interest you. But more importantly , if you apply for that chair, I can shed some light on the comm.arts context that could help your bid. m. Sent from a handheld device. On Jan 21, 2022, at 3:17 PM, Imre Szeman wrote: ? [?EXTERNAL] Dear colleagues, I?m pleased to bring to your attention the following tenure-track positions in the Department of Communication Arts at the University of Waterloo. Further info can be found by visiting the links underneath the titles of the positions. The closing date for all positions is February 22, 2022. For info on the Department, its program offerings, and its departmental objectives, please visit: https://uwaterloo.ca/communication-arts/about-our-department Just in case the links below don?t work, you can find Waterloo faculty positions at: https://uwaterloo.ca/arts/faculty-positions-available 1. Communication Across the Curriculum, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_communication_across_the_curriculum.pdf 2. Communication, Technology, and Design, Tenure-Track Assistant or Associate Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist-assoc_prof_communication_technology_and_design.pdf 3. Digital Media Arts & Production, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_digital_media_arts_and_production.pdf 4. Theatre and Performance, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_theatre_and_performance.pdf Best, Imre Imre Szeman (il/lui | he/him) University Research Chair of Environmental Communication Professor, Department of Communication Arts University of Waterloo | 200 University Avenue West Waterloo, ON | N2L 3G1 (Office: ML-241) iszeman at uwaterloo.ca || www.imreszeman.ca || www.energyhumanities.ca _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From marcel at uwaterloo.ca Sat Jan 22 08:20:32 2022 From: marcel at uwaterloo.ca (Marcel O'Gorman) Date: Sat, 22 Jan 2022 15:20:32 +0000 Subject: [acc-cca-l] 4 tenure-track position in the Department of Communication Arts, University of Waterloo In-Reply-To: References: <112783CA-BBCF-4B6A-B406-F291808DCBC8@uwaterloo.ca> Message-ID: <99672098-699F-4876-A4D9-8984011CD8E8@uwaterloo.ca> [?EXTERNAL] To make matters worse, I sent this to the wrong CCA address. See below. Double apology for the spam. And yes, Gerald, I need some talk therapy. Dear CCA. I apologize for that accidental message, intended for a single respondent. Mercury in retrograde. m. Sent from a handheld device. On Jan 22, 2022, at 9:39 AM, Marcel O'Gorman wrote: ? Hey Man. Have you seen these jobs? Super unusual to have 4 line replacements like this, and it?s pissing off my department. But still, here they are. And Number 2 might interest you. But more importantly , if you apply for that chair, I can shed some light on the comm.arts context that could help your bid. m. Sent from a handheld device. On Jan 21, 2022, at 3:17 PM, Imre Szeman wrote: ? [?EXTERNAL] Dear colleagues, I?m pleased to bring to your attention the following tenure-track positions in the Department of Communication Arts at the University of Waterloo. Further info can be found by visiting the links underneath the titles of the positions. The closing date for all positions is February 22, 2022. For info on the Department, its program offerings, and its departmental objectives, please visit: https://uwaterloo.ca/communication-arts/about-our-department Just in case the links below don?t work, you can find Waterloo faculty positions at: https://uwaterloo.ca/arts/faculty-positions-available 1. Communication Across the Curriculum, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_communication_across_the_curriculum.pdf 2. Communication, Technology, and Design, Tenure-Track Assistant or Associate Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist-assoc_prof_communication_technology_and_design.pdf 3. Digital Media Arts & Production, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_digital_media_arts_and_production.pdf 4. Theatre and Performance, Tenure-Track Assistant Professor https://uwaterloo.ca/arts/sites/ca.arts/files/uploads/files/assist_prof_theatre_and_performance.pdf Best, Imre Imre Szeman (il/lui | he/him) University Research Chair of Environmental Communication Professor, Department of Communication Arts University of Waterloo | 200 University Avenue West Waterloo, ON | N2L 3G1 (Office: ML-241) iszeman at uwaterloo.ca || www.imreszeman.ca || www.energyhumanities.ca _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From carm3215 at usherbrooke.ca Mon Jan 24 13:06:51 2022 From: carm3215 at usherbrooke.ca (=?utf-8?B?TWFyaWUtw4h2ZSBDYXJpZ25hbg==?=) Date: Mon, 24 Jan 2022 20:06:51 +0000 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_communications_-_=22100_ans_d?= =?utf-8?q?e_dialogue_science_et_soci=C3=A9t=C3=A9_=3A_=C3=A9tat_des_lieux?= =?utf-8?q?_et_prospectives_en_culture_et_communication_scientifiques_et_t?= =?utf-8?q?echnologiques=22?= Message-ID: <6C7B4C24-AE3E-4AB1-A65E-6770D855B6D8@usherbrooke.ca> [?EXTERNAL] Bonjour, Au nom des responsables du Colloque Enjeux de la recherche no 10. ? 100 ans de dialogue science et soci?t? : ?tat des lieux et prospectives en culture et communication scientifiques et technologiques ? qui se tiendra lors du 89e congr?s de l?Acfas, j?ai le plaisir de vous transmettre l?appel ? communications ci-joint. La date limite de d?p?t des propositions de communication est fix?e au 10 f?vrier 2022 ? 17 h. Au plaisir de recevoir vos propositions, Marie-Eve Carignan, Ph.D. Professeure agr?g?e Responsable de la ma?trise en communication, cheminement de type cours en communication politique internationale et risques d?mocratiques D?partement de communication Facult? des lettres et sciences humaines Universit? de Sherbrooke Bureau : A3-250 T?l?phone : 819 821-8000 poste 63120 Courriel: Marie-Eve.Carignan at USherbrooke.ca Directrice du p?le m?dias, Chaire UNESCO en pr?vention de la radicalisation et de l?extr?misme violents [signature_325114616] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 24306 bytes Desc: image001.png URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Appel ? comm Colloque Enjeux recherche no 10 Acfas 2022 100 ans dialogue science-soci?t?.pdf Type: application/pdf Size: 223098 bytes Desc: Appel ? comm Colloque Enjeux recherche no 10 Acfas 2022 100 ans dialogue science-soci?t?.pdf URL: From a.kaminska at umontreal.ca Tue Jan 25 09:12:31 2022 From: a.kaminska at umontreal.ca (Aleksandra Kaminska) Date: Tue, 25 Jan 2022 16:12:31 +0000 Subject: [acc-cca-l] Interdisciplinary approaches to SLEEP - events Message-ID: [?EXTERNAL] All are welcome! Somnambulations: New Directions in Interdisciplinary Approaches to Sleep Graduate Colloquium 2021?2022 Friday, January 28, 2022, 9:30am?5pm EST Register on Eventbrite for the Zoom link: eventbrite.com/e/237871268367 Somnambulations: New Directions in Interdisciplinary Approaches to Sleep is a full-day colloquium featuring graduate students and emerging scholars addressing sleep from a variety of disciplinary contexts. It embodies the critical and creative sociocultural approach to sleep and sleep science that is fundamental to The Sociability of Sleep project. Panels: 1) Sleeping Soundly; 2) Sleep?s Creative Thresholds; 3) Critiquing Norms in Sleep and Sleep Research; 4) Arts of Rest and Resistance; + 5) a performance by the Bureau of Noncompetitive Research. Programme details : https://sociabilityofsleep.ca/activities/graduate-colloquium-somnambulations +++ Sleep Salons - Winter 2022 A series of Interdisciplinary conversations on the epistemologies and equities of sleep. Each Salon is organized around a theme to open up the discussion about what it means to think of sleep sociably pairing speakers working in different fields to generate interdisciplinary insights. Each presents a short talk of 25 minutes, followed by an exchange between the speakers, moderator, and participants. 06/ PERFORMING SLEEP, Feb 2, 11am EST with Amara Tabor Smith + Ellen Sebastian Chang, and Jasmeen Patheja 07/ SOUND AND SLEEP, Feb 25, 12pm EST with Gascia Ouzounian, and Mendo + Keith Obadike 08/ WRITING SLEEP, March 23, 12pm EST with Diletta de Cristofaro, and Julie Flygare 09/ THE STUFF OF SLEEP, April 20, 4:30pm EST with Tega Brain + Sam Lavigne, and New Circadia (Natalie Fizer + Richard Sommer) Programme details with registration links: https://sociabilityofsleep.ca/sleep-salons Recordings from the Fall salons: https://www.youtube.com/channel/UC3no5ldX_jMrILEzqPhNLXQ The Sociability of Sleep projet is supported by the Government of Canada?s New Frontiers in Research Fund (NFRF). https://sociabilityofsleep.ca Facebook : https://www.facebook.com/SociabilityOfSleep/ Twitter and IG: @soc_of_sleep __ [cid:F56041EF-FAA5-41F0-909C-283E282FBEE8] [cid:9BF742E4-A6F9-4CEE-8236-C8018CEE8596] ? Aleksandra Kaminska, PhD Professeure agr?g?e / Associate Professor D?partement de communication Universit? de Montr?al a.kaminska at umontreal.ca aleksandrakaminska.com ? @alekskaminska artefactlab.ca ? bricolab.org ? sociabilityofsleep.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: SOS colloq poster template.png Type: image/png Size: 505554 bytes Desc: SOS colloq poster template.png URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: S0S winter schedule w dates.png Type: image/png Size: 411333 bytes Desc: S0S winter schedule w dates.png URL: From guillaume.sirois at umontreal.ca Wed Jan 26 08:53:11 2022 From: guillaume.sirois at umontreal.ca (Guillaume Sirois) Date: Wed, 26 Jan 2022 15:53:11 +0000 Subject: [acc-cca-l] =?windows-1252?q?Appel_=E0_proposition_-_Les_arts_?= =?windows-1252?q?=E0_l=27universit=E9=3A_institutionnalisation_et_plurali?= =?windows-1252?q?sation_de_l=27action_culturelle?= Message-ID: [?EXTERNAL] Bonjour, Veuillez trouver ci-joint un appel ? proposition de texte pour un num?ro sp?cial des Cahiers de recherche sociologique sur le th?me ? Les arts ? l?universit? : Institutionnalisation et pluralisation de l?action culturelle ?. Les r?sum?s d?articles sont attendus pour le 25 f?vrier 2021. Au plaisir de recevoir vos propositions. Cordialement, Guillaume Sirois Professeur adjoint D?partement de sociologie | Fac. des arts et des sciences Universit? de Montr?al Pav. Lionel-Groulx, 3150 Jean-Brillant, Bur. C-5088-2 514-343-6111, poste 35504 guillaume.sirois at umontreal.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Appel-CRS.pdf Type: application/pdf Size: 147098 bytes Desc: Appel-CRS.pdf URL: From iszeman at uwaterloo.ca Thu Jan 27 20:55:30 2022 From: iszeman at uwaterloo.ca (Imre Szeman) Date: Fri, 28 Jan 2022 03:55:30 +0000 Subject: [acc-cca-l] Tier 1 Canada Research Chair - Indigenous Excellence (Associate or Full Professors) / University of Waterloo Message-ID: [?EXTERNAL] Please circulate. Associate or Full Professors, Indigenous Excellence?Tier 1 Canada Research Chair - Open to All Disciplines (Tenure- Track/Tenured) The deadline to apply is February 28, 2022. Tenured/Tenure-Track, Professors/Associate Professors The University of Waterloo (Waterloo) is seeking an exceptional scholar and researcher for a Tier 1 Canada Research Chair (CRC) who will contribute to Indigenous excellence at the University and to Waterloo?s goal of a culture of equity, diversity, and inclusivity for all through increasing the representation of self-identified Indigenous academics (i.e., status and non-status First Nations, Inuk (Inuit), Me?tis and those from tribal nations and Indigenous communities across Turtle Island). This goal complements Waterloo?s cluster-hiring initiative for Indigenous scholars. Waterloo?s active work toward reconciliation takes place across our campuses through research, learning, teaching, and community building, and is centralized within our Office of Indigenous Relations, led by our AVP Indigenous Relations, Jean Becker. The anticipated start date is September 1, 2022, though the actual start date is flexible. Waterloo seeks applicants whose scholarship advances learning and knowledge through teaching, research, and scholarship in any of the following disciplinary areas: Faculty of Arts: All areas of Arts will be considered (humanities, languages and cultures, social sciences, fine and performing arts, accounting and finance, global business and digital arts), including but not limited to: Indigenous Studies (broadly defined); historical, cultural, and/or linguistic identities; sustainable finance; business and/or entrepreneurship (including social); technology and design; equity, diversity, inclusion, and anti-racism issues and scholarship in all program areas. Note: most areas of teaching and research in the Faculty of Arts feature interdisciplinary and collaborative opportunities, and there is the potential for considerable overlap between the areas specified here. More information on our research strengths can be found at https://uwaterloo.ca/arts/. Faculty of Engineering: All areas of engineering and architecture will be considered with an emphasis on the Faculty?s research clusters: bioengineering and health, network connectivity and security, software, data analytics, AI and human-machine interactions, robotics and autonomous vehicles, automotive and mobility, additive and advanced manufacturing, sustainability, energy systems, nanotechnology, smart and adaptive infrastructure, water resources, urban space planning and design, entrepreneurship, and climate adaptation. More information on our research strengths can be found at https://uwaterloo.ca/waterloo- engineering-research/. Faculty of Environment: All areas of environmental science/studies and sustainable development will be considered. More information on our research strengths can be found at https://uwaterloo.ca/environment/about-environment. Faculty of Health: Areas of priority include Kinesiology and Health Sciences, Recreation and Leisure Studies, and Public Health Sciences. The Faculty of Health values all forms of research including land- based learning and Indigenous pedagogy and methodology. Within Kinesiology and Health Sciences our focus includes health and (wearable) technology, work and health, exercise and nutritional sciences, and rehabilitation sciences. Within Recreation and Leisure Studies our focus includes recreation and leisure, sport management, therapeutic recreation, and event management, community development, health and well-being, social justice, and equity. Within Public Health Sciences, we seek applicants from the diverse disciplines that constitute public health including, but not limited to, critical race theory, global health, environmental health, health informatics, bioethics, biostatistics, and applied public health practice. More information on our research strengths can be found at https://uwaterloo.ca/health/. Faculty of Mathematics: All areas of mathematics, statistics and computer science will be considered. More information on our research strengths can be found at https://uwaterloo.ca/math/opportunities. Faculty of Science: The Faculty of Science welcomes applications in aquatic ecology. More information on our research strengths can be found at https://uwaterloo.ca/science/. The successful candidate will be appointed as a regular faculty member within a relevant department/school and will be subsequently nominated for a Tier 1 Canada Research Chair. Nominations for Canada Research Chairs (CRC) are subject to review by the CRC Secretariat and appointment as a CRC is conditional on their approval (see the CRC terms of reference). The University of Waterloo is committed to providing the candidate with support to secure the CRC. Qualifications: Applicants must have either earned a doctoral degree or have earned an equivalent terminal degree in the field of study. Applicants should be at the rank of Full Professor or be an Associate Professor who is expected to be promoted to the rank of Full Professor within one to two years of the nomination. Alternatively, if from outside the academic sector, nominees must possess the necessary qualifications to be appointed at these levels. To meet the criteria for a Tier 1 CRC, applicants must be outstanding and innovative world-class researchers whose accomplishments have made a major impact in their fields and be recognized internationally as leaders in their fields. The applicant will propose an original, innovative program of the highest quality research. Applicants must have superior records of attracting and training graduate students and/or postdoctoral fellows (taking into account different practices in the relevant field or discipline), and will be expected to attract, develop, and retain excellent trainees, students, and future researchers. An established track record of national and international collaborations, including the ability and desire to partner with faculty at the University of Waterloo in closely related fields is required. Applicants whose research aligns with the University?s Strategic Research Plan are preferred. Duties include conducting research and/or research creation, teaching at the undergraduate and graduate level, supervising graduate students, and contributing to the service needs of the University. The ability to develop and teach in a variety of contexts, including in person, online and remote delivery is required. The successful applicant will have a reduced teaching assignment during the term of the CRC. The salary range for the position will depend upon the rank (i.e., Associate Professor, Professor) and the discipline. Negotiations will be considered at the discretion of the hiring department. The University of Waterloo understands the impact that legitimate career interruptions (e.g. parental leave, leave due to illness) can have on an applicant?s record of research achievement and encourages applicants to explain in their application the impact this may have on their record; this information will be taken into careful consideration during the assessment process. The University strives to enact the Strategic Directions for Indigenous Research as outlined by the Canada Research Coordinating Committee (https://www.canada.ca/en/research-coordinating-committee/priorities/indigenous- research/strategic-plan-2019-2022.html), including recognition of Indigenous knowledge systems (including ontologies, epistemologies and methodologies) as valued contributions to scholarly excellence. Please consult the CRC website and the Office of Research for full program information, including further details on eligibility criteria. How to Apply: Applicants are asked to clearly indicate in their cover letter the Faculty(ies) to which they are applying. For those with interdisciplinary research areas, more than one Faculty may be included. Applicants are also invited to submit an optional letter or oral statement of support from the individual?s community that describes the individual?s involvement/role within the community, or a statement of lived experience. Send curriculum vitae, cover letter, teaching dossier, research statement and up to three examples of research outputs (including but not limited to journal articles/book chapters/conference proceedings/or other demonstrative outputs) electronically in confidence using the subject line ?Cross-faculty Tier 1 CRC application submission? to: crc at uwaterloo.ca. All applicants to this open Tier 1 CRC position must self-identify as Indigenous using the self- identification applicant survey at https://uwaterloo.ca1.qualtrics.com/jfe/form/SV_08RcdJzz6YAh4TX. Because this is a special opportunity for self-identified Indigenous applicants, applicant self-identification information will be used for the purposes of screening and consideration. Please note that this information will be securely accessed only by members of a central selection committee and, for nominees selected, for the fulfillment of CRC program purposes(s) detailed at: http://www.chairs- chaires.gc.ca/program-programme/equity-equite/index-eng.aspx. The deadline to apply is February 28, 2022. Three letters of reference will be requested for applicants invited for an interview. Commitment to Equity, Diversity and Inclusion Improving the representation, participation, and engagement of equity-deserving groups and Indigenous peoples within our community is a key objective of Waterloo?s Strategic Plan 2020-2025. The University values the diverse and intersectional identities of its students, faculty, and staff. The University regards equity and diversity as an integral part of academic excellence and is committed to accessibility for all employees. The University of Waterloo seeks applicants who embrace our values of equity, anti-racism and inclusion. As such, we encourage applications from candidates who have been historically disadvantaged and marginalized, including applicants who identify as First Nations, Me?tis and/or Inuk (Inuit), Black, racialized, persons with disabilities, women and/or 2SLGBTQ+. This particular selection process follows the provisions for a special program as described by the Ontario Human Rights Commission in order to address the underrepresentation of Indigenous academics among our faculty complement, which has been identified through research (Canadian Association of University Teachers, 2018; Council of Canadian Academies, 2012; Henry et al., 2017; and Witteman, Hendricks, Straus, & Tannenbaum, 2019) to be systemic in nature. As such, this opportunity is open only to individuals who self-identify as Indigenous (i.e. status and non-status First Nations, Inuk (Inuit), Me?tis and those from tribal nations and Indigenous Communities across Turtle Island). The University of Waterloo is committed to accessibility for persons with disabilities. If you have any application, interview, or workplace accommodation requests, please contact Occupational Health occupationalhealth at uwaterloo.ca who will work with the selection committee to secure accommodation while ensuring that the information is safe-guarded, and confidentiality is maintained. Please direct all queries regarding this Tier 1 CRC opportunity, application process, assessment process, and eligibility to the Office of Research at crc at uwaterloo.ca. The University is committed to implementing the Calls to Action framed by the Truth and Reconciliation Commission. We acknowledge that we live and work on the traditional territory of the Neutral (Attawandaron), Anishinaabeg and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometers on each side of the Grand River. Three reasons to apply: https://uwaterloo.ca/faculty-association/why-waterloo. -------------- next part -------------- An HTML attachment was scrubbed... URL: From felan.parker at outlook.com Fri Jan 28 09:47:19 2022 From: felan.parker at outlook.com (Felan Parker) Date: Fri, 28 Jan 2022 16:47:19 +0000 Subject: [acc-cca-l] Free Online Symposium: Problematic Pleasures in Digital Games and Play Message-ID: [?EXTERNAL] Dear CCA colleagues, please find below the details of an exciting game studies event coming up! Cheers, Felan PROBLEMATIC PLEASURES IN DIGITAL GAMES AND PLAY Online Symposium, University of Toronto Friday February 18, 2022 1:00pm ? 3:00pm EST FREE REGISTRATION: UofT.me/ProblematicPleasures Games, of all the popular arts, are perhaps most inextricably bound up in notions of pleasure, but in spite of the primacy of pleasure, the concept is rarely interrogated in game studies. However, in recent years a number of game scholars have applied intersectional lenses to understand pleasure in all its complexity, challenging both canonical theories of play and celebratory marketing rhetoric. Problematic Pleasures in Digital Games and Play brings four prominent international game scholars into dialogue to critically unpack the diverse and not always harmless ways that pleasure moves us in and through play. Pleasure is not all fun and games, and this unique event will generate new insights and directions of inquiry for game studies and the wider humanities. Featuring: Christopher B. Patterson (he/him, University of British Columbia), author of Open World Empire: Race, Erotics, and the Global Rise of Video Games Aaron Trammell (he/him, UC Irvine), author of "Torture, Play, and the Black Experience" and Repairing Play Kishonna L. Gray (she/her, University of Illinois at Chicago), author of Intersectional Tech: Black Users in Digital Gaming Bo Ruberg (they/them, UC Irvine) author of Video Games Have Always Been Queer Organized by Felan Parker, Sara Grimes, and Scott Richmond. This programming is supported by the Jackman Humanities Institute?s Program for the Arts for 2021-2022 on the annual theme of Pleasure. Additional support from St. Michael?s College, the Knowledge Media Design Institute, the Faculty of Information, and the Cinema Studies Institute. -------------- next part -------------- An HTML attachment was scrubbed... URL: From d.taschereau at utoronto.ca Fri Jan 28 10:23:07 2022 From: d.taschereau at utoronto.ca (Danielle Taschereau Mamers) Date: Fri, 28 Jan 2022 17:23:07 +0000 Subject: [acc-cca-l] Two new CDHI Postdoctoral Fellowships in Community Data, University of Toronto (2022-24) Message-ID: [?EXTERNAL] Dear colleagues, It is my pleasure to announce a new postdoctoral fellowship program, sponsored by the Critical Digital Humanities Initiative (CDHI) at the University of Toronto. I hope you will share with your students, colleagues, and networks. CDHI Postdoctoral Fellowship in Community Data (2022-24) Created in collaboration with the iSchool, UTSC, and the Council on Library & Information Resources (CLIR), the CDHI Postdoctoral Fellowship Program in Community Data will support two interdisciplinary postdoctoral fellows for two academic years, 2022-24. One fellow will be affiliated with the University of Toronto Faculty of Information (iSchool). One fellow will be affiliated with University of Toronto Scarborough (UTSC). We hope you will help us spread the word about this exciting new opportunity among your networks. In the context of this fellowship program, we define community data broadly to include projects that enact equitable, future-focused strategies of preserving data related to the histories of people of colour, Indigenous peoples, and queer, disabled, or other communities whose work, experiences, and perspectives have been insufficiently recognized or inequitably attended to in historical records. The fellowships are full-time, two-year positions. Fellows will receive a salary of $70,000/year, which includes teaching one undergraduate half course (0.5 FCE) for the iSchool or UTSC in each of the two years. Applications are open now and close on 01 March 2022. For a complete job description of each position, including fellowship responsibilities and expectations, mentorship and professional development opportunities, eligibility, and application instructions, please visit: * For the iSchool position description, visit this link. * For the UTSC job description, visit this link. We are thrilled to continue building the network of critical and creative digital humanities research at U of T. Please do not hesitate to reach out to the CDHI Managing Director, Dr. Danielle Taschereau Mamers (d.taschereau at utoronto.ca), with any enquiries. -- Danielle Taschereau Mamers, PhD Managing Director Critical Digital Humanities Initiative University of Toronto dhn.utoronto.ca | @UofTDHN [A picture containing graphical user interface Description automatically generated] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 15425 bytes Desc: image001.png URL: From SusanHarada at cunet.carleton.ca Fri Jan 28 14:51:09 2022 From: SusanHarada at cunet.carleton.ca (Susan Harada) Date: Fri, 28 Jan 2022 21:51:09 +0000 Subject: [acc-cca-l] New deadline Feb. 15 Call for Paper Abstracts: 2022 WJEC online conference References: Message-ID: [?EXTERNAL] Reimagining Journalism Education in the Age of Change June 30, 2022 8 a.m. ? 12 p.m. U.S. Central Time To join one of the streams listed below, interested participants must submit an abstract of up to 300 words outlining their take on the topic. These abstracts might also include recommendations on how to improve teaching on the subject. All abstracts will be blind-reviewed. Guidelines for abstract submissions Abstracts must be submitted by the NEW DEADLINE FEBRUARY 15, 2022 Reimagining Journalism Education in the Age of Change June 30, 2022 8 a.m. ? 12 p.m. U.S. Central Time The 2022 WJEC online conference will focus on reimagining journalism curriculum, the future of j-education and the challenges it currently faces. Journalism pedagogy has been a central theme in the WJEC gatherings since the first congress in Singapore. However, the shift to online teaching, triggered by the COVID-19 pandemic, necessitates a paradigm shift. The conference will follow the global conversations about ?Journalism education for the 21st century,? a series of roundtables organized by WJEC, with the support of UNESCO. Conference streams: The 2022 WJEC online conference will run in parallel streams. Inspired by the format of WJEC syndicates, these sessions will focus on the following themes (see detailed information on the full conference and on each stream here): ? Covid-19 and journalism education ? Teaching journalism online ? Journalism education in the age of misinformation ? Bridging the gap between the classroom and the newsroom ? Teaching journalism in the era of social networks ? AI and the journalism curriculum ? Journalism education and inclusive society ? Research-led journalism education ? Teaching crisis reporting ? Journalism education and climate change ? Press freedom and journalism education ? Journalism education and cancel culture Everyone MUST register for the conference (deadline and details to come). Participants will be able to register for ONE session only. To join one of the streams above, interested participants must submit an abstract of up to 300 words outlining their take on the topic. These abstracts might also include recommendations on how to improve teaching on the subject. All abstracts will be blind-reviewed. A full description of streams can be found at https://wjec.net/2022-online-conference/ Guidelines for abstract submissions Abstracts must be submitted by the January 30, 2022 deadline at: https://cmt3.research.microsoft.com/WJEC2022or https://bit.ly/WJEC-2022 This email contains links to content or websites. Always be cautious when opening external links or attachments. Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages. When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: From LauraHorak at CUNET.CARLETON.CA Tue Jan 25 16:12:22 2022 From: LauraHorak at CUNET.CARLETON.CA (Laura Horak) Date: Tue, 25 Jan 2022 23:12:22 +0000 Subject: [acc-cca-l] Call for Applications: Front End Developer & Analyst for Transgender Media Portal In-Reply-To: References: Message-ID: [?EXTERNAL] Hello, I would be grateful if you could share this announcement with your network and anyone you think might be interested! This position is open to students in any graduate program in Canada and the United States. Thanks, Laura Front End Developer & Analyst Starting September 2022 (renewable up to 5 years) Open to students in any graduate program in Canada and the United States More info: https://carleton.ca/transmedialab/2021/developer-analyst-fall2022/ Join the Transgender Media Lab and Humanities Data Lab! We are seeking an incoming or existing MA or PhD student to lead front end development and analysis for the Transgender Media Portal. Trans, Two Spirit, queer, Black, and Indigenous candidates and candidates of colour are especially encouraged to apply! The Transgender Media Lab at Carleton University and the Humanities Data Lab at the University of Ottawa are building the Transgender Media Portal (TMP), a website that will act as a kind of IMDb for trans, nonbinary, Two-Spirit, and gender-nonconforming filmmakers and their films. The portal will: a) enable new ways of analyzing trans film production, distribution, and reception; b) share information about trans-made films with educators, students, festival programmers, artists, activists, and the public; and c) model best practices in terms of academic/community digital partnerships and digital sustainability. The TMP uses minimal computing principles to ensure maximum longevity and sustainability of the site and its data. Our workflow involves converting data from CSV to HTML, with a JSON-backed static search, and CSS and JavaScript front end. Responsibilities for this position include: * Creating the CSS and JavaScript for the TMP static site * Maintaining the website * Producing documentation and how-tos * Determining how to improve the site based on feedback from users and implementing these improvements * Conducting data analysis and data visualizations (e.g. maps, timelines, animations, network graphs) to answer the project?s research questions Previous experience required in the following areas: * CSS * JavaScript * Website stewardship, including producing documentation * Analytic visualization Preferred skills and background: * Work with trans communities * Experience with community-based projects * Experience with collaborative team projects * Galleries, libraries, archives, and museums (GLAM) sector experience * Metadata * Library data standards * Scripting, Python or XSLT Compensation and duration: * The position is guaranteed for two years and renewable for up to five years. * This position is for 200 hours of research assistance work per academic year (~C$9,000/year). It will be compensated at the CUPE 2626 graduate Teaching Assistantship rates (currently C$46.86/hr, with an annual inflation of 1%). * If the candidate is enrolled in a university program, the position includes a Transgender Media Lab Scholarship of C$1,500/year. * Funding for travel for research and conferences will also be provided. Incoming University of Ottawa and Carleton University students: Interested incoming candidates should apply to a related MA, PhD or terminal degree program of their choice at the University of Ottawa (Communication, Computer Science, Digital Transformation and Innovation, Feminist & Gender Studies, Information Studies) or Carleton University (Communication and Media Studies, Computer Science, Cultural Mediations, Film Studies, Human-Computer Interaction, Information Technology, Women?s and Gender Studies). Candidates may apply for more than one program but will have to pick one if admitted to more than one. We encourage candidates to apply for additional awards and financial support (uOttawa, Carleton). Enrolled students and students at other universities: Students who will be enrolled in any graduate program in Canada and the United States in Fall 2022 are eligible to apply. Students not based in Ottawa can work remotely. The Transgender Media Lab is committed to principles of equality and social justice. We especially encourage trans, Two Spirit, queer, Black, and Indigenous candidates and candidates of colour to apply. Fellows will be expected to agree to a statement of values and abide by a code of conduct to ensure a safe, supportive working environment for all lab members and guests. To apply: * Email the project director, Laura Horak (laura.horak at carleton.ca), to indicate your interest in the position. * For students who are applying to graduate programs at the University of Ottawa or Carleton: * Follow the online instructions to apply for the program(s) of your choice. In the ?Statement of Intent? in your application: * Indicate your interest in this position and include the following sentence: ?I give permission for the graduate admissions committee to share my application materials and letters of reference with Dr. Laura Horak and Dr. Constance Crompton?; * Describe all relevant skills and experience you have; * Trans, Two Spirit, queer, Black, and Indigenous candidates and candidates of colour are invited to self-identify. * For students who are already enrolled or students at other universities: * A cover letter that describes why you are interested in this position and your relevant skills, background, and experience. Trans, Two Spirit, queer, Black, and Indigenous candidates and candidates of colour are invited to self-identify. * A CV * An unofficial transcript from your most recent academic experience Deadline: * Incoming University of Ottawa and Carleton students: Your graduate program?s application deadline. * Enrolled students and students at other universities in Canada and the United States: February 1, 2022 Do you have questions? Feel free to reach out to project director Laura Horak at laura.horak at carleton.ca. For questions about the specific graduate programs, contact the graduate supervisor for that program. This position is funded by the Social Science and Humanities Research Council of Canada. Transgender Media Portal: Website | Facebook | Instagram | Twitter -- Laura Horak (she/her) Director of the Transgender Media Lab and Transgender Media Portal Associate Professor of Film Studies School for Studies of Art and Culture Carleton University | Unceded Algonquin territory This email contains links to content or websites. Always be cautious when opening external links or attachments. Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages. When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: From alyssek at gmail.com Mon Jan 31 15:24:42 2022 From: alyssek at gmail.com (Alysse Kushinski) Date: Mon, 31 Jan 2022 14:24:42 -0800 Subject: [acc-cca-l] Call for Reviews for PUBLIC 66: Ability, Disability & Digital Publishing Message-ID: [?EXTERNAL] Dear CCA colleagues, please find below a call for reviews for issue 66 of PUBLIC. Apologies for cross-posting. We are currently seeking submissions for reviews of books and media (exhibitions, digital publishing projects and zines, amongst other forms) for PUBLIC 66: Ability, Disability & Digital Publishing. Reviews should relate to media addressing the themes of the special issue ? a list of possible texts for review are included in the issue description attached below. If you are interested in authoring a review for this special issue please send an email to publicbookreviews at gmail.com with a short biography, your affiliation, and the title of the proposed work for review. If you are proposing a review of a non-academic book, please include a short description of the work and its relation to the special issue themes. The deadline for first-drafts is April 1, 2022. Expressions of interest should be submitted by February 7, 2022 for full consideration. Many Thanks, Alysse Kushinski and Scott Birdwise Alysse Kushinski, PhD Book Review Editor PUBLIC: Art | Culture | Ideas http://www.publicjournal.ca/ [https://lh5.googleusercontent.com/6iz_TcJSzf09Svc5Xva1D1RuK91IuGj-Tt8taayM25sMwPKEIAx1ny2txe7ikA9xmZ2BH8R3zB6_3yU1pz8x0c0weT3Gp8qr_SFwIkWkpWcbE4w6U6YTphKyYszrEBAHALBGFlto] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Book Reviews PUBLIC 66.pdf Type: application/pdf Size: 100462 bytes Desc: not available URL: From celat at uqam.ca Tue Feb 1 06:31:17 2022 From: celat at uqam.ca (CELAT-UQAM) Date: Tue, 1 Feb 2022 13:31:17 +0000 Subject: [acc-cca-l] =?windows-1252?q?R=E9fl=E9chir_au_temps_qui_passe_-_?= =?windows-1252?q?Table_ronde_9_f=E9vrier?= Message-ID: [?EXTERNAL] http://www.celat.ulaval.ca/midi-causerie-du-celat-uqam-9-fevrier-2022/ Le CELAT-UQAM (Centre de recherche Cultures-Arts-Soci?t?s) vous invite, le mercredi 9 f?vrier, de 12 h 30 ? 14 h (heure de Montr?al), ? une table ronde Zoom sur le th?me ? R?fl?chir au temps qui passe ?. Anim?e par Magali Uhl, l?activit? rassemblera Karine Bellerive, Line Grenier et Fannie Valois-Nadeau. ? Cette table ronde vise ? r?fl?chir au temps et aux temporalit?s ? l?aide d?outils th?oriques et analytiques inspir?s d?approches culturelles critiques des m?moires et des vieillissements. ? travers des r?cits de pratiques et de terrains de recherches diversifi?s, les participantes souhaitent partager des propositions communes quant aux fa?ons d?aborder les enjeux du vieillissement et de la m?moire en sciences sociales, et ce, partant d?une exploration des questions d?h?ritage et de mat?rialit?. ? Lien Zoom : https://uqam.zoom.us/j/88374613225 CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrices : Estelle Grandbois-Bernard et Fannie Valois-Nadeau 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ L'UQAM est situ?e en territoire autochtone non c?d?. Historiquement, Tiohti?:ke (Montr?al) f?t un lieu de vie, de rencontres et d??changes entre les peuples autochtones. UQAM is located on unceded Aboriginal territory. Historically, Tiohti?:ke (Montreal) was a place of living, gathering and exchanges between indigenous peoples. -------------- next part -------------- An HTML attachment was scrubbed... URL: From aoun.rania at uqam.ca Tue Feb 1 07:13:11 2022 From: aoun.rania at uqam.ca (Aoun, Rania) Date: Tue, 1 Feb 2022 14:13:11 +0000 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_com_Colloque_International_?= =?utf-8?q?=22Big_Data_=3A_influence=2C_manipulation_et_micro-ciblage_en_c?= =?utf-8?q?ontexte_num=C3=A9rique=22?= Message-ID: [?EXTERNAL] Ch?res et Chers tout.es, Je partage avec vous l'Appel ? communications pour le colloque international ? Big data : influence, manipulation et micro-ciblage en contexte num?rique ? organis? par l'ISTC | Universit? de Caen Normandie, l'UQAM | Universit? du Qu?bec ? Montr?al et Ecoposs Universit? catholique de Lille. Dates et lieux : Les 25 et 26 Octobre 2022, ISTC (Lille, France) Les 27 et 28 Octobre 2022, UQAM (Montr?al, Canada) Comit? d'organisation : * Camila PEREZ LAGOS, MCF ? l?ISTC, Lille, CIM ? G?RIICO * Rania AOUN, enseignante-chercheuse ? l?Universit? du Qu?bec ? Montr?al (UQAM) et Coll?ge universitaire Glendon, Universit? York * Mehdi GHASSEMI, Directeur P?le Recherche ? l?ISTC, Lille ? CECILLE * Destiny TCHEHOUALI, PR Universit? du Qu?bec ? Montr?al, Co-titulaire de la Chaire UNESCO en communication et technologies pour le d?veloppement, Directeur de l?Observatoire des r?seaux et interconnexions de la soci?t? num?rique (ORISON) * Elsa JAUBERT, MCF Universit? de Caen ? ERLIS Date limite pour soumettre votre proposition de communication : 15 mars 2022 ? ? l'adresse suivante: colloquebigdata2022 at gmail.com Bien cordialement, --------------------------------------------------------------------- Rania Aoun Charg?e de cours, DCSP Universit? du Qu?bec ? Montr?al Professeure contractuelle College universitaire Glendon, Universit? York Chercheure associ?e, ORBICOM et Chaire UNESCO en communication et technologies pour le d?veloppement -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Appel a? communications_Colloque Big Data 2022.pdf Type: application/pdf Size: 179697 bytes Desc: Appel a? communications_Colloque Big Data 2022.pdf URL: From cordelier.benoit at uqam.ca Tue Feb 1 13:18:17 2022 From: cordelier.benoit at uqam.ca (=?Windows-1252?Q?Cordelier=2C_Beno=EEt?=) Date: Tue, 1 Feb 2022 20:18:17 +0000 Subject: [acc-cca-l] =?windows-1252?q?Communiquer_=7C_AAA=3A_L=27alimenta?= =?windows-1252?q?tion=2C_un_ph=E9nom=E8ne_communicationnel_=3F?= Message-ID: [?EXTERNAL] - CfP: Food, a communication phenomenon? > Ch?res lectrices et chers lecteurs, C'est avec plaisir que le comit? ?ditorial de Communiquer vous annonce le lancement de l?appel ? articles ? L'alimentation, un ph?nom?ne communicationnel ? ?. Le dossier est coordonn? par Manon Niquette (Universit? Laval, Canada), Vincent Fournier (Universit? du Qu?bec ? Montr?al, Canada) et Alexandre Coutant (Universit? du Qu?bec ? Montr?al, Canada). Pour plus de d?tails, vous pouvez consulter la page avec l?appel complet : https://journals.openedition.org/communiquer/8782 En plus des articles, vous pouvez proposer une note de lecture en lien avec le th?me du dossier (pour publication avec le dossier) ou d?int?r?t g?n?ral du domaine des sciences de la communication (pour publication dans le num?ro Varia). Pour plus de d?tails, veuillez consulter les consignes ? la page suivante : https://journals.openedition.org/communiquer/1606 ANNONCES G?N?RALES Communiquer re?oit toutes propositions d?articles spontan?es pour publication dans son num?ro de Varia qui r?pondent ? notre ligne ?ditoriale, nos consignes de mise en forme et de soumission. Nous vous invitons aussi ? faire des suggestions de notes de lecture et ? consulter la listes d?ouvrages disponibles sur notre site web. Bien ? vous, Le comit? ?ditorial Benoit Cordelier, professeur, D?partement de communication sociale et publique, UQAM Camille Alloing, professeur, D?partement de communication sociale et publique, UQAM Caroline Bouchard, professeure, D?partement de communication sociale et publique, UQAM Dominic Duval, professeur, D?partement de communication sociale et publique, UQAM Martin Lussier, professeur, D?partement de communication sociale et publique, UQAM Florence Millerand, professeure, D?partement de communication sociale et publique, UQAM Pierre-Gabriel Dumoulin, secr?taire de r?daction, Facult? de communication, UQAM -- Benoit Cordelier Professeur, D?partement de communication sociale et publique Universit? du Qu?bec ? Montr?al, UQAM Communiquer Revue de communication sociale et publique LabFluens, laboratoire sur l?influence et la communication ComSant?, centre de recherche sur la communication et la sant? ReCOr, groupe de recherche sur la communication organisante R?LAM, r?seau d??tudes latino-am?ricaines de Montr?al Pzl?n -------------- next part -------------- An HTML attachment was scrubbed... URL: From eduar.barbosa at urosario.edu.co Thu Feb 3 08:40:03 2022 From: eduar.barbosa at urosario.edu.co (Eduar Barbosa Caro) Date: Thu, 3 Feb 2022 15:40:03 +0000 Subject: [acc-cca-l] New CFP - Public Communication and Armed Conflicts Message-ID: [?EXTERNAL] Articles for Vol. 16, Issue 2 (Jul-Dec, 2023) + Open Section "Avances" Public Communication and Armed Conflicts: The Role of Cognition and the Algorithm in Defense and National Security Environments https://revistas.urosario.edu.co/index.php/disertaciones Cyberspace has established itself as a new environment of strategic relevance in fields such as geopolitics, economy, defense, and of course in the development of armed conflicts where a disruptive change has occurred both in the physical limits in which they develop, as well as with the ethical and legal judgment that they have deserved up to now. New technologies have altered military tactics mainly in three aspects, namely: autonomous weapons systems, that is, remote warfare; the command and control of the conflict aided by predictive artificial intelligence; and the control of the social groups concerned through the new ICTs applied to the so-called cognitive field. The algorithm has shaped a new battlefield with new rules and new possibilities for the contenders. Without physical borders or clear judicial demarcations, with an international regulation based for the moment on codes of good practice and responsible behavior. This is something that seems ironic when dealing with war issues. Innovative tools such as the Internet, together with social media, have created a space where political legitimacy is created and a large part of the decisions are made, including military ones. These mechanisms, properly used in the cognitive field of the so-called cyber wars, will be the new weaponry with which it will be possible to subjugate enemy nations or groups without warfare or bloodshed once the support of public opinion has been won. With these techniques, this type of confrontation could be avoided, since the same authorities, institutions, and opinion leaders of the enemy countries, once conveniently corrupted, can become network operators themselves, creating a political story with which dissent is eliminated, both through soft censorship (such as the imposition of political correctness and its agenda) and harsh censorship, such as information closure, deletion, denial of services and presence, fake news, hacker activism, cyber guerrilla or cyberwar. Thus, persuasion takes on special relevance in the field of military operations, of which Sun Tzu already spoke: "You have to subjugate the enemy without presenting a battle." Thus, the vulnerability that underlies these technologies is that if they are used perfidiously in the cognitive field, there is the possibility of turning democratic systems into virtual democracies disconnected from citizens, in which the truly important decisions would be taken by a technical elite, the specialists, with an unknown face, who would dominate the algorithms, designing them according to their particular ideology and sibylline vision of logic without the help of citizens turned into users. In this call for papers, Disertaciones seeks original empirical articles that address moral, technical, or legal aspects of how States, or parastatal organizations, address the use of so-called new technologies in the cognitive field, that of persuasion and social engineering applied to armed conflicts and warlike emergencies. All of which does not exclude other proposals that deal with issues related to communication/cyber warfare/artificial intelligence, associated with Defense and the security of civilians. As a guide, the following topics of interest are suggested: - Algorithms and war propaganda: moral and legal aspects. - Artificial Intelligence, new technologies, platforms for disseminating information and social communication: their influence in the field of Security and Defense. - The geopolitics of chips: new communication and information technologies and their influence on the arms industry. - New forms of control: Bots, Twitter, Facebook, and the censorship of the big news monopolies. - Serious social alterations and ethical codes of communication companies in the new secular religions: indigenism, environmentalism, immigration, politics as revealed truths, etc. - Cyberattacks on States and their psychosocial effects on the population - Ethics and legality of the control of society through algorithms, social engineering, and communication. Indignation, protest, and war. - State actors, cyberactivism, and new information technologies to modulate social perceptions and influence the opinion and reputation of States. - The polarization of discourse, through the algorithm, through social media and its influence on electoral processes, pre-war situations, or open wars. - State actors and the use of cyber mercenaries in social conflicts and live or latent armed conflicts. - The polarization of discourse through social networks and its influence on electoral processes, pre-war situations, or open wars. - Algocracy, public communication, and military forces. - Hacker activism, fake news, cyber communication, and the new cyber warriors in the next cyber cold war. - Cyberwar, National Security, strategic communication, and its legislation. - Armed conflicts, Spanish Armed Forces, and their public information units. The Public Information Regiment. - Use of artificial intelligence and public communication in the prevention and response to disaster or emergencies. - Internet, social media, and protection of the civilian population in disaster situations, war emergencies. - The universalization of journalism in emergencies. From war correspondents to the immediacy of YouTube. Deadline: September 30th, 2022. Coordinated by ?ngel Ib??ez (angelip2003 at hotmail.com) [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/facebook-urosario.png] [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/twitter-urosario.png] [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/instagram-urosario.png] [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/urosario-text.png] [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/logo-urosario.png] Escuela de Ciencias Humanas Eduar Barbosa Caro Profesor de carrera - Periodismo y Opini?n P?blica [https://www.urosario.edu.co//PortalUrosario/media/UR-V4/Home/img/footer/ubicacion.jpg] Calle 12C # 6-25 [https://www.urosario.edu.co//PortalUrosario/media/UR-V4/Home/img/footer/email.jpg] eduar.barbosa at urosario.edu.co [https://www.urosario.edu.co//PortalUrosario/media/UR-V4/Home/img/footer/telefono.jpg] Tel: (571) 297 0200 Ext. 3854 [https://www.urosario.edu.co/PortalUrosario/media/UR-V4/Home/img/footer/web.jpg] www.urosario.edu.co -------------- next part -------------- An HTML attachment was scrubbed... URL: From rgrose at ualberta.ca Thu Feb 3 11:57:47 2022 From: rgrose at ualberta.ca (Rebecca Grose) Date: Thu, 3 Feb 2022 11:57:47 -0700 Subject: [acc-cca-l] DiHuCon 2022 Call For Proposals Message-ID: [?EXTERNAL] Hello, everyone, DiHuCon 2022 is currently accepting submissions to present at its conference on March 14-15, 2022. DiHuCon is an online, student-led conference from the Master of Arts, Digital Humanities program at the University of Alberta. This conference is perfect for new academics and students due to its relaxed environment and low-stakes presentation format. This year's theme is Kindred Cyberspaces, an invitation to consider the networks of infrastructure and relationships that constitute and permeate our experience of and within digital environments, to reflect on past expressions of these relations, their current iterations, and dream of alternatives. How might epistemologically diverse communities relate internally and with kindred communities--human, non-human, or more-than-human--within the context of cyber places? For more information and for the CFP, please visit the DiHuCon website: https://sites.google.com/ualberta.ca/dihucon2022/home?authuser=0 -- -- Rebecca Grose MA in Digital Humanities Candidate, University of Alberta VP External, Digital Humanities Student Association (DHSA) she/her -------------- next part -------------- An HTML attachment was scrubbed... URL: From ogbornd at mcmaster.ca Thu Feb 3 15:08:33 2022 From: ogbornd at mcmaster.ca (Ogborn, David) Date: Thu, 3 Feb 2022 22:08:33 +0000 Subject: [acc-cca-l] Free public talk by Dr. Wendy Hui Kyong Chun, Tue 8 Feb 2022 Message-ID: [?EXTERNAL] Dear colleagues (with apologies for cross-posting), You are warmly invited to join us for a public talk (on Zoom) by Dr. Wendy Hui Kyong Chun entitled "The Digital Democracies Institute and why interdisciplinary work is effective, productive, and necessary". Dr. Chun is a 2022 Hooker Distinguished Visiting Professor at McMaster University, sponsored by the Department of Communication Studies and Media Arts, the Department of English and Cultural Studies, the School of the Arts, the Centre for Networked Media and Performance, the Sherman Centre for Digital Scholarship, the graduate program in Gender and Social Justice, and the undergraduate program in Global Peace and Social Justice. Full details below - please note that advance registration on Zoom (free) is required. When: Feb 8, 2022 04:30 - 6:00 PM Eastern Time (US and Canada) Register in advance for this meeting: https://mcmaster.zoom.us/meeting/register/tJUode-gqTMqGdT3qBbcSYFT8DfY-PmPN8qi Dr. Wendy Hui Kyong Chun: "The Digital Democracies Institute and why interdisciplinary work is effective, productive, and necessary." Abstract: The Digital Democracies Institute (DDI) integrates research in the humanities and data sciences to address questions of equality and social justice. Our work aims to combat the proliferation of online ?echo chambers,? abusive language, discriminatory algorithms and mis/disinformation, by fostering critical and creative user practices, and alternative paradigms for connection. A range of disciplines provides rich perspectives on democracy?s ideals and practices in the Internet age. Yet, despite the best efforts of specialists in various disciplines and sectors, the problems of misinformation, radicalization, echo chambers, and abusive language persist. A lack of communication across disciplinary and sectoral boundaries means that insights into these problems may be replicated and not shared, and solutions that may depend on insights from another discipline may not be considered. In addition, the lack of a common vocabulary inhibits the development of shared theoretical frameworks and solutions. The Digital Democracies Institute aims to bridge this gap through interdisciplinary collaboration and knowledge mobilization. Bio: Wendy Hui Kyong Chun is Simon Fraser University?s Canada 150 Research Chair in New Media in the School of Communication and Director of the DDI. She has studied both Systems Design Engineering and English Literature, which she combines and mutates in her current work on digital media. She is author of Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT, 2006), Programmed Visions: Software and Memory (MIT 2011), Updating to Remain the Same: Habitual New Media (MIT 2016), and Discriminating Data (2021, MIT Press), and co-author of Pattern Discrimination (University of Minnesota + Meson Press 2019). She has been Professor and Chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and where she?s currently a Visiting Professor. She has also been a Visiting Scholar at the Annenberg School at the University of Pennsylvania, Member of the Institute for Advanced Study (Princeton), and she has held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard. She has been a Visiting Professor at AI Now at NYU, the Velux Visiting Professor of Management, Politics and Philosophy at the Copenhagen Business School; the Wayne Morse Chair for Law and Politics at the University of Oregon, Visiting Professor at Leuphana University (Luneburg, Germany), and a Visiting Associate Professor in the History of Science Department at Harvard, of which she is an Associate. ------------------- Dr. David Ogborn Associate Professor, Dept. of Communication Studies and Media Arts Graduate Chair, MA in Communication and New Media Graduate Chair, PhD in Communication, New Media, and Cultural Studies Associate Member, School of the Arts Associate Member, Dept. of Computing and Software McMaster University, Hamilton, Ontario, Canada +1-905-525-9140 ext 27603 From ncasemajor at gmail.com Fri Feb 4 13:45:24 2022 From: ncasemajor at gmail.com (Nathalie Casemajor) Date: Fri, 4 Feb 2022 15:45:24 -0500 Subject: [acc-cca-l] =?utf-8?q?Poste_de_professeur=2Ee_-_INRS_-_Fracture_?= =?utf-8?q?num=C3=A9rique?= Message-ID: [?EXTERNAL] Processus de recrutement d?un nouveau membre du corps professoral au Centre Urbanisation Culture Soci?t?/UMR INRS-UQAR Chers membres de la communaut?, Dans le cadre de la cr?ation d?une Unit? mixte de recherche localis?e au campus de Rimouski de l?Universit? du Qu?bec ? Rimouski (UQAR), un poste de professeur(e) sp?cialis?(e) en sciences sociales dans le domaine de la fracture num?rique est affich? jusqu?au 4 mars 2022. Les personnes candidates devront ?tre en mesure de d?velopper, dans le cadre des orientations multidisciplinaires et intersectorielles de l?UMR INRS-UQAR, des activit?s de recherche novatrices li?es ? la fracture num?rique en r?gion. Nous vous remercions de partager cette offre dans vos r?seaux. Pour en savoir plus : https://inrs.ca/offres-d-emploi/professeure-ou-professeur-en-sciences-sociales-poste-sur-le-theme-de-la-fracture-numerique-umr-inrs-uqar/ Professeure ou professeur en sciences sociales | Poste sur le th?me de la fracture num?rique | UMR INRS-UQAR | INRS inrs.ca Candidatures sollicit?es pour un poste de professeur(e)-chercheur(e) sp?cialis?(e) en sciences sociales - fracture num?rique et num?ratie. Nathalie Casemajor Professeure _ Institut national de la recherche scientifique Centre Urbanisation Culture Soci?t? 385, rue Sherbrooke Est, Montr?al (Qu?bec) H2X 1E3, Canada Tel: 514 499-4000 Fax: 514 499-4065 -------------- next part -------------- An HTML attachment was scrubbed... URL: From melmillette at gmail.com Mon Feb 7 08:01:15 2022 From: melmillette at gmail.com (=?UTF-8?Q?M=C3=A9lanie_Millette?=) Date: Mon, 7 Feb 2022 10:01:15 -0500 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_communication_r=C3=A9vis?= =?utf-8?q?=C3=A9_--_Colloque_du_LabCMO_=C3=A0_Montr=C3=A9al=2C_9-1?= =?utf-8?q?0_mai_2022?= Message-ID: [?EXTERNAL] Bonjour, hi! Je me permets de faire circuler de nouveau cet appel suite ? diff?rents changements. Le colloque aura lieu en ligne ET en pr?sentiel ? Montr?al, les 9 et 10 mai prochains. Je vous invite ? consulter les d?tails ci-bas ou la pi?ce jointe. Merci de faire circuler dans vos r?seaux. En vous souhaitant une excellente journ?e, -- M?lanie Millette, PhD. Professeure, D?partement de communication sociale et publique, UQAM Membre r?guli?re et responsable de l'Axe m?thodologique du LabCMO Twitter : @MelMillette melmillette.com --- APPEL ? COMMUNICATIONS (r?vis?) Colloque international du Laboratoire sur la communication et le num?rique (LabCMO) 9 et 10 mai 2022 ? Montr?al, Canada Le num?rique au prisme des pratiques : enjeux th?oriques et m?thodologiques Pleinement int?gr? dans la soci?t?, le num?rique accompagne des transformations importantes dans les mondes du travail, de l??ducation, de la sant?, de la culture, de l??conomie, et de la vie politique. Elles touchent plus largement les mani?res de vivre, de travailler, de consommer, de s'informer et d?interagir avec autrui. Ces changements de fond donnent ? voir l??mergence de nouvelles pratiques autant qu?ils participent ? reconfigurer les pratiques sociales existantes dans lesquelles s?int?grent les technologies et m?dias num?riques. C?est sur l??tude des pratiques sociales en relation avec les dispositifs techniques que ce colloque se penchera pour mieux comprendre les transformations associ?es ? l?essor du num?rique dans la soci?t?. Ces transformations ont ?t? jusqu?? pr?sent essentiellement analys?es dans une perspective qui place les technologies au coeur de la r?flexion, selon deux approches : celle, au niveau macrosocial, de l??tude des impacts de la technologie, et celle, au niveau microsocial, de l??tude de leurs usages. Ce colloque invite ? suivre une troisi?me approche en mettant les pratiques sociales, culturelles, professionnelles, scientifiques, etc., dans lesquelles s?ins?rent les technologies et m?dias num?riques, au centre de l?analyse. Plus pr?cis?ment, cette posture invite ? appr?hender les transformations de fond associ?es ? l?essor du num?rique en d?pla?ant l?attention des dispositifs eux-m?mes sur les diff?rents contextes d?activit? sociale que ces dispositifs contribuent ? transformer voire ? faire ?merger. La notion de pratique conna?t par ailleurs depuis plusieurs ann?es un regain d?int?r?t en sciences sociales, et notamment dans le domaine des ?tudes sur la communication et les m?dias, au point que l?on peut y d?celer l??mergence d?un ? tournant de la pratique ?. Ce dernier s?incarne dans plusieurs d?veloppements r?cents des th?ories de la pratique (Cetina et al 2005; Couldry 2004; Hui et al 2016; Reckwitz 2002; Schatzki 2016). En outre, l??tude des pratiques sociales comme unit? d?analyse pour saisir les enjeux de la num?risation de la soci?t? a fait l?objet d?appels r?currents de la part des chercheurs et chercheuses du domaine, notamment au sein du courant de la sociologie des usages. En en faisant le th?me du pr?sent colloque, le LabCMO entend r?pondre ? cet appel en r?unissant les chercheurs et chercheuses francophones int?ress?s par la question, et contribuer ainsi aux r?flexions et d?bats contemporains sur les enjeux th?oriques et m?thodologiques de l??tude du num?rique au prisme du concept de pratique. Les discussions seront structur?es autour de trois axes : Axe 1 : Approches th?oriques et conceptualisations de la pratique. Les contributions s?int?resseront aux fondements th?oriques du concept de pratique dans l??tude des mutations sociales en lien avec le num?rique. Elles pourront prendre la forme de travaux g?n?alogiques sur le concept de pratique, ses diff?rentes d?clinaisons et leur op?rationnalisation pour aborder l?incidence du num?rique dans divers contextes. Axe 2 : Enjeux m?thodologiques de l??tude des pratiques en contexte num?rique. Les contributions se concentreront sur les m?thodes ? mettre en ?uvre pour saisir les pratiques sociales en relation avec les dispositifs num?riques, en abordant les d?fis, ?cueils, ainsi que les opportunit?s d?innovations m?thodologiques pour la conduite de recherches en terrains num?riques. Axe 3 : ?tudes empiriques mobilisant le concept de pratique. Les contributions rendront compte de travaux portant sur des pratiques sociales impliquant des dispositifs num?riques dans diff?rents contextes d?activit?. Elles jetteront un ?clairage sur des pratiques ?mergentes et/ou feront ?tat de reconfigurations de pratiques dans lesquelles s?ins?rent les technologies et m?dias num?riques. Format des propositions Nous invitons les chercheuses et chercheurs int?ress?s ? soumettre une proposition de communication (en format Word ou PDF) comprenant les ?l?ments suivants : - Les noms, affiliations et courriels des auteurs et autrices - Le titre de la communication (maximum 180 caract?res espaces comprises); - L?axe du colloque dans lequel s?inscrit la communication; - Un r?sum? de 500 mots (r?f?rences non comprises) faisant ressortir l?int?r?t de la contribution et comportant un aper?u de la probl?matique, du cadre th?orique et/ou de la m?thodologie, du terrain r?alis? et des r?sultats le cas ?ch?ant); - Une liste des r?f?rences cit?es; - Le mode de pr?sentation choisi : en ligne ou en pr?sentiel ? Qu?bec. Les propositions doivent ?tre envoy?es au plus tard le 22 f?vrier 2022 ? l?adresse suivante : colloque at labcmo.ca Dates importantes ? Date limite de soumission des propositions : (date r?vis?e) 22 f?vrier ? Annonce des propositions retenues : (date r?vis?e) 1er mars 2022 ? Dates du colloque : 9 et 10 mai 2022 Lieu et format du colloque Le colloque se tiendra en format hybride, ? l'UQAM, Montr?al (Qu?bec), Canada, et en ligne Comit? scientifique et d?organisation Guillaume Latzko-Toth, D?partement d?information et de communication, Universit? Laval Florence Millerand, D?partement de communication sociale et publique, UQAM Madeleine Pastinelli, D?partement de sociologie, Universit? Laval Alexandre Coutant, D?partement de communication sociale et publique, UQAM Claudine Bonneau, D?p. d'analytique, op?rations et technologies de l'information, ESG-UQAM M?lanie Millette, D?partement de communication sociale et publique, UQAM Assistants : Augustin Kasita, Universit? Laval Wail M?taoui, Universit? Laval Contact et renseignements colloque at labcmo.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: AAC - Colloque LabCMO 2022.pdf Type: application/pdf Size: 67341 bytes Desc: not available URL: From rbuiani at gmail.com Wed Feb 9 08:11:54 2022 From: rbuiani at gmail.com (roberta buiani) Date: Wed, 9 Feb 2022 10:11:54 -0500 Subject: [acc-cca-l] Who Cares? sustaining relations of health beyond the time of crisis. Program Launch and invitation Message-ID: <283FF1ED-9E3E-4AB6-93C2-50AF377EA635@gmail.com> [?EXTERNAL] Heallo, I am pleased to announce the launch of this transdisciplinary speakers series and exhibitions I hope some of you will decide to attend. Roberta [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/39a13a25-9aa2-0647-7bad-caf453f102ef.png] We are Pleased to announce the program of ?Who Cares? Sustaining relations of health beyond the time of crisis?. ?Who Cares?? is a Speaker Series dedicated to fostering transdisciplinary conversations between doctors, writers, artists, and researchers on contemporary biopolitics of care and the urgent need to move towards more respectful, creative, and inclusive social practices of care in the wake of the systemic cracks made obvious by the pandemic. The series will take place online and in hybrid form starting on Feb 14 until Apr 10 [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/f348fa19-debf-d63d-dcf1-d2b20cb75971.png] Please, check out the program on our website and to register for the events https://artscisalon.com/who-cares/ More details about upcoming events will be circulated as they become available. [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/0f3d9067-ccea-238b-3573-bf09a47aa591.jpg] Bahar Orang is a writer and clinician scholar in the Department of Psychiatry at the University of Toronto. Her creative and clinical work seeks to engage with ways of imagining care beyond the carcerality that medical institutions routinely reproduce Our first event will feature a conversation with Bahar Orang, author of Where Things Touch, Monday, Feb. 14th online 10:30 to 12:00pm on staying attuned to the fragile intimacies of care beyond the stifling demands of institutional environments. REGISTER HERE We wish to thank the generous support of the Social Science and Humanities Research Council of Canada, New College, the D.G. Ivey Library, and the Institute for the History and Philosophy of Science and Technology at the University of Toronto; the Centre for Feminist Research, Sensorium Centre for Digital Arts and Technology, The Canadian Language Museum, the Departments of English and the School of Gender and Women?s Studies at York University. We also wish to thank the support of The Fields Institute for Research in Mathematical Sciences This series is co-produced in collaboration with the ArtSci Salon For all inquiries, please contact us at roberta.buiani at utoronto.ca (Roberta Buiani) or ebasile at yorku.ca (Elena Basile) [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/56c03c4b-292a-cbaf-44d1-c31804e636de.png] [Facebook] [Twitter] [Link] This email was sent to roberta.buiani at utoronto.ca why did I get this? unsubscribe from this list update subscription preferences ArtSci salon ? 222 College Street ? Toronto, On M5T 2X3 3J1 ? Canada [Email Marketing Powered by Mailchimp] -------------- next part -------------- An HTML attachment was scrubbed... URL: From dylanmulvin at gmail.com Thu Feb 10 07:22:07 2022 From: dylanmulvin at gmail.com (Dylan Mulvin) Date: Thu, 10 Feb 2022 14:22:07 +0000 Subject: [acc-cca-l] Call For Abstracts - Proxies, Stand-ins, and Warm-ups, a virtual symposium (April 27, 2022) Message-ID: <028F3E52-635E-4C33-80E5-181FF123DCE7@gmail.com> [?EXTERNAL] Hi CCA-ers, I?m forwarding a Call For Abstracts for a small, one-day symposium organised around ?Proxies, stand-ins, and warm-ups.? Co-hosted by myself, at the LSE, and Annette Hill at Lund University. Email me with any questions! Warm regards, Dylan Mulvin Assistant Professor | Department of Media & Communications Programme Director | MSc in Media & Communications The London School of Economics and Political Science New Book: Proxies: The Cultural Work of Standing In (MIT Press) *Open access version available here* Call for Abstracts - Proxies, Stand-ins, and Warm-ups, a virtual symposium (April 27, 2022) Co-hosted by Dylan Mulvin (London School of Economics) and Annette Hill (Lund University) We invite applications for a (virtual) symposium on the proxy, the stand-in, and the warm-up to be co-hosted by the London School of Economics and Lund University. We aim to gather an eclectic and wide-ranging cohort of people exploring the emergent intersection of technology, background work, and hidden performances within media and cultural industries ? the infrastructural and hidden labour of our daily lives. We offer this invitation for those who want to further interrogate the cultural dynamics of proxies. The logics of the stand-in draw attention to how certain people, and attendant material objects and infrastructures, are made to not matter and disappear from view. Our world is suffused with proxies, and the background work of the people who stand in for others, from models who pose for test images to calibrate image technologies, stand-ins for theatre and live events, warm-up acts who prepare an audience for an entertainment show, to voice-over actors, foley artists, and stunt doubles. The art of performing as a stand-in reaches far beyond the fixed realms of media and cultural industries and deep into civil society, including the medical establishment and legal institutions where we might find medical actors who offer their bodies up to trainee physicians and mock juries who come to stand-in for the ordinary citizens. This symposium will dig deeper into these stand-in dynamics while mapping an already existing and interdisciplinary investment in the surrogate logic, absent presence, and politics of proxiness. -- Send abstracts to: Dylan Mulvin d.mulvin at lse.ac.uk & Annette Hill annette.hill at kom.lu.se Submission deadline: March 4, 2022 (notifications sent out by March 28) Submission details: a (maximum) 400-word abstract and a 200-word biography [Text Description automatically generated] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: clip_image001.png Type: image/png Size: 1507678 bytes Desc: not available URL: From Felix_Odartey at cbu.ca Sat Feb 12 08:33:12 2022 From: Felix_Odartey at cbu.ca (Felix Odartey-Wellington) Date: Sat, 12 Feb 2022 15:33:12 +0000 Subject: [acc-cca-l] =?utf-8?q?DEADLINE_EXTENDED_/_DELAI_PROLONGE_=3A_Bui?= =?utf-8?q?lding_an_Anti-Racism_Strategy_for_Canadian_Broadcasting_/_Const?= =?utf-8?q?ruire_une_strat=C3=A9gie_antiracisme_pour_la_radiodiffusion_can?= =?utf-8?q?adienne?= Message-ID: [?EXTERNAL] Dear CCA Colleagues, We are very pleased to announce a deadline extension (to March 3rd, 2022) for the following Call for Proposals for a series of activities happening this year to build an anti-racism strategy for Canadian broadcasting. Please help circulate this timely and important CFP far and wide. We hope you will join us for the regional events and national conference. Thank you most kindly and enjoy your weekend. Dr. Felix Odartey-Wellington (CBU) Dr. Gretchen King (LAU) Community Media Advocacy Centre CALL FOR PROPOSALS Building an Anti-Racism Strategy for Canadian Broadcasting: Conversation & Convergence ( La version fran?aise suit ci-dessous ) Regional Events: April-May-June (Montreal, Vancouver, and Halifax) and September-October 2022 (Calgary and Winnipeg) National Conference: November 2022 (Ottawa) Website: https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=http%3a%2f%2fantiracism.media&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-b9b827e64a18b0b3214ca9e2fc5b5a189e4e26b0 Email: antiracism.media2022 at gmail.com Racism is a barrier to achieving cultural diversity in media and a culturally diverse media is important for civil society constitution, community engagement, and public discourse formation. The ?Building an Anti-Racism Strategy for Canadian Broadcasting: Conversation & Convergence? consultative events will confront barriers experienced by Racialized Canadians (including Black, Indigenous, and People of Colour) in media access, representation, and employment-related practices. The deliberative process guiding these events will develop and disseminate an anti-racism strategy that aims to impact the future of media practices by reducing barriers to participation in broadcasting policy-making for Racialized Canadians. These important and timely events organized by the Community Media Advocacy Centre (https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=www.CMACentre.ca&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-dea5a61e2c3c9d5b94065474b57c4c885b164bf3) and supported by Heritage Canada will begin in spring 2022 with five regional one-day gatherings to be held across Canada starting in Montreal, QC (April); Vancouver, BC (May); Halifax, NS (June); Calgary, AB (September); and Winnipeg, MB (October). These regional gatherings will culminate in a national two-day conference in Ottawa, ON (November). The void in available research about the media needs and wants of Racialized communities motivates these outreach activities leading up to the national conference that will bring together Racialized media practitioners and broadcasters, the general public, established and emerging scholars as well as civil society actors and organizations working in the areas of Racialized issues, communications law, and media policy to discuss the main challenges in achieving culturally diverse media. You and your organization are invited to propose an activity that addresses any of the questions identified below. We welcome for consideration any format or stimulating initiative that will spark discussions in the practitioner, policy and academic worlds as well as engage the participation of Racialized communities and their organizations. All proposals should make at least two recommendations for building an anti-racism strategy for Canadian broadcasting. HOW TO MAKE A PROPOSAL We are seeking proposals that mobilize and disseminate knowledge from practical experience or research and can be presented in any format: - individual or group or project presentations - panels - focus groups - brainstorming sessions - roundtable discussions - group experiences - policy papers - training curriculum To make a proposal fill out the form: https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=https%3a%2f%2fforms.gle%2fwkHmuW1RkNptqedXA&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-ac4d57232382c4929f6230783f7f0fbad9496168 Proposals can be made for the regional events and/or national conference. Each proposal submitted should make at least two recommendations for building an anti-racism strategy for Canadian broadcasting and address one or more of the following questions guiding the organization of these events: 1. What is the state of media by/for Racialized communities and culturally diverse broadcasting in Canada as identified by Racialized broadcasters and audiences? 2. With a focus on broadcasting, what do Racialized communities want and need from Canadian media across all sectors (i.e. public/government, private/corporate and community/not-for-profit broadcasting)? 3. What urgent challenges - from barriers to media access as well as a lack of representation in programming and employment - should be addressed to build an anti-racism strategy for Canadian broadcasting? 4. What insights do key stakeholders working in the areas of Racialized issues, communications law, and media policy offer on the ways forward? 5. What investments, skills, and policies are needed to cultivate a sustainable future for Racialized broadcasting and culturally diverse media in Canada? LANGUAGE OF PRESENTATION Activities can be presented in French, English or both languages. SUBMISSION OF PROPOSALS You must provide - a title - an abstract (approximately 300 words) - at least two recommendations for building an anti-racism strategy - a short biography (less than 150 words) that includes your work in the field of Racialized media Deadline for the submission of proposals: March 3, 2022. Acceptance notifications along with a preliminary program will be sent by March 11, 2022. COSTS Participation in this event is free. The organizing committee has funds to cover the accommodation and travel expenses of only a limited number of presenters. Participants wishing to see these expenses covered by the organizing committee must make an explicit request in their proposal. APPEL ? PROPOSITIONS Construire une strat?gie antiracisme pour la radiodiffusion canadienne : Conversation et convergence (la version anglaise pr?c?de ci-dessus) ?v?nements r?gionaux : Avril-mai-juin (Montr?al, Vancouver et Halifax) et septembre-octobre 2022 (Calgary et Winnipeg) Conf?rence nationale : Novembre 2022 (Ottawa) Site Web : https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=http%3a%2f%2fwww.antiracisme.media&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-9e5e39f5323321fc9e95601fd98c04b24c949461 Courriel : antiracisme.media2022 at gmail.com Le racisme constitue un obstacle ? la r?alisation de la diversit? culturelle dans les m?dias et des m?dias culturellement diversifi?s jouent un r?le important dans la formation de la soci?t? civile, l?engagement communautaire et le d?veloppement du discours public. Les ?v?nements consultatifs de ??Construire une strat?gie antiracisme pour la radiodiffusion canadienne : Conversation et Convergence?? affronteront les obstacles que rencontrent les Canadiens racis?s (y compris les Noirs, les Autochtones et les personnes de couleur) dans l?acc?s aux m?dias, la repr?sentation et les pratiques li?es ? l?emploi. Le processus de d?lib?ration qui guidera ces ?v?nements permettra d??laborer et de diffuser une strat?gie antiracisme visant ? influencer l?avenir des pratiques m?diatiques en r?duisant les obstacles ? la participation des Canadiennes et Canadiens racis?s ? l??laboration des politiques de radiodiffusion. Ces ?v?nements importants et opportuns organis? par le Community Media Advocacy Centre (https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=www.CMACentre.ca&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-dea5a61e2c3c9d5b94065474b57c4c885b164bf3) et soutenus par Patrimoine Canada auront lieu ? partir du printemps 2022 avec cinq rassemblements r?gionaux d?une journ?e qui se tiendront ? travers le Canada, ? Montr?al, Qu?bec (avril)?; Vancouver, Colombie-Britannique (mai)?; Halifax, Nouvelle-?cosse (juin)?; Calgary, Alberta (septembre)?; et Winnipeg, Manitoba (octobre). Ces rassemblements r?gionaux se termineront par une conf?rence nationale de deux jours ? Ottawa, ON (novembre). L?absence de recherches disponibles sur les besoins et les d?sirs des communaut?s racis?es en mati?re de m?dias motive ces activit?s de sensibilisation qui m?neront ? la conf?rence nationale. Cette derni?re r?unira des praticiens des m?dias et des radiodiffuseurs racis?s, le grand public, des universitaires ?tablis et ?mergents ainsi que des acteurs de la soci?t? civile et des organisations travaillant dans les domaines des questions racis?es, du droit des communications et des politiques sur les m?dias, afin de discuter des principaux d?fis ? relever pour obtenir des m?dias culturellement diversifi?s. Vous et votre organisation ?tes invit?s ? proposer une activit? qui aborde l?une ou l?autre des questions pr?sent?es ci-dessous. Nous acceptons de prendre en consid?ration tout format ou toute initiative stimulante qui suscitera des discussions dans le monde des praticiens, des politiques et des universitaires, ainsi que la participation des communaut?s racis?es et de leurs organisations. Toutes les propositions doivent formuler au moins deux recommandations pour l??laboration d?une strat?gie de lutte contre le racisme pour la radiodiffusion canadienne. COMMENT PR?PARER UNE PROPOSITION Nous recherchons des propositions qui mobilisent et diffusent des connaissances issues d?exp?riences pratiques ou de recherches et qui peuvent ?tre pr?sent?es dans n?importe quel format : - des pr?sentations individuelles ou de groupe ou de projet. - des panels - des groupes de discussion - des s?ances de remue-m?ninges - des discussions en table ronde - des exp?riences de groupe - document de politique - des documents d?orientation des programmes de formation. Pour pr?senter une proposition, veuillez remplir le formulaire : https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=https%3a%2f%2fforms.gle%2fwkHmuW1RkNptqedXA&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-ac4d57232382c4929f6230783f7f0fbad9496168 Les propositions peuvent ?tre produites pour les ?v?nements r?gionaux et/ou la conf?rence nationale. Chaque proposition soumise doit formuler au moins deux recommandations pour l??laboration d?une strat?gie antiracisme pour la radiodiffusion canadienne et aborder une des questions suivantes guidant l?organisation de ces ?v?nements : 1. Quel est l??tat des m?dias que produisent les communaut?s racis?es ou qui sont produites pour elles et quel est l??tat de la radiodiffusion culturellement diversifi?e au Canada, tel qu?identifi? par les radiodiffuseurs et les publics racis?s?? 2. Avec un accent sur la radiodiffusion, que veulent les communaut?s racis?es et de quoi ont-elles besoin de la part de tous les secteurs des m?dias canadiens (c.-?-d. la radiodiffusion publique/gouvernementale, priv?e/entreprise et communautaire/? but non lucratif)?? 3. Quels d?fis urgents faut-il relever, qu?il s?agisse des obstacles ? l?acc?s aux m?dias ou du manque de repr?sentation dans la programmation et l?emploi, pour construire une strat?gie antiracisme pour la radiodiffusion canadienne?? 4. Quels sont les points de vue des principaux intervenants qui travaillent dans les domaines des questions raciales, du droit des communications et de la politique des m?dias sur la fa?on de proc?der?? 5. Quels investissements, comp?tences et politiques sont requises pour cultiver un avenir durable pour la radiodiffusion racis?e et les m?dias culturellement diversifi?s au Canada?? LANGUE DE PR?SENTATION Les activit?s peuvent ?tre pr?sent?es en fran?ais, en anglais ou dans les deux langues. SOUMISSION DES PROPOSITIONS Vous devez fournir : - un titre - un r?sum? (environ 300 mots) - au moins deux recommandations pour construire une strat?gie de lutte contre le racisme - une courte biographie (moins de 150 mots) qui comprend votre travail dans le domaine des m?dias racis?s Date limite pour la soumission des propositions : 3 mars 2022. Les notifications d?acceptation ainsi qu?un programme pr?liminaire seront envoy?s au plus tard le 11 mars 2022. CO?TS La participation ? cet ?v?nement est gratuite. Le comit? organisateur dispose de fonds pour couvrir les frais d?h?bergement et de d?placement uniquement pour un nombre limit? de pr?sentateurs. Les participants qui souhaitent que leurs frais soient pris en charge par le comit? organisateur doivent en faire la demande explicite dans leur proposition. -- || Community Media Advocacy Centre || https://ddec1-0-en-ctp.trendmicro.com:443/wis/clicktime/v1/query?url=www.cmacentre.ca&umid=e682df6d-260b-4a26-a807-dc811eef3f95&auth=6e2bbde6d90a529debf4ca7ebfe15cdd642dca3b-abdb9e355429a8090ff1dac60016f0b84ac2d3d8 / cmac at riseup.net / (514) 999-1948 ---------------------------------------------------------------------------------- Dr. Felix Odartey-Wellington Associate Professor of Communication/ Professeur agr?g? de communication Department of Communication and Languages/ D?partement de communication et Langues Cape Breton University 1250 Grand Lake Road Sydney, Nova Scotia/ Nouvelle-?cosse Canada B1M 1A2 Office/ Bureau: CC266A Tel: (902) 563-1234 Fax: (902) 563-1247 E-Mail/ Courriel: felix_odartey at cbu.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Mon Feb 14 07:37:45 2022 From: celat at uqam.ca (CELAT-UQAM) Date: Mon, 14 Feb 2022 14:37:45 +0000 Subject: [acc-cca-l] =?windows-1252?q?23_F=E9vrier_-_R=E9fl=E9chir_au_tem?= =?windows-1252?q?ps_qui_passe=3A_Discussion_en_fragments_autour_de_m=E9mo?= =?windows-1252?q?ire_et_vieillissement?= Message-ID: [?EXTERNAL] 23 f?vrier 2022 Midi-causerie du CELAT-UQAM, 12 :30 ? 14 :00 Initialement pr?vu le 9 f?vrier, le midi-causerie R?fl?chir au temps qui passe: Discussion en fragments autour de m?moire et vieillissement, est report? au 23 f?vrier. Avec Karine Bellerive, chercheure postdoctorale ? l'UQAM, Line Grenier, professeure au d?partement de communication de l'Universit? de Montr?al et Fannie Valois-Nadeau, cette pr?sentation vise ? r?fl?chir aux temporalit?s ? l?aide d?outils th?oriques et analytiques inspir?s d?approches culturelles critiques des m?moires et des vieillissements. ? travers des r?cits de pratiques et de terrains de recherches diversifi?s, les participantes souhaitent partager des propositions communes quant aux fa?ons d?aborder les enjeux du vieillissement et de la m?moire en sciences sociales et ce, partant d?exploration des questions d?h?ritage et de mat?rialit?. L'?v?nement sera anim? par Magali Uhl. L'affiche est jointe ? ce courriel. Pour vous y inscrire : https://uqam.zoom.us/meeting/register/tZYtcO6vrDIiHN2iJYv0y5yuuI-6f3wupMJ0 CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrices : Estelle Grandbois-Bernard et Fannie Valois-Nadeau 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ L'UQAM est situ?e en territoire autochtone non c?d?. Historiquement, Tiohti?:ke (Montr?al) f?t un lieu de vie, de rencontres et d??changes entre les peuples autochtones. UQAM is located on unceded Aboriginal territory. Historically, Tiohti?:ke (Montreal) was a place of living, gathering and exchanges between indigenous peoples. -------------- next part -------------- An HTML attachment was scrubbed... URL: From george.eric at uqam.ca Mon Feb 14 11:57:08 2022 From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=) Date: Mon, 14 Feb 2022 18:57:08 +0000 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_contribution=2C_La_production?= =?utf-8?q?_de_la_fictionnalisation_=C3=A0_la_radio=2C_Revue_Radiomorphose?= =?utf-8?q?s=2C_Coordonn=C3=A9_par_Pergia_Gkouskou_et_Andr=C3=A9_=C3=89ric?= =?utf-8?q?_L=C3=A9tourneau?= Message-ID: <93EDDF7B-57B6-4D23-B5A8-B42246C4BCDD@uqam.ca> [?EXTERNAL] [cid:clip_image001.png] Appel ? contribution (http://www.radiomorphoses.fr/) La production de la fictionnalisation ? la radio Revue Radiomorphoses, num?ro 9, ? para?tre ? l?hiver 2023 Coordonn? par Pergia Gkouskou et Andr? ?ric L?tourneau La production sonore bas?e sur le principe de l?acousmatisation (radio, podcast, phonographie, etc.) fait ?merger un processus de fictionnalisation particulier, notamment par l?absence de visibilit? des sources qui produisent les sons audibles. ? travers ce processus, l?auditeur est sollicit? par des suggestions multiples qui mobilisent son imaginaire, son appareil sensoriel et son exp?rience cognitive (Chion 1982, Schaeffer 1952). Ce principe, que met g?n?ralement en ?uvre l??coute de la radio ou du podcast, constitue l?un des ?l?ments cl?s qui d?termine les modes de perception possibles de l?exp?rience radiophonique pour les auditeurs. C?est ? travers ces ph?nom?nes de production de sens que les artisans de la radio (ou du podcast) peuvent consid?rer que toute production radiophonique, qu?elle rel?ve de la cr?ation artistique ou de la radio g?n?rale (animation, information, magazine, documentaire, publicit?, etc.), comporte presque toujours une part de mise en sc?ne, voire la pr?sence d?une certaine th??tralit?. Les diff?rents dispositifs de diffusion (site internet, application, radio num?rique ou radio hertzienne) influencent ?galement l??coute de l?auditeur par la pr?sence de composantes visuelles ou textuelles qui s?int?grent ? l?ensemble de l?exp?rience. Le tout produit, ainsi, une exp?rience cognitive acousmatis?e d?o? ?merge in?vitablement une certaine part de fictionnalisation, laquelle est d?abord fabriqu?e par la r?alisation, puis interpr?t?e subjectivement par l?auditeur. Nous consid?rons la fictionnalisation comme un processus de construction mentale d?une situation ? partir de stimuli de l?environnement. Comme Alain Rabatel le souligne, la fictionnalisation ne s?oppose pas au r?el, il s?agit d?une ? mise ? distance ? (2013, p.2) et cette notion s?applique tant ? des r?cits r?els qu?? des r?cits fictifs. Ce num?ro de RadioMorphoses s?int?resse aux d?clinaisons multiples que peut pr?senter le concept de ? fictionnalisation ? la radio ?, ce autant dans le contexte de l?usage artistique de la radio ou du podcast (fiction, radio-th??tre, h?rspiel, pi?ce performative ou conceptuelle ?crite pour la radio (L?tourneau, 2010) qu?? son usage informationnel (information, documentaire, pr?sentation musicale, ?mission th?matique, magazine). 1. Fictionnalisation du r?el ? la radio Les processus de fictionnalisation ? la radio ne se manifestent pas uniquement ? travers les modes artistiques d?usage de la radio. Tout usage de la radio implique une certaine forme de repr?sentation et de mise en sc?ne dont les composantes normatives trouvent leur origine dans la vie sociale. Ainsi, non seulement le documentaire, mais toutes formes de production radiophonique contiennent une part de repr?sentation et, par cons?quent, de fictionnalisation, qu?il s?agisse d?un bulletin de nouvelle, d??missions de pr?sentation musicale ou de magazine. Ce processus de fictionnalisation implique la fabrication d?une persona (Jung, 1964), voire d?un personnage m?diatique de la part de l?animateur.trice et d?une organisation temporelle dont la structure peut se rapprocher d?une certaine forme de th??tralit?, laquelle tend ? produire une fictionnalisation ? travers l?imaginaire de l?auditeur. De m?me, les diff?rents usages artistiques de la radio impliquent souvent l??mergence d?une certaine fictionnalisation dans le processus d??coute. Quelles sont, ? cet ?gard, les pratiques des producteurs/trices et concepteurs/trices des contenus et quelle est la r?ception et la transformation du public en lien avec ce processus de fictionnalisation? Qu?est-ce qui caract?rise la fictionnalisation du r?el ? partir de l?exp?rience acousmatis?e? 2. La fictionnalisation dans la radio d?expression artistique La fictionnalisation est ?galement au c?ur de la production des genres populaires comme le th??tre radiophonique, la radio-sc?nie, le feuilleton radiophonique ou la s?rie radiophonique. Nous nous int?ressons ?galement ? la place, au r?le social, mais aussi aux mutations de diff?rents genres ? l'?re num?rique. Du th??trophone au podcast, comment le distanciel et le tout enregistr? transforment-ils la perception et la conception de pratiques qui ?taient consid?r?es initialement comme des arts de la pr?sence physique (th??tre, r?cital de po?sie, concert, etc.) ? Comment les cr?ateurs de fiction radiophonique ont-ils envisag? la ? th??tralit? ? en faisant ?voluer un langage radiophonique qui ? s? ?mancipe ? du th??tre en salle (Masson, 2021) ? Est-ce que les anciens arts (th??tre, litt?rature?) sont toujours repr?sent?s par la radio ? Comment les genres se transforment-ils dans la foul?e des changements technologiques des m?dias d'information et de communication ? Quelle est, historiquement, la posture de la radio envers le th??tre, la fiction t?l?visuelle ou la litt?rature? Comment les dispositifs de diffusion de la voix (microphone, amplification, ?galisation, compression, etc.) transforment-ils les pratiques traditionnelles? Comment les processus de fictionnalisation se manifestent-t-ils dans les ?uvres non narratives, abstraites ou exp?rimentales (h?rspiel, cr?ation radiophonique, etc.) ? Et comment ?voluent-ils ? travers les diff?rentes d?clinaisons techniques de la radio (podcast, radiodiffusion analogique ou num?rique) ? Quelles sont les transformations, ? travers l?histoire, des genres populaires propres ? la radio et qui impliquent une forme de fictionnalisation ? 3. Mutation des processus de fictionnalisation La fictionnalisation ? la radio est tr?s souvent bas?e sur un effet de r?el qui caract?rise le dispositif radiophonique dans sa relation avec l?auditeur. Cet effet ?merge au sein d?un lien triangulaire entre producteur, auditeur et support (Gl?varec, 1999). Il est explicit? dans un contrat de communication ?tabli ? partir de plusieurs ?l?ments plus ou moins conventionnels dans le formatage du texte audio. La d?coration sonore, le bruitage ou la musique de fond participent aux feintises de la r?alisation (Deleu, 2013) et ? la construction perceptuelle du document radiophonique. Ils forment progressivement dans le temps un langage propre au m?dia. Ces conventions se transforment historiquement au fur et ? mesure de l??volution des m?dias ? travers un jeu de continuations et de ruptures. A l??re num?rique les supports audio circulent dans un grand nombre de plateformes qui constituent de vrais appareils ?ditoriaux (Gkouskou, 2013). De l??poque du Maremoto de Germinet (1924) ? l??re du podcast et de l?audiobook dramatis?, des nouveaux formats audiovisuels sont mobilis?s dans la cr?ation des contenus audio, leur esth?tique et les attentes de l?auditeur. Comment les processus de fictionnalisation ?voluent-ils ? travers les diff?rentes d?clinaisons techniques de la radio (podcast, radiodiffusion analogique ou num?rique)? Quelles sont les transformations, ? travers l?histoire et les genres populaires propres ? la radio, qui impliquent une forme de fictionnalisation? Peut-on parler encore aujourd?hui d?une ?volution du langage de la fiction radiophonique? Quel est le r?le des plateformes num?riques de diffusion audio dans ces ?volutions? Les auteur.e.s sont invit?.e.s ? soumettre des propositions qui s?inscrivent dans un ou plusieurs des trois axes. N?h?sitez pas ? nous contacter pour toute question relative ? ce projet. Bibliographie BONINI Tiziano, MONCLUS Bel?n, Radio Audiences and Participation in the Age of Network Society, Londres : Routledge, 2015. CARPENTIER Aline, Th??tres d?ondes: Les pi?ces radiophoniques de Beckett, Tardieu et Pinter, Louvain-la-Neuve: De Boeck Sup?rieur, 2008. CUSY Pierre, GERMINET Gabriel, Th??tre radiophonique, mode nouveau d?expression artistique, Paris : Chiron, 1926. CHION Michel, La musique ?lectroacoustique, Paris : PUF, 1982. DELEU Christophe, ?Dispositifs de feintise dans le docufiction radiophonique ?, Questions de communication, num?ro 23, pp. 293-318, 2013. GKOUSKOU-GIANNAKOU Pergia, ?L?appareillage de l?activite? humaine au travers des re?seaux nume?riques : les appareils ? qui font e?poque ?, Intempestives, nume?ro 4, pp. 99-1 , 2013. GLEVAREC Herv?, ?Du canular radiophonique a? l'effet de re?el ?, in Jean-Olivier Majastre et Alain Pessin (dir.), Le Canular dans l'art et la litte?rature, Paris : L'Harmattan, pp. 75-94, 1999. JUNG Carl Gustav, Dialectique du Moi et de l'inconscient, Paris : Gallimard, 1964. L?TOURNEAU, Andr? ?ric, ?Pirate Radio & Manoeuvre: Radical Artistic Practices in Quebec?, in Andrea Langlois, Ron Sakolsky, & Marian van der Zon (dir.), Islands of resistance, Pirate radio in Canada, Vancouver : New Star Books, pp. 145-160, 2010. LEWIS Peter, ?Opening and closing doors: radio drama in the BBC?, The Radio Journal International Studies in Broadcast and Audio Media, num?ro 3, 2004. LEWIS Peter, ?Radio Drama? Londres : Longman, 1981. LORANGER Caroline, ? La fiction radiophonique comme oeuvre litt?raire ? Apports et limites des approches litt?raires ? l??tude des oeuvres radiophoniques ?, Tangence, num?ros 125?126, pp. 141?153, 2021. MASSON Blandine, Mettre en ondes - La fiction radiophonique, Paris : Acte sud, 2021. M?ADEL C?cile, ?Mare-Moto. Une pi?ce radiophonique de Pierre Cusy et de Gabriel Germinet (1924)?, R?seaux, num?ro 52, pp. 75-94, 1992. PAJOVA C?cile, Les proc?d?s de fictionnalisation dans l?oeuvre romanesque de Boris Vian, Th?se de doctorat, Universit? C?te d?Azur, 2019. SCHAFFER Pierre, A la recherche d?une musique concr?te, Paris : Seuil, 1982. RABATEL Alain, ? La fictionnalisation des paroles et des gestes. Les Ann?es d'Annie Ernaux ?, Po?tique, num?ro 173, pp. 105-123, 2013. Modalit?s de soumission et publications : La proposition de contribution comportera un titre (et sous-titre), un r?sum?, 5 ? 7 mots cl?s et la mention de son inscription dans une ou plusieurs des th?matiques de l?appel. Elle d?veloppera, sur 4000 signes espaces compris, le cadre th?orique, sa probl?matique et ses hypoth?ses, l?approche m?thodologique et des indications bibliographiques. Nous accepterons des propositions en fran?ais et en anglais. Le titre, le sous-titre et le r?sum? seront traduits en fran?ais s?ils ne sont pas initialement formul?s dans cette langue. Ces propositions seront envoy?es en format Word (.doc) par mail, celui-ci portant en objet la mention ? La production de la fictionnalisation ? la radio ?. Les propositions seront anonymis?es (suppression des m?tadonn?es auteur) et ne comporteront pas de r?f?rence aux travaux de l?auteur.e (except? sous la forme ? Auteur (ann?e), Titre ?). Seule la premi?re page comportera le titre, le nom et l?affiliation institutionnelle de l?auteur.e. Les propositions seront envoy?es aux adresses suivantes au plus tard le 30 avril 2022 : radiomorphoses at gmail.com letourneau.eric at uqam.ca georgia_pigi.gkouskou_giannakou at uca.fr Les contributions finales devront compter au maximum 30 000 caract?res, espaces et bibliographie comprises. Voici les consignes r?dactionnelles : http://www.radiomorphoses.fr/index.php/2016/05/09/consignes-redactionnelles/ Les r?ponses seront donn?es aux auteurs ? la fin du mois de mai 2022. Calendrier 2022- 2023 Remise des propositions : 30 avril 2022 R?ponses aux auteurs : 30 mai 2022 Remise des articles d?finitifs : 15 septembre 2022 Retour des ?valuateurs : 15 novembre 2022 Remise finale : 15 janvier 2023 ________________________________ Pour vous d?sabonner de la liste CRICIS-INFOS, envoyez un courriel vide (sans objet ni contenu) ? : CRICIS-INFOS-signoff-request at LISTSERV.UQAM.CA [cid:clip_image001.png] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: clip_image001.tiff Type: image/tiff Size: 4427326 bytes Desc: clip_image001.tiff URL: From melmillette at gmail.com Tue Feb 15 08:43:15 2022 From: melmillette at gmail.com (=?UTF-8?Q?M=C3=A9lanie_Millette?=) Date: Tue, 15 Feb 2022 10:43:15 -0500 Subject: [acc-cca-l] =?utf-8?q?International_Conference_on_=28Cyber=29bul?= =?utf-8?q?lying_-_Call_for_proposals_/_Colloque_International_sur_?= =?utf-8?q?le_=28cyber=29harc=C3=A8lement_-_Appel_=C3=A0_communicat?= =?utf-8?q?ion?= In-Reply-To: <655223649.407841.1644567230978.JavaMail.zimbra@univ-lorraine.fr> References: <655223649.407841.1644567230978.JavaMail.zimbra@univ-lorraine.fr> Message-ID: [?EXTERNAL] Bonjour, hi! Un appel qui pourrait int?resser les membres de la liste. Merci, thanks! -- M?lanie Millette, PhD. Professeure, D?partement de communication sociale et publique, UQAM Membre r?guli?re et responsable de l'Axe m?thodologique du LabCMO Twitter : @MelMillette melmillette.com ---------- Forwarded message --------- De : B?reng?re Stassin > Date: ven. 11 f?vr. 2022 ? 03:13 Subject: International Conference on (Cyber)bullying - Call for proposals / Colloque International sur le (cyber)harc?lement - Appel ? communication Dear colleagues, You have accepted to be part of the scientific committee of the "international conference on (cyber)bullying" and we sincerely thank you. This conference is organized by several French laboratories (Crem, LERASS-C?ric, CHUS, Irm?ccen, Ar?nes) and by the Department of Education Sciences of the University of Poznan (Poland). Please find attached the call for proposals (both in english and french) that you can share with your networks. The review of the abstracts will be done from April 15th. We will come back to you at that time. You can also send a proposal which will be double blind reviewed. The conference will take place in Nancy (place to be defined) on 5, 6 and 7 December 2022. Best regards, *** Cher?es coll?gues, Vous avez accept? de faire partie du comit? scientifique du "colloque international sur le (cyber)harc?lement" et nous vous en remercions sinc?rement. Ce colloque est organis? par plusieurs laboratoires fran?ais (Crem, LERASS-C?ric, CHUS, Irm?ccen, Ar?nes) et par le d?partement des sciences de l'?ducation de l'universit? de Poznan (Pologne). Vous trouverez ci-joint l'appel ? communication (version fran?aise et anglaise) que vous pouvez diffuser ? vos contacts et r?seaux. L'expertise des propositions se fera ? partir du 15 avril. Nous reviendrons donc vers vous ? ce moment-l?. Vous pouvez ?galement proposer une communication qui sera ?valu?e en double aveugle. Le colloque se tiendra ? Nancy (lieu ? d?finir) les 5, 6 et 7 d?cembre 2022. Bien cordialement, Lucie Delias M?lanie Lallet B?reng?re Stassin -- B?reng?re Stassin MCF en sciences de l'information et de la communication Universit? de Lorraine - IUT Nancy Charlemagne Centre de recherche sur les m?diations (Crem) Co-responsable de l'?quipe Pixel du Crem http://crem.univ-lorraine.fr/stassin-berengere https://eviolence.hypotheses.org/ -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CFP-cyberbullying conference-1.pdf Type: application/pdf Size: 181156 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: AAC-colloque cyberharcelement-1.pdf Type: application/pdf Size: 197093 bytes Desc: not available URL: From Tanner.Mirrlees at ontariotechu.ca Wed Feb 16 07:06:59 2022 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Wed, 16 Feb 2022 14:06:59 +0000 Subject: [acc-cca-l] =?windows-1252?q?Invitation=3A_Trans-national_Right-?= =?windows-1252?q?Wing_Extremism_and_Digital_Disinformation_Webinar_Series?= =?windows-1252?q?_/_Invitation_=3A_S=E9rie_de_webinaires_sur_l=27extr=E9m?= =?windows-1252?q?isme_d=27extr=EAme_droite_transnational_et_la_d=E9sinfor?= =?windows-1252?q?mation_num=E9rique?= Message-ID: <3949908e35444b41b7c684795f8e51ff@ontariotechu.ca> [?EXTERNAL] Dear colleagues, I welcome you to attend the Trans-national Right-Wing Extremism and Digital Disinformation Webinar series co-organized by by the Centre on Hate, Bias and Extremism at Ontario Tech University, the Intersectionality Research Hub at Concordia University, and the Institute of Islamic Studies at the University of Toronto supported by the Algorithmic Media Observatory at Concordia University and The Infoscape Lab at Ryerson University, the Disinformation Project at Simon Fraser University, and Canadian Heritage?s Digital Citizen Contribution Program. The series brings together scholars to share their research on how right-wing extremists based in Canada and around the world use and exploit the affordances of social media platforms to advance their worldview. Please see the Eventbrite page to learn more and to register for the series. https://www.eventbrite.com/cc/a-winter-2022-webinar-series-transnational-right--128269 Please also share this invitation far and wide! Webinar 1 - Thursday February 24, 6:00pm-8:30pm - Digital Disinformation and Right-Wing Extremism https://digital-disinformation-and-right-wing.eventbrite.ca This webinar focuses on the definition, drivers, content and consequences of digital disinformation. Panelists Ahmed Al-Rawi, Megan Boler, Merlyna Lim, and Fenwick McKelvey examine the role of algorithms, artificial intelligence, and other system-level factors that enable the flow of right-wing extremist disinformation across mainstream and fringe online platforms. Webinar 2 - Thursday March 17, 6:00pm-8:30pm - Right-Wing Extremism: Hate and Harm, Online and Off https://right-wing-extremism.eventbrite.ca This webinar focuses on the rise of right-wing extremism in Canada and internationally, and considers the national and transnational digital development, spread, and impact of this movement. Panelists Barbara Perry, Ganaele Langlois, Greg Elmer, and Sibo Chen consider how right-wing extremist and alt-right politics have been enabled and emboldened by digital technologies and scrutinize Canada?s online ecosystem of harmful and hateful disinformation. Webinar 3 - Thursday April 21, 6:00pm-8:30pm - Right-Wing Extremist Islamophobic Disinformation https://right-wing-extremist-islamophobic.eventbrite.ca This webinar focuses on right-wing extremism and contemporary Islamophobia and probes how far Right actors use the Internet and social media platforms to perpetuate Islamophobic digital discourse. Panelists Yasmin Jiwani, Zeinab Farokhi, Tanner Mirrlees and Samuel Tanner examine the emotional and rhetorical tactics used by right-wing extremists to spread Islamophobia across platforms and scrutinize how algorithms and bots work to amplify and intensify the flow of hateful and harmful disinformation about Muslims in society. All the best, Tanner Tanner Mirrlees Associate Professor Communication and Digital Media Studies FSSH, Ontario Tech University President, Canadian Communication Association Faculty Profile EdTech, Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age Media Imperialism: Continuity and Change Hearts and Mines: The US Empire's Culture Industry Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization The Television Reader: Critical Perspectives in Canadian and US Television Studies --- Chers coll?gues, Je vous invite ? participer ? la s?rie de webinaires sur l'extr?misme d'extr?me droite transnational et la d?sinformation num?rique, organis?e conjointement par le Centre on Hate, Bias and Extremism de l'Universit? Ontario Tech, l'Intersectionality Research Hub de l'Universit? Concordia et l'Institute of Islamic Studies de l'Universit? de Toronto, avec le soutien de l'Algorithmic Media Observatory de l'Universit? Concordia, de The Infoscape Lab de l'Universit? Ryerson, du Disinformation Project de l'Universit? Simon Fraser et du Programme de contribution des citoyens num?riques de Patrimoine canadien. La s?rie r?unit des universitaires qui partagent leurs recherches sur la fa?on dont les extr?mistes de droite bas?s au Canada et dans le monde utilisent et exploitent les possibilit?s des plateformes de m?dias sociaux pour promouvoir leur vision du monde. Veuillez consulter les pages d'Eventbrite pour en savoir plus et vous inscrire ? la s?rie. Veuillez ?galement partager l'invitation ? grande ?chelle ! https://www.eventbrite.com/cc/a-winter-2022-webinar-series-transnational-right--128269 Webinar 1 - Jeudi 24 f?vrier, 18h00-20h30 - D?sinformation num?rique et extr?misme d'extr?me droite https://digital-disinformation-and-right-wing.eventbrite.ca Ce webinaire porte sur la d?finition, les moteurs, le contenu et les cons?quences de la d?sinformation num?rique. Les pan?listes Ahmed Al-Rawi, Megan Boler, Merlyna Lim et Fenwick McKelvey examinent le r?le des algorithmes, de l'intelligence artificielle et d'autres facteurs au niveau du syst?me qui permettent le flux de d?sinformation d'extr?me droite sur les plateformes en ligne traditionnelles et marginales. Webinaire 2 - Jeudi 17 mars, 18h00-20h30 - Extr?misme d'extr?me droite : haine et pr?judice, en ligne et hors ligne. https://right-wing-extremism.eventbrite.ca Ce webinaire se concentre sur la mont?e de l'extr?misme de droite au Canada et dans le monde, et examine le d?veloppement num?rique national et transnational, la propagation et l'impact de ce mouvement. Les pan?listes Barbara Perry, Ganaele Langlois, Greg Elmer et Sibo Chen examinent comment les technologies num?riques ont permis aux politiques d'extr?me droite et d'alt-right de se d?velopper et de s'enhardir, et analysent l'?cosyst?me en ligne canadien de d?sinformation nuisible et haineuse. Webinar 3 - Jeudi 21 avril, 18h00-20h30 - D?sinformation islamophobe d'extr?me droite. https://right-wing-extremist-islamophobic.eventbrite.ca Ce webinaire se concentre sur l'extr?misme de droite et l'islamophobie contemporaine et examine comment les acteurs d'extr?me droite utilisent l'Internet et les plateformes de m?dias sociaux pour perp?tuer un discours num?rique islamophobe. Les pan?listes Yasmin Jiwani, Zeinab Farokhi, Tanner Mirrlees et Samuel Tanner examinent les tactiques ?motionnelles et rh?toriques utilis?es par les extr?mistes de droite pour r?pandre l'islamophobie sur les plateformes et scrutent comment les algorithmes et les bots travaillent pour amplifier et intensifier le flux de d?sinformation haineuse et nuisible sur les musulmans dans la soci?t?. Tous nos v?ux de r?ussite, Tanner Tanner Mirrlees Associate Professor Communication and Digital Media Studies FSSH, Ontario Tech University President, Canadian Communication Association Faculty Profile EdTech, Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age Media Imperialism: Continuity and Change Hearts and Mines: The US Empire's Culture Industry Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization The Television Reader: Critical Perspectives in Canadian and US Television Studies From alloing.camille at uqam.ca Wed Feb 16 07:10:38 2022 From: alloing.camille at uqam.ca (Alloing, Camille) Date: Wed, 16 Feb 2022 14:10:38 +0000 Subject: [acc-cca-l] Parution : influence et organisations Message-ID: [?EXTERNAL] Bonjour ? toutes et tous, L??quipe du Lablfuens et moi-m?me sommes ravis de vous annoncer la sortie du n?60 de la revue Communication & Organisation : "Influence et organisations : cultures, pratiques et mises en perspective" : https://journals.openedition.org/communicationorganisation/10364 Ce num?ro pr?sente des contributions sur l'histoire de l'influence, le lobbying, les m?tiers de l'influence (par Josianne Millette et Alexandre Coutant du LabCMO), les micro-c?l?brit?s et la diplomatie d'influence. Il propose de mani?re originale des approches communicationnelles de l'influence qui s'affranchissent des questions psycho(socio)logiques! Bonne lecture :) Camille Alloing, PhD Professeur Adjoint [lg-Departement-communication-sociale-publique-interne-COUL] T?l. : 514 987-3000 poste 1990 Membre et Directeur du Laboratoire sur l?Influence et la Communication (LabFluens) https://labfluens.uqam.ca Membre du Laboratoire sur la Communication et le Num?rique (LabCMO) https://labcmo.ca Web @caddereputation -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image002.jpg Type: image/jpeg Size: 3535 bytes Desc: image002.jpg URL: From tamara.shepherd at ucalgary.ca Wed Feb 16 08:22:33 2022 From: tamara.shepherd at ucalgary.ca (Tamara Shepherd) Date: Wed, 16 Feb 2022 15:22:33 +0000 Subject: [acc-cca-l] Cinemas of Global Solidarity: March 3-4 Message-ID: Dear CCA friends and colleagues, The Department of Communication, Media and Film at the University of Calgary is thrilled to host ?Cinemas of Global Solidarity?, a two-day virtual symposium with an outstanding list of international speakers. The symposium will take place on March 3 and 4, and you can register and find the schedule at: https://cinemasofglobalsolidarity.com/ All the best, Tamara --- Cinemas of Global Solidarity: A Virtual Symposium March 3-4: 10:00am - 3:00pm EST This symposium will explore the entwined legacies of anti-capitalist and anti-imperialist internationalism in the cinema with a view toward contemporary forms of politicized moving image culture. Presentations will focus on how film, in both its aesthetic strategies and broader circuits of distribution and exhibition, has worked as an instrument of global coalition building, imagining alternatives to the uninhibited flows of market finance and the militarized borders of the nation state. In confronting the problem of solidarity in its diverse geopolitical, historical, and conceptual dimensions, the symposium brings together a group of scholars whose work spans from the Communist international solidarity documentaries of the 1920s and 1930s, to the third cinemas and counter-cinemas of the 1960s and 1970s, to more recent iterations of world cinema, decolonial cinema, and the militant image. We aim to respond to a growing impetus within film and media studies to reopen both the influential and overlooked film radicalisms of the past in order to better conceptualize the role of cinema within the ideological battle-lines of advanced capitalism. --- Tamara Shepherd Associate Professor Communication, Media and Film University of Calgary Social Sciences 236 2500 University Dr. NW Calgary, AB Canada T2N 1N4 +1 (403) 220-6729 tamara.shepherd at ucalgary.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CGS-POSTER.jpg Type: image/jpeg Size: 1499292 bytes Desc: CGS-POSTER.jpg URL: From Tanner.Mirrlees at ontariotechu.ca Thu Feb 17 07:24:54 2022 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Thu, 17 Feb 2022 14:24:54 +0000 Subject: [acc-cca-l] CCA Prize March 1 2022 / Prix de la CCA : 1er mars 2022 Message-ID: <8ab8496b897f4d0dadb8f42e6397b713@ontariotechu.ca> [?EXTERNAL] Dear colleagues, A friendly reminder that the deadline for CCA prize submissions is March 1st 2022. We warmly welcome submissions to the following CCA prize categories: CRTC PRIZE FOR EXCELLENCE IN POLICY RESEARCH 2022: https://acc-cca.ca/index.php/prizes-prix/prix-crtc-prize/ MAHMOUD EID GRADUATE PRIZE: https://acc-cca.ca/index.php/prizes-prix/mahmoud-eid-graduate-prize-prix-mahmoud-eid-detudes-superieures/ CCA PRIZE FOR OUTSTANDING GRADUATE STUDENT ESSAY: https://acc-cca.ca/index.php/prizes-prix/student-essay-essai-etudiant/ CONGRESS GRADUATE STUDENT AWARD: https://acc-cca.ca/index.php/prizes-prix/prix-pour-etudiant-es-du-congres-congress-graduate-student-awards/ Please spread the news! All my best, Tanner - Chers coll?gues, Nous vous rappelons amicalement que la date limite de soumission des prix du CCA est le 1er mars 2022. Nous accueillons chaleureusement les soumissions pour les cat?gories de prix de la CCA suivantes : PRIX DU CRTC POUR L'EXCELLENCE DANS LA RECHERCHE SUR LES POLITIQUES 2022 : https://acc-cca.ca/index.php/prizes-prix/prix-crtc-prize/ PRIX MAHMOUD EID POUR LES DIPL?M?S : https://acc-cca.ca/index.php/prizes-prix/mahmoud-eid-graduate-prize-prix-mahmoud-eid-detudes-superieures/ PRIX DU CCA POUR UN ESSAI EXCEPTIONNEL D'UN ?TUDIANT DIPL?M? : https://acc-cca.ca/index.php/prizes-prix/student-essay-essai-etudiant/ PRIX DU CONGR?S POUR LES ?TUDIANTS DIPL?M?S : https://acc-cca.ca/index.php/prizes-prix/prix-pour-etudiant-es-du-congres-congress-graduate-student-awards/ Merci de diffuser la nouvelle! Merci, Tanner Tanner Mirrlees Associate Professor Communication and Digital Media Studies FSSH, Ontario Tech University President, Canadian Communication Association Faculty Profile EdTech, Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age Media Imperialism: Continuity and Change Hearts and Mines: The US Empire's Culture Industry Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization The Television Reader: Critical Perspectives in Canadian and US Television Studies From T.Dowmunt at gold.ac.uk Sat Feb 19 08:57:40 2022 From: T.Dowmunt at gold.ac.uk (Tony Dowmunt) Date: Sat, 19 Feb 2022 15:57:40 +0000 Subject: [acc-cca-l] Fw: SATELLITE DREAMING REVISITED - Website Launch In-Reply-To: References: Message-ID: [?EXTERNAL] The Menzies Australia Institute and I are launching SATELLITE DREAMING REVISITED, a web resource that describes and analyses the last four decades of Australian Indigenous media. The (online) launch event on Friday 11 March 9am (GMT)/ 8pm (AEDT). I will introduce the website, then Stephen Morgan from the Menzies Australia Institute, King's College London, will chair a conversation & Q&A with Philip Batty and Frances Peters-Little. In conjunction with the launch, there is an opportunity to see the documentary SHE WHO MUST BE LOVED (Erica Glynn, 2018), about the life of Freda Glynn, co-founder of the Central Australian Aboriginal Media Association (CAAMA) and Imparja TV. The film will be available to stream from 28 February - 13 March. For details & booking please see: https://ukaustraliaseason.com/event/satellite-dreaming-revisited-website-launch/ (sorry for any cross-postings - and please re-post to your networks if you think ithis would be of interest) SATELLITE DREAMING REVISITED was developed at Goldsmiths - University of London, by Tony Dowmunt, in collaboration with Nicolas Lee and others at CAAMA Productions in Alice Springs. The project was funded by an Emeritus Fellowship awarded by the Leverhulme Trust. Tony Dowmunt Emeritus Professor Department of Media, Communications and Cultural Studies Goldsmiths, University of London In response to the ?recovery plan? imposed by senior management at Goldsmiths that involves up to 46 redundancies, the University and College Union (UCU) has censured Goldsmiths by introducing a global academic boycott. This ?greylisting? means that members of trade unions and the international academic community are invited to express their opposition to the announced staff redundancies and restructure by refusing to participate in events organised at Goldsmiths. It is the ultimate sanction, designed to exert pressure on the senior management of the institution to reconsider its position. -------------- next part -------------- An HTML attachment was scrubbed... URL: From henri.assogba at com.ulaval.ca Tue Feb 22 13:40:17 2022 From: henri.assogba at com.ulaval.ca (Henri Assogba) Date: Tue, 22 Feb 2022 20:40:17 +0000 Subject: [acc-cca-l] =?cp1258?q?Nouvelle_date_limite_/_Appel_=E0_communic?= =?cp1258?q?ation_pour_un_colloque_international_sur_la_radio_=E0_l=27Univ?= =?cp1258?b?ZXJzaXTpIExhdmFsIChRdeliZWMp?= Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, Merci de prendre note de la prolongation de la date limite pour la soumission des propositions de communication du colloque international organis? par l?Universit? Laval en partenariat avec le Groupe de recherche et d??tudes sur la radio (GRER) sur : ? La radio dans l?univers audio. Expressions, concurrences et contextes ?. * Dates et lieu du colloque : du 9 au 11 novembre 2022 au D?partement d?information et de communication de l?Universit? Laval. En raison des incertitudes li?es ? la COVID-19, le colloque se d?roulera en format hybride pour accommoder celles et ceux qui ne pourront pas effectuer le d?placement. * Nouvelle date limite pour l?envoi des propositions : 25 mars 2022 (voir les d?tails dans l?argumentaire en fichier joint). Cordialement, Henri Assogba, Ph. D. Professeur titulaire / Full Professor Chercheur r?gulier au CIRAM Vice-pr?sident du R?seau Th?ophraste Universit? Laval / Facult? des lettres et des sciences humaines D?partement d'information et de communication 1055 Avenue du s?minaire, Bureau 5447 Qu?bec, G1V OA6 Canada T?l?phone : (418) 656 2131 poste 408652 https://www.flsh.ulaval.ca/notre-faculte/repertoire-du-personnel/henri-assogba -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: AAC_COLLOQUE GRER_QUE?BEC-2022_English3.pdf Type: application/pdf Size: 396981 bytes Desc: AAC_COLLOQUE GRER_QUE?BEC-2022_English3.pdf URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: AAC_COLLOQUE RADIO_GRER_UL_QUE?BEC 2022.Final.3.pdf Type: application/pdf Size: 453173 bytes Desc: AAC_COLLOQUE RADIO_GRER_UL_QUE?BEC 2022.Final.3.pdf URL: From chris.russill at gmail.com Wed Feb 23 12:13:27 2022 From: chris.russill at gmail.com (Chris Russill) Date: Wed, 23 Feb 2022 14:13:27 -0500 Subject: [acc-cca-l] New Issue: Alt Rights in Canada... and more Message-ID: [?EXTERNAL] Dear Colleagues, I am writing to announce our new issue of the Canadian Journal of Communication, which contains our second batch of papers on far rights in Canada, including an introduction written at the onset of the occupation of Ottawa by Fenwick McKelvey, Natalie Coulter, Ganaele Langlois, and Greg Elmer. The issue contains four new papers on alt/far rights authored by Melody J Devries, Javier Ruiz Soler & Wendy Chun, Sandra Robinson, and Luke Munn. This is in addition to our previous installment of papers on the subject: https://cjc-online.ca/index.php/journal/issue/view/197 I hope you also find time for the other papers in our new issue, which include studies of an unbuilt residential school in 19th century Medicine Hat, the photographing of the shoes of Canadian finance ministers, the value of videos on Youtube, Canadian Arts Service Organizations, political cartoons, and sounds in Vancouver. Best, Chris -------------- next part -------------- An HTML attachment was scrubbed... URL: From cossette.samuel at courrier.uqam.ca Wed Feb 23 14:06:49 2022 From: cossette.samuel at courrier.uqam.ca (Cossette, Samuel) Date: Wed, 23 Feb 2022 21:06:49 +0000 Subject: [acc-cca-l] =?iso-8859-1?q?XXe_colloque_en_communication_de_l=27?= =?iso-8859-1?q?A=E9MDC_/_XXe_Graduate_Student_Conference_in_communication?= =?iso-8859-1?q?_studies?= Message-ID: [?EXTERNAL] Hi everyone, We are now accepting submissions for the XXe Annual Graduate Student Conference in communication studies hosted by UQAM?s Graduate Students? Association. The call for submissions is in French only, but submissions in English are welcome! Le colloque annuel de l?association ?tudiante de la ma?trise et du doctorat en communication ? l?UQAM (A?MDC) est de retour - en pr?sentiel - pour sa vingti?me ?dition! Pour marquer cet anniversaire et le retour aux ?changes en face ? face, c?est sous le th?me de ? Confronter / r?unir ? que nous vous invitons ? r?investir les lieux de l?universit? afin de cr?er des espaces d??changes. Ces rencontres, rendues inaccessibles en raison de la pand?mie, s?av?rent une partie int?grante de l?exp?rience universitaire. Elles nous permettent d?articuler nos id?es, de nous questionner, mais surtout de nous nourrir du dialogue avec nos coll?gues. Que vous vous int?ressiez ? la confrontation au sein de l?espace public ou, au contraire, ? la r?union que permettent les cultures populaires et marginales, le colloque vous laisse libre cours ? l?expression de vos r?flexions et questionnements. Dans cette optique, le colloque sera propice aux d?bats et aux rencontres diverses, visant ? explorer et d?construire les fronti?res entre la confrontation et la r?union. Le colloque de l?A?MDC est ouvert ? tous et toutes, mais est pens? sp?cifiquement pour les jeunes chercheurs et chercheuses qui en sont ? leurs premi?res exp?riences de communications acad?miques. En ce sens, le colloque se veut particuli?rement ouvert et libre dans les th?mes abord?s et les formules propos?es. Nous recevons ?galement les propositions d?activit?s de recherche-cr?ation qui s??loignent du mod?le traditionnel des panels. Le colloque se tiendra ? l?UQAM les 5 et 6 mai 2022. La date limite pour envoyer votre proposition de communication est le 11 mars 2022, ? l'adresse aemdc.colloque at gmail.com. Toutes les informations, ainsi que les archives des colloques pass?s, sont sur le site web de l?A?MDC! Au plaisir de vous lire, Le comit? organisateur du XXe colloque de l?A?MDC Samuel Cossette Faculty of Communication, Universit? du Qu?bec ? Montr?al -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: appel_communication_aemdc.pdf Type: application/pdf Size: 388576 bytes Desc: appel_communication_aemdc.pdf URL: From ebrophy at sfu.ca Thu Feb 24 10:31:34 2022 From: ebrophy at sfu.ca (Enda Brophy) Date: Thu, 24 Feb 2022 09:31:34 -0800 Subject: [acc-cca-l] 2022 Dallas Smythe Memorial Lecture: Sara Bannerman Message-ID: <5A3223FE-E281-4585-B04A-EA71203320D5@sfu.ca> [?EXTERNAL] Dear colleagues (with apologies for cross-posting), I hope you will consider attending and sharing news of this lecture through your networks. The School of Communication is pleased to invite you to the 2022 Dallas Smythe Lecture, Platform regulation in Canada: Networked autonomy and networked sovereignty, featuring Canada Research Chair Sara Bannerman. Communications law and policy, including platform regulation, is often taken as a neutral or technical arbiter serving justice and balancing the interests of conflicting groups. Are laws and policies neutral? Are laws and policies capable of ?keeping up,? serving racial, gender and labour justice, and meeting the needs of people in the context of powerful internet companies, platforms and decision-making algorithms? Join us for this exciting lecture as we explore these questions and look to the future of platform regulation in Canada. The Dallas Smythe Memorial Lecture has honoured critical scholars in the field of political economy of communications since 1993. Organized by SFU?s School of Communication, the lecture brings together faculty, students, and the broader community to honour the work and research of Dallas Smythe, who taught at SFU from 1976 until he passed away in 1992. Presented in partnership with SFU's Vancity Office of Community Engagement and SFU Public Square. RSVP here: https://bit.ly/36pfUQt Enda Brophy Associate Professor and Graduate Chair | School of Communication Associate | Labour Studies Simon Fraser University | HC 3559 515 W Hastings St, Vancouver V6B 5K3 E: ebrophy at sfu.ca Simon Fraser University lies on the unceded territories of the Coast Salish peoples of the x?m??kw?y??m (Musqueam), Skwxw?7mesh (Squamish), S?l??lw?ta? (Tsleil-Waututh) and Kwikwetlem (k?ik?????m) Nations. -------------- next part -------------- An HTML attachment was scrubbed... URL: From ebrophy at sfu.ca Thu Feb 24 10:51:39 2022 From: ebrophy at sfu.ca (Enda Brophy) Date: Thu, 24 Feb 2022 09:51:39 -0800 Subject: [acc-cca-l] 2022 Dallas Smythe Memorial Lecture: Sara Bannerman In-Reply-To: <5A3223FE-E281-4585-B04A-EA71203320D5@sfu.ca> References: <5A3223FE-E281-4585-B04A-EA71203320D5@sfu.ca> Message-ID: <7F4864AE-AE69-4908-8E61-9B817AB3E135@sfu.ca> [?EXTERNAL] Hello everyone, Some important info!: the lecture is Wednesday, March 16, 3:00 PM ? 5:00 PM PDT. Best, Enda Enda Brophy Associate Professor and Graduate Chair | School of Communication Associate | Labour Studies Simon Fraser University | HC 3559 515 W Hastings St, Vancouver V6B 5K3 E: ebrophy at sfu.ca Simon Fraser University lies on the unceded territories of the Coast Salish peoples of the x?m??kw?y??m (Musqueam), Skwxw?7mesh (Squamish), S?l??lw?ta? (Tsleil-Waututh) and Kwikwetlem (k?ik?????m) Nations. On Feb 24, 2022, at 9:31 AM, Enda Brophy > wrote: [?EXTERNAL] Dear colleagues (with apologies for cross-posting), I hope you will consider attending and sharing news of this lecture through your networks. The School of Communication is pleased to invite you to the 2022 Dallas Smythe Lecture, Platform regulation in Canada: Networked autonomy and networked sovereignty, featuring Canada Research Chair Sara Bannerman. Communications law and policy, including platform regulation, is often taken as a neutral or technical arbiter serving justice and balancing the interests of conflicting groups. Are laws and policies neutral? Are laws and policies capable of ?keeping up,? serving racial, gender and labour justice, and meeting the needs of people in the context of powerful internet companies, platforms and decision-making algorithms? Join us for this exciting lecture as we explore these questions and look to the future of platform regulation in Canada. The Dallas Smythe Memorial Lecture has honoured critical scholars in the field of political economy of communications since 1993. Organized by SFU?s School of Communication, the lecture brings together faculty, students, and the broader community to honour the work and research of Dallas Smythe, who taught at SFU from 1976 until he passed away in 1992. Presented in partnership with SFU's Vancity Office of Community Engagement and SFU Public Square. RSVP here: https://bit.ly/36pfUQt Enda Brophy Associate Professor and Graduate Chair | School of Communication Associate | Labour Studies Simon Fraser University | HC 3559 515 W Hastings St, Vancouver V6B 5K3 E: ebrophy at sfu.ca Simon Fraser University lies on the unceded territories of the Coast Salish peoples of the x?m??kw?y??m (Musqueam), Skwxw?7mesh (Squamish), S?l??lw?ta? (Tsleil-Waututh) and Kwikwetlem (k?ik?????m) Nations. _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l -------------- next part -------------- An HTML attachment was scrubbed... URL: From culturetheoryandcritique at gmail.com Thu Feb 24 21:47:42 2022 From: culturetheoryandcritique at gmail.com (Culture Theory and Critique) Date: Thu, 24 Feb 2022 23:47:42 -0500 Subject: [acc-cca-l] Culture, Theory and Critique: CFP SPECIAL ISSUE ON MILITARIZATION & PLEASURE Message-ID: [?EXTERNAL] Culture, Theory and Critique: SPECIAL ISSUE ON MILITARIZATION & PLEASURE How do we enjoy our everyday militarization? This special issue will investigate the production, experiences, and problems of the pleasure that we derive from cultural products that uphold the values and logics of militarization and securitization. We contend, first, that cultural products and practices are actors embedded in global processes of empire and capital. Second, we observe that recent civil unrest and state responses to it have made more people than ever aware that militarism plays a normalized and pleasurable role in their everyday life. Apart from the obvious extension of military culture and technology (i.e. Call of Duty, personal drones, camouflage fashion), this special issue will explore less visible and non-obvious sites in which pleasure helps condition subjects to become complicit with their own and others? militarization and the wider systems that enable it. In other words, how can we, and can we, laugh with Brooklyn 99 and still attend Black Lives Matter rallies on the same day? We plan to explore how pleasure is a channel through which militarization occurs in the rhythms and rituals of everyday life, including consumption, epistemologies and reasonings, desires, aesthetics, and more. This collection of essays will reflect on how militarization and pleasure queer and/or reinforce one another without seeking to resolve inherent contradictions or rationalize the messy affects of pleasure; we want to get into the intractably contradictory and complicit character of pleasure and explore potentialities for resistance. What can we do with the contradictory pleasures we find in militarized values, processes, and practices at work in our daily lives? We ask whether and how we are surviving now in what Berlant (2011) calls ?crisis ordinary? and imagine what it might mean to flourish and find joy amongst the ?everywhere war? (Gregory 2011). This issue hopes to contribute nuanced understandings of the pleasure-militarization relationship, expand perceptions of militarized aesthetics, and theorize new modes of immanent critique and resistance that allow for pleasure without projecting fantasies of innocence or exceptionalism. We welcome contradictions and disagreements within this dialogue as long as we share the common aim to provide new theoretical vantage points on and terminologies for pleasure as a social catalyst that motivates desire, structures subjectivities, and obscures the militarization of the everyday. Scholars from any humanities or social science discipline, especially those engaged in interdisciplinary work, are encouraged to contribute 350-word abstracts with a short bio note to militarizingpleasure at gmail.com by 1st April 2022. Authors should expect a response by 1st May, and full articles will be due on September 1st for publication in early 2023 (or earlier online). We respect the unpredictable schedules and needs we all differently have and will try to make accommodations where possible. Authors needing extensions for the abstract and/or paper submission should contact the editors at the email address above. We expect articles to fall into the three categories. Suggestions for papers could include but are not limited to: 1: What is Militarization to/in/with Pleasure Now? * Conceptualizations of the relationship between militarization and pleasure * Militarization with specific reference to pleasure & the ?non-martial? * Methods and affirmations of knowing, discovery, & enquiry (e.g. ?fake news?) * Confluence of identity politics and the relational roles of militarized subjects. How are subjects differently militarized due to race, gender, sexuality, religion, etc.? 2: Immanent Critique: Implicated and Contradictory Subjects * Material cultures, food, domesticity, fashion, media/texts, & leisure * Everyday use of military medicine & diet and fitness practices (e.g., meal substitute drinks, ?warrior fitness?) * Domesticized & democratized military technology (e.g., home surveillance tech, smartphones, Alexa) * Culture and aesthetics of and around sex and violence * Commodification of revolutionary aesthetics and language & performative activism 3: Policing Pleasure: Resistance, Unconscious and Conscious, to Militarization * Mutual aid, grassroots activism, & forms of protest (e.g. carnival, drag, Rest for Resistance) * Contestatory/activist texts, media, practices, & social media tactics * Forms of critique (e.g., trolling, satire, stand up comedy, memes) * Fictional and fantasy worlds: superheroes, speculative, and other sci-fi/fantasy forms Alex Adams is an independent scholar based in the UK. He has written widely on securitization, torture, and drone warfare, and has published three monographs: Political Torture in Popular Culture(Routledge, 2016), How to Justify Torture (Repeater, 2019), and Death TV: Drone Warfare in Contemporary Popular Culture (Drone Wars UK, 2021). He is currently working on Godzilla: A Critical Demonology, a critical work on Godzilla. See his website atadamswriting.com for more information. Amy Gaeta is a Ph.D. candidate in Literary Studies and Visual Cultures at the University of Wisconsin-Madison. Amy arranges aspects of disability studies and feminist technoscience studies to explore 21st-century human-technology relations. Her dissertation, Drone Life: A Feminist Crip Analysis of the Human theorizes the drone as a prosthetic that is altering the human condition against the backdrop of AI, mass surveillance, automation, and endless war. Her scholarship has recently been published in the Journal of Visual Culture and the forthcoming edited collection Drone Aesthetics(Open Humanities Press). Professor Greg Hainge Editor in Chief Culture, Theory and Critique [https://i.imgbox.com/Xmmslu0Y.png] [https://i.imgbox.com/KHzPDqwf.png] -------------- next part -------------- An HTML attachment was scrubbed... URL: From george.eric at uqam.ca Thu Mar 3 11:21:07 2022 From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=) Date: Thu, 3 Mar 2022 18:21:07 +0000 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_communications=2C_T=C3=A9l?= =?utf-8?q?=C3=A9vision=2C_information_et_num=C3=A9rique=2E_Pratiques_et_p?= =?utf-8?q?ublics_29_et_30_septembre_2022_Universit=C3=A9_de_Lorraine=2C_M?= =?utf-8?q?etz_=28France=29?= Message-ID: <82CF2005-7972-4BAD-A1F8-054EAB6B842D@uqam.ca> [?EXTERNAL] [cid:9AF5D253-C485-415C-BC68-6B49D811A531] Centre de recherche sur les m?diations Communication, langue, art, culture (UR 3476, Universit? de Lorraine, France) Appel ? communications ? Colloque pluridisciplinaire et international T?l?vision, information et num?rique. Pratiques et publics 29 et 30 septembre 2022 Universit? de Lorraine, site de Metz, ?le du Saulcy Le 24 janvier 2022, TF1, la cha?ne de t?l?vision la plus regard?e en France, lan?ait un nouveau service : ? le journal t?l?vis? personnalis? ?. Disponible via une application num?rique ad hoc ? TF1 info ?, cette fonctionnalit? permet ? chaque individu de composer son propre JT, en ligne, ? partir des reportages con?us et diffus?s dans les journaux t?l?vis?s du diffuseur, en fonction de ses pr?f?rences th?matiques et territoriales. Avec ce service, TF1 se donne pour mission d?informer un public ? submerg? par l?information digitale ?, en ? s?adaptant aux nouveaux usages ? (propos de Olivier Ravanello, directeur de l?information digitale du groupe, rapport?s dans Le journal des m?dias du 14/01/2022, Europe 1. Acc?s : https://www.youtube.com/watch?v=hDNrP3aYUrQ). Cette annonce illustre l?av?nement d?un monde audiovisuel num?rique, au sein duquel la t?l?vision doit aujourd?hui ?tre pens?e. En effet, la polarisation entre une t?l?vision traditionnelle, en fin de vie, et le num?rique n?a plus sa place. La t?l?vision doit d?sormais ?tre envisag?e dans une perspective hybride, tant au niveau de la production que de celui de la r?ception. Les contenus t?l?visuels sont con?us pour ?tre visionn?s, en contexte domestique mais pas seulement, sur un ?cran de t?l?vision traditionnel mais aussi en mobilit?, dans d?autres temporalit?s, sur des supports de taille plus r?duite (smartphone, tablette, ordinateur) et dans des conditions de r?ception diversifi?es. Alors que l?on parle de ? m?dias sociaux ? pour qualifier l?essor non seulement des pratiques de bloggingmais surtout celui des r?seaux socionum?riques depuis le milieu des ann?es 2000, les mutations de la t?l?vision en lien avec le num?rique peuvent ?tre dat?es de la fin des ann?es 2000. En France, les premiers services de t?l?vision de ? rattrapage ? sont apparus en 2008 ; ? partir de 2011, la commercialisation des ? t?l?visions connect?es ?, ainsi que la d?mocratisation des smartphoneset des tablettes ont ?tendu les conditions d??coute des contenus t?l?visuels. Le m?dia a d? ?voluer, de mani?re ? rester concurrentiel face ? l?internet, et afin de ne pas disparaitre : les diffuseurs ont saisi les opportunit?s num?riques pour proposer aux publics d?enrichir leurs exp?riences transm?diatiques, en d?ployant leurs activit?s sur les r?seaux socionum?riques. Ils ont d?velopp? des dispositifs, dits d?interactivit?, qui leur permettent d?accro?tre leur audience sociale, c?est-?-dire le volume des ?changes sur les r?seaux sociaux li?s ? une ?mission de t?l?vision. Si la mise ? disposition des contenus t?l?visuels ? la carte, sur un autre ?cran que celui du poste, a marqu? le d?but d?une d?saffection de la t?l?vision au profit de l?internet, les scores d?audience de la t?l?vision multi-?cran se maintiennent ? des niveaux importants qui ne se justifient pas seulement par les situations de confinement sanitaire en lien avec la pand?mie de coronavirus : l?institut M?diam?trie a enregistr? une dur?e d??coute individuelle moyenne de 3h41 pour 2021 (contre 3h58 en 2020 et 3h40 en 2019, source : M?diamat annuel[1]). Par ailleurs, une ?tude r?cente a r?v?l? que la t?l?vision demeure le m?dia dominant pour s?informer en France, sauf pour les grands consommateurs de r?seaux socionum?riques (Dejean, Lumeau, Peters, 2021). La t?l?vision, dans son acception d?sormais hybride, occupe toujours une place, qu?elle soit centrale ou p?riph?rique, dans la vie quotidienne d?une majorit? d?individus, en particulier comme source d?information. L?objectif de ce colloque sera de s?interroger sur l??volution de la fabrique et de la r?ception de l?information t?l?visuelle, ? l?heure d?une hybridit? des formats m?diatiques et num?riques. Il permettra de faire un ?tat des lieux des pratiques professionnelles et de celles des publics au sujet des informations t?l?visuelles et num?riques, et d?ouvrir des perspectives de r?flexion sur le sujet. Plusieurs th?matiques, non exclusives, sont envisag?es ; la r?flexion n?est bien s?r pas limit?e au cas de la France : ? La th?orisation de l?audiovisuel num?rique d?information ? Les dispositifs hybrides d?information et l??volution des pratiques professionnelles journalistiques ? La ? t?l?vision sociale ? : les commentaires num?riques en lien avec les programmes t?l?vis?s d?information ? La t?l?vision participative : l?implication et la fid?lisation des publics ? La politique t?l?vis?e ? l?heure du num?rique et de la d?sinformation ? La place des t?l?visions locales dans le ? nouvel ? ?cosyst?me m?diatique ? Les repr?sentations d?une t?l?vision et de ses publics en mutation ? Les m?thodes pour observer et analyser les pratiques des t?l?spectateurs-internautes ? L??volution des mod?les socio-?conomiques Les propositions (titre + r?sum? de 300 mots + 5 mots cl?s) devront ?tre envoy?es ? l?organisatrice du colloque, C?line S?gur (celine.segur at univ-lorraine.fr) avant le 29 avril 2022. Les auteur?e?s indiqueront leurs fonctions et rattachements institutionnels, ainsi que leurs coordonn?es (email). ? l?issue du colloque, les participant?e?s seront invit??e?s ? soumettre un texte complet en vue d?une publication dans un ouvrage collectif ou dans une revue scientifique, ainsi que de notices pour le Publictionnaire. Dictionnaire critique et encyclop?dique des publics - (ISSN 2609-6404) publi? sur Huma-Num (TGIR-CNRS), disponible en ligne : http://publictionnaire.huma-num.fr. Les frais d?inscription sont de 40 euros pour les titulaires. Les doctorant?e?s et les non-titulaires sont exon?r??e?s des frais d?inscription. Bibliographie indicative Amey P., 2015, ? D?bat politique/d?bat t?l?vis? ?, Publictionnaire. Dictionnaire encyclop?dique et critique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/debat-politique-debat-televise/. Aubert A., Froissart P., 2014, ? Les publics de l?information ?, Revue fran?aise des sciences de l?information et de la communication, 5. Acc?s : https://journals.openedition.org/rfsic/1121#text. Bourdon J., No?s C., 2020, ? Est-ce la fin de la fin de la t?l?vision ? ?, Le Temps des m?dias, 34, pp. 185-205. Chambat-Houillon M.-F., 2016, ? De la sinc?rit? aux effets de sinc?rit?, l?exemple de l?immersion journalistique ? la t?l?vision ?, Questions de communication, 30, pp. 239-259. Acc?s : https://journals.openedition.org/questionsdecommunication/10776. Chambat-Houillon M.-F., Barthes S., dirs., 2019, ? Mutations de la t?l?vision ?, T?l?vision, 10. Chateauvert J., Delavaud G., dirs, 2016, D?un ?cran ? l?autre, les mutations du spectateur, Paris, ?d. L?Harmattan. Coutant A., Stenger T., 2012, ? Les m?dias sociaux, une histoire de participation ?, Le Temps des m?dias, 18, pp. 76-86. Dejean S., Lumeau M., Peters S., 2021, ? La consommation d?informations en France. Quelle place pour la t?l?vision ? ?, R?seaux, 229, pp. 43-74. Fantin E., Fran?ois S., Niemeyer K., 2021, Nostalgies contemporaines. M?dias, cultures et technologies, Villeneuve d?Ascq, Presses universitaires du Septentrion. Fleury B., Walter J., dirs, 2015, ? ?tat des recherches en SIC sur l?information m?diatique ?, Revue fran?aise des sciences de l?information et de la communication, 5. Acc?s : https://journals.openedition.org/rfsic/992. Georges E., dir., 2015, Concentration des m?dias, changements technologiques et pluralisme de l?information, Qu?bec, Presses de l?universit? de Laval. Kredens E., Rio Fl., 2015, ? Pratiques t?l?visuelles ? l??re du num?rique ?, ?tudes de communication, 44. Lafon B., dir., 2019, M?dias et m?diatisation. Analyser les m?dias imprim?s, audiovisuels, num?riques, Grenoble, Presses universitaires de Grenoble. Le Champion R., 2018, La T?l?vision, Paris, ?d. la D?couverte. Le Grignou B., Neveu ?., 2017, Sociologie de la t?l?vision, Paris, ?d. la D?couverte. Leroux P., Liutort, dirs, 2013, ? Renouvellement des mises en sc?ne t?l?visuelles de la politique ?, Questions de communication, 24. Acc?s : https://journals.openedition.org/questionsdecommunication/8630. Millerand Fl., Proulx S., Rueff J., dirs., 2010, Web social. Mutation de la communication, Montr?al, Presses de l?universit? du Qu?bec. Missika J.-L., 2006, La Fin de la t?l?vision, Paris, ?d du Seuil. Pasquier D., Rebillard Fr., dirs, 2021, ? T?l?vision : les publics ?, R?seaux, 229. Pignard-Cheynel N., 2018, ? Journalisme participatif ?, Publictionnaire. Dictionnaire critique et encyclop?dique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/journalisme-participatif/. Rebillard Fr., No?s C., dirs, 2021, ? T?l?vision : industrie et programmes ?, R?seaux, 230. Reti?re D., Villeneuve G., 2018, ? La c?r?monie ?lectronique. Le T?l?thon sur Twitter, Questions de communication, 34, pp. 249-268. Acc?s : https://journals.openedition.org/questionsdecommunication/15931. S?gur C., 2015, ? T?l?spectateur ?, Publictionnaire. Dictionnaire encyclop?dique et critique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/telespectateur/. S?gur C., 2022, Les Publics et leur t?l?vision. Mutation des pratiques, construction des savoirs, Dossier pour l?Habilitation ? diriger des recherches en Sciences de l?information et de la communication, Universit? de Lorraine. Acc?s : https://hal.univ-lorraine.fr/tel-03556414. Spies V., dir., 2014, ? La t?l?vision et apr?s : vers le transm?dia ?, T?l?vision, 5, pp. 11-130. Spina P., Viallon M., 2016, ? La pratique des r?seaux sociaux par les diffuseurs t?l? : un nouvel espace de libert? pour les t?l?spectateurs et de gestion des audiences pour l??metteur ?, ESSACHESS ? Journal for Communication Studies, 9(2), pp. 101-112. Treleani M., Jost F., dirs, 2020, ? Le spectateur num?rique ?, T?l?vision, 11. Uricchio W., 2009, ? T?l?vision : l?institutionnalisation de l?interm?dialit? ?, p. 161-177, in : Berton M., Weber A.-K., dirs, La T?l?vision, du t?l?phonoscope ? Youtube, Lausanne, ?d. Antipodes. Valloton F., Weber A.-K., ?ds, 2022, Pour une histoire ?largie de la t?l?vision, Livings books about history. Acc?s : https://livingbooksabouthistory.ch/fr/book/towards-an-expanded-history-of-television. Calendrier 29 avril : date limite pour l?envoi des r?sum?s d?intention 6 juin : r?ponse aux auteurs 29 et 30 septembre : colloque, Metz Comit? scientifique Patrick Amey (Media at lab-Gen?ve, universit? de Gen?ve, Suisse) St?fanie Averbeck-Lietz (universit? de Br?me, Allemagne) Aur?lie Aubert (Cemti, Universit? Paris 8) Lo?c Ballarini (Ar?nes, Universit? Rennes 1) J?r?me Berthaut (Cim?os, Universit? de Bourgogne) Marie-France Chambat-Houillon (Ceisme, Universit? Paris 3) Jean Charron (Universit? Laval, Canada) B?atrice Fleury (Crem, Universit? de Lorraine) Isabelle Garcin-Marrou (Elico, Institut d??tude politique de Lyon) Eric George (?cole des m?dias, Universit? du Qu?bec ? Montr?al, Canada) Fran?ois Heinderyckx (Universit? libre de Bruxelles, Belgique) Nicolas Hub? (Crem, Universit? de Lorraine) Benoit Lafon (Gresec, Universit? Grenoble Alpes) Pierre Leroux (Chus, Universit? catholique de l?ouest) Emmanuel Marty (Gresec, Universit? Grenoble Alpes) Angeliki Monnier (Crem, Universit? de Lorraine) S?bastien Mort (Crem, Universit? de Lorraine) Philipp M?ller (Universit? de Mannheim, Allemagne) Katharina Niemeyer (?cole des m?dias, Universit? du Qu?bec ? Montr?al, Canada) Nicolas P?lissier (SIC.Lab M?diterran?e, Universit? C?te d?Azur) Sylvie Pierre (Crem, Universit? de Lorraine) Nathalie Pignard-Cheynel (Acad?mie du journalisme, Universit? de Neuch?tel, Suisse) Franck Rebillard (Irm?ccen, Universit? Paris 3) Pascal Ricaud (Prim, Universit? de Tours) Val?rie Schafer (C2DH, Universit? du Luxembourg) Virginie Spies (Laboratoire Culture et Communication, Avignon Universit?) Olivier Standaert (ORM, Universit? catholique de Louvain, Belgique) Fran?ois Valloton (Universit? de Lausanne, Suisse) Susanne Vollberg (Martin-Luther-Universit?t Halle-Wittenberg, Allemagne) Jacques Walter (Crem, Universit? de Lorraine) ________________________________ [1] Acc?s : https://www.mediametrie.fr/sites/default/files/2022-01/2022%2001%2003%20M?diamat%20Annuel%202021.pdf. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: attachment.png Type: image/png Size: 1693054 bytes Desc: attachment.png URL: From niemeyer.katharina at uqam.ca Thu Mar 3 11:33:34 2022 From: niemeyer.katharina at uqam.ca (Niemeyer, Katharina) Date: Thu, 3 Mar 2022 18:33:34 +0000 Subject: [acc-cca-l] =?windows-1252?q?Appel_=E0_communications=2C_T=E9l?= =?windows-1252?q?=E9vision=2C_information_et_num=E9rique=2E_Pratiques_et_?= =?windows-1252?q?publics_29_et_30_septembre_2022_Universit=E9_de_Lorraine?= =?windows-1252?q?=2C_Metz_=28France=29?= In-Reply-To: References: Message-ID: [?EXTERNAL] Centre de recherche sur les m?diations Communication, langue, art, culture (UR 3476, Universit? de Lorraine, France) Appel ? communications ? Colloque pluridisciplinaire et international T?l?vision, information et num?rique. Pratiques et publics 29 et 30 septembre 2022 Universit? de Lorraine, site de Metz, ?le du Saulcy Le 24 janvier 2022, TF1, la cha?ne de t?l?vision la plus regard?e en France, lan?ait un nouveau service : ? le journal t?l?vis? personnalis? ?. Disponible via une application num?rique ad hoc ? TF1 info ?, cette fonctionnalit? permet ? chaque individu de composer son propre JT, en ligne, ? partir des reportages con?us et diffus?s dans les journaux t?l?vis?s du diffuseur, en fonction de ses pr?f?rences th?matiques et territoriales. Avec ce service, TF1 se donne pour mission d?informer un public ? submerg? par l?information digitale ?, en ? s?adaptant aux nouveaux usages ? (propos de Olivier Ravanello, directeur de l?information digitale du groupe, rapport?s dans Le journal des m?dias du 14/01/2022, Europe 1. Acc?s : https://www.youtube.com/watch?v=hDNrP3aYUrQ). Cette annonce illustre l?av?nement d?un monde audiovisuel num?rique, au sein duquel la t?l?vision doit aujourd?hui ?tre pens?e. En effet, la polarisation entre une t?l?vision traditionnelle, en fin de vie, et le num?rique n?a plus sa place. La t?l?vision doit d?sormais ?tre envisag?e dans une perspective hybride, tant au niveau de la production que de celui de la r?ception. Les contenus t?l?visuels sont con?us pour ?tre visionn?s, en contexte domestique mais pas seulement, sur un ?cran de t?l?vision traditionnel mais aussi en mobilit?, dans d?autres temporalit?s, sur des supports de taille plus r?duite (smartphone, tablette, ordinateur) et dans des conditions de r?ception diversifi?es. Alors que l?on parle de ? m?dias sociaux ? pour qualifier l?essor non seulement des pratiques de bloggingmais surtout celui des r?seaux socionum?riques depuis le milieu des ann?es 2000, les mutations de la t?l?vision en lien avec le num?rique peuvent ?tre dat?es de la fin des ann?es 2000. En France, les premiers services de t?l?vision de ? rattrapage ? sont apparus en 2008 ; ? partir de 2011, la commercialisation des ? t?l?visions connect?es ?, ainsi que la d?mocratisation des smartphoneset des tablettes ont ?tendu les conditions d??coute des contenus t?l?visuels. Le m?dia a d? ?voluer, de mani?re ? rester concurrentiel face ? l?internet, et afin de ne pas disparaitre : les diffuseurs ont saisi les opportunit?s num?riques pour proposer aux publics d?enrichir leurs exp?riences transm?diatiques, en d?ployant leurs activit?s sur les r?seaux socionum?riques. Ils ont d?velopp? des dispositifs, dits d?interactivit?, qui leur permettent d?accro?tre leur audience sociale, c?est-?-dire le volume des ?changes sur les r?seaux sociaux li?s ? une ?mission de t?l?vision. Si la mise ? disposition des contenus t?l?visuels ? la carte, sur un autre ?cran que celui du poste, a marqu? le d?but d?une d?saffection de la t?l?vision au profit de l?internet, les scores d?audience de la t?l?vision multi-?cran se maintiennent ? des niveaux importants qui ne se justifient pas seulement par les situations de confinement sanitaire en lien avec la pand?mie de coronavirus : l?institut M?diam?trie a enregistr? une dur?e d??coute individuelle moyenne de 3h41 pour 2021 (contre 3h58 en 2020 et 3h40 en 2019, source : M?diamat annuel[1]). Par ailleurs, une ?tude r?cente a r?v?l? que la t?l?vision demeure le m?dia dominant pour s?informer en France, sauf pour les grands consommateurs de r?seaux socionum?riques (Dejean, Lumeau, Peters, 2021). La t?l?vision, dans son acception d?sormais hybride, occupe toujours une place, qu?elle soit centrale ou p?riph?rique, dans la vie quotidienne d?une majorit? d?individus, en particulier comme source d?information. L?objectif de ce colloque sera de s?interroger sur l??volution de la fabrique et de la r?ception de l?information t?l?visuelle, ? l?heure d?une hybridit? des formats m?diatiques et num?riques. Il permettra de faire un ?tat des lieux des pratiques professionnelles et de celles des publics au sujet des informations t?l?visuelles et num?riques, et d?ouvrir des perspectives de r?flexion sur le sujet. Plusieurs th?matiques, non exclusives, sont envisag?es ; la r?flexion n?est bien s?r pas limit?e au cas de la France : ? La th?orisation de l?audiovisuel num?rique d?information ? Les dispositifs hybrides d?information et l??volution des pratiques professionnelles journalistiques ? La ? t?l?vision sociale ? : les commentaires num?riques en lien avec les programmes t?l?vis?s d?information ? La t?l?vision participative : l?implication et la fid?lisation des publics ? La politique t?l?vis?e ? l?heure du num?rique et de la d?sinformation ? La place des t?l?visions locales dans le ? nouvel ? ?cosyst?me m?diatique ? Les repr?sentations d?une t?l?vision et de ses publics en mutation ? Les m?thodes pour observer et analyser les pratiques des t?l?spectateurs-internautes ? L??volution des mod?les socio-?conomiques Les propositions (titre + r?sum? de 300 mots + 5 mots cl?s) devront ?tre envoy?es ? l?organisatrice du colloque, C?line S?gur (celine.segur at univ-lorraine.fr) avant le 29 avril 2022. Les auteur?e?s indiqueront leurs fonctions et rattachements institutionnels, ainsi que leurs coordonn?es (email). ? l?issue du colloque, les participant?e?s seront invit??e?s ? soumettre un texte complet en vue d?une publication dans un ouvrage collectif ou dans une revue scientifique, ainsi que de notices pour le Publictionnaire. Dictionnaire critique et encyclop?dique des publics - (ISSN 2609-6404) publi? sur Huma-Num (TGIR-CNRS), disponible en ligne : http://publictionnaire.huma-num.fr. Les frais d?inscription sont de 40 euros pour les titulaires. Les doctorant?e?s et les non-titulaires sont exon?r??e?s des frais d?inscription. Bibliographie indicative Amey P., 2015, ? D?bat politique/d?bat t?l?vis? ?, Publictionnaire. Dictionnaire encyclop?dique et critique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/debat-politique-debat-televise/. Aubert A., Froissart P., 2014, ? Les publics de l?information ?, Revue fran?aise des sciences de l?information et de la communication, 5. Acc?s : https://journals.openedition.org/rfsic/1121#text. Bourdon J., No?s C., 2020, ? Est-ce la fin de la fin de la t?l?vision ? ?, Le Temps des m?dias, 34, pp. 185-205. Chambat-Houillon M.-F., 2016, ? De la sinc?rit? aux effets de sinc?rit?, l?exemple de l?immersion journalistique ? la t?l?vision ?, Questions de communication, 30, pp. 239-259. Acc?s : https://journals.openedition.org/questionsdecommunication/10776. Chambat-Houillon M.-F., Barthes S., dirs., 2019, ? Mutations de la t?l?vision ?, T?l?vision, 10. Chateauvert J., Delavaud G., dirs, 2016, D?un ?cran ? l?autre, les mutations du spectateur, Paris, ?d. L?Harmattan. Coutant A., Stenger T., 2012, ? Les m?dias sociaux, une histoire de participation ?, Le Temps des m?dias, 18, pp. 76-86. Dejean S., Lumeau M., Peters S., 2021, ? La consommation d?informations en France. Quelle place pour la t?l?vision ? ?, R?seaux, 229, pp. 43-74. Fantin E., Fran?ois S., Niemeyer K., 2021, Nostalgies contemporaines. M?dias, cultures et technologies, Villeneuve d?Ascq, Presses universitaires du Septentrion. Fleury B., Walter J., dirs, 2015, ? ?tat des recherches en SIC sur l?information m?diatique ?, Revue fran?aise des sciences de l?information et de la communication, 5. Acc?s : https://journals.openedition.org/rfsic/992. Georges E., dir., 2015, Concentration des m?dias, changements technologiques et pluralisme de l?information, Qu?bec, Presses de l?universit? de Laval. Kredens E., Rio Fl., 2015, ? Pratiques t?l?visuelles ? l??re du num?rique ?, ?tudes de communication, 44. Lafon B., dir., 2019, M?dias et m?diatisation. Analyser les m?dias imprim?s, audiovisuels, num?riques, Grenoble, Presses universitaires de Grenoble. Le Champion R., 2018, La T?l?vision, Paris, ?d. la D?couverte. Le Grignou B., Neveu ?., 2017, Sociologie de la t?l?vision, Paris, ?d. la D?couverte. Leroux P., Liutort, dirs, 2013, ? Renouvellement des mises en sc?ne t?l?visuelles de la politique ?, Questions de communication, 24. Acc?s : https://journals.openedition.org/questionsdecommunication/8630. Millerand Fl., Proulx S., Rueff J., dirs., 2010, Web social. Mutation de la communication, Montr?al, Presses de l?universit? du Qu?bec. Missika J.-L., 2006, La Fin de la t?l?vision, Paris, ?d du Seuil. Pasquier D., Rebillard Fr., dirs, 2021, ? T?l?vision : les publics ?, R?seaux, 229. Pignard-Cheynel N., 2018, ? Journalisme participatif ?, Publictionnaire. Dictionnaire critique et encyclop?dique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/journalisme-participatif/. Rebillard Fr., No?s C., dirs, 2021, ? T?l?vision : industrie et programmes ?, R?seaux, 230. Reti?re D., Villeneuve G., 2018, ? La c?r?monie ?lectronique. Le T?l?thon sur Twitter, Questions de communication, 34, pp. 249-268. Acc?s : https://journals.openedition.org/questionsdecommunication/15931. S?gur C., 2015, ? T?l?spectateur ?, Publictionnaire. Dictionnaire encyclop?dique et critique des publics. Acc?s : http://publictionnaire.huma-num.fr/notice/telespectateur/. S?gur C., 2022, Les Publics et leur t?l?vision. Mutation des pratiques, construction des savoirs, Dossier pour l?Habilitation ? diriger des recherches en Sciences de l?information et de la communication, Universit? de Lorraine. Acc?s : https://hal.univ-lorraine.fr/tel-03556414. Spies V., dir., 2014, ? La t?l?vision et apr?s : vers le transm?dia ?, T?l?vision, 5, pp. 11-130. Spina P., Viallon M., 2016, ? La pratique des r?seaux sociaux par les diffuseurs t?l? : un nouvel espace de libert? pour les t?l?spectateurs et de gestion des audiences pour l??metteur ?, ESSACHESS ? Journal for Communication Studies, 9(2), pp. 101-112. Treleani M., Jost F., dirs, 2020, ? Le spectateur num?rique ?, T?l?vision, 11. Uricchio W., 2009, ? T?l?vision : l?institutionnalisation de l?interm?dialit? ?, p. 161-177, in : Berton M., Weber A.-K., dirs, La T?l?vision, du t?l?phonoscope ? Youtube, Lausanne, ?d. Antipodes. Valloton F., Weber A.-K., ?ds, 2022, Pour une histoire ?largie de la t?l?vision, Livings books about history. Acc?s : https://livingbooksabouthistory.ch/fr/book/towards-an-expanded-history-of-television. Calendrier 29 avril : date limite pour l?envoi des r?sum?s d?intention 6 juin : r?ponse aux auteurs 29 et 30 septembre : colloque, Metz Comit? scientifique Patrick Amey (Media at lab-Gen?ve, universit? de Gen?ve, Suisse) St?fanie Averbeck-Lietz (universit? de Br?me, Allemagne) Aur?lie Aubert (Cemti, Universit? Paris 8) Lo?c Ballarini (Ar?nes, Universit? Rennes 1) J?r?me Berthaut (Cim?os, Universit? de Bourgogne) Marie-France Chambat-Houillon (Ceisme, Universit? Paris 3) Jean Charron (Universit? Laval, Canada) B?atrice Fleury (Crem, Universit? de Lorraine) Isabelle Garcin-Marrou (Elico, Institut d??tude politique de Lyon) Eric George (?cole des m?dias, Universit? du Qu?bec ? Montr?al, Canada) Fran?ois Heinderyckx (Universit? libre de Bruxelles, Belgique) Nicolas Hub? (Crem, Universit? de Lorraine) Benoit Lafon (Gresec, Universit? Grenoble Alpes) Pierre Leroux (Chus, Universit? catholique de l?ouest) Emmanuel Marty (Gresec, Universit? Grenoble Alpes) Angeliki Monnier (Crem, Universit? de Lorraine) S?bastien Mort (Crem, Universit? de Lorraine) Philipp M?ller (Universit? de Mannheim, Allemagne) Katharina Niemeyer (?cole des m?dias, Universit? du Qu?bec ? Montr?al, Canada) Nicolas P?lissier (SIC.Lab M?diterran?e, Universit? C?te d?Azur) Sylvie Pierre (Crem, Universit? de Lorraine) Nathalie Pignard-Cheynel (Acad?mie du journalisme, Universit? de Neuch?tel, Suisse) Franck Rebillard (Irm?ccen, Universit? Paris 3) Pascal Ricaud (Prim, Universit? de Tours) Val?rie Schafer (C2DH, Universit? du Luxembourg) Virginie Spies (Laboratoire Culture et Communication, Avignon Universit?) Olivier Standaert (ORM, Universit? catholique de Louvain, Belgique) Fran?ois Valloton (Universit? de Lausanne, Suisse) Susanne Vollberg (Martin-Luther-Universit?t Halle-Wittenberg, Allemagne) Jacques Walter (Crem, Universit? de Lorraine) ________________________________ [1] Acc?s : https://www.mediametrie.fr/sites/default/files/2022-01/2022%2001%2003%20M?diamat%20Annuel%202021.pdf. ________________________________ Pour vous d?sabonner de la liste CRICIS-INFOS, envoyez un courriel vide (sans objet ni contenu) ? : CRICIS-INFOS-signoff-request at LISTSERV.UQAM.CA -------------- next part -------------- An HTML attachment was scrubbed... URL: From rbuiani at gmail.com Sun Mar 6 21:47:07 2022 From: rbuiani at gmail.com (roberta buiani) Date: Sun, 6 Mar 2022 23:47:07 -0500 Subject: [acc-cca-l] "Who Cares?" First Keynote address and Roundtable March 10-11 Message-ID: [?EXTERNAL] FYI, apologies fro cross-posting RB View this email in your browser [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/39a13a25-9aa2-0647-7bad-caf453f102ef.png] We?re pleased to announce our next two events from our ?Who Cares?? Speaker Series Nous sommes heureux d'annoncer notre deuxi?me ?v?nement de notre "Who Cares?" S?rie de conferences March 10, 2:00-3:00 pm Data Meditation: Salvatore Iaconesi and Oriana Persico HER - She Loves Data Nuovo Abitare Join us for a discussion about questions like: * Why does data have to be an extractive process? * What can we learn about ourselves through the data we generate everyday? * How can we use them as an expressive form to represent ourselves? Data Meditations is the first ritual designed with the new approach of HER: She Loves Data, which addresses data as existential and cultural phenomena, and the need of creating experience (contemporary rituals) that allow societies and individuals to come together around data generating meaning, new forms of solidarity, empathy, interconnection and knowledge. ~~~~~ Rejoignez-nous pour une discussion bas?e sur des questions telles que : * Pourquoi les donn?es doivent-elles ?tre un processus d?extraction ? * Que pouvons-nous apprendre par rapport ? nous, gr?ce aux donn?es que nous g?n?rons chaque jour ? * Comment pouvons-nous les utiliser comme une forme expressive pour nous repr?senter ? Data M?ditations est le premier rituel con?u avec la nouvelle approche de HER [elle] : She loves Data , qui parle des donn?es en tant que ph?nom?nes existentiels et culturels , mais ?galement , la n?cessit? de cr?er des exp?riences [ rituels contemporains ] qui permettent aux soci?t?s et aux individus de se r?unir autour de donn?es g?n?rant du sens , de nouvelles formes de solidarit? , empathie , d?interconnexion et de connaissance. Register HERE/Inscrivez-vous ici [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/741555d1-58d5-070a-ae4b-7c6c8d73db78.png] [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/e4bad41c-a352-2e28-2b3c-b2ee7f74dd8b.jpeg] March 11, 5:00-7:00 pm Maria Antonia Gonzalez-Valerio, Professor of Philosophy and Literature, UNAM, Mexico City. Sharmistha Mishra, Infectious Disease Physician and Mathematical Modeller, St Michael?s Hospital Madhur Anand, Ecologist, School of Environmental Sciences, University of Guelph Salvatore Iaconesi and Oriana Persico, Independent Artists, HER, She Loves Data ??One lesson we have learnt in the past two years is that the pandemic has not single-handedly created a global health crisis, but has exacerbated and made visible one that was already in progress. The roots of this crisis are as cultural as they are economic and environmental. Among the factors contributing to the crisis is a dominant orientation towards healthcare that privileges a narrow focus on data-centered technological fixes and praises the potentials of technological delegation. An unsustainable system has culminated in the passive acceptance and even the cold justification of triage as an inevitable evil in a time of crisis and scarcity. What transdisciplinary practices can help ameliorate the atomizing pitfalls of turning the patient into data? How can discriminatory practices such as triage, exclusion based on race, gender, and class, vaccine hoarding etc.. be addressed and reversed? What strategies can we devise to foster genuine transdisciplinary approaches and move beyond the silo effects of specialization, address current uncritical trends towards technological delegation, and restore the centrality of human relations in healthcare delivery? ~~~~ L'une des le?ons que nous avons apprises au cours des deux derni?res ann?es est que la pand?mie n'a pas cr?? ? elle seule une crise sanitaire mondiale, mais qu'elle en a exacerb? et rendu visible une qui ?tait d?j? en cours. Les racines de cette crise sont aussi bien culturelles qu'?conomiques et environnementales. Parmi les facteurs qui contribuent ? la crise figure une orientation dominante en mati?re de soins de sant?, qui privil?gie une vision ?troite des solutions technologiques centr?es sur les donn?es et fait l'?loge du potentiel de la d?l?gation technologique. Un syst?me non durable a abouti ? l'acceptation passive et m?me ? la justification froide du triage comme un mal in?vitable en temps de crise et de p?nurie. Quelles pratiques transdisciplinaires peuvent contribuer ? am?liorer les pi?ges de l'atomisation qui consiste ? transformer le patient en donn?es ? Comment les pratiques discriminatoires telles que le triage, l'exclusion fond?e sur la race, le sexe et la classe sociale, la th?saurisation des vaccins, etc. peuvent-elles ?tre abord?es et invers?es ? Quelles strat?gies pouvons-nous concevoir pour favoriser de v?ritables approches transdisciplinaires et d?passer les effets de silo de la sp?cialisation, pour faire face aux tendances actuelles non critiques ? la d?l?gation technologique, et pour restaurer la centralit? des relations humaines dans la prestation des soins de sant? ? Register HERE/Inscrivez-vous ici [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/671f323c-f442-999d-3d3b-98876f49b51f.jpg] ?Who Cares?? is a Speaker Series dedicated to fostering transdisciplinary conversations between doctors, writers, artists, and researchers on contemporary biopolitics of care and the urgent need to move towards more respectful, creative, and inclusive social practices of care in the wake of the systemic cracks made obvious by the pandemic. ~~~~~~~~~~~~~ ?? Who Cares??? est une serie de conferences , visant a favoriser les discussions transdisciplinaires entre m?decins , ?crivains , artistes et chercheurs sur la biopolitiques contemporaine des soins et l?urgence d'?voluer vers des pratiques plus respectueuses , cr?atives et inclusives dans le sillage des fissures syst?miques qui sont devenues ?videntes avec la pand?mie. We wish to thank/ nous the generous support of the Social Science and Humanities Research Council of Canada, New College at the University of Toronto and The Faculty of Liberal Arts and Professional Studies at York University; the Centre for Feminist Research, Sensorium Centre for Digital Arts and Technology, The Canadian Language Museum, the Departments of English and the School of Gender and Women?s Studies at York University; the D.G. Ivey Library and the Institute for the History and Philosophy of Science and Technology at the University of Toronto; We also wish to thank the support of The Fields Institute for Research in Mathematical Sciences This series is co-produced in collaboration with the ArtSci Salon [Twitter] [Facebook] [Website] [YouTube] [Instagram] Copyright ? 2022 ArtSci salon, All rights reserved. You are receiving this email because you signed up to our Mailinglist. Thanks for supporting ArtSci Salon Our mailing address is: ArtSci salon 222 College Street Toronto, On M5T 2X3 3J1 Canada Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. [Email Marketing Powered by Mailchimp] -------------- next part -------------- An HTML attachment was scrubbed... URL: From cordelier.benoit at uqam.ca Wed Mar 9 10:57:39 2022 From: cordelier.benoit at uqam.ca (=?iso-8859-1?Q?Cordelier=2C_Beno=EEt?=) Date: Wed, 9 Mar 2022 17:57:39 +0000 Subject: [acc-cca-l] =?iso-8859-1?q?=5BAAA=5D_Questions_de_communication_?= =?iso-8859-1?q?43_=3A_dossier_=AB_Soutien_social_et_pair-aidance_num=E9ri?= =?iso-8859-1?q?ques_=BB?= In-Reply-To: References: <10378aba-a46a-59e7-bfd7-19944d4d0c7a@univ-lorraine.fr> Message-ID: [?EXTERNAL] [cid:part1.DHQiugaY.Ctw0NGce at univ-lorraine.fr] Soutien social et pair-aidance num?riques Entre pouvoir d'agir et instrumentalisation Coordination Beno?t Cordelier (Universit? du Qu?bec ? Montr?al) et Olivier Galibert (Universit? de Bourgogne) Date limite de soumission : 15 mars 2022 (format : 2 ? 3 pages) Parution : 1er semestre 2023 Texte complet de l'appel (format PDF) AAA-questions-de-communication-43 -- Benoit Cordelier Professeur, D?partement de communication sociale et publique Universit? du Qu?bec ? Montr?al, UQAM Pzl?n : avis de temp?te -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: aac-qdc43-banni%C3%A8re.jpg Type: image/jpeg Size: 88248 bytes Desc: aac-qdc43-banni%C3%A8re.jpg URL: From leslie.shade at utoronto.ca Fri Mar 11 06:02:00 2022 From: leslie.shade at utoronto.ca (Leslie Shade) Date: Fri, 11 Mar 2022 13:02:00 +0000 Subject: [acc-cca-l] CJC Policy Portal 4, Regulation, deadline extension: 4/15/22 Message-ID: [?EXTERNAL] Dear Colleagues The deadline for CJC's Policy Portal 4 - Regulation - has been extended to April 15, 2022. The full CFP and instructions for submission can be found at: https://cjc-online.ca/index.php/journal/announcement/view/263 Please contact me if you have any questions! Leslie Shade ---------------- Leslie Regan Shade Professor Faculty of Information University of Toronto leslie.shade at utoronto.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Fri Mar 11 10:07:01 2022 From: celat at uqam.ca (CELAT-UQAM) Date: Fri, 11 Mar 2022 17:07:01 +0000 Subject: [acc-cca-l] March 17th - Conference - The Postcolonial Politics of Remembrance and Oblivion Message-ID: [?EXTERNAL] Registration : https://ulaval.zoom.us/meeting/register/u5wscu-srj8oGNcOeByNbcuXBcZjW-za06JZ March 17th - Conference - The Postcolonial Politics of Remembrance and Oblivion Soha Bayoumi (Universit? Johns Hopkins) Abstract ? In his 1946 book, One Hour of Justice: The Black Book of the Egyptian Hospitals and a Fellaheen Charter, Arthur Cecil Alport decries the corruption with which he sees Egyptian hospitals to be riddled. Alport arrives in Cairo from England in 1937 to assume his duties as chair of medicine in the Faculty of Medicine at King Fouad I University (now Cairo University) and works there for six years under the deanship for the first three years of Ali Pasha Ibrahim, a pioneer of Egyptian medicine and the first Egyptian dean of the Medical School. Needless to say, the years during which Alport practiced medicine in Egypt witnessed significant political turmoil in the leadup to and during WWII?turmoil that was accompanied by important changes in the semi-colonial medical infrastructure and priorities. Against this backdrop, Alport saw his book as an intervention on behalf of the ?sick-poor? of Egypt. Despite being reportedly discouraged by many elite Europeans living in Egypt who deemed as futile his ?crusade? to reform the healthcare system, Alport butted heads with Egyptian medical elites, including Ali Pasha Ibrahim, and was determined that the way to ?make a dent? was to alert ?public opinion in the British Empire and America? to the suffering of the poor in Egypt. Between his idealization of the fellaheen (peasants) as the authentic Egyptians, his positionality as a colonial physician extolling the virtues of British biomedicine and Britain?s responsibility for the sick-poor of Egypt in the face of the ?incompetent and corrupt? Egyptian elites, and his alternating quotes from Lord Cromer and Hadiths from the Prophet Mu?ammad, Alport offers in his book a fascinating window into the complicated world of colonial (medical) reformers. In addition to examining the (semi-)colonial context of Alport?s tome, as well as its colonial messages and tones, this talk explores how this book came to be unearthed over sixty years later, in the years leading up to the Egyptian Uprising of 2011, as part of what came to be known as the Arab Spring. Translated into Arabic in 2009, Alport?s book was read and celebrated by groups of Egyptian doctors, including many engaged in the movement to reform the healthcare system. The book?s reception among beleaguered Egyptian doctors looking for reform poses important questions complicating the postcolonial reading of colonial endeavors in health justice and providing an example of the paradoxes of the postcolonial redemption of the colonial. The talk attempts to critically examine the power dynamics of colonial and postcolonial health reform, the notion of persistence of grievances, and how some colonial endeavors reverberate in postcolonial spaces. Through this analysis, the talk tries to shed light on the politics of remembrance in postcolonial contexts and how the (colonial) past is resuscitated and sanitized in the service of different political functions. ? Notice biobibliographique/Bio Soha Bayoumi is a Senior Lecturer in the Medicine, Science, and the Humanities program at Johns Hopkins University. Trained in political theory, political philosophy and intellectual history, she works on the question of justice at the intersection of history, political theory, and science, technology and medicine studies. Growing up in Cairo, surrounded by both medicine and political activism, she later became interested in understanding how medical professionals? political leanings shape their medical practice and how their medical expertise and practice shape, in turn, their political and social choices. She also became particularly interested in gender studies and postcolonial studies. After receiving a BS from Cairo University, she went on to do her graduate studies in France (Sciences Po Paris) and conducted research in Italy and Germany. Before teaching at Hopkins, she taught at Harvard?s Department of the History of Science between 2011 and 2021. CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrices : Estelle Grandbois-Bernard et Fannie Valois-Nadeau 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ L'UQAM est situ?e en territoire autochtone non c?d?. Historiquement, Tiohti?:ke (Montr?al) f?t un lieu de vie, de rencontres et d??changes entre les peuples autochtones. UQAM is located on unceded Aboriginal territory. Historically, Tiohti?:ke (Montreal) was a place of living, gathering and exchanges between indigenous peoples. -------------- next part -------------- An HTML attachment was scrubbed... URL: From rbuiani at gmail.com Mon Mar 14 09:41:27 2022 From: rbuiani at gmail.com (roberta buiani) Date: Mon, 14 Mar 2022 11:41:27 -0400 Subject: [acc-cca-l] =?utf-8?q?=22Who_Cares=3F_Sustaining_relations_of_he?= =?utf-8?q?alth_beyond_the_time_of_crisis=E2=80=9D_March_18_and_March_25_e?= =?utf-8?q?vents?= Message-ID: <41E79B4A-CAE8-4D5D-8B83-2B5E71FA159B@gmail.com> [?EXTERNAL] good morning, apologies fro cross-posting. I hope many of you will be interested. our series so far has had some remarkable discussions. you can see all recording on our youtube channel (or on the event website) best Roberta View this email in your browser [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/39a13a25-9aa2-0647-7bad-caf453f102ef.png] Our next two events from ?Who Cares?? Speaker Series are on March 18 and march 25. Mark your calendars Nos deux prochains ?v?nement de "Who Cares?" S?rie de conferences ont lieu les 18 et 25 mars. Marquez vos calendriers Critical care and sustainable care/ Soins intensifs et soins durables March/Mars 18, 6:00-8:00 pm Maria Antonia Gonzalez-Valerio, Professor of Philosophy and Literature, UNAM, Mexico City. Suvendrini Lena, MD, Playwright and Neurologist at CAMH and Centre for Headache, Women?s College Hospital, Toronto Adriana Ieraci, Roboticist and PhD candidate in Computer Science, Ryerson University Lucia Gagliese School of Kinesiology and Health Science York University What is care? We are familiar with its institutional practice as critical care, that is, as a series of services and operations being performed on a body that visibly presents as ill (whether physically or mentally so). From disease diagnosis to prognosis and treatment, critical care is dominated by principles of quantification and discrete analysis and is performed under conditions of emergency and just-in-time intervention, as if to fix a machinery or a mechanical apparatus. This approach to care undermines the agency and living complexity of the ill person. It also completely bypasses the systemic (colonial, social and environmental) conditions of illness and make their chronic, long-term effects invisible. Among the victims of an exclusive focus on critical care are not only patients systemically disadvantaged by way of race, gender, geopolitical location and socio-economic status, but also professional caregivers (doctors, nurses, first responders) repeatedly exposed to the cynical logic of triage culture and cyclical burnouts. -------- Qu'est-ce que le soin ? Nous sommes familiers avec sa pratique institutionnelle en tant que soins critiques, c'est-?-dire comme une s?rie de services et d'op?rations effectu?s sur un corps qui se pr?sente visiblement comme malade (peu importe la forme de la maladie . Quel soit physique ou mental]. Du diagnostic de la maladie au pronostic et au traitement , les soins critiques sont domin?s par des principes de quantification et d'analyse discr?te et sont r?alis?s dans des conditions d'urgence et d'intervention juste ? temps, comme pour r?parer une machine ou un appareil m?canique. Cette approche des soins porte atteinte ? l'agence et ? la complexit? vivante de la personne malade. Elle contourne aussi compl?tement les conditions syst?miques (coloniales, sociales et environnementales) de la maladie et rend invisibles leurs effets chroniques et ? long terme. Parmi les victimes d'une focalisation exclusive sur les soins critiques, on trouve non seulement des patients syst?matiquement d?savantag?s en raison de leur race, de leur sexe, de leur situation g?opolitique et de leur statut socio-?conomique, mais aussi des soignants professionnels (m?decins, infirmi?res, premiers intervenants) expos?s de mani?re r?p?t?e ? la logique cynique de la culture du triage et aux ?puisements cycliques. Register HERE/Inscrivez-vous ici [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/994d4ebe-58e7-cddf-1004-1aa99a79b81b.png] Building Communities and Technologies of Care/ B?tir des communaut?s et des technologies de soins March 25, 5:00-7:00 pm Camille Baker, University for the Creative Arts, School of Film media and Performing Arts Alanna Kibbe, Independent Artist, Toronto Join Camille Baker and Alanna Kibbe for a discussion on the topic of Building Communities and Technologies of Care in the arts. --- Rejoignez Camille Baker et Alanna Kibbe pour une discussion sur le th?me du d?veloppement des communaut?s et des technologies de soins dans les arts. [Camille Baker - Inter/Her. interior of the immersive installation. the dome is lit by an intense red light to convey the idea of entering a womb] [Alanna Gail Kibbe 2020 Hope Cocoon Acrylics on canvas. Two skeletal bodies are wrapped around each other, in holding and protection, within a womb-like cocoon. Despite lightning striking, attempting to wash the self away, the cactus flowers bloom under a dark sky. Transformed into all the new versions of the self that can become, the raven sits atop the cocoon, guarding one of the skeletons hearts for safe keeping. The other heart remains within the cocoon, giving life to both figures] Register HERE/Inscrivez-vous ici ?Who Cares?? is a Speaker Series dedicated to fostering transdisciplinary conversations between doctors, writers, artists, and researchers on contemporary biopolitics of care and the urgent need to move towards more respectful, creative, and inclusive social practices of care in the wake of the systemic cracks made obvious by the pandemic. ~~~~~~~~~~~~~ ?? Who Cares??? est une serie de conferences , visant a favoriser les discussions transdisciplinaires entre m?decins , ?crivains , artistes et chercheurs sur la biopolitiques contemporaine des soins et l?urgence d'?voluer vers des pratiques plus respectueuses , cr?atives et inclusives dans le sillage des fissures syst?miques qui sont devenues ?videntes avec la pand?mie. We wish to thank/ nous the generous support of the Social Science and Humanities Research Council of Canada, New College at the University of Toronto and The Faculty of Liberal Arts and Professional Studies at York University; the Centre for Feminist Research, Sensorium Centre for Digital Arts and Technology, The Canadian Language Museum, the Departments of English and the School of Gender and Women?s Studies at York University; the D.G. Ivey Library and the Institute for the History and Philosophy of Science and Technology at the University of Toronto; We also wish to thank the support of The Fields Institute for Research in Mathematical Sciences This series is co-produced in collaboration with the ArtSci Salon [Twitter] [Facebook] [Website] [YouTube] [Instagram] Copyright ? 2022 ArtSci salon, All rights reserved. You are receiving this email because you signed up to our Mailinglist. Thanks for supporting ArtSci Salon Our mailing address is: ArtSci salon 222 College Street Toronto, On M5T 2X3 3J1 Canada Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. [Email Marketing Powered by Mailchimp] -------------- next part -------------- An HTML attachment was scrubbed... URL: From Tanner.Mirrlees at ontariotechu.ca Mon Mar 14 14:32:05 2022 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Mon, 14 Mar 2022 20:32:05 +0000 Subject: [acc-cca-l] =?windows-1252?q?CCA_By-Law_Amendment_Proposal_/_Pro?= =?windows-1252?q?position_de_modification_du_r=E8glement_de_l=27ACC?= Message-ID: [?EXTERNAL] Dear colleagues, At our 2021 Annual General Meeting, the executive proposed to modernize CCA by-laws to allow for members? meetings to occur online, outside of the framework of the annual AGM in exceptional circumstances. In the ensuing months, the executive, in consultation with the board, has proposed amendments to the CCA by-laws that aim to achieve this goal. The by-law document with proposed amendments is attached and can also be accessed on the CCA website: https://acc-cca.ca/index.php/status-bylaws/ The CCA membership will vote on these proposed amendments at our 2022 AGM. Looking forward to seeing you at our annual conference! All the best, Tanner and Ghislain Chers et ch?res coll?gues, Lors de notre Assembl?e g?n?rale annuelle de 2021, l'ex?cutif a propos? de moderniser les r?glements de l?ACC pour permettre aux r?unions des membres d'avoir lieu en ligne, en dehors du cadre de l'AGA annuelle dans des circonstances exceptionnelles. Dans les mois qui ont suivi, l'ex?cutif, en consultation avec le conseil d'administration, a propos? des modifications aux r?glements de l?ACC visant ? atteindre cet objectif. Le document des r?glements avec les modifications propos?es est joint (en anglais seulement) et peut ?galement ?tre consult? sur le site Web de l?ACC: https://acc-cca.ca/index.php/status-bylaws/ Les membres de l'ACC voteront sur ces modifications propos?es lors de notre AGA de 2022. Au plaisir de vous voir ? notre conf?rence annuelle ! Bien cordialement, Tanner et Ghislain -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA Bylaws_amendments_proposals2022March11.pdf Type: application/pdf Size: 199257 bytes Desc: CCA Bylaws_amendments_proposals2022March11.pdf URL: From fenwick.mckelvey at concordia.ca Tue Mar 15 15:21:18 2022 From: fenwick.mckelvey at concordia.ca (Fenwick Mckelvey) Date: Tue, 15 Mar 2022 21:21:18 +0000 Subject: [acc-cca-l] 4S Open Panel: Power After AI: Governmentality in the Age of Intelligent Machines Message-ID: [?EXTERNAL] Dear Colleagues, We would like to invite you to submit an abstract to our 4S open panel entitled Power After AI: Governmentality in the Age of Intelligent Machines. We are particularly looking for conference papers that critically address the historical and epistemic perspectives on AI, ethnographic and practice-based research and, speculative or experimental engagements to reconfigure and rethink AI both in the global South and North. We strongly encourage colleagues from the global South to send an abstract. Kindly note that you have until April 14, 2022 to submit an abstract through the 4S website. Please do not hesitate to contact me with questions. The 4S conference will be held in Cholula (Mexico) from 7-10 December 2022. To read the full panel description please visit: https://www.4sonline.org/95-power-after-ai-governmentality-in-the-age-of-intelligent-machines/ Best, Fenwick, Jonathan and Sophie -------------- next part -------------- An HTML attachment was scrubbed... URL: From asmaa.malik at ryerson.ca Tue Mar 15 15:35:55 2022 From: asmaa.malik at ryerson.ca (Asmaa Malik) Date: Tue, 15 Mar 2022 17:35:55 -0400 Subject: [acc-cca-l] Limited Term Faculty opening: Assistant Professor, School of Journalism at X University Message-ID: [?EXTERNAL] Hi, everyone ... The School of Journalism at X University in Toronto is looking to hire a Limited Term Faculty member at the rank of Assistant Professor for 2022-23, effective July 1, 2022 for a one-year term. We are hoping to attract a diversity of candidates, so please share widely across your networks. There are several course options for the selected candidate, so please take some time to review the complete posting for details: https://hr.cf.ryerson.ca/ams/faculty/preview.cfm?posting_id=544608. A PDF version is also attached. We are asking candidates to submit applications by Friday, March 25. Please ask anyone who is interested to get in touch at asmaa.malik at ryerson.ca if they have any questions. Best, Asmaa -- [https://lh3.googleusercontent.com/PU7dT7R1o22Fb4RWFQ5ZcwRPq33CXAU4Vqaavx5o5O8Rz627cHbERL8xe7tmSvxh7vq4W3m5xuZ6CTyPQuxuW0yXj9U8D17F65VNoUe7mTCzIEA017BdNHb174W_2H9B8xLRVC-_] Asmaa Malik (she/her) Interim co-chair Associate professor School of Journalism X University | In solidarity [https://lh4.googleusercontent.com/3glyp0IAO0s8IhERc0lTTxE_mY-1gJqbiFm0yqIhqNeOL20aDmnyYMYjuP7tOEDsy1yW6PMDKnZww6qu9S38wKfWEa1C8l4YSHXTIuY7kglWajgP8AzhWUVqDllNUEtPMwZXWTcT] [https://lh5.googleusercontent.com/lulJrzQqRTLuM-L4VgahbFaQ9FqUjyFrrLEPk0lmyqH2kN2PwbxrBtpoFFpozDlpe_RwRK_rMfMAfkrwXfp6OtK0pso_fD5eBfDO78OCbxrooquvM4OUtS1zrBELkvgQxo9DsHXy] [https://lh5.googleusercontent.com/M2oztMKDGYFhlDEQ-Y1UNdkHwcZ2rF4hJVAAtpi3dDpm_HHFRjQGG-MgYSGSGzsO33oVOk5qfP1gY_Q0WwNouxHZJLiyvE_qSr64_wmH0b6jqlWTLlPkz-E_b_sVSGfPoUNADQQz] [https://lh6.googleusercontent.com/fipRKyeqDi1Kd_6SZZ_VY9fu0M1tIABNOt2a1CE_Zsn8JBCC1hwz9YDKwALWblyl6qHFq2uEDW26ZcGHGSVq4h9fRZFk1v7K-KNK4GTwzG8F6DpAyNBu3hnkf0oLO8-AE76ul91C] Need help? Fill out the Ask J-School Now form -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: 2022-23 LTF Opening - Journalism (1).pdf Type: application/pdf Size: 262102 bytes Desc: not available URL: From cetepper at ucalgary.ca Wed Mar 16 11:20:18 2022 From: cetepper at ucalgary.ca (Charles Tepperman) Date: Wed, 16 Mar 2022 17:20:18 +0000 Subject: [acc-cca-l] CFP: Visions of Change Graduate Student Conference - University of Calgary Message-ID: Visions of Change: A CMF Graduate Student Conference https://news.ucalgary.ca/news/visions-change-cmf-graduate-student-conference May 10 - May 11 2022, 11:30 am to 3:30 pm Online via Zoom (Potential in-person social events on May 11) * This year?s CMF Graduate Student Conference theme is Visions of Change. We chose this theme to focus on research that is forward-looking and evokes new perspectives. In light of the struggles we have faced globally and within our own communities in the past two years, we believe that it is more imperative than ever to spotlight critical, creative, and hopeful scholarship. * What do we mean by ?vision?? We chose the word vision to represent our desire to envision a brighter future ahead in our society and in scholarship, through inspiring, insightful, and innovative research. * Why ?change?? If the past two years of this pandemic have taught us anything, it is recognizing the importance of ongoing transformations in communication, media, technology, and culture in our everyday lives. We are eager to showcase work that critically reflects on the changes we have experienced as a society, and that is ingrained with revolutionary hope, positivity, and inclusivity. CALL FOR PAPERS This is a call for papers for the Visions of Change conference. Please submit your proposal here by the proposal submission deadline on March 31, 2022. Below are some examples of topics you may wish to present on for this year?s Visions of Changeconference: * Media and activism (anti-racism, feminism, anticolonialism, etc.) * Representations and power in media * Popular culture in the media, and media identities (influencers, etc.) * New media industries (social media platforms, etc.) * Cinema, documentary, photography, and sound as mediums of change * Algorithmic media * Digital citizenship * The digital divide and inequities to access * Censorship and other challenges to journalism and reporting These are only some topics you may wish to address during the conference this year; proposal submissions that fall under the umbrella of this year?s theme are encouraged even if they do not directly address one of the topics listed. The Visions of Change conference welcomes any proposal submissions for the following presentation formats: * Short talks (200-word abstract): A shorter presentation, lasting 5 minutes in duration. An ideal option for a presenter that desires to share and discuss an idea or research-in-progress work that may not be fully developed or completed. First-time presenters, senior undergraduate students and MA students are all encouraged to apply. * Long talks (300-word abstract): A longer presentation, lasting 10-15 minutes in duration. An ideal option for a presenter seeking to share and discuss a more developed analysis on a research topic of their choosing. * We also welcome proposals for alternative formats. Proposal submissions should include a short description of the desired format and time allotment (minimum 5 minutes and maximum 20 minutes) in addition to the accompanying 200-word proposal/abstract. While it is not guaranteed, we will try our best to accommodate an alternative format. Please, note that time will be set aside for a Q&A session after the presentation(s). While writing your proposal, all applicants are asked to consider an equity, diversity, and inclusivity (EDI) framework in their submission. Please ensure that you have completed the EDI pledge in your proposal form. More information regarding the EDI framework can be found on the webpage for the University of Calgary?s Office of Equity, Diversity, and Inclusion here. If you have any questions about this CFP, please reach out to Berenice Cancino (berenice.cancino at ucalgary.ca) or Xenia Reloba de la Cruz (xenia.relobadelacruz at ucalgary.ca). Thank you and we look forward to your submissions! ? *This conference will be held online (via Zoom) out of an abundance of caution because of the evolving and uncertain circumstances surrounding the COVID-19 pandemic and its impact on public health restrictions and the safety of potential participants in the city of Calgary. The feasibility of organizing optional in-person social events as part of the CMF Graduate Student Conference will be determined at a later date and will be conveyed to conference participants. Charles Tepperman, PhD Associate Professor & Department Head Department of Communication, Media and Film | University of Calgary Director, Amateur Movie Database project: http://www.amateurcinema.org The University of Calgary is located on traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut?ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to M?tis Nation of Alberta, Region III. The traditional Blackfoot name of the place we now call Calgary is ?Moh?kins?tsis? . -------------- next part -------------- An HTML attachment was scrubbed... URL: From cmctgpa at yorku.ca Wed Mar 16 13:57:36 2022 From: cmctgpa at yorku.ca (cmctgpa) Date: Wed, 16 Mar 2022 19:57:36 +0000 Subject: [acc-cca-l] 2022 Ioan Davies Memorial Lecture by Dr. Ayesha Hameed - "Of Sea Changes and Other Futurisms" - Monday 21 March 2022 at 13:00 EDT Online via Zoom Message-ID: [?EXTERNAL] Dear colleagues, We?re excited to announce that the Joint Communication & Culture Graduate program at York University will be hosting the annual Ioan Davies Memorial Lecture on Monday 21 March 2022 at 13:00 EDT. This year?s invited lecturer is Dr. Ayesha Hameed, a Senior Lecturer in Visual Culture at Goldsmiths, University of London. Attached is the iconic Ioan Davies Memorial Lecture poster. See below for registration and lecture details. Kindly share the event widely with your members. We hope to see you there! [https://mcusercontent.com/fe4f091bf20fee22eeb30cda9/images/24447fdf-4bb2-bdaf-c7aa-bce09a0d0c2a.jpeg] The 2022 Ioan Davies Memorial Lecture will be given by Dr. Ayesha Hameed Senior Lecturer in Visual Culture at Goldsmiths University of London Her talk ?Of Sea Changes and Other Futurisms? expands on two of her recent research-creation projects: Black Atlantis and Brown Atlantis. The virtual lecture will take place on Monday 21 March 2022 at 13:00 EDT. ***NEW DATE*** The Ioan Davies Awards for outstanding scholarship will be presented at the Memorial Lecture by Diane Davies. Register Now! [https://mcusercontent.com/fe4f091bf20fee22eeb30cda9/images/9a1afcfc-a755-ad42-5af7-b8cc4c739baa.jpg] Black Atlantis (2014-) is a multi-part sound, video, performance and scholarly project that combines two conversations - Afrofuturism and the anthropocene. Black Atlantis looks at afterlives of the Black Atlantic, manifest in contemporary illegalized migration at sea, oceanic environments, popular science narratives, Afrofuturistic soundsystems, and outer space. It examines a landmark event in the history of transatlantic slavery: the jettison of slaves overboard the slave ship Zong in 1781. Black Atlantis rereads this event through a speculation made by the Detroit electronic band Drexciya that the unborn children of these jettisoned slaves adapted to life underwater to form an Atlantis made up of former slaves. Using Walter Benjamin's concept of the dialectical image Black Atlantis examines how to think through sound, image, water, violence and history as elements of an active archive; and time travel as an historical method. Brown Atlantis (2020-) extends the geography of Black Atlantis from the Atlantic to the Indian Ocean. Brown Atlantis looks at the Indian and Atlantic Oceans together as a site of both indentured and slave labour. I am inspired by Chimurenga?s publication Festac ?77, which considers the book as a form of technology, and imagine what it would look like if it was invented in Africa. Extending this, it ask: what would a book be if it was invented at sea in the context of indentured and enslaved labour, navigating mangroves, and the sound of the co-mingling of languages and ecosystems? Brown Atlantis builds on Black Atlantis to study marine ecology, Afrofuturist imageries of underwater adaptation, and technologies of navigation, in a different configuration of the weather that takes into account the uniqueness of the Indian Ocean?s trade winds, and south-south trade. [https://mcusercontent.com/fe4f091bf20fee22eeb30cda9/images/1d782bed-43d4-5130-ced0-b1677a49f02e.jpg] Ayesha Hameed (London, UK) explores the legacies of indentureship and slavery through the figure of the Atlantic and Indian Oceans. Her Afrofuturist approach combines performance, sound essays, videos, and lectures. Hameed examines the mnemonic power of these media ? their capacity to transform the body into a body that remembers. The motifs of water, borders, and displacement, recurrent in her work, offer a reflection on migration stories and materialities, and, more broadly, on the relations between human beings and what they imagine as nature. Recent exhibitions include Liverpool Biennale (2021), Gothenburg Biennale (2019, 21), Lubumbashi Biennale (2019) and Dakar Biennale (2018). She is co-editor of Futures and Fictions (Repeater 2017) and co-author of Visual Cultures as Time Travel (Sternberg/MIT 2021). The Ioan Davies Memorial Lecture is an annual event at York University that brings a major intellectual figure in the areas of critical and cultural studies to York for a public lecture. It was initiated in 2002 to honour the memory of the late Ioan Davies, Professor of Sociology at York with a lecture that engaged some of the concerns of his very diverse scholarship. Previous lecturers have included Ian Hacking, Terry Eagleton, Michael Hardt, and Robin Kelley. It has also been featured on TVO?s Big Ideas television series several times. The event is one of the highest profile public lectures at York and attracts a wide and diverse audience. Follow us on social media [Instagram] [Twitter] [Facebook] [LinkedIn] [Website] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: 2021-22 IDML POSTER.pdf Type: application/pdf Size: 55562 bytes Desc: 2021-22 IDML POSTER.pdf URL: From carm3215 at usherbrooke.ca Wed Mar 16 16:47:00 2022 From: carm3215 at usherbrooke.ca (=?utf-8?B?TWFyaWUtw4h2ZSBDYXJpZ25hbg==?=) Date: Wed, 16 Mar 2022 22:47:00 +0000 Subject: [acc-cca-l] =?utf-8?q?Offre_d=E2=80=99emploi_Professeure_ou_prof?= =?utf-8?q?esseur_en_communication_strat=C3=A9gique_/_Call_for_candidates_?= =?utf-8?q?Professor_of_strategic_communication_=E2=80=93_Universit=C3=A9_?= =?utf-8?q?de_Sherbrooke?= Message-ID: <4BCABA37-728F-46A8-8934-C9170ACA7146@usherbrooke.ca> [?EXTERNAL] Offre d?emploi Professeure ou professeur en communication strat?gique / Call for candidates Professor of strategic communication ? Universit? de Sherbrooke (English follows) L'Universit? de Sherbrooke sollicite des candidatures afin de pourvoir ? un poste de professeure r?guli?re ou professeur r?gulier en communication strat?gique. Il s'agit d'un poste r?gulier ? temps complet rattach? au D?partement de communication de la Facult? des lettres et sciences humaines. La date limite pour soumettre sa candidature est le jeudi 31 mars 2022, ? 17 h. Date pr?vue d'entr?e en fonction : 1er ao?t 2022 https://monemploi.sofe.usherbrooke.ca/web-service/f?p=103:40:11690976890161::NO:RP,40:P40_T_PAGPREV,P40_T_OFFCLEINT:30,63249 The Universit? de Sherbrooke is seeking applications for a full-time professor position in strategic communication. This is a regular full-time position attached to the Department of Communication of the Faculty of Arts, Humanities and Social Sciences. The deadline to apply is March 21, 2022, at 5 p.m. Anticipated start date: August 1, 2022 https://www.usherbrooke.ca/emplois/fileadmin/sites/emplois/offres_anglais/05326_prof_of_strategic_communication.pdf Cordialement, Marie-Eve Carignan, Ph.D. Professeure agr?g?e Responsable de la ma?trise en communication, cheminement de type cours en communication politique internationale et risques d?mocratiques D?partement de communication Facult? des lettres et sciences humaines Universit? de Sherbrooke Bureau : A3-250 T?l?phone : 819 821-8000 poste 63120 Courriel: Marie-Eve.Carignan at USherbrooke.ca Directrice du p?le m?dias, Chaire UNESCO en pr?vention de la radicalisation et de l?extr?misme violents [signature_1860701915] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 24306 bytes Desc: image001.png URL: From rauchbej at mcmaster.ca Mon Mar 21 08:16:40 2022 From: rauchbej at mcmaster.ca (Jessica Rauchberg) Date: Mon, 21 Mar 2022 14:16:40 +0000 Subject: [acc-cca-l] Call for Participants: The Accessible Panel Project Message-ID: An HTML attachment was scrubbed... URL: From george.eric at uqam.ca Mon Mar 21 09:16:33 2022 From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=) Date: Mon, 21 Mar 2022 15:16:33 +0000 Subject: [acc-cca-l] =?utf-8?q?CfP=2C_The_grip_of_=E2=80=9Ccommunication?= =?utf-8?q?=E2=80=9D=2C_International_Colloquium=2C_Toulouse_=28France=29?= =?utf-8?q?=2C_December_15-16=2C_2022?= Message-ID: <7400B860-7B44-4E41-8623-CADE33928B11@uqam.ca> [?EXTERNAL] The grip of ?communication? International Colloquium organized on the occasion of the 10th anniversary of the French academic journal Politiques de Communication At Sciences Po Toulouse, Manufacture des Tabacs, 21 alley of Brienne, 31000 Toulouse - France ***** ? Dates: December 15-16, 2022 ? Submission of proposals (abstract): June 15, 2022 ? Response and selection: July 15, 2022. ? Final submission of papers (7,500 words max.): November 15, 2022 ***** For its tenth anniversary, the French academic journal Politiques de communication is organizing an international colloquium whose ambition is to propose an overall reflection on "the grip of communication" in the structuring of contemporary social spaces. The term "communication" is polysemic: depending on the context of use, it designates interpersonal relations, data, broadcast media, infrastructures, economic sectors, professional groups, organizational policies, or even new ways of acting on and thinking about the social world. ?The grip of communication? can therefore be defined, in a first approximation, as the partial transformation of relatively autonomous social activities due to the generalization of the use of mass media and digital media, and the standardization of the knowledge, know-how and professional or profane beliefs associated with them. As various studies have shown, it can be detected in the transformations of organizations, public and private, commercial or not, in a mutation in the forms of expression, or in the evolution of the resources and skills necessary to succeed socially, and therefore of the hierarchies, cleavages and forms of legitimate socialization and sociability. For about two decades, this unequal grip of communication has manifested itself in an exemplary way in the digitalization of social relations: commercial, professional, non-profit, militant, but also friendly or amorous. It is also reflected in the growing weight of communication professionals in sectors and professions where they were historically absent: gastronomy, sports, justice, science, university, publishing, etc. The ambition of this colloquium is to bring together and bring into dialogue empirical studies aiming to measure the forms and the strength of this grip of communication in various social fields: politics or economic activities, of course, but also culture, journalism, teaching and research, sport, fashion, law, religion, food, clothing and even ways of being and living in society. The "grip of communication" is not a new question for social science research. Its ideological, political, economic, technical and organizational dimensions have been explored. In a cumulative perspective, the first ambition of this colloquium is to propose an assessment of the works on the evolution of social practices and representations of communication and their organizational implications. It also proposes to question the social relations of domination - of gender, class, "race", generation - of which communication is a tool and sometimes a revealer. In what proportions and according to what variable modalities is this "grip" of communication exercised (or felt), according to the specific logics of a given social space? Is the professionalization of communication a form of rationalization of the work of legitimization or of symbolic domination? Does the extension of the practices of communication take part of a growing subordination to economic and political interests? Is it a resource monopolized by a few institutions or people with better resources? On the contrary, is it also observed - and with what ambivalences - in the militant, scientific or artistic practices of contestation of the social order? The need to capitalize on the numerous contributions of the social sciences is in line with the desire of the journal Politiques de communication to open up new avenues for research. These new ways are established by the exploration of objects having escaped until now the investigations of the research, but they can also be drawn in the course of a renewed work of problematization and distancing that highlight the induced effects of communication in social universes already well studied. Researchers from different social science disciplines are invited to participate in this collective critical enterprise. The expected proposals should, on the one hand, present an explicit construction of the object around this "grip of communication", and on the other hand, mobilize and rely on rigorously constructed empirical data in order to avoid the risk of speculative denunciation. The expected communications can be inscribed in one of the three following axes: 1) The ?professionalization? of communication and its effects In this first axis, the expected contributions will try to show how agents who seek to legitimize communication skills and know-how are gradually imposing themselves in sectors that until now had escaped them, affecting at the same time the logics of functioning and sometimes even the hierarchies of the spaces in which they evolve. In an analysis centered on the study of the processes of construction of the professional groups, it is first a question of studying the emergence, in sectors of activities from which they were excluded until now, of agents specialized in communication. How is the profession of communicator invented in the artistic, gastronomic or associative sectors, for example? By what type of agents are these activities carried out and how are new skills and competences imposed in these sectors? How is the recognition of these specialties organized through the action of professional groups, associations, unions or schools? In sectors where professional groups are in the process of being institutionalized - such as politics or sports - it will be possible to understand how spaces are reconfigured and how new professional norms are imposed. We will then look at the emergence and construction of new professions which, based on digital technologies, offer new professional opportunities to agents. How are the jobs of influencers, streamers, gamers, community managers, etc. being invented today? What are the conditions that allow people to make a living from these activities? What are the trajectories of those who invest in these new spaces? How does professional socialization take place in these sectors? How are the norms of the profession progressively constructed and organized? Finally, it will be a question of understanding what the emergence of these professional groups does to the sectors of activity in which they have invested. How does the arrival of communicators transform the world of publishing or gastronomy? What are social networks doing to politics? How are beauty influencers transforming gender norms? It is therefore the grip of communicators on certain fields and sectors of activity that will be studied here and their effects on the fields in question. In what way does the presence of these agents transform or not these sectors of activity and the social hierarchies that govern them? What about the effects of their symbolic action on social relations of domination? 2) Information under the grip of communication A second line of questioning deals with the current forms of the grip of communication on the production of journalistic information. If the professionalization of sources and their influence on the co-production of journalistic information, the modalities of information dissemination and the representations of the public associated with them, or even the sources of media consecration are classic problems since the 1990s and 2000s, there is a lack of recent empirical work that updates knowledge and makes the contemporary forms of these fundamental issues intelligible. The answers to the questions raised here will be attentive to the characteristics of press institutions and their editorial offices, to the distribution of resources and competencies, and to the issues of competition in and around the journalistic field. The contributions can first of all question the modalities of the professionalization of information sources and its effects on the information produced. Has it become more pronounced? Is it based on new knowledge and communication practices, especially with the use of social-digital networks? It seems impossible today for a minister, an artist or even a scientist to exist publicly without maintaining a Twitter account, just as it seems unthinkable for political, cultural or scientific journalists not to scrutinize this social network for news. Have new sources of information, previously neglected or in the minority, acquired a new influence thanks to new communication practices? Has the professionalization of sources also developed in social sectors - and journalistic specialties - where it was marginal (sports information, cultural information, etc.)? Has the development of digital technology, and in particular social networks or online videos, offered new resources to journalists, allowing them to distance themselves more critically from traditional information sources? The contributions can also take as their object the transformations of the modes of diffusion of journalistic information, thanks to the new means of communication (websites, smartphones, social networks) and the development of "transmedia", and their effects in return on the representations of the public and the production of the information. What new formats do these means of communication offer, and how are they appropriated by journalists? Does the intensification of the measurement of Internet users' online behavior increase the influence of marketing considerations already identified in the production of information in the 1980s? Has the generalization of the use of digital media made possible the emergence or the diffusion of "alternative" (non-journalistic) forms of information? How is determined the credibility and authority of the information thus disseminated? The contributions can finally question the current forms of media consecration. If the processes of accumulation and monetization of media capital are beginning to be well known, there are still few works that articulate the analysis of the notoriety acquired by the journalistic field, and that gained by other means of communication, notably digital networks. Under what conditions and for which social agents does the latter allow to compensate or increase the former? 3) ?The grip of communication? as a public problem and a problem of the public A third axis will focus on the grip of communication, and in particular of digitalization, on the "public" in the broadest sense, whether it is a question of the reproduction and/or transformation of ordinary social relations (receptions, appropriations and uses of the media), on the one hand, and of the arenas of construction of public problems (claims-making activities), on the other. One of the effects of the rise of "communication" is the trivialization of strategies of self-presentation in the most ordinary interactions, such as self-branding on social media or the renewal of profane practices of production and circulation of information. If these aspects have been widely studied for the last twenty years, few works have tried to analyze the social conditions of possibility of these activities, their costs and benefits of appropriation - economic and symbolic - according to the social properties of the agents who invest in them. What assessment can be made of the existing research concerning the hold of communication on the receivers, the users, the publics of the media, according to the positioning of the agents in social space, of the capitals they have, and of the unequal distribution of the material and cognitive instruments necessary for the incorporation of the most legitimate information and communication practices? What benefits of conformity or distinction are agents likely to derive from their behaviors and attitudes towards digital media and tools within the family circle, peer groups, their professional worlds, their political and religious commitments, or their leisure practices? Is digital media a recognized and active resource, and if so, for whom and under what conditions? A second aspect of this axis concerns the place and the role of the grip of communication in the construction of public problems. We observe, on the one hand, a transformation of the processes of publicization and politicization of social problems in favor of the multiplication of communication channels and the diversification of the arenas of public debate. This observation, commonplace, of a rise in the carrying capacity of social problems can raise questions that are less so, if we reason with the tools of the sociology of public problems: what are the effects of this modification of the channels and spaces of expression on the principles of selection of the issues? How does the influence of communication on the processes of setting the agenda of problems work? Can we observe an intensification of the competition between public problem entrepreneurs, while the struggles for the attention of the public are subject to very sophisticated rationalization strategies? To what extent do these transformations contribute to making "communication problems" and their "solutions" into political ready-to-think? The grip of communication is manifested, on the other hand, by the fact that it constitutes itself as a public meta-problem, that is to say a category subsuming other problems regularly put on the media and political agenda, whether it is a question of the criticism of the media and journalism, of commercial advertising, of political and public communication, or even of the criticism of digital media. How and by whom are the public problems of this all-encompassing problem of the "grip of communication" constructed and prioritized? Are they the object of a specific work of politicization or, on the contrary, of depoliticization and even their disappearance from the public agenda? Far from limiting ourselves to the analysis of critical discourses and "controversies" on these issues, the papers will pay attention to the concrete activities of claims-making in the arenas of public debate, but also to the power relations between claims-makers, according to their socio-professional positions and properties, to the social and institutional conditions of their positions and to the specificities, hierarchies and mutual relations between the social spaces of production and circulation of their discourses, be they local, national or international. ***** Proposals for papers should be sent before June 15, 2022 to the following address: colloque.emprise.communication at gmail.com Short (about 450 words), they should present their object of study, the theoretical framework, the problematic and the empirical elements. They will be careful to explain the critical dimension of the approach and indicate what they wish to show/demonstrate. Papers can be submitted in French and English. No payment from the authors will be required. The authors whose proposals are selected will participate in the colloquium and, at the same time, will submit a written version of their paper, which will be reviewed for publication in the anniversary issue of the journal. The proposals will be selected by the editorial board of the journal Politiques de communication. The committee will make its decision by July 15, 2022. For the publication of a special anniversary issue of the journal, papers should be written in a format that corresponds to the journal's format and sent to the conference organizing team by November 15, 2022. Organizing Committee - Olivier BAISN?E - Benjamin FERRON - Sandrine LEVEQUE - J?r?mie NOLLET Scientific Council Anne-Claude AMBROISE-RENDU | Olivier BAISNEE | Christine BARATS | Rodney BENSON | Cl?mentine BERJAUD | Lo?c BLONDIAUX | Julien BOYADJIAN | Isabelle CHARPENTIER | Ivan CHUPIN | Cl?ment DESRUMAUX | Benjamin FERRON | Charles GADEA | Jean-Paul G?HIN | Nicolas HUBE | Christian LE BART | Jean-Baptiste LEGAVRE | Brigitte LE GRIGNOU | Pierre LEROUX | Sandrine LEVEQUE | Erik NEVEU | J?r?mie NOLLET | Caroline OLLIVIER-YANIV | Aur?lie OLIVESI | St?phane OLIVESI | Valentina PRICOPIE | R?my RIEFFEL | Julie SEDEL | Jean-Claude SOULAGES | Ana?s THEVIOT | Sandra VERA ZAMBRANO Bibliography Actes de la recherche en sciences sociales, ? L?emprise du journalisme ?, 101-102, 1994. Aldrin, Philippe, Nicolas HUBE, Caroline Ollivier-Yaniv and Jean-Michel UTARD (eds.). 2014. Les mondes de la communication publique. L?gitimation et fabrique symbolique du politique. 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Media, Markets and Globalization, 1860-1930. Durham & London: Duke University Press. ***** The journal Politiques de communication aims to shed light on communication in its social and political dimensions. Its objective is to produce rigorous, methodologically supported knowledge, seeking to uncover the logics of communication. An analytical journal, it uses the social sciences in their diversity to explore ?apparatus,? ?fields,? ?worlds,? and ?configurations,? within which communication takes part in the rationalization of practices, in the peaceful exercise of power and its legitimation, in the changes in the relationships that individuals have with themselves and with social groups, and in the new forms of subjectivity that result from this. Politiques de communication pays particular attention to knowledge without grandeur, to neglected or marginal systems of representation and the image of the social groups that bear them, to commonplace empirical data, to professional practice; in short, to all sorts of subjects that have been left behind. It aims to study the phenomena of communication from a symbolic viewpoint in order to gain a better understanding of their anthropological and political implications. It also seeks to not separate scholarly discourse from non-expert discourse, in order to enrich the former with all sorts of empirical data and to thus recall that the smallest glimpse of truth is reliant on one condition . . . politics. Working to free itself from the academic routine, which is an expression of the social division of scientific work, Politiques de communication intends to curb the influence of disciplinary rationales. It seeks to be a forum for mutual and fruitful exchange between researchers from France and the rest of the world, who, working on the same objectives but with different methodologies and theoretical frameworks, hope to come together and challenge each other in order to renew perceptions of the contemporary reality of communication. Editorial Board Editor-in-chief St?phane Olivesi (Universit? Versailles Saint-Quentin, France) Editorial committee Olivier Baisn?e (IEP de Toulouse), Cl?mentine Berjaud (U. Paris 1), Julie Bouchard (U. Paris 13), Julien Boyadjian (IEP de Lille), Isabelle Charpentier (U. de Picardie), Ivan Chupin (UP Saclay), Jean-Baptiste Comby (U. Paris 2), Cl?ment Desrumaux (U. Lyon 2), Benjamin Ferron (U. Paris Est), Nicolas Hub? (U. de Lorraine), Nicolas Kaciaf (IEP de Lille), Pierre Leroux (UCO), Philippe Le Guern (U. de Rennes), Sandrine L?v?que (IEP de Lille), Cl?ment Mabi (U.T. de Compi?gne), J?r?mie Nollet (IEP de Toulouse), Aur?lie Olivesi (U. Lyon 1), Julie Sedel (U. de Strasbourg), Ana?s Th?viot (UCO). Scientific committee Anne-Claude Ambroise-Rendu (UP Saclay), Christine Barats (U. Paris 5), Lo?c Blondiaux (U. Paris 1), Eric Darras (IEP de Toulouse), Pascal Dauvin (UP Saclay), Charles Gad?a (U. de Nanterre), Jean-Paul Gehin (U. de Poitiers), Chistian Le Bart (IEP de Rennes), Jean-Baptiste Legavre (U. Paris 2), Brigitte Le Grignou (U. Paris Dauphine), G?rard Mauger (CESSP-CSE CNRS), Erik Neveu (IEP de Rennes), Caroline Ollivier-Yaniv (U. Paris Est), Yves Poirmeur (UP Saclay), R?my Rieffel (U. Paris 2), Jean-Claude Soulages (U. Lyon 2). International committee Patrick Amey (U. de Gen?ve), Stefanie Averbeck-Lietz (U. de Br?me), Rodney Benson (U. de New York), Marcel J. Broersma (U. de Groningue), Aeron Davis (Goldsmiths College - Londres), Oliver Fahle (U. de la Ruhr, Bochum), Andreas Fickers (U. du Luxembourg), Fiorenza Gamba (U. de Sassari), Eric Georges (U. du Qu?bec - Montr?al), Oliver Hahn (U. de Passau ? Bavi?re), Fran?ois Heinderyckx (U. libre de Bruxelles), Sylvain Lef?vre (U. du Qu?bec - Montr?al), Nadine Machikou Ndzesop (U. Yaound? II), Victor Manuel Mar? S?ez (U. de Cadix), Liz Moor (Goldsmiths College - Londres), David Morley (Goldsmiths College - Londres), Spiros Moschonas (U. d?Ath?nes), Valentina Pricopie (U. Valahia de T?rgoviste), Veneza Mayora Ronsini (U. of Santa Maria - Br?sil), Klaus Schonbach (U. de Vienne), Roland Schroeder (U. d?Iserlohn - Rh?nanie-du-Nord-Westphalie), Rui Torres (U. Fernando Pessoa - Porto), Jean Zaganiaris (EGE - Rabat). ???????????? L?emprise de la ?communication? Colloque international organis? ? l?occasion des dix ans de la revue Politiques de Communication Sciences Po Toulouse, Manufacture des Tabacs, 21 all?e de Brienne, 31000 Toulouse ***** ? Dates : 15-16 d?cembre 2022 ? Remise des propositions (r?sum?) : 15 juin 2022 ? R?ponse et s?lection : 15 juillet 2022. ? Remise d?finitive des communications (50 000 signe espace compris) : 15 novembre 2022 ***** Pour ses dix ans d?existence, la revue Politiques de communication organise un colloque international dont l?ambition est de proposer une r?flexion d?ensemble sur ? l?emprise de la communication ? dans la structuration des espaces sociaux contemporains. Le terme ?communication? est polys?mique : il d?signe selon les contextes d?usage des relations interpersonnelles, des donn?es, des supports de diffusion, des infrastructures, des secteurs ?conomiques, des groupes professionnels, des politiques d?organisation, ou encore de nouvelles fa?ons d?agir sur et de penser le monde social. ?L?emprise de la communication? peut se d?finir, en premi?re approximation, comme la transformation partielle d?activit?s sociales relativement autonomes en raison de la g?n?ralisation de l?usage des m?dias de grande diffusion et digitaux, et de la normalisation des savoirs, savoir-faire et croyances professionnalis?s ou profanes qui leur sont associ?s. Comme l?ont montr? diverses ?tudes, elle se d?c?le dans les transformations des organisations, publiques et priv?es, marchandes ou non, dans une mutation des formes d?expression, ou dans l??volution des ressources et comp?tences n?cessaires pour r?ussir socialement, et donc des hi?rarchies, clivages et formes de socialisation et de sociabilit? l?gitimes. Depuis deux d?cennies environ, cette emprise croissante de la communication se manifeste de fa?on exemplaire dans la num?risation des relations sociales : marchandes, professionnelles, associatives, militantes mais aussi amicales ou amoureuses. Elle se traduit aussi par le renforcement de la pr?sence des professionnels de la communication dans des secteurs et m?tiers o? ils ?taient historiquement absents : gastronomie, sport, justice, science, universit?, ?dition, etc. L?ambition de ce colloque est de regrouper et de faire dialoguer des ?tudes empiriques visant ? mesurer les formes et la force de cette emprise de la communication dans divers champs sociaux : la politique ou les activit?s ?conomiques, bien s?r, mais aussi la culture, le journalisme, l?enseignement et la recherche, le sport, la mode, le droit, la religion, l?alimentation, l?habillement et jusqu?aux mani?res d??tre et de vivre en soci?t?. ? L?emprise de la communication ? n?est pas un questionnement nouveau pour la recherche en sciences sociales. Celle-ci en a d?j? largement explor? les dimensions id?ologiques, politiques, ?conomiques, techniques et organisationnelles. Dans une perspective cumulative, la premi?re ambition de ce colloque est de proposer un bilan des travaux sur l??volution des pratiques et repr?sentations sociales de la communication et leurs implications organisationnelles. Il propose ?galement d?interroger les rapports sociaux de domination - de genre, de classe, de ? race ?, de g?n?ration et autres - dont la communication est un outil et parfois un r?v?lateur. Dans quelles proportions et selon quelles modalit?s variables s?exerce (ou se ressent) cette ? emprise ? de la communication, en fonction des logiques sp?cifiques ? tel ou tel espace social ?. La professionnalisation de la communication est-elle une forme de rationalisation du travail de l?gitimation ou de domination symbolique ? L?extension des pratiques de communication participe-t-elle d?une subordination croissante ? des int?r?ts ?conomiques et politiques ? Est-elle une ressource monopolis?e par quelques institutions ou personnes mieux dot?es en ressources? A l?inverse, s?observe-t-elle aussi - et avec quelles ambivalences - dans les pratiques militantes, scientifiques ou artistiques de contestation de l?ordre social ? La n?cessit? de capitaliser les nombreux apports des sciences sociales rejoint ici la volont? de la revue Politiques de communication d?ouvrir de nouvelles voies pour la recherche. Ces voies nouvelles sont ?tablies par l?exploration d?objets ayant ?chapp? jusqu?? pr?sent aux investigations de la recherche, mais elles peuvent aussi se dessiner au fil d?un travail renouvel? de probl?matisation et de distanciation permettant de mieux mettre en relief les effets induits de la communication dans des univers sociaux d?j? bien ?tudi?s. Les chercheuses et chercheurs des diff?rentes disciplines des sciences sociales. sont invit?.e.s ? participer ? cette entreprise critique collective. Les propositions attendues devront, d?une part, pr?senter une construction de l?objet explicite autour de cette ? emprise de la communication ?, et d?autre part, mobiliser et s?adosser ? des donn?es empiriques rigoureusement construites afin d??viter le risque de la d?nonciation sp?culative. Les communications attendues peuvent s?inscrire dans l?un des trois axes suivants : 1) La ?professionnalisation? de la communication et ses effets Dans ce premier axe, les contributions attendues chercheront ? montrer comment s?imposent peu ? peu dans les secteurs qui jusqu?alors y avaient ?chapp?, des agents qui cherchent ? l?gitimer des comp?tences et des savoirs faire relevant de la communication, affectant du m?me coup les logiques de fonctionnement et parfois m?me les hi?rarchies des espaces dans lesquels ils ?voluent. Dans une analyse centr?e sur l??tude des processus de construction des groupes professionnels, il s?agit d?abord d??tudier l??mergence, dans des secteurs d?activit?s dont ils ?taient jusqu?alors exclus, d?agents sp?cialis?s dans la communication. Comment s?invente le m?tier de communicant dans les secteurs artistique, gastronomique ou associatif par exemple ? Par quel type d?agents ces activit?s sont-elles port?es et comment s?imposent du m?me coup de nouveaux savoir-faire et comp?tences dans ces secteurs ? 3 Comment s?organise ? travers l?action des groupements professionnels, associations, syndicats ou ?cole, la reconnaissance de ces sp?cialit?s ? Dans les secteurs, o? les groupes professionnels sont en cours d?institutionnalisation - comme la politique ou le sport - il peut s?agir de comprendre comment se reconfigurent des espaces et comment s?imposent de nouvelles normes professionnelles. Il s?agit ensuite de s?int?resser ? l??mergence et la construction de nouveaux m?tiers qui, s?appuyant sur les technologies num?riques, offrent ? des agents de nouvelles opportunit?s professionnelles. Comment s?inventent aujourd?hui les m?tiers d?influenceurs/ influenceuses, de streamer/streameuse, de gamer/gameuse ou de community manager, etc. ? Quelles sont les conditions qui permettent d?sormais de vivre de ces activit?s ? Quelles sont les trajectoires de celles et ceux qui investissent ces nouveaux espaces ? Comment s'op?rent dans ces secteurs les socialisations professionnelles ? Comment se construisent et s'organisent progressivement les normes du m?tier ? Il s?agit, enfin, de comprendre ce que l'?mergence de ces groupes professionnels font aux secteurs d?activit? qu?ils ont investis. En quoi l'arriv?e des communicants transforme-t-elle le monde de l??dition ou de la gastronomie ? Que font les r?seaux sociaux ? la politique ? En quoi les influenceuses beaut? transforment-elles les normes de genre ? C?est donc bien l?emprise des communicant.e.s sur certains domaines et secteurs d?activit? qui sera ?tudi?e ici. En quoi la pr?sence de ces agents transforme-t-elle ou non ces secteurs d?activit? et les hi?rarchies sociales qui les r?gissent ? Quid des effets de leur action symbolique sur les rapports sociaux de domination ? 2) L?information sous l?emprise de la communication Un second axe de questionnement interroge les formes actuelles de l?emprise de la communication sur la production de l?information journalistique. Si la professionnalisation des sources et leur influence sur la coproduction de l?information journalistique, les modalit?s de diffusion de l?information et les repr?sentations du public qui leur sont associ?es, ou encore les ressorts de la cons?cration m?diatique sont des probl?matiques classiques en France depuis les ann?es 1990 et 2000, l?on manque de travaux empiriques r?cents qui actualisent les connaissances et rendent intelligibles les formes contemporaines de ces enjeux fondamentaux. Les r?ponses aux questions soulev?es ici seront attentives aux caract?ristiques des institutions de presse et de leurs r?dactions, ? la distribution des ressources et comp?tences, et aux enjeux de concurrence dans et autour du champ journalistique. Les contributions peuvent tout d?abord interroger ? nouveaux frais les modalit?s de la professionnalisation des sources d?information et ses effets sur l?information produite. S?est-elle accentu?e ? Repose-t-elle sur des nouveaux savoirs et pratiques de communication, notamment avec l?usage des r?seaux socionum?riques ? Il semble en effet impossible, aujourd?hui, pour un.e ministre, un.e artiste ou m?me un.e scientifique d?exister publiquement sans alimenter un compte Twitter, de m?me qu?il apparait impensable pour des journalistes politiques, culturels ou scientifiques de ne pas scruter ce r?seau social pour y puiser des informations. De nouvelles sources d?information, jusqu?alors n?glig?es ou minoritaires, ont-elles acquis une influence nouvelle gr?ce ? de nouvelles pratiques de communication ? La professionnalisation des sources s?est-elle par ailleurs d?velopp?e dans des secteurs sociaux - et des sp?cialit?s journalistiques - o? elle ?tait marginale (information sportive, culturelle, etc.) ? Le d?veloppement du num?rique, et notamment des r?seaux sociaux ou des vid?os en ligne, a-t-elle offert des ressources nouvelles aux journalistes, leur permettant une plus grande distanciation critique aux sources d?information traditionnelles ? Les contributions peuvent ?galement prendre pour objet les transformations des modes de diffusion de l?information journalistique, ? la faveur des nouveaux 4 moyens de communication (sites internet, smartphones, r?seaux socionum?riques) et du d?veloppement du ?transm?dia?, ainsi que leurs effets en retour sur les repr?sentations du public et la production de l?information. Quels formats nouveaux ces moyens de communication offrent-ils, et comment sont-ils appropri?s par les journalistes ? L?intensification de la mesure du comportement en ligne des internautes accro?t-elle l?influence des consid?rations marketing d?j? identifi?e dans la production de l?information dans les ann?es 1980 ? La g?n?ralisation de l?usage des m?dias num?riques a-t-elle rendu possible l'?mergence ou la diffusion de formes ?alternatives? (non journalistiques) d?information ? Comment se jouent la cr?dibilit? et l?autorit? de l?information ainsi diffus?e? Les contributions peuvent enfin questionner les formes actuelles de cons?cration m?diatique. Si les processus d?accumulation et de rentabilisation de capital m?diatique commencent ? ?tre bien connus, rares sont encore les travaux qui articulent l?analyse de la notori?t? acquise par le champ journalistique, et celle gagn?e par d?autres moyens de communication, notamment les r?seaux socionum?riques. A quelles conditions et pour quels agents sociaux cette derni?re permet-elle de compenser ou d'accro?tre la premi?re ? 3) ?L?emprise de la communication? comme probl?me (du) public Un troisi?me axe portera sur l?emprise de la communication, et notamment de la num?risation, sur le ?public? au sens large, qu?il s?agisse de la reproduction et/ou de la transformation des relations sociales ordinaires (r?ceptions, appropriations et usages des m?dias), d?une part, et des ar?nes de construction des probl?mes publics (activit?s de claims-making), d?autre part. Un des effets de l?essor des ?communications? est la banalisation de strat?gies de pr?sentation de soi dans les interactions les plus ordinaires, comme le ?self-branding? sur les r?seaux socio-num?riques ou le renouvellement des pratiques profanes de production et de mise en circulation des informations. Si ces aspects ont ?t? largement ?tudi?s depuis une vingtaine d?ann?es, peu de travaux ont cherch? ? analyser relationnellement les conditions sociales de possibilit? de ces activit?s, leurs co?ts et b?n?fices d?appropriation - ?conomiques et symboliques - en fonction des propri?t?s sociales des agents qui les investissent. Quel bilan peut-on tirer des recherches existantes ? propos de l?emprise de la communication sur les r?cepteurs, les usagers, les publics des m?dias, en fonction du positionnement des agents dans l?espace social, des capitaux dont ils disposent, et de la distribution in?gale des instruments mat?riels et cognitifs n?cessaires ? l?incorporation des pratiques d?information et de communication les plus l?gitimes ? Quels profits de conformit? ou de distinction les agents sont-ils susceptibles de retirer de leurs comportements et attitudes vis-?-vis des m?dias et outils num?riques au sein du cercle familial, des groupes de pairs, de leurs univers professionnels, de leurs engagements politiques, religieux ou de leurs pratiques de loisirs ? Est-ce que le num?rique se constitue en une ressource reconnue et agissante, et si oui pour qui et ? quelles conditions ? Un second aspect de cet axe concerne la place et le r?le de l?emprise de la communication dans la construction des probl?mes publics. On observe, d?une part, une transformation des processus de publicisation et de politisation des probl?mes ? la faveur de la multiplication des canaux de communication et de la diversification des ar?nes de d?bat public. Cette observation, banale, d?une ?l?vation des ?capacit?s de portage? (carrying capacity) des probl?mes sociaux peut susciter des questionnements qui le sont moins, si l?on raisonne avec les outils de la sociologie des probl?mes publics : quels sont les effets de cette modification des canaux et espaces d?expression sur les principes de s?lection des enjeux ? Comment s?exerce l?emprise de la communication sur les processus de mise ? l?agenda des probl?mes ? Peut-on observer une intensification de la concurrence entre entrepreneurs de 5 probl?mes publics, alors que les luttes pour ?l?attention? des publics font l?objet de strat?gies de rationalisation tr?s sophistiqu?es ? Dans quelle mesure ces transformations contribuent ? ?riger les ? probl?mes de communication ? et leurs ? solutions ? en pr?t-?-penser politique ? L?emprise de la communication se manifeste, enfin, par le fait qu?elle se constitue elle-m?me en m?ta-probl?me public, c?est-?-dire une cat?gorie subsumant d?autres probl?mes r?guli?rement mis ? l?agenda m?diatique et politique, qu?il s?agisse de la critique des m?dias et du journalisme, de la publicit? commerciale, de la communication politique et publique, ou encore du num?rique. Comment et par qui se construisent et se hi?rarchisent les probl?mes publics relevant de ce probl?me englobant ?d?emprise de la communication? ? Font-ils l?objet d?un travail sp?cifique de politisation ou, ? l?inverse, de d?politisation voire d?invisibilisation ? Loin d?en rester ? la seule analyse des discours critiques et des ?controverses? sur ces enjeux, les communications seront attentives aux activit?s concr?tes de claims-making dans les ar?nes de d?bat public, mais ?galement aux rapports de force entre claims-makers, en fonction de leurs positions et propri?t?s socio-professionnelles, aux conditions sociales et institutionnelles de leurs prises de position et aux sp?cificit?s, hi?rarchies et relations mutuelles entre les espaces sociaux de production et de circulation de leurs discours, qu?ils soient locaux, nationaux ou internationaux. ***** Soumission des propositions de communication Les propositions de communication sont ? adresser avant le 15 juin 2022 ? l?adresse suivante : colloque.emprise.communication at gmail.com Courtes (environ 3000 signes), elles devront pr?senter leur objet d??tude, le cadre th?orique, la probl?matique et les ?l?ments empiriques. Elles seront attentives ? expliciter la dimension critique de la d?marche et indiquer ce qu?elles souhaitent montrer/d?montrer. Les auteur.e.s dont les propositions seront retenues participeront au colloque et, en parall?le, remettront une version ?crite de leur communication qui fera l?objet d?une expertise en vue de sa publication dans le num?ro anniversaire de la revue. Les propositions seront s?lectionn?es par le comit? de r?daction de la revue Politiques de communication. Le comit? se prononcera le 15 juillet 2022. En vue de la publication d?un num?ro sp?cial anniversaire, les communications devront ?tre r?dig?es dans un format correspondant ? ceux de la revue et envoy?es ? l??quipe organisatrice du colloque pour le 15 novembre 2022. Comit? d?organisation ? Olivier BAISNEE ? Benjamin FERRON ? Sandrine LEVEQUE ? J?r?mie NOLLET Conseil scientifique Anne-Claude AMBROISE-RENDU | Olivier BAISNEE | Christine BARATS | Cl?mentine BERJAUD | Lo?c BLONDIAUX | Julien BOYADJIAN | Isabelle CHARPENTIER | Ivan CHUPIN | Cl?ment DESRUMAUX | Benjamin FERRON | Charles GADEA | Jean-Paul G?HIN | Nicolas HUBE | Christian LE BART | Jean-Baptiste LEGAVRE | Brigitte LE GRIGNOU | Pierre LEROUX | Sandrine LEVEQUE | Erik NEVEU | J?r?mie NOLLET | Caroline OLLIVIER-YANIV | Aur?lie OLIVESI | St?phane OLIVESI | Valentina PRICOPIE | R?my RIEFFEL | Julie SEDEL | Jean-Claude SOULAGES | Ana?s THEVIOT | Sandra VERA ZAMBRANO 6 Bibliographie Actes de la recherche en sciences sociales, ? L?emprise du journalisme ?, 101-102, 1994. Aldrin, Philippe, Nicolas Hub?, Caroline Ollivier-Yaniv et Jean-Michel Utard (eds.). 2014. Les mondes de la communication publique. L?gitimation et fabrique symbolique du politique. Rennes : Presses Universitaires de Rennes, Res Publica. Aldrin, Philippe et Nicolas Hub?. 2022. Introduction ? la communication politique. Paris : De Boeck. Alexandre, Olivier, Jean-Samuel Beuscart et S?bastien Broca. 2022. Une sociohistoire des critiques num?riques. R?seaux 231(1): 9-37. Aronczyk, Melissa and Maria I. Espinoza. 2022. A Strategic Nature. Public Relations and the Politics of American Environmentalism. Oxford: Oxford University Press. Belair-Gagnon, Valerie, et Avery E. Holton. 2018. Boundary Work, Interloper Media, And Analytics In Newsrooms. An analysis of the roles of web analytics companies in news production. Digital Journalism 6: 492?508. Bennet, Lance et Barbara Pfetsch. 2018. Rethinking Political Communication in a Time of Disrupted Public Spheres. Journal of Communication 68(2): 243-253. Benson, Rodney, et Erik Neveu. 2005. Bourdieu and the Journalistic Field. Cambridge: Polity Press. Benson, Rodney, Mattias Hesserus et Julie Sedel. 2021. How Press Ownership Matters. Oxford: Oxford University Press. Blumler Jay 2016. The Fourth Age of Political Communication. Politiques de Communication 6. Boyadjian Julien. 2016. Analyser les opinions politiques sur Internet. Paris : Dalloz. Bourdieu, Pierre. 1996. Sur la t?l?vision. Paris: Raisons d?agir. Champagne, Patrick. 1990. Faire l?opinion. Le nouveau jeu politique. Paris: ?ditions de Minuit. Charon, Jean et Jean de Bonville. 1996. Le paradigme du journalisme de communication : essai de d?finition. Communication 17(2). Christin, Ang?le. 2020. Metrics at Work: Journalism and the Contested Meaning of Algorithms. Princeton: Princetown University Press. Comby, Jean-Baptiste (ed.). 2017. Enqu?ter sur l?internationalisation des biens m?diatiques et culturels. Rennes: Presses Universitaires de Rennes, Res Publica. Davis, Aeron. 2002. Public Relations Democracy. Public Relations, Politics and the Mass Media in Britain. Manchester: Manchester University Press. Davis, Aeron. Promotional Cultures. The Rise and Spread of Advertising, Public Relations, Marketing and Branding. Cambridge: Polity Press. Desrumaux, Cl?ment et J?r?mie Nollet (eds.). 2021. Un capital m?diatique ? Usages et l?gitimation de la m?diatisation en politique. Rennes: Presses universitaires de Rennes, Res Publica. Eldridge II, Scott A. 2018. Online Journalism from the Periphery. Interloper Media and the journalistic Field. London and New York: Routledge, Journalism/Media Studies. Ferron, Benjamin, Claire Oger et Emilie N?e. 2022. Donner la parole aux ? sans-voix ? ? Construction sociale et mise en discours d?un probl?me public. Rennes : Presses Universitaires de Rennes, Res Publica. Ferron, Benjamin, Jean-Baptiste Comby, Karim Souanef et J?r?me Berthaut. 2018. R?inscrire les ?tudes sur le journalisme dans une sociologie g?n?rale. Biens Symboliques/Symbolic Goods, 2. Fran?ois, Bastien et Erik Neveu (eds.). 1995. Espaces publics mosa?ques : acteurs, ar?nes et rh?toriques des d?bats publics contemporains. Rennes : Presses Universitaires de Rennes, Res Publica. Frau, Caroline. 2014. Construire des manifestations de papier. L'action des buralistes face ? la lutte contre le tabagisme. R?seaux 187(5): 22-49. Gamson, William. 1992. Talking Politics. Cambridge : Cambridge University Press. Ghorbanzadeh Keyvan, ? Le droit de cit? publicitaire. Critiques et r?gulation d?un ?espace public priv?? ?, Politiques de communication, 14(1), 2020, p. 65-90. Goulet, Vincent. 2014. M?dias et classes populaires. Les usages ordinaires des informations. Paris: INA Editions, version poche. Grosset?te, Matthieu. 2011. Les classes sociales dans la communication publique. Les campagnes t?l?visuelles de pr?vention des accidents de la circulation (1999-7 2005). Questions de communication 19(1): 269-290. Habermas, J?rgen. 1991. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Cambridge: MIT Press. Juhem, Philippe et Julie Sedel (eds.). 2016. Agir par la parole. Porte-paroles et asym?tries de l?espace public. Rennes: Presses universitaires de Rennes, Res Publica. Kaid L. L. et C. Holtz-Bacha (eds.). 2007. Encyclopedia of Political Communication. Thousand Oaks: Sage. Maratea, Ray. 2008. The e-Rise and Fall of Social Problems: the Blogosphere as a Public Arena. Social Problems 55(1): 139-160. Marchetti, Dominique (dir.). 2008. Communication et m?diatisation de l??tat. La politique invisible. Saint-Martin d?H?re: Presses Universitaires de Grenoble. Mi?ge, Bernard. 1989, 1997, 2007. La soci?t? conquise par la communication (3 tomes). Grenoble: Presses Universitaires de Grenoble. Naulin, Sidonie. 2017. Des mots ? la bouche : le journalisme gastronomique en France. Rennes: Presses universitaires de Rennes, Res Publica. Negrine Ralph, Christina Holtz-Bacha, Paolo Mancini, Stylianos Papathanassopoulos (eds.). 2007. The Professionalisation of Political Communication. Chcago : University of Chicago Press Neihouser, Marie. 2018. La reproduction 2.0. Les in?galit?s de position des journalistes blogueurs dans le champ journalistique. Savoir/Agir 46(4): 51-57. Neveu, Erik. 2020. Une soci?t? de communication ? Paris: Montchrestien. Neveu, Erik. 2015. Sociologie politique des probl?mes publics. Paris: Armand Collin, coll. U Sociologie. Olivesi, St?phane. 2007. La communication au travail. Une critique des nouvelles formes de pouvoir dans les entreprises. Grenoble: Presses Universitaires de Grenoble. Paillart, Isabelle (dir.). 1995. L'espace public et l'emprise de la communication. Paris: Ellug, 1995. Perloff, Richard M. 2013. The Dynamics of Political Communication. Media and Politics in a Digital Age. London & New York: Routledge. Pichonnaz, David. 2013. Communication polici?re et discours sur la d?viance. Une expertise marqu?e par des enjeux professionnels et corporatistes. Politiques de communication 1(1): 127-150. Powers, Matthew et Adrienne Russel (eds.). 2020. Rethinking Media Research for Changing Societies. Cambridge : Cambridge University Press. Schudson Mickael. 1995. The power of News. Cambridge: Harvard University Press. Sedel, Julie. 2013. Les m?dias et la banlieue. Lormont: INA/Bord de l?eau. Sedel, Julie. 2021. Dirigeants de m?dias. Sociologie d?un groupe patronal. Rennes : Presses Universitaires de Rennes, Res Publica. Smith, Simon. 2017. Discussing the News. The Uneasy Alliance of Participatory Journalists and the Critical Public. London: Palgrave MacMillan. Sobieraj, Sarah. 2011. Soundbitten. The perils of media-centered political activism. New York & London: New York University Press. Tunstall, Jeremy. 2001. Media Occupations and Professions: A Reader. Oxford: Oxford University Press. Winseck, Dwayne R. et Robert M. Pike. 2007. Communication and Empire. Media, Markets and Globalization, 1860-1930. Durham & London: Duke University Press. 8 Fond?e en 2013, la revue Politiques de communication est une revue trimestrielle publi?e aux presses universitaires de Grenoble. Elle se propose d??clairer la communication dans ses dimensions sociale et politique. Elle se fixe comme objectif la production de connaissances rigoureuses, ?tay?es m?thodologiquement, visant la mise au jour des logiques de la communication. Critique, elle recourt aux sciences sociales dans leur diversit? pour explorer ? dispositifs ?, ? champs ?, ? mondes ?, ? configurations ? au sein desquels la communication participe ? la rationalisation des pratiques, ? l?exercice pacifi? du pouvoir et ? sa l?gitimation, ? la transformation du rapport des individus ? eux-m?mes et aux groupes sociaux, aux nouvelles formes de subjectivit? qui en r?sultent. La revue Politiques de communication attache une attention particuli?re aux savoirs sans noblesse, aux syst?mes de repr?sentations d?class?s ou marginaux, ? l?image des groupes sociaux qui les portent, aux donn?es empiriques triviales, aux pratiques professionnelles, bref ? toutes sortes d?objets d?laiss?s. Elle se propose de saisir les ph?nom?nes de communication sous l?angle symbolique pour mieux en cerner les implications anthropologiques et politiques. Elle ambitionne aussi de ne pas couper le discours savant des discours profanes afin de l?enrichir de toutes sortes de donn?es empiriques et de rappeler ainsi que le moindre ?clat de v?rit? reste sous condition? politique. P?riodicit? : 2 nos par an ISSN : 2271-068X ISSN en ligne : 2426-5977 ?diteur : Presses universitaires de Grenoble Site : Revue politiques de communication R?daction Responsable ?ditorial St?phane Olivesi (UVSQ) Comit? de r?daction Olivier Baisn?e (IEP de Toulouse), Ludivine Balland (U. de Nantes), Cl?mentine Berjaud (U. Paris 1), Julie Bouchard (U. Paris 13), Julien Boyadjian (IEP de Lille), Isabelle Charpentier (U. de Picardie), Ivan Chupin (UP Saclay), Jean-Baptiste Comby (U. Paris 2), Cl?ment Desrumaux (U. Lyon 2), Benjamin Ferron (U. Paris Est), Nicolas Hub? (U. de Lorraine), Nicolas Kaciaf (IEP de Lille), Pierre Leroux (UCO), Philippe Le Guern (U. de Rennes), Sandrine L?v?que (IEP de Lille), Cl?ment Mabi (U.T. de Compi?gne), J?r?mie Nollet (IEP de Toulouse), Aur?lie Olivesi (U. Lyon 1), Julie Sedel (U. de Strasbourg), Ana?s Th?viot (UCO). Conseil scientifique Anne-Claude Ambroise-Rendu (UP Saclay), Christine Barats (U. Paris 5), Lo?c Blondiaux (U. Paris 1), Eric Darras (IEP de Toulouse), Pascal Dauvin (UP Saclay), Charles Gad?a (U. de Nanterre), Jean-Paul Gehin (U. de Poitiers), Chistian Le Bart (IEP de Rennes), Jean-Baptiste Legavre (U. Paris 2), Brigitte Le Grignou (U. Paris Dauphine), G?rard Mauger (CESSP-CSE CNRS), Erik Neveu (IEP de Rennes), Caroline Ollivier-Yaniv (U. Paris Est), Yves Poirmeur (UP Saclay), R?my Rieffel (U. Paris 2), Jean-Claude Soulages (U. Lyon 2). Conseil ?ditorial international Patrick Amey (U. de Gen?ve), Stefanie Averbeck-Lietz (U. de Br?me), Marcel J. Broersma (U. de Groningue), Aeron Davis (Goldsmiths College - Londres), Oliver Fahle (U. de la Ruhr, Bochum), Andreas Fickers (U. de Maastricht), Fiorenza Gamba (U. La Sapienza - Rome), Eric Georges (U. du Qu?bec - Montr?al), Oliver Hahn (U. de Passau ? Bavi?re), Fran?ois Heinderyckx (U. libre de Bruxelles), Sylvain Lef?vre (U. du Qu?bec - Montr?al), Nadine Machikou Ndzesop (U. Yaound? II), Victor Manuel Mar? S?ez (U. de Cadix), Liz Moor (Goldsmiths College - Londres), Spiros Moschonas (U. d?Ath?nes), Valentina Pricopie (U. Valahia de T?rgoviste), Klaus Schonbach (U. de Vienne), Roland Schroeder (U. d?Iserlohn - Rh?nanie-du-Nord-Westphalie), Rui Torres (U. Fernando Pessoa - Porto), Jean Zaganiaris (EGE ? Rabat) -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Thu Mar 24 07:48:19 2022 From: celat at uqam.ca (CELAT-UQAM) Date: Thu, 24 Mar 2022 13:48:19 +0000 Subject: [acc-cca-l] =?windows-1252?q?Conf=E9rence_Les_spectacles_de_lant?= =?windows-1252?q?erne_magique_au_prisme_du_r=E9cit=2E_Vers_une_arch=E9olo?= =?windows-1252?q?gie_m=E9diatique_des_narrations?= Message-ID: [?EXTERNAL] Le CELAT est heureux d?accueillir ce printemps un conf?rencier international; S?bastien Fevry (Universit? catholique de Louvain) pr?sentera la conf?rence ? Les spectacles de lanterne magique au prisme du r?cit. Vers une arch?ologie m?diatique des narrations ? le mardi 5 avril ? 15 h 30. En formule comodale, l?activit? se tiendra en ligne et au CELAT ? l?Universit? Laval (pavillon Charles-De Koninck, salle 1403). Lien d?inscription ? la r?union Zoom : https://ulaval.zoom.us/meeting/register/u5Iode6prj4sG93wwOzmt7IUKm_J9cVQXRNr D?tails : http://www.celat.ulaval.ca/conference-internationale-de-sebastien-fevry-5-avril-2022/ R?sum? ? Trop souvent, la lanterne magique reste consid?r?e comme un pr?curseur du spectacle cin?matographique dans une histoire du cin?ma pens?e erron?ment de fa?on t?l?ologique. Or, on sait aujourd?hui que la lanterne a constitu? un m?dia de masse tr?s populaire au XIXe si?cle, utilis?e non seulement ? des fins de divertissement, mais aussi pour des usages scientifiques, religieux ou propagandistes. ? la fin du XIXe si?cle, des plaques pour lanternes ?taient produites ? grande ?chelle, tant aux ?tats-Unis qu?en Europe, tandis qu?une grande diversit? de lanternes optiques ?taient commercialis?es et utilis?es dans le cadre des universit?s, des ?coles, des ?glises ou simplement dans le salon familial? Cette conf?rence a pour but d?interroger les potentialit?s narratives du dispositif de la lanterne magique en tenant compte de ses dimensions techno-culturelles, dans une approche que je qualifierai d?arch?ologie m?diatique des narrations. Par cette approche, il s?agit de montrer comment la narration en tant que modalit? discursive coexiste avec d?autres types d?agencements ?nonciatifs produits dans le cadre des projections lumineuses lors de la seconde moiti? du XIXe si?cle. En ce sens, l?arch?ologie des narrations am?ne paradoxalement ? sortir d?un paradigme narrato-centr? pour se pencher sur des pratiques expressives qui ne rentrent pas n?cessairement dans l?ordre narratif et ? reconsid?rer des ph?nom?nes comme la s?rialit? ou le fondu des images ? travers la singularit? culturelle et m?diatique du dispositif de la lanterne. ? Notice biobibliographique S?bastien Fevry est professeur ? l??cole de communication de l?Universit? catholique de Louvain (UCLouvain) et coordinateur du GIRCAM (Groupe interdisciplinaire de recherche sur les cultures et les arts en mouvement). Il travaille dans le champ des Memory Studies et des cultures visuelles. En 2021, il coordonne avec Emmanuelle Fantin et Katharina Niemeyer l?ouvrage collectif Nostalgies contemporaines. M?dias, cultures et technologies. Il est par ailleurs l?auteur d?articles dans des revues comme Image & Narrative, Studies in French Cinema, Memory Studies, Interm?dialit?s? Depuis 2018, il est ?galement membre du projet belge interuniversitaire et interdisciplinaire EOS B-magic : The Magic Lantern and its Cultural Impact as Visual Mass Medium in Belgium (1830-1940). Dans le cadre de ce projet, il m?ne des recherches sur les plaques de verre et les lanternes magiques dans une perspective narratologique et interm?diale. -------------- next part -------------- An HTML attachment was scrubbed... URL: From ghislain.thibault at umontreal.ca Fri Mar 25 11:54:03 2022 From: ghislain.thibault at umontreal.ca (Ghislain Thibault) Date: Fri, 25 Mar 2022 17:54:03 +0000 Subject: [acc-cca-l] =?windows-1252?q?CFP_-_Paperology_Symposium=2C_Gradu?= =?windows-1252?q?ate_Student_Lightning_Talks=2C_Montr=E9al=2C_May_6-7_202?= =?windows-1252?q?2?= Message-ID: [?EXTERNAL] CFP - Paperology Symposium, Graduate Student Lightning Talks Canadian Centre for Architecture, Montr?al, May 6-7, 2022 CFP Deadline: April 11 / Notifications April 15 www.artefactlab.ca/paperology/symposium The Paperology Symposium is a two-day event to take place in Montr?al May 6-7, 2022. By gathering an international and interdisciplinary group of scholars, researchers, artists and graduate students, it will explore paper as a transversal object that cuts across disciplines, practices, publics, and historical periods. ?Paperology" is an umbrella term the symposium organizers first used for a reading group held virtually during the 2020-2021 academic year, as a way to indicate a multiplicity of scholarly, artistic, and technological perspectives on the material histories, forms, practices, and possibilities of paper and paper things. The Paperology Symposium approaches the materiality of paper as a bridge for interdisciplinary thinking and connections. It engages with paper through contributions that consider how paper is made, how it is used, and the practices it affords. In considering paper as a material, this symposium draws on convergent impulses toward more materially-informed approaches that have crossed different disciplines and field?impulses that are often known as 'material turns.' In qualitative inquiry, the critical materialist (or neo-materialist, new materialist, or ontological turn) reflects an objection to the dominance of language in poststructuralism, the Cartesian separation of mind and body of nature from culture, and a renewed interest in the world and nonhuman/more than human materialities (K?chler, 2008; Tuck & McKenzie, 2015). Critical materialism moves away from theories that privilege ?discourse, mind, and culture over matter, body, and nature? (MacLure, 2015, p. 96; Malafouris & Renfrew, 2013; Miller, 2009). Scholarship in the critical materialist turn has embraced the idea that coming to the material?exploring how matter comes to matter?opens space for interdisciplinary thinking (Clark/Keefe, 2020; Coole & Frost, 2010; MacLure, 2011). In media studies, various traditions have also shaped conceptual tools for the analysis of media forms by bracketing the interpretation of meaning and focusing rather on material elements. The well-established scholarly traditions of Canadian media theory (Innis, 1950; McLuhan 1964; Sharma, 2014) and German media theory (Kittler, 1990; Parikka, 2012; Winthrop-Young, 2013) have argued that the materialities of communication are not only an integral component to our experience of media, but that attention to various materials offer renewed possibilities for thinking, living, and becoming together as part of modernity. These frameworks are often referred to as foundational for various scholarship engaged in the "objects, stuff and things" of media studies, including logistical media studies, elemental media philosophy, infrastructuralism and environmental media studies, and object lessons (Cubitt, 2017; Hu, 2017; Mattern, 2017; Parks & Starosielski, 2015; Peters, 2015). Likewise, disciplines including geography, history, archival studies, anthropology, literature, STS, design, and others have a history of turning to objects as an important component of research and knowledge production. The role of artefacts, documents, instruments, and more generally non-humans in the production and circulation of knowledge, has been revisited from the perspective of their epistemic value (Daston, 2000; Davis, 2020; Lake, 2020; Latour, 1992; Lenoir & Gumbrecht, 1998). This turn to the material has been a far-reaching and sustained process that is in many ways reshaping fields, disciplines, and theories by shifting the attention from words to things, from meaning to objects, including in art history (Anderson et al, 2016); cinema history (Bruno, 2014); and history (Findlen, 2021), to name a few. A reassessment of paper has been part of this material turn. While the most common of everyday materials, paper as a thing had long been overlooked. By working with this expansive materialist approach to paper, the Paperology Symposium is able to move away from the more common question of what is on the page, and rather turns the page itself (Stamm, 2018). We build on the idea that paper itself has agency: it produces relationships, it is at once the support of scholarly and literary works, but is also found in kitchens, hospitals, offices, banks, subway benches and ticket boxes. It is persistent while fragile, stable but manipulable. Paper performs social, political, economic, cultural and epistemological functions. The recent surge of interest in paper reflects an effort to reexamine paper through this material lens, and has led to a sweeping variety of research across and within disciplines and fields: paper as substrate, symbol, and environmental presence in the literary studies and the arts (Calhoun, 2020; Derrida, 2005; Kasten, 2015; Senchyne, 2020); paper examined through journalistic case studies of the pulp and paper mill industry (Bajpai, 2018; Baxter, 2020) and papermaking histories focused on infrastructure and political economy (Bloom, 2001; Coggan, 2012; Stamm, 2018); paper through journalist practices themselves (Heesen, 2014), as surface by art historians (Ash, 2017; Fowler, 2019; Michelon, 2016) or documents taken up through media histories (Goodman, 2006; Gitelman, 2014; Kafka, 2020; Krajewski, 2011); legal scholarship focusing on paper trails (Constable, 2019; Vismann, 2008); anthropological inquiries into the governmentality of paper (Hetherington, 2011; Hull, 2012; Pinker, 2015); analyses of gendered work and labour as related to paper (Bittel et al, 2019; Craig, 2019); considerations of artefacts and practices that accompany paper (Gruber Garvey, 2013; Kumbier, 2009; Robertson, 2019; Scott 2007)?and much more. Recognizing the true dynamism in the research (and growing literature) on paper as material, the objective of the Paperoloy Symposium asks the question, what does paper do? This might further be articulated as: Who is making and using paper and in what contexts? What do the materialities of paper afford? What experiences are unique to paper? Why is paper still relevant now? How has paper in its various permutations given rise to specific things, systems, and cultures, including certain formats and genres (e.g. the pocket book, the file, the greetings card), artefacts (e.g. the rolodex, the paper shredder), and activities (e.g. paperwork, burning, scrapbooking, marbling)? The multiplicities of paper and its various functions are unique, and they clearly offer multiple opportunities for connection among scholars who otherwise would not naturally have been brought together in the same conversation despite their shared interest. As part of the Symposium programming, we seek proposals from graduate students for short ?lightning-talk? presentations of 7 minutes. We welcome contributions across fields and disciplines, including but not limited to Communication and Media Studies, Art History, History of the Book, History, Literature, Material and Visual Culture, Anthropology, Library Science, STS, History of Technology, among others. Possible topics might include, but are not limited to: * Biographical or historical snapshots of important paper-related persons, figures places, or events * ?Object lessons? of paper-related artefacts (e.g. scrapbooks, documents, index cards, visiting cards, bookmark) * Spaces and industries centred or dedicated to paper (e.g. paper mills, postal service, publishing) * Types of paper (e.g. parchment, newsprint, cardboard, carbon paper, maps) * Organizing and controlling with paper (e.g. bureaucracy, paperwork, paper politics, identification documents) * Paper aesthetics and techniques (e.g. folds, holes, letter locks, collage, writing, copying, marbling) * Paper-based crafts (e.g. zines, paper cutting, paper making, printing, drawing) * Studies of books and bound objects as paper things (e.g. artist books, paper samplers, cheque books, end papers, diaries) * Preservation and its challenges (e.g. filing, storing, archiving, shredding, burning, rotting) * The mobility of paper things (e.g. newspapers, money, letters, posters, books, boxes) * Related tools and objects (e.g. pencil, fax machine, wood block, bookcase) * The affordances and vulnerabilities of paper * Infrastructural and environmental studies paper * Paper as substrate, surface and building material across space and time * Labour and equity of paper-based activities * Paper epistemologies * Paper in a digital world Please submit a title and abstract of no more than 250 words, with a short biography (max 100 words) to by April 11. https://docs.google.com/forms/d/e/1FAIpQLScsgzmfwmOCi9ph-yO2eGlk4YJOX6YfrK6AlJBaD-gbnOCFgA/viewform?fbclid=IwAR1aBUzCCBeXaKrpY_1Dl3sd0OrpGRrFSrZcAGdRlVdn---klxOyI2FvvVY Notifications will be sent by April 15. Presentations can be in English or in French. Organizers: Juliette De Maeyer, Aleks Kaminska, Ghislain Thibault Department of Communication, Universit? de Montr?al ========= Appel ? contributions ? Symposium Paperology, Pr?sentations ?clair Le Symposium Paperology est un ?v?nement de deux jours qui aura lieu ? Montr?al les 6 et 7 mai 2022. R?unissant un groupe international et interdisciplinaire de chercheurs.seuses, d'artistes et d??tudiants, ce symposium explorera le papier comme un objet qui traverse les disciplines, les pratiques, les publics et les p?riodes historiques. "Paperology" est un terme g?n?rique que les organisateurs.rices du symposium ont d'abord utilis? dans le cadre d?un groupe de lecture qui s'est tenu virtuellement en 2020-21, afin de d?signer une multiplicit? de perspectives scientifiques, artistiques et technologiques sur les histoires mat?rielles, les formes, les pratiques et les possibilit?s du papier. Le symposium Paperology aborde la mat?rialit? du papier comme un pont pour la r?flexion interdisciplinaire. Nous y aborderons le papier par le biais de contributions qui examinent comment il est fabriqu?, comment il est utilis? et les pratiques qu'il permet. En consid?rant le papier comme mat?riau, ce symposium s'appuie la convergence d?approches mat?riellement inform?es qui ont travers? diff?rentes disciplines et diff?rents domaines - des impulsions souvent connues sous le nom de "tournant mat?riel". Dans le domaine de la recherche qualitative, le mat?rialisme critique (ou n?o-mat?rialisme, nouveau mat?rialisme ou tournant ontologique) refl?te une objection ? la domination du langage qui trouve naissance dans le poststructuralisme, la s?paration cart?sienne de l'esprit et du corps, de la nature et de la culture, et un int?r?t renouvel? pour le monde et les mat?rialit?s non humaines/plus qu'humaines (K?chler, 2008 ; Tuck & McKenzie, 2015). Le mat?rialisme critique s'?loigne des th?ories qui privil?gient "le discours, l'esprit et la culture par rapport ? la mati?re, au corps et ? la nature" (MacLure, 2015, p. 96, notre traduction ; Malafouris & Renfrew, 2013 ; Miller, 2009). Les ?tudes qui s'inscrivent dans le tournant mat?rialiste critique ont adopt? l'id?e que le fait d'en venir ? la mati?re ouvre un espace pour la r?flexion interdisciplinaire (Clark/Keefe, 2020 ; Coole & Frost, 2010 ; MacLure, 2011). Dans les ?tudes m?diatiques, aussi, diverses traditions ont d?velopp? des outils conceptuels pour l'analyse des formes m?diatiques en mettant entre parenth?ses l'interpr?tation du sens et en se concentrant plut?t sur les ?l?ments mat?riels. Les traditions acad?miques bien ?tablies de la th?orie canadienne des m?dias (Innis, 1950 ; McLuhan 1964 ; Sharma, 2014) et de la th?orie allemande des m?dias (Kittler, 1990 ; Parikka, 2012 ; Winthrop-Young, 2013) ont soutenu que les mat?rialit?s de la communication ne sont pas seulement une composante int?grale de notre exp?rience des m?dias, mais que l'attention port?e aux divers mat?riaux offre des possibilit?s renouvel?es de penser, de vivre et de devenir dans le cadre de la modernit?. Ces cadres sont souvent consid?r?s comme fondamentaux pour diverses ?tudes engag?es dans les objets des ?tudes sur les m?dias, y compris les ?tudes sur les m?dias logistiques, la philosophie ?l?mentaire des m?dias, les ?tudes critiques des infrastructures m?diatiques et les ?tudes environnementales sur les m?dias (Cubitt, 2017 ; Hu, 2017 ; Mattern, 2017 ; Parks & Starosielski, 2015 ; Peters, 2015). De m?me, des disciplines telles que la g?ographie, l'histoire, la biblioth?conomie, l'anthropologie, la litt?rature, les STS, le design et d'autres encore se sont tourn?es vers les objets en tant que composante importante de la recherche et de la production de connaissances. Le r?le des artefacts, des documents, des instruments, et plus g?n?ralement des non-humains dans la production et la circulation des connaissances, a ?t? revisit? du point de vue de leur valeur ?pist?mique (Daston, 2000 ; Davis, 2020 ; Lake, 2020 ; Latour, 1992 ; Lenoir & Gumbrecht, 1998). Ce tournant mat?riel est un processus de grande envergure qui, ? bien des ?gards, bouleverse les domaines, les disciplines et les th?ories en d?pla?ant l'attention des mots vers les choses, du sens vers les objets, notamment en histoire de l'art (Anderson et al, 2016), en histoire du cin?ma (Bruno, 2014) et en histoire (Findlen, 2021), pour ne citer que ces champs. Une r??valuation du papier a fait partie de ce tournant mat?riel. Bien qu'il soit partout dans la vie quotidienne, le papier en tant qu?objet a longtemps ?t? n?glig?. En d?veloppant une telle approche mat?rialiste du papier, le symposium Paperology s'?loignera de la question plus commune de ce qui est sur la page, et se tournera plut?t sur la page elle-m?me (Stamm, 2018). Pour nous, le papier est un agent : il produit des relations, il est ? la fois le support d'?uvres savantes et litt?raires. On le trouve aussi bien dans les cuisines, les h?pitaux, les bureaux, les banques, que sur les bancs du m?tro. Il est persistant tout en ?tant fragile; stable mais manipulable. Le papier remplit des fonctions sociales, politiques, ?conomiques, culturelles et ?pist?mologiques tr?s particuli?res, que nous projetons d?explorer durant le symposium. Le r?cent regain d'int?r?t pour le papier traduit un effort pour r?examiner le papier ? travers cette lunette mat?rielle, et a conduit ? une grande vari?t? de recherches ? travers et au sein des disciplines: le papier en tant que substrat, symbole et pr?sence dans les ?tudes litt?raires et les arts (Calhoun, 2020 ; Derrida, 2005 ; Kasten, 2015 ; Senchyne, 2020) ; examin? ? travers des ?tudes de cas journalistiques au sujet de l'industrie des p?tes et papiers (Bajpai, 2018 ; Baxter, 2020) et ? travers une conceptualisation de ses infrastructures et ses ?conomies politiques (Bloom, 2001 ; Coggan, 2012 ; Stamm, 2018) ; analys? ? travers les pratiques journalistiques en tant que telles (Heesen, 2014), comme surface par les historiens de l'art (Ash, 2017 ; Fowler, 2019 ; Michelon, 2016) ou conceptualis? comme documents en histoire des m?dias (Goodman, 2006 ; Gitelman, 2014 ; Kafka, 2020 ; Krajewski, 2011); abord? par les ?tudes juridiques ax?es sur les traces ?crites (Constable, 2019 ; Vismann, 2008), dans les enqu?tes anthropologiques sur la gouvernementalit? du papier (Hetherington, 2011 ; Hull, 2012 ; Pinker, 2015) ou des analyses de la main-d'?uvre genr?e en relation avec le papier (Bittel et al, 2019 ; Craig, 2019) ; enfin, le papier a ?t? consid?r? comme artefact menant ? des pratiques (Gruber Garvey, 2013 ; Kumbier, 2009 ; Robertson, 2019 ; Scott 2007) - et bien plus encore. Reconnaissant le dynamisme de la recherche et de la litt?rature sur le papier en tant que mat?riau, l'objectif du symposium Paperology est de poser la question suivante : "Que fait le papier ?" Cette question peut ?tre reformul?e comme suit : Qui fabrique et utilise le papier et dans quels contextes ? Que permettent les mat?rialit?s du papier ? Quelles exp?riences sont propres au papier ? Pourquoi le papier est-il encore pertinent aujourd'hui ? Comment le papier, dans ses diverses permutations, a-t-il donn? naissance ? des choses, des syst?mes et des cultures sp?cifiques, y compris certains formats et genres (par exemple, le livre de poche, le dossier, la carte de v?ux), des artefacts (par exemple, le rolodex, le d?chiqueteur) et des activit?s (par exemple, le collage, le scrapbooking, la marbrure) ? La multiplicit? du papier et de ses diverses fonctions est unique, et elle offre de nouvelles opportunit?s de rencontre et de dialogue entre des chercheurs.euses qui n'auraient pas ?t? naturellement r?uni.es dans une m?me conversation. Dans le cadre de la programmation du symposium, nous sollicitons des propositions d??tudiant.es aux cycles sup?rieurs pour de courtes pr?sentations de type ? pr?sentation ?clair ? de 7 minutes (en fran?ais ou en anglais). Nous invitons les contributions de tous les domaines et disciplines, y compris, mais sans s'y limiter, les ?tudes en communication et ?tudes m?diatiques, l'histoire de l'art, l'histoire du livre, l'histoire, la litt?rature, la culture mat?rielle et visuelle, l'anthropologie, la biblioth?conomie, les sciences sociales et humaines, l'histoire de la technologie, entre autres. Les sujets possibles (sans s?y limiter) sont les suivants : * des courtes biographies de personnages, de lieux ou d'?v?nements importants li?s au papier * Des "le?ons d'objet" d'artefacts li?s au papier (par exemple, des albums, des documents, des cartes d'index, des cartes de visite, des signets). * Une exploration d?espaces et d?industries centr?s ou d?di?s au papier (par exemple, les usines de papier, le service postal, l'?dition). * Types de papier (par ex. parchemin, papier journal, carton, papier carbone) * Les modes d?organisation et de contr?le ? travers le papier (par exemple, la bureaucratie, les politiques du papier, les documents d'identification) * L'esth?tique et les techniques du papier (par exemple, les plis, les trous, le collage, l'?criture, la copie, la marbrure). * Artisanat ? base de papier (zines, collages, fabrication de papier, impression, dessin, etc.) * ?tudes de livres et d'objets reli?s en tant qu'objets en papier (livres d'artistes, carnets de ch?ques, journaux intimes, etc.) * La conservation et ses d?fis (classement, stockage, archivage, d?chiquetage, d?t?rioration, etc.) * La mobilit? des objets en papier (journaux, argent, lettres, affiches, livres, bo?tes, etc.) * Les outils et les objets associ?s (par exemple, un crayon, un t?l?copieur, une biblioth?que). * Les possibilit?s et les vuln?rabilit?s du papier * ?tudes infrastructurelles et environnementales du papier * Le papier comme substrat, surface et mat?riau de construction dans l'espace et le temps * Travail et activit?s bas?es sur le papier * ?pist?mologies du papier * Le papier dans un monde num?rique Merci de soumettre un titre et un r?sum? de 250 mots maximum, ainsi qu'une courte biographie (100 mots maximum) ? https://docs.google.com/forms/d/e/1FAIpQLScsgzmfwmOCi9ph-yO2eGlk4YJOX6YfrK6AlJBaD-gbnOCFgA/viewform?fbclid=IwAR1aBUzCCBeXaKrpY_1Dl3sd0OrpGRrFSrZcAGdRlVdn---klxOyI2FvvVY avant le 11 avril. Les r?ponses seront envoy?es au plus tard le 15 avril 2022 Les pr?sentations peuvent ?tre en anglais ou en fran?ais. Organisateurs : Juliette De Maeyer, Aleks Kaminska, Ghislain Thibault D?partement de communication, Universit? de Montr?al -------------- next part -------------- An HTML attachment was scrubbed... URL: From heymayahey at gmail.com Fri Mar 25 15:03:59 2022 From: heymayahey at gmail.com (Maya Hey) Date: Fri, 25 Mar 2022 15:03:59 -0600 Subject: [acc-cca-l] CFP 4S panel #89. Organisms and/as Technologies: responsibilities and response-abilities towards the more-than-human Message-ID: [?EXTERNAL] Dear friends and colleagues, For folks interested in the working relations we have with organisms, our open panel for the joint meeting of 4S and ESOCITE is accepting submissions until April 14. Join us in our open panel ?Organisms and/as Technologies," which will be convened by Erika Szymanski, Marie Turner, and myself. We welcome submissions from far and wide?across the globe and across the disciplines?and we look forward to a robust conversation about the responsibilities/response-abilities we have with and towards other creatures. Conference Details * Dates: 07-10 December 2022 * Location: Cholula, Mexico * COVID Logistics: At present, the conference organizers are planning a hybrid meeting with in-person and virtual options. * Timeline: Submissions due 14 April, Papers reviewed by conveners, Authors notified by 25 May, Registration begins 01 June, 2022 Submission Process Please submit an abstract of up to 250 words using the 4S platform. Abstracts should include main arguments, methods, and contributions. Please direct all queries to Maya Hey (mayahey at colostate.edu), and feel free share this call to anyone who you think would be interested. A detailed panel description can be found here: https://www.4sonline.org/89-organisms-and-as-technologies-responsibilities-and-response-abilities-towards-the-more-than-human/ All best from afar, M -- Maya Hey, PhD Post-doctoral Researcher, Future Organisms Convener, fff | food feminism fermentation Research Fellow, Open Education Group @heymayahey | www.heymayahey.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From rbuiani at gmail.com Sat Mar 26 17:55:52 2022 From: rbuiani at gmail.com (roberta buiani) Date: Sat, 26 Mar 2022 19:55:52 -0400 Subject: [acc-cca-l] two exhibitions for the series "Who Cares?" on March 31 and April 7 (in person!) on healing and reproductive health Message-ID: [?EXTERNAL] We are very pleased to announce these two exhibitions by Camille Baker and Alanna Kibbe Apologies for cross-posting RB roberta buiani atomarborea.net artscisalon.com View this email in your browser [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/39a13a25-9aa2-0647-7bad-caf453f102ef.png] We are pleased to announce two exhibitions as part of ?Who Cares?? Nous avons le plaisir d'annoncer deux expositions dans le cadre de ? Who Cares ? ? [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/16156924-d647-e278-7eb3-bd4d96d1a886.png] Input caption text here. Use the block's Settings tab to change the caption position and set other styles. Alanna Kibbe Transform/Transformer Exploring Languages of Healing Une Exploration des Langages de la Gu?rison Born out of the spaces within us where to live we must break apart, TRANSFORM seeks to reconstruct ?The Language of Healing?, in an exploration of versions of healing. To heal is to rise. TO HEAL IS TO TRANSFORM. Exhibition Opening March 31 5:00-7:00 pm in person* The Exhibition runs March 23 - April 28 Canadian Language Museum Glendon Campus 2275 Bayview Ave. Gallery Hours: 11am ? 4pm Tuesday, Wednesday, Thursday The Canadian Language Museum is an accessible venue * Virtual Opening Con?ue ? partir des espaces qui se trouvent en chacun de nous et que nous devons briser pour vivre, TRANSFORMER cherche ? d?construire ? les langages de la gu?rison ? en explorant diff?rentes variantes de la gu?rison. Gu?rir, c'est s'?lever. GU?RIR, C'EST TRANSFORMER. Vernissage 31 Mars de 17 h 00 ? 19 h00 en personne* Exposition du 23 Mars au 28 Avril Mus?e canadien des langues Glendon 2275 ave. Bayview Heures d'ouverture de la galerie : de 11 h 00 ? 16 h 00 Mardi Mercredi Jeudi Le Mus?e canadien des langues est un lieu accessible * Vernissage Virtuel [https://mcusercontent.com/e5d452879d9cb99972f79d659/images/76028f33-7b73-a00c-a444-2fafdc14eb6d.png] Camille Baker INTER/Her An immersive installation and VR experience Une installation immersive et une exp?rience VR An immersive installation and VR experience exploring the inner world of women?s bodies and their reproductive diseases. Exhibition Opening April 7 5:00-7:00 pm in person* The Exhibition runs April 7 - 28 D.G. Ivey Library University of Toronto 20 Willcocks Street Hours: By Appointment The installation accommodates 3 people at a time. For more information please see here The DG Ivey Library is an accessible venue * Virtual Opening Une installation immersive et une exp?rience VR explorant le monde int?rieur du corps des femmes et leurs maladies reproductives Vernissage 7 avril de 17:00 h a 19:00 h en personne* Exposition de 7 au 28 Avril D.G. Ivey Library University of Toronto 20 Willcocks Street Hours: By Appointment L'installation accueille 3 personnes ? la fois. La r?servation est recommand?e. cliquez ici s'il vous plait The DG Ivey Library est un lieu accessible * Vernissage Virtuel ?Who Cares?? is a Speaker Series dedicated to fostering transdisciplinary conversations between doctors, writers, artists, and researchers on contemporary biopolitics of care and the urgent need to move towards more respectful, creative, and inclusive social practices of care in the wake of the systemic cracks made obvious by the pandemic. ~~~~~~~~~~~~~ ?? Who Cares??? est une serie de conferences , visant a favoriser les discussions transdisciplinaires entre m?decins , ?crivains , artistes et chercheurs sur la biopolitiques contemporaine des soins et l?urgence d'?voluer vers des pratiques plus respectueuses , cr?atives et inclusives dans le sillage des fissures syst?miques qui sont devenues ?videntes avec la pand?mie. We wish to thank/ nous the generous support of the Social Science and Humanities Research Council of Canada, New College at the University of Toronto and The Faculty of Liberal Arts and Professional Studies at York University; the Centre for Feminist Research, Sensorium Centre for Digital Arts and Technology, The Canadian Language Museum, the Departments of English and the School of Gender and Women?s Studies at York University; the D.G. Ivey Library and the Institute for the History and Philosophy of Science and Technology at the University of Toronto; We also wish to thank the support of The Fields Institute for Research in Mathematical Sciences This series is co-produced in collaboration with the ArtSci Salon [Twitter] [Facebook] [Website] [YouTube] [Instagram] Copyright ? 2022 ArtSci salon, All rights reserved. You are receiving this email because you signed up to our Mailinglist. Thanks for supporting ArtSci Salon Our mailing address is: ArtSci salon 222 College Street Toronto, On M5T 2X3 3J1 Canada Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. [Email Marketing Powered by Mailchimp] \ -------------- next part -------------- An HTML attachment was scrubbed... URL: From jbay at yorku.ca Sun Mar 27 15:02:22 2022 From: jbay at yorku.ca (Jessica Bay) Date: Sun, 27 Mar 2022 21:02:22 +0000 Subject: [acc-cca-l] Defining a Canadian Program for a Digital Age: Presentation & Discussion MARCH 31 Message-ID: [?EXTERNAL] Hello All, Apologies for cross-posting and all of the usual! DM at X-tra, the student organization attached to the Digital Media at the Crossroads conference, is holding our first speaker series event on March 31 from 7-9pm ET! I?ve attached a bit of a flyer for your information, but I?ve also included the info in the body of the email here. Please join us online for a presentation about the concept of a ?Canadian? production in the screen industries in Canada, particularly in relation to the upcoming changes proposed by Bill C-11. The talk will be followed by a Q&A and then we are going to meet in breakout rooms to discuss the issue together and come up with some ideas for recommendations. While we envisioned this event as geared toward students, it is open to the public so there are some industry, student, and faculty members attending that you may be able to engage with during the discussions. Please register on EventBrite so you?ll be sure to get the Zoom link! Please feel free to contact me if you have any questions: jbay at yorku.ca Thank you! Jessica Even if you don?t want to/can?t come to the event, it will be recorded and made available later for your entertainment or use in your courses. Please reach out if you?d like information on our follow-up activities regarding policy brief creation workshops, etc. Join our Discord to get that link when it?s available or just to have fun discussions about the media industry and policy (I think they?re fun anyway!). DISCORD invite Eventbrite Link DM at X-tra Presents: An ?In the Weeds? Discussion and Roundtable Workshop March 31, 2022 7-9pmET online What qualifies as a Canadian Program? And what should the definition become in the world of Bill C-11? This presentation will be led by Douglas Barrett (Adjunct Professor, Arts, Media and Entertainment MBA Program, Schulich School of Business, former Board Chair of the Canadian Television Fund ) and Erin Finlay (Partner Stohn, Hay, Cafazzo, Dembroski and Richmond LLP, and former Chief Legal Officer to the Canadian Media Production Association), and will be moderated by Jessica Bay (Teaching Assistant, University of St. Michaels College, University of Toronto, PhD Candidate) and Carolyne Sumner (Teaching Assistant, Faculty of Music, University of Toronto, PhD Candidate Musicology, Executive Director, DM at X). About this event For almost 50 years, Canada has developed a group of complex but effective tools for subsidizing the production of Canadian film and television programmes. Some of the tools are by way of the CRTC?s regulation of broadcasters, some are policy driven by both the CRTC and the Department of Canadian Heritage, some are direct subsidies from provisional and federal governments through the tax system, and some are through non-governmental organizations ?nudged? by the CRTC. Needless to say, every creative producer in Canada needs to be deeply familiar with all of these regimes. And now the recently tabled Bill C-11, the Online Streaming Act, opens the question of how the foreign streamers will make their own contribution to the system. Throughout these same fifty years one set of rules, somewhat differently applied in different circumstances, has underpinned the entire Canadian subsidy system: the definition of what constitutes a Canadian program. This definition will now be placed under close review as Bill C-11 explicitly asks the CRTC to determine: 1. whether Canadians (should) own copyright in relation to a program, control the exploitation of a program and retain a material and equitable portion of its value; 2. whether key creative positions in the production of a program (should be) primarily held by Canadians; 3. whether a program (should) furthers Canadian artistic and cultural expression; 4. whether persons carrying on online undertakings or programming undertakings (should) collaborate with independent Canadian producers, with persons carrying on Canadian broadcasting undertakings producing their own programs or with producers associated with Canadian broadcasting undertakings. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: In The Weeds - CanCon (1).pdf Type: application/pdf Size: 137627 bytes Desc: In The Weeds - CanCon (1).pdf URL: From j.hannan at uwinnipeg.ca Tue Mar 29 11:06:33 2022 From: j.hannan at uwinnipeg.ca (Jason Hannan) Date: Tue, 29 Mar 2022 17:06:33 +0000 Subject: [acc-cca-l] CFP: Memorial Reckoning and the Fall of Imperial Icons Message-ID: [?EXTERNAL] CFP: Memorial Reckoning and the Fall of Imperial Icons Global Media Journal ? Canadian Edition (http://www.gmj.uottawa.ca/) Guest Editors: Angela Failler, Jason Hannan, and Sabrina Mark SPECIAL ISSUE OVERVIEW The late philosopher Michel Serres described statues as one of the bedrocks of Western societies (2014). Statues, he held, are repositories of cultural memory, serving as historical anchors to guide human communities through the ravages and upheavals of time. In this view, statues provide a vital social function by consolidating societies and preserving collective identities. Yet, statues and other public memorials are never apolitical, nor are they always affirming. They can also negate, exclude, distort, and deny. Statues speak for some, while silencing others. In this way, they are avatars of partiality. What does it mean, then, when a statue is defaced, toppled, removed, or destroyed? What does it mean, in particular, when colonial monuments and icons of empire are challenged from ?below? by those who have been historically subjugated, exploited, and excluded from institutional power and privilege, and from the official narrations of national history and public memory? This special issue of Global Media Journal will explore the politics of public monuments, including: memorials, statues, place names, and other public markers. We are arguably living through a critical historical moment marked by a global revolt against the enduring structural and symbolic legacy of European colonial empires and settler colonialism. Following the emergence of powerful political movements like Black Lives Matter, Idle No More, Land Back, and Rhodes Must Fall, we have witnessed the defacing, toppling, removal, and destruction of colonial monuments across the globe, possibly a new chapter in the history of iconoclasm. We have also witnessed a reactionary defense of these monuments in the name of ?history? and ?tradition.? How do we make sense of this pivotal political moment? How do we chronicle the battle over public monuments as media of social and cultural memory? What are the possibilities for reckoning with memorial landscapes that have served to enshrine histories of colonial, racist, and gender-based violence? How might they be reimagined? We seek contributions that address these core questions. Additional questions to consider include the following: * What does the fall of imperial icons and colonial monuments, such as the statues of Queen Victoria, Cecil Rhodes, and Christopher Columbus, mean for the politics of culture and public memory? * What ?epistemologies of resistance? (Medina 2012) are behind these revolts (eg. Black, Indigenous, Latinx, feminist, queer)? Is the defacing and toppling of statues an example of ?revolutionary spontaneity? (Luxemburg, 1970)? * How does the renaming of public buildings, schools, libraries, roads, and highways fit into the statue wars and possibilities for memorial reckoning? * How do the politics surrounding public monuments play out differently when they are colonial figures (e.g. Queen Victoria) versus figures of resistance (e.g. Louis Riel, Frederick Douglass) versus memorials dedicated to the survivors of state-led violence (e.g. Indian Residential Schools, Missing and Murdered Indigenous Women, slavery, the LGBTQ2+ Purge)? * What are the possibilities and limitations of grassroots/community-based memorial projects versus government sponsored ones? What is the significance of the relationship between the sponsor and the subject of the memorial? * How can alternative forms of public art respond to and/or take the place of toppled statues? What are the possibilities and limits of counter-monuments and anti-monuments? * What role has digital memorialization come to play as part of public culture and/or political movements? * Beyond the canon of Eurocentric critical theory, what decolonial theorists might we turn to for a better understanding of the current politics surrounding colonial monuments and icons of empire (e.g. Fanon 2004; Coulthard 2014; Memmi 2016; Simpson 2017; Mignolo & Walsh 2018)? We welcome contributions that address these and related questions about the politics of colonial monuments from a variety of disciplinary backgrounds, including: media studies, rhetorical studies, art history, Indigenous studies, history, women?s and gender studies, religious studies, postcolonial studies, and political theory. In addition to scholarly essays, we also welcome alternative submissions, such as poetry and artistic works, that speak to the core theme of this special issue. ABSTRACTS If you are interested in participating in this special issue, please submit an abstract of 150-250 words, along with a brief, 50-100 word bio, to memorialreckoning at gmail.com by April 25, 2022. If the abstract is accepted, we will invite you to submit your full paper for peer review shortly afterward. Full papers will be due August 15, 2022. GUIDELINES Author guidelines are available at: http://gmj-canadianedition.ca/for-author/ REFERENCES Coulthard, Glen S. Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. Minneapolis, MN: University of Minnesota Press. Fanon, Frantz. The Wretched of the Earth. New York, NY: Grove Press, 2004. Luxemburg, Rosa. Rosa Luxemburg Speaks. Atlanta, GA: Pathfinder Press. Medina, Jos?. The Epistemology of Resistance: Gender and Racial Oppression, Epistemic Injustice, and Resistant Imaginations. Oxford, UK: Oxford University Press, 2012. Memmi, Albert. The Colonizer and the Colonized. Boston, MA: Beacon Press, 2016. Mignolo, Walter D., and Catherine E. Walsh. On Decoloniality. Durham, NC: Duke University Press, 2018. Serres, Michel. Statues: The Second Book of Foundations. London, UK: Bloomsbury, 2014. Simpson, Leanne Betasamosake. As We Have Always Done: Indigenous Freedom Through Radical Resistance. Minneapolis, MN: University of Minnesota Press, 2017. -------------- next part -------------- An HTML attachment was scrubbed... URL: From amy_harris at sfu.ca Wed Mar 30 13:48:25 2022 From: amy_harris at sfu.ca (Amy Harris) Date: Wed, 30 Mar 2022 19:48:25 +0000 Subject: [acc-cca-l] SFU School of Communication Grad Conference - Contested Freedoms Message-ID: [?EXTERNAL] Hello all, Sending this on behalf of the SFU Communication Grad Caucus: The Graduate Program from the School of Communication at Simon Fraser University would like to cordially invite you to CONDUITS, the annual School of Communication Graduate Conference. The title and them of this year is Contested Freedoms, and our Keynote Speaker has recently been confirmed as Vincent Mosco. We are eager to welcome submissions of both academic and artistic works. The call for proposals is now live at conduits.ca, and you can also find it attached here. Please feel free to reach out to conference at conduits.ca if you have any questions. The conference will be hosted both in person at SFU in Vancouver, as well as on Zoom on Tuesday, May 10th, 2022. Deadline for submissions is March 31st, 2022 though we will be accepting late submissions for up to a week after the deadline. Sincerely, CONDUITS Conference Organizing Committee School of Communication, Simon Fraser University Amy Harris (she/her/hers) PhD Candidate, School of Communication Chair, Communication Graduate Student Caucus Lab Manager, Digital Democracies Institute Simon Fraser University -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Contested Freedoms - CfP.pdf Type: application/pdf Size: 222587 bytes Desc: Contested Freedoms - CfP.pdf URL: From jhunsinger at wlu.ca Wed Mar 30 17:09:40 2022 From: jhunsinger at wlu.ca (Jeremy Hunsinger) Date: Wed, 30 Mar 2022 23:09:40 +0000 Subject: [acc-cca-l] 4S 2022 Open Panel Call for Papers: Learning Infrastructures Message-ID: [?EXTERNAL] 4S 2022 Open Panel Call for Papers: Learning Infrastructures December 7-10, Cholula Mexico Conference details: https://www.4sonline.org/ Submissions: https://www.4sonline.org/meeting/accepted-open-panels/ Deadline: April 14 Learning Infrastructures (Panel 73) Jeremy Hunsinger, Wilfrid Laurier University Zachary McDowell, University of Illinois at Chicago Learning infrastructures entail multiple meanings. On the one hand, it is the infrastructures that support learning, and on the other, it is also how we learn about infrastructures (writ large). First, exploring the infrastructures of learning helps to develop answers to the question, "what infrastructures do learning require in our contemporary world?" The second inquires how we learn about infrastructures and all that they entail. The tension between these meanings highlights one of central problems of infrastructure studies - Infrastructure studies as a field has the thesis of Invisibility. Infrastructure fades from our vision and memories, and accordingly fades as a research topic as it becomes naturalized and culturalized to become part of the background operations of our everyday life; simply put, infrastructure becomes invisible in everyday life. We all face the duty of making infrastructures visible and concrete to our respective audiences in order to legitimize the infrastructures and our practices surrounding them. For over 20 years, learning infrastructures have transformed dramatically toward a more plural set of practices, methods, systems, and tools. Some more liberatory, and some not - some democratic, others lean authoritarian. The accidental experience of learning infrastructures is that like everything else they are part of the technica/social/hidden/etc. curriculum, and students learn them as much or more than the stated curriculum itself.? We seek papers that engage questions of learning infrastructures, not only in the meanings that we provide, but across all valences of the topic. Please provide a short abstract around 250 words in proposal for this panel. Submitted through the 4s submission system linked from here: https://www.4sonline.org/meeting/call-for-submissions/ From van_dembroucke.maria_celina at courrier.uqam.ca Thu Mar 31 11:35:31 2022 From: van_dembroucke.maria_celina at courrier.uqam.ca (Van Dembroucke, Maria Celina) Date: Thu, 31 Mar 2022 17:35:31 +0000 Subject: [acc-cca-l] Sondage pour jeunes d'entre 18 et 25 ans au QC Message-ID: [?EXTERNAL] Pour ceux qui enseignent au Qu?bec, je vous invite ? partager le lien de ce sondage aupr?s de vos ?tudiants.es Merci de votre collaboration! Invitation ? participer ? une enqu?te de recherche men?e ? l?UQ?M La place du cellulaire dans le contexte du visionnement connect? de s?ries Contact/questions : Celina Van Dembroucke, van_dembroucke.maria_celina at courrier.uqam.ca, postdoctorante au CELAT-UQ?M Tu as entre 18 et 25 ans et tu habites au Qu?bec ? Je t?invite ? participer ? une ?tude sur les usages de la photographie et le visionnement de s?ries en ligne. Par exemple, si tu fais des captures d??cran (screenshots) de s?ries que tu regardes, ou si tu partages des images en lien avec les s?ries, ou si tu prends des images avec ton cellulaire pendant le visionnement des s?ries, cette enqu?te s?adresse ? toi : https://celatuqam.limesurvey.net/921445?lang=fr D?roulement: Ta confidentialit? est garantie, et ta participation est volontaire. Ce sondage est anonyme, mais si tu d?sires participer ? un entretien sur le m?me sujet, tu pourras laisser ton adresse courriel ou ton num?ro de t?l?phone ? la fin du questionnaire. Si tu souhaites partager quelques captures d??cran ? titre d?exemple cela sera ?galement possible. Elles ne seront pas utilis?es dans le cadre de la recherche sauf si tu cliques sur ? Je suis d?accord que ces images puissent ?tre utilis?es dans des publications scientifiques de fa?on anonyme ?. Sache que nous ne publions jamais des images qui permettraient d?identifier une personne (loi de la protection ? l?image au Qu?bec). Il faut environ 5 minutes pour r?pondre ? ce questionnaire. Aucune des questions n'est sensible ou ne t?oblige ? fournir des informations confidentielles ou compromettantes. Tu peux quitter ce questionnaire en tout temps. Les informations fournies par les personnes qui remplissent ce questionnaire aideront ? identifier et ? comprendre les nouveaux usages de la photographie num?rique au Qu?bec. Les r?sultats peuvent faire partie d'articles dans des revues acad?miques. Pour toute question, tu peux me contacter en m??crivant ? van_dembroucke.maria_celina at courrier.uqam.ca Merci! Celina -------------- next part -------------- An HTML attachment was scrubbed... URL: