From cheryl.thompson at ryerson.ca Thu Apr 1 08:21:23 2021 From: cheryl.thompson at ryerson.ca (Cheryl Thompson) Date: Thu, 1 Apr 2021 10:21:23 -0400 Subject: [acc-cca-l] Postdoctoral Fellowship in Black Ontarian Archives Message-ID: [?EXTERNAL] Postdoctoral Fellowship Department: School of Creative Industries Position supervisor: Dr. Cheryl Thompson Contract length: June 15, 2021 to June 15, 2023 Hours of work per week: Maximum 36.25 Position type: Postdoctoral fellow Rate of pay: $50,000/yr for 24 months (not renewable) About Ryerson At the intersection of mind and action, Ryerson is on a transformative path to become Canada?s leading comprehensive innovation university. Integral to this path is the placement of equity, diversity and inclusion as fundamental to our institutional culture. Our current academic plan outlines each as core values and we work to embed them in all that we do. Ryerson University welcomes those who have demonstrated a commitment to upholding the values of equity, diversity, and inclusion and will assist us to expand our capacity for diversity in the broadest sense. In addition, to correct the conditions of disadvantage in employment in Canada, we encourage applications from members of groups that have been historically disadvantaged and marginalized, including First Nations, Metis and Inuit peoples, Indigenous peoples of North America, racialized persons, persons with disabilities, and those who identify as women and/or 2SLGBTQ+. Please note that all qualified candidates are encouraged to apply; however, applications from Canadians and permanent residents will be given priority. As an employer, we are working towards a people first culture and are proud to have been selected as one of Canada?s Best Diversity Employers and a Greater Toronto?s Top Employer for 2015, 2016, 2017 and 2018. To learn more about our work environment, colleagues, leaders, students and innovative educational environment, visit www.ryerson.ca, check out @RyersonU, external link, @RyersonHR, external link and @RyersonEC, external linkI on Twitter, and visit our LinkedIn company page, external link. About the program/department/team The successful candidate will lead a major research study of Ontario?s Black archives that will involve field work, data collection, critical analysis, and collaboration with a team of graduate research assistants. The aim is to create a defined record of Black Ontarian history located in the province?s public archives. The Postdoctoral fellow will catalogue data collected at public archives, engage in data analysis, and assist in the creation of a formulated comprehensive database of Black Ontarian collections. The candidate will be housed in the School of Creative Industries, Faculty of Communication & Design. The opportunity The successful candidate will be based at Ryerson University, and supervised by Dr. Cheryl Thompson. In collaboration and with the guidance of the supervisor, the Postdoctoral Fellow will be responsible for: * Developing a research plan for the project alongside Dr. Thompson; * Establishing where and what public Black collections are held, who the archivist(s) and/or librarians(s) and/or custodian(s) contacts are at each site; * Contacting collections and establishing a visitation plan for data collection; * Travelling (when permitted) to each archive where digital collections are not available; * Conducting primary and secondary data collection as it relates to the research project; * Helping to organize annual project-related events; * Other activities as required. Qualifications Candidates must have a PhD (or will defend their dissertation before or shortly after the project start date) in communication studies, media studies, archival or information studies, digital media, art history, or any related discipline; * Demonstrate in-depth knowledge of, and experience working with Black archival collections (not limited to Ontario) or underrepresented collections; * Strong theoretical interest in Black Canadian history or critical race theories, archives, data-collection and community-engagement; * Strong skills and experience in research creation, collaboration, handling archival materials, and communication with librarians and/or archivists; * Excellent interpersonal skills; * Excellent written and oral communication skills; * Strong organizational, time management, and project management skills; * An ability to work both independently and collaboratively. How to apply * A cover letter describing your scholarly expertise and experience working in Black and/or underrepresentated collections; * A detailed and up-to-date curriculum vitae; * A 1-page statement of research interests (beyond your dissertation research); * Unofficial transcripts from your doctoral program; * Contact information for two (2) referees. Submit your application as a PDF file to cheryl.thompson at ryerson.ca Candidates must indicate when they have (or will) defend their dissertation. All applications are welcome but only potential candidates will be contacted. The application deadline is May 1, 2021. Best, [https://docs.google.com/uc?export=download&id=1WH7v_GzVCfL_abDagMvez4r9GfrbfhZI&revid=0Bwgr4UqKIXoTQ3hYZkxwc2dkbWdrUWV1ZkdVY3luS0NtZWNvPQ] Cheryl Thompson (she/her) Assistant Professor School of Creative Industries Ryerson University 416-979-5000 ext. 544329 Kerr Hall South (KHS) Room 349H Where to find me: drcherylthompson.com 21st Century Black Podcast Uncle: Race, Nostalgia and the Politics of Loyalty (2021) Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture (2019) [https://docs.google.com/uc?export=download&id=1jz7dapfuOsd-iyEkCsSJyYPhnLxJmZ3H&revid=0Bwgr4UqKIXoTOFBVNEl1VjY4NjlVTzRhU1Z4MTFLSWc0eWtzPQ] Visit the CRI Website [https://docs.google.com/uc?export=download&id=1tVhSQ4KOEyvnAlQwVi5X1gyXjAcbGoWL&revid=0Bwgr4UqKIXoTNUJ3eFp2Vis1TlZ1YzhJMEgxS2NWSDltQzVzPQ] -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at grcp.ulaval.ca Thu Apr 1 09:37:18 2021 From: info at grcp.ulaval.ca (GRCP Info) Date: Thu, 1 Apr 2021 15:37:18 +0000 Subject: [acc-cca-l] Appel_Postdoc_GRCP//Call_Postdoctoral_Fellowship_GRCP Message-ID: <328D98E9-4D1C-48E8-89B4-67DED1AB033D@grcp.ulaval.ca> An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Appel_post-doc_GRCP_2021_fr.pdf Type: application/pdf Size: 127917 bytes Desc: Appel_post-doc_GRCP_2021_fr.pdf URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Call-for-applications_Postdoctoral Fellowship_GRCP_2021_en.pdf Type: application/pdf Size: 120162 bytes Desc: Call-for-applications_Postdoctoral Fellowship_GRCP_2021_en.pdf URL: From ggow at ualberta.ca Wed Apr 7 15:15:06 2021 From: ggow at ualberta.ca (Gordon Gow) Date: Wed, 7 Apr 2021 14:15:06 -0700 Subject: [acc-cca-l] Fwd: Global Network Webinar Series Part 2: Participatory Digital Tools and Methods In-Reply-To: References: Message-ID: [?EXTERNAL] The Global Network Forum Series - Rethinking Participation in the Digital Age of Communication for Development and Social Change Date: April 30, 2021, at 11 am ET Register here [Text Description automatically generated] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image003.jpg Type: application/octet-stream Size: 196795 bytes Desc: not available URL: From mstahl at uwo.ca Thu Apr 8 11:45:41 2021 From: mstahl at uwo.ca (Matt Stahl) Date: Thu, 8 Apr 2021 17:45:41 +0000 Subject: [acc-cca-l] Making Poverty Pay - Debt, Austerity, & the Media Event - Weds 14 April, 7-9 PM eastern time Message-ID: <85867343-7BF0-4306-A22F-D1841F4CAC50@uwo.ca> [?EXTERNAL] Dear All, This is a notice for an event at UWO next week that I hope will be of interest. best wishes, Matt Stahl associate prof & rogers chair in journalism and new media, faculty of information and media studies, university of western ontario The University of Western Ontario is located on the traditional lands of the Anishinaabek, Haudenosaunee, L?naap?ewak, and Attawandaron peoples, on lands connected with the London Township and Sombra Treaties of 1796 and the Dish with One Spoon Covenant Wampum. Making Poverty Pay: Digital Creditors, Gentrifying Landlords & Financial Capitalism Today 14 April 2021, 7PM Registration is Free: https://westernuniversity.zoom.us/webinar/register/WN_iiHuAhF5SgSK5X-279GWMA Facebook: https://www.facebook.com/events/431916264559886/ Website: https://bdam.fims.uwo.ca Twitter: @bigdatamargins Featuring: Rob Aitken (Alberta) and Susanne Soederberg (Queen?s). Hosted by FIMS Rogers Chair Matt Stahl (Western). How is finance capitalism today ?making poverty pay?? For several years now, corporations and governments have been developing systems for accessing and capturing the details of impoverished people?s everyday lives, and for extracting profit out of their day-to-day activities. The research of Rob Aitken into ?alternative credit scoring? examines a cluster of new practices designed to make visible?and extract value from?those people whose economic activity is too marginal to count for the purpose of the formal credit scores that would enable them to buy a car or a house. Susanne Soederberg?s comparative study of the privatization of social housing in European cities reveals how public housing agencies and private landlords subject impoverished people to exploitation, eviction, and erasure, fueling gentrification in cities like Berlin and Dublin. The work of these two Canadian researchers outlines how impoverished people in North America and Europe are increasingly subject to a ?dialectic of visibility and erasure??made visible so that they can be squeezed for interest on loans and shuffled through social housing and emergency shelters, and erased so that they don?t show up in policy debates or on the streets of gentrifying urban districts. Making Poverty Pay is generously sponsored by the Rogers Chair in the Faculty of Information and Media Studies at Western University & Big Data at the Margins. -------------- next part -------------- An HTML attachment was scrubbed... URL: From eml at ucalgary.ca Thu Apr 8 14:06:25 2021 From: eml at ucalgary.ca (Environmental Media Lab (EML)) Date: Thu, 8 Apr 2021 20:06:25 +0000 Subject: [acc-cca-l] CFP for the Environmental Media Lab's creative journal, Heliotrope Message-ID: Sent on behalf of the Environmental Media Lab at the University of Calgary The Environmental Media Lab (EML) at the University of Calgary is seeking submissions on a rolling basis for Heliotrope: Writing toward the light. Launched in September 2020, Heliotrope is a digital space for publishing short think-and-feel pieces at the intersection of media, technology and environment. We consider the ?the environment? to be everything from the molecular to outer space?not just the wilderness. We intend for Heliotrope to be a space where scholars and practitioners can engage in work creatively?that is, where we don?t have to worry whether or not we?re being sufficiently academic. To date, Heliotrope has published essays, critical reflections, critical fiction, and photo essays. We're open to many more formats. This is your space to explore. We also intend for Heliotrope to be a space where writers can practice writing short and brief, a skill that we?re rarely encouraged to hone. Submissions should be between 500 and 1,500 words. Heliotrope is one of the best parts of what we at the EML do?rather, what we help you do. It's a privilege to participate in your work, even for a brief moment in time. That?s why our editorial team is committed to providing constructive feedback on all submissions. To find out more, please check out our CFP. Send us a note, a query, or a completed piece either via our online form or email (heliotrope at ucalgary.ca). -------------- next part -------------- An HTML attachment was scrubbed... URL: From acc.cca.ca at gmail.com Fri Apr 9 12:03:01 2021 From: acc.cca.ca at gmail.com (ACC-CCA) Date: Fri, 9 Apr 2021 14:03:01 -0400 Subject: [acc-cca-l] =?utf-8?q?Preliminary_CCA_21_Programme_and_Welcome_L?= =?utf-8?q?etter_/_Programme_pr=C3=A9liminaire_et_lettre_de_bienven?= =?utf-8?q?ue_ACC_21?= Message-ID: [?EXTERNAL] Dear CCA colleagues, We are delighted to release the CCA 2021 preliminary conference programme and a welcome note from our Board of Directors. Please find the PDF version of the programme and welcome note attached to this message. You can also access these documents via the CCA website: https://acc-cca.ca/index.php/conference/2021-conference/ We look forward to seeing many of you at the conference. Warm regards, Ghislain Thibault CCA Vice-President, on behalf of the CCA Conference Committee ---------- Chers et ch?res coll?gues de l'ACC, Nous sommes heureux de vous transmettre le programme pr?liminaire du colloque de l'ACC 2021 ainsi qu'une lettre de bienvenue de notre conseil d'administration. En PDF et ici: https://acc-cca.ca/index.php/conference/2021-conference/ Nous avons h?te de voir plusieurs d'entre vous au colloque en juin. Bien cordialement Ghislain Thibault Vice-pr?sident de l'ACC, au nom du comit? de conf?rence de l'ACC -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA21WelcomeLetter.docx Type: application/vnd.openxmlformats-officedocument.wordprocessingml.document Size: 39670 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA21_Preliminary_program.pdf Type: application/pdf Size: 320989 bytes Desc: not available URL: From marusya at ryerson.ca Fri Apr 9 12:55:28 2021 From: marusya at ryerson.ca (Marusya Bociurkiw) Date: Fri, 9 Apr 2021 14:55:28 -0400 Subject: [acc-cca-l] Laboratory of Feminist Memory, Intimate Dwellings Edition: April 12 3pm & Apr 13 7pm EDT In-Reply-To: References: Message-ID: [?EXTERNAL] The Studio for Media Activism & Critical Thought presents 4th annual Laboratory of Feminist Memory: Intimate Dwellings Edition a 2-part online event where house-bound artists/scholars to consider home as a generative space for feminist/queer counter archives. Curated by Dhvani Ramanujam and Marusya Bociurkiw. Eventbrite link for both events:https://smact-lfm4.eventbrite.com Monday April 12 3-4:30 PM EDT:Unsettling the Feminist/Queer Archive Featured speakers: Ayanna Dozier, Amanda Ann-Min Wong, Morgan Sears-Williams, Genevi?ve Wallen A roundtable discussion that brings together emerging scholars, filmmakers, artists, and curators using feminist/queer/decolonial approaches to think about their engagement with media archives. Tuesday April 13th 7-9:30 PM EDT Remediating the Feminist/Queer Archive: Objects in Domestic Space Featured speakers: Laiwan, Margaret Christakos, Fauzia Rafique, Zainub Verjee and Shawna Dempsey. With comedian Monica Garrido! This cabaret-like event features guests sharing personal archival objects within their homes, speaking to questions of race, allyship, political solidarities or resistance within feminist archives. Q&A to follow both events Co-Sponsored by Glad Day ASL provided Please forward widely Dr. Marusya Bociurkiw B.F.A., M.A., Ph.D. Professor of Media Theory RTA School of Media Ryerson University, 350 Victoria St., Toronto M5B 2K3 Website:https://marusyab.wixsite.com/marusya-bociurkiw Blog: http://recipesfortrouble.com -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: IG_standalone_updated.jpg Type: image/jpeg Size: 703277 bytes Desc: not available URL: From celat at uqam.ca Mon Apr 12 05:29:45 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Mon, 12 Apr 2021 11:29:45 +0000 Subject: [acc-cca-l] =?utf-8?q?Midi-causerie_Chantal_Ringuet=3A_Reboiser_?= =?utf-8?q?l=E2=80=99imaginaire=2E_Arborescences_et_recherche-cr=C3=A9atio?= =?utf-8?q?n?= Message-ID: <7DDEC5C8-0F2A-43C9-A28C-CB3F6AAE7E61@uqam.ca> [?EXTERNAL] ? l?occasion d?un midi-causerie du CELAT-UQAM, Chantal Ringuet, auteure et membre associ?e du CELAT, pr?sentera la conf?rence ? Reboiser l?imaginaire. Arborescences et recherche-cr?ation ?. L?activit? se tiendra le 14 avril, de 12h45 ? 14h, sur Zoom. Inscription : celat at uqam.ca. http://www.celat.ulaval.ca/midi-causerie-avec-chantal-ringuet/ R?sum? : Dans la litt?rature occidentale, la figure de l?arbre occupe une place significative. Qu?il s?agisse de la Bible ou de l?Odyss?e d?Hom?re, nombreux sont les r?cits fondateurs centr?s sur la pr?sence d?un arbre majestueux et valorisant l?action d?un h?ros masculin. En 2021, comment peut-on reboiser l?imaginaire afin de valoriser l?agentivit? de la nature et celle d?une parole f?minine? De nos jours, nous faisons face ? des questions environnementales urgentes ? l??chelle globale qui nous incitent ? ? refa?onner la plan?te ? (Palsson, 2018). Du ? pouvoir secret des arbres ? (Baxter, 1966) ? leur ? vie secr?te ? (Woehlleben, 2015), de la d?fense des droits l?gaux de la nature (Stone, 1972) ? l??cof?minisme (D?Eaubonne, 1978), plusieurs auteurs ont contribu? ? faire ?voluer la vision de la nature ? l??re dite de l?anthropoc?ne. Cette pr?sentation abordera les premi?res ?tapes d?un travail de recherche-cr?ation que j?ai amorc? en Islande dans le cadre de ma r?sidence ? Reykjavik, ville de litt?rature de l?UNESCO (octobre 2019). CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From ncasemajor at gmail.com Mon Apr 12 13:06:46 2021 From: ncasemajor at gmail.com (Nathalie Casemajor) Date: Mon, 12 Apr 2021 15:06:46 -0400 Subject: [acc-cca-l] =?utf-8?q?Deux_postes_en_Sciences_sociales_-_Profil_?= =?utf-8?q?Culture_-_Montr=C3=A9al?= Message-ID: [?EXTERNAL] Bonjour, Voici l'affichage de deux postes en culture ? l'Institut national de recherche scientifique, Centre Urbanisation Culture Soci?t? (Montr?al). Pour d?but de carri?re (?quivalent ma?tre de conf?rence) ou carri?re avanc?e (?quivalent Professeur des universit?s). Professeure-chercheure ou professeur-chercheur ? Sciences sociales | Pluralisation des mondes culturels et mobilisation des connaissances https://inrs.ca/offres-d-emploi/professeure-chercheure-ou-professeur-chercheur-sciences-sociales-poste-sur-le-theme-pluralisation-des-mondes-culturels-et-mobilisation-des-connaissances-ap-21-06/ Professeure-chercheure ou professeur-chercheur ? Sciences sociales | Analyse socio-?conomique de la culture et m?thodes mixtes num?riques https://inrs.ca/offres-d-emploi/professeure-chercheure-ou-professeur-chercheur-sciences-sociales-analyse-socio-economique-de-la-culture-et-methodes-mixtes-numeriques/ Les personnes recrut?es seront int?gr?es ? la Chaire Fernand-Dumont sur la culture : http://www.chairefernanddumont.ucs.inrs.ca/ Merci de faire circuler dans vos r?seaux. Nathalie Casemajor Professeure-chercheure INRS - Institut national de la recherche scientifique Centre Urbanisation Culture Soci?t? Codirectrice de l?Observatoire des m?diations culturelles (OMEC) 385 Sherbrooke Est, Montr?al H2X 1E3 T 514 499-8278 ? Bureau 5124 http://www.inrs.ca/nathalie-casemajor -------------- next part -------------- An HTML attachment was scrubbed... URL: From cetepper at ucalgary.ca Mon Apr 12 13:57:39 2021 From: cetepper at ucalgary.ca (Charles Tepperman) Date: Mon, 12 Apr 2021 19:57:39 +0000 Subject: [acc-cca-l] Limited Term Instructor (2 year), Professional Communications - University of Calgary Message-ID: ** please circulate widely** Limited Term Instructor (2 year), Professional Communications Department of Communication, Media and Film, Faculty of Arts ? University of Calgary Job ID: 22626 The Faculty of Arts, Department of Communication, Media and Film invites applications for an Instructor (2-year limited term) in the area of Professional Communications. The anticipated start date is July 1, 2021. Teaching expertise in at least two of the following areas is required: Professional and Technical Communication (COMS 363), Public Relations (COMS 383), Academic Writing (ACWR 303) and/or Rhetorical Communication (COMS 369). Ability to teach courses in Writing for Social Media, Digital Storytelling, and Organizational Communication would be an asset. The teaching duties for this position consist of seven undergraduate courses distributed over three academic semesters, in a mix of online and in-person formats. Experience teaching online courses is required. Mentorship of students and service to the department, faculty, and university is also expected. Service may involve the development of courses and involvement in department, campus, and university outreach activities with the goal to sustain a vibrant program. The preferred candidate will hold a PhD in Communication, Media Studies, or a closely related field; professional experience working in the communications field would be considered an asset. The incumbent will have experience teaching at the university level and will demonstrate the potential for pedagogical innovation and excellence in undergraduate teaching. University-level training or professional development in writing theory and pedagogy would be considered an asset. The Department of Communication, Media and Film is a research-intensive department with high standards in teaching. We value interdisciplinary and multidisciplinary approaches to research and training, and strongly encourage collaboration. For more information about the Department of Communication, Media and Film please visit https://arts.ucalgary.ca/communication-media-film; descriptions of current courses can be found at https://www.ucalgary.ca/pubs/calendar/current/communication-media-studies.html All applications must be received by May 17, 2021. Apply via: https://careers.ucalgary.ca/jobs/6599940-limited-term-instructor-professional-communications-department-of-communication-media-and-film-faculty-of-arts Interested individuals are encouraged to submit an application online via https://careers.ucalgary.ca/jobs/6599940-limited-term-instructor-professional-communications-department-of-communication-media-and-film-faculty-of-arts. Please be aware that the application process allows for only four attachments. Your four application attachments should be organized to contain the following (which may require you to merge documents): * Letter of application that details teaching experience and research interests and an updated curriculum vitae * Statement of teaching philosophy and a teaching dossier. This should include two sample course syllabi (with one chosen from COMS 363, 369, 383, or 463 & one for a new course on a relevant topic of their choice) and two sets of course evaluations * A one-page statement identifying the applicant?s potential contributions to equity, diversity, and inclusion (EDI), plans to incorporate EDI in courses taught, and ability to work with a culturally diverse and international student body * Names and contact information for 3 referees. These materials should be addressed to: Dr. Charles Tepperman, Department Head Department of Communication, Media and Film Faculty of Arts University of Calgary Room 320 Social Sciences Bldg. 2500 University Drive NW Calgary, AB T2N 1N4 The University of Calgary has launched an institution-wide Indigenous Strategy in line with the foundational goals of Eyes High, committing to creating a rich, vibrant, and culturally competent campus that welcomes and supports Indigenous Peoples, encourages Indigenous community partnerships, is inclusive of Indigenous perspectives in all that we do. The University of Calgary recognizes that a diverse staff/faculty benefits and enriches the work, learning and research experiences of the entire campus and greater community. We are committed to removing barriers that have been historically encountered by some people in our society. We strive to recruit individuals who will further enhance our diversity and will support their academic and professional success while they are here. All qualified candidates are encouraged to apply; however Canadians and permanent residents will be given priority. In this connection, at the time of your application, please answer the following question: Are you a Canadian citizen or a permanent resident of Canada? (Yes/No) Additional Information To learn more about academic opportunities at the University of Calgary and all we have to offer, view our Academic Careers website. For more information about the Faculty of Arts visit Careers in the Faculty of Arts. About the University of Calgary The University of Calgary is Canada?s leading next-generation university ? a living, growing and youthful institution that embraces change and opportunity with a can-do attitude. Located in the nation?s most enterprising city, the university is making tremendous progress on its Eyes High journey to be recognized as one of Canada?s top five research universities, grounded in innovative learning and teaching and fully integrated with the community it both serves and leads. The University of Calgary inspires and supports discovery, creativity and innovation across all disciplines. For more information, visit ucalgary.ca. About Calgary, Alberta Calgary is one of the world's cleanest cities and has been named one of the world's most livable cities for years. Calgary is a city of leaders - in business, community, philanthropy and volunteerism. Calgarians benefit from a growing number of world-class dining and cultural events and enjoy more days of sunshine per year than any other major Canadian city. Calgary is less than an hour's drive from the majestic Rocky Mountains and boasts the most extensive urban pathway and bikeway network in North America. Charles Tepperman, PhD Associate Professor & Department Head Department of Communication, Media and Film | University of Calgary Director, Amateur Movie Database project: http://www.amateurcinema.org The University of Calgary is located on traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut?ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations). The City of Calgary is also home to M?tis Nation of Alberta, Region III. The traditional Blackfoot name of the place we now call Calgary is ?Moh?kins?tsis? . -------------- next part -------------- An HTML attachment was scrubbed... URL: From hubner.lena_alexandra at courrier.uqam.ca Tue Apr 13 06:00:00 2021 From: hubner.lena_alexandra at courrier.uqam.ca (=?UTF-8?Q?Lena_Alexandra_H=C3=BCbner?=) Date: Tue, 13 Apr 2021 08:00:00 -0400 Subject: [acc-cca-l] =?utf-8?q?Fwd=3A_Prochain_s=C3=A9minaire_=C2=ABGenre?= =?utf-8?b?KHMpIGV0IG3DqXRob2Rlc8K7IChDUklDSVMgJiBMYWJTSUMpOiAyMy8w?= =?utf-8?q?4_=22=C3=89tudier_la_migration_=3A_de_l=E2=80=99ethnogra?= =?utf-8?q?phie_=C3=A0_la_recherche_collaborative=22?= In-Reply-To: References: Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, Ceci est un rappel cordial. Nous avons le plaisir de vous annoncer que la premi?re s?ance ? D?construire le genre et d?autres rapports de minoration en ?tudes t?l?visuelles ? du s?minaire Genre(s) et m?thodes (GEM) co-organis?e par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada) le vendredi 12 mars 2021 est d?sormais en ligne sur le site web du CRICIS. Un grand merci aux participant?e?s. Nous attirons par ailleurs votre attention sur la date de la deuxi?me s?ance qui aura finalement lieu le vendredi 23 avril 2021 (au lieu du 9 avril 2021). Programmation : 23 avril 2021, 9h-12h au Qu?bec et 15h-18h en France : ?tudier la migration : de l?ethnographie ? la recherche collaborative * Claire Cosquer (ICM-Ined) : ?Conditions ?pist?mologiques et ?thiques d?une ethnographie de migrante?s blanc?he?s? * Caterine Bourassa-Dansereau (UQ?M ? GERACII) : ?Recherche collaborative et approches f?ministes : apports et tensions de la recherche par, pour et avec les femmes?. 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils * Sandeep Bakshi (Universit? de Paris - LARCA) : ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? * Na?ma Hamrouni (UQTR ? CRIDAQ) : ?Rechercher pour r?parer - desiderata en vue d?une ?thique f?ministe de la recherche? Vous trouverez le descriptif complet et les r?sum?s des interventions ci-dessous. L?ensemble des s?minaires aura lieu sur Zoom. Ils sont gratuits et ouverts ? toutes et ? tous sous r?serve d?inscription pour recevoir le lien : cricis at uqam.ca (SVP mentionnez le nom et la date du ou des s?minaire(s) au(x)quel(s) vous souhaitez participer). Pour plus d'informations, visitez le site web du CRICIS / du LabSIC. Au plaisir de vous retrouver, L?na H?bner et H?l?ne Bourdeloie Lena Alexandra H?bner ?tudiante au doctorat conjoint en communication (UQAM, UdeM, Concordia) Coordonnatrice des activit?s scientifiques du CRICIS Charg?e de cours ? l'?cole des m?dias http://lenahubner.net/ Genre(s) et m?thodes Co-organis? par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada), le s?minaire Genre(s) et m?thodes (GEM) s?attache ? ?tudier les questions f?ministes, intersectionnelles et de genre(s) en termes de m?thodes, m?thodologies et ?pist?mologies. Concept transdisciplinaire fluide et non fig?, le genre ? ou les genres, pour ?chapper ? un fonctionnement social binaire ? a fait l?objet de travaux qui, en proposant un d?centrement radical, ont transform? le paysage des sciences sociales et humaines tout au long du XXe si?cle. Ce s?minaire a pour objectif de proposer un espace pour discuter des apports de ces ?tudes ? la pratique scientifique. Nous y discutons des fa?ons de faire de la recherche lorsqu?on travaille sur le(s) genre(s), de ses / leurs articulations avec d?autres formes de minoration, et du pouvoir critique de cet outil pour d?sessentialiser le monde social. Cherchant ? soustraire la r?flexion ? la pens?e universaliste, nous y d?centrons les regards pour aborder les questions de luttes, de r?sistances, ? l?exemple de celles de corps racis?s qui subissent diff?rents rapports de domination. Nous r?fl?chissons ? la fa?on dont sont op?r?s les d?centrements des concepts et aux d?marches mises en ?uvre pour d?construire les normes dominantes sur les identit?s de genre, les sexualit?s et d?autres rapports de pouvoir comme la classe ou la race. Pluriels, les questionnements portent sur la capacit? ? penser le positionnement de la chercheuse ou du chercheur, son engagement, sa subjectivit?, le d?voilement de biais en termes de production ou d?interpr?tation de donn?es, la r?flexivit? sur ces biais en tant que ressources heuristiques, ?pist?miques ou politiques, les questions ?thiques soulev?es par des objets per?us comme impurs, ou encore l?historiographie ou l?analyse du caract?re genr? d?un objet ou d?un dispositif d?enqu?te? Il s?av?re pertinent de mettre au jour et d?analyser les fa?ons dont le(s) genre(s) ? ainsi que les concepts qui lui / leur sont rattach?(s) ? sont travaill?s et reconstruits par le terrain? Enfin, cet espace de dialogue a aussi pour vocation d?interroger la possible singularit? des m?thodes, m?thodologies et ?pist?mologies des approches par le genre et des ?tudes f?ministes et intersectionnelles. Ce s?minaire met en lumi?re des travaux s?inscrivant dans les champs des m?dias et de la communication, et plus largement en sciences humaines et sociales (sociologie, histoire, anthropologie, sciences politiques ou philosophie?). Programmation 12 mars 2021, 9h-12h au Qu?bec et 15h-18h en France : D?construire le genre et d?autres rapports de minoration en ?tudes t?l?visuelles ?Du genre ? l??cran : m?thodologies crois?es pour analyser les repr?sentations des rapports sociaux de genre dans les s?ries t?l?vis?es fran?aises? Sarah L?cossais Afin d?interroger les dynamiques de repr?sentation du genre dans les s?ries t?l?vis?es, je propose de travailler aussi bien sur les contenus (analyse de corpus) qu?? partir d?entretiens avec des sc?naristes. Apr?s avoir rappel? ce qui m?a amen?e ? enqu?ter sur les objets longtemps m?pris?s que sont les s?ries fran?aises, je pr?senterai donc dans cette communication les enjeux de l?articulation de ces deux m?thodologies et le d?veloppement d?une approche f?ministe des politiques des repr?sentations (Hall, 2008). En termes th?oriques, mes recherches s?appuient ainsi sur une conception du genre comme performance it?rative (Butler, 2006) dont la repr?sentation est la construction (de Lauretis, 2007). Les s?ries peuvent alors ?tre entendues comme ? territoires du genre ? (L?cossais, 2020), via une relecture de Butler, de Lauretis, Foucault et Hall. ?Enjeux ?pist?mologiques et m?thodologiques d?une queerisation des ?tudes t?l?visuelles? St?fany Boisvert Cette communication proposera une r?flexion sur le potentiel de la th?orie queer pour le renouvellement des ?tudes de genre (gender studies) portant sur la t?l?vision. L?approche queer est ici d?finie comme une approche fondamentalement critique et anti-essentialiste qui vise ? questionner, d?naturaliser, subvertir et probl?matiser les savoirs normatifs ainsi que les conceptions fixes et binaires des identit?s et sexualit?s (Sullivan 2003 ; Chambers 2009 ; Joyrich, 2014). Partant de cette d?finition, je montrerai comment l?approche des queer television studies permet de surmonter un ?cueil encore fr?quent, soit celui d?une lecture ? binaire ? des repr?sentations t?l?visuelles, tout en mobilisant plus concr?tement une approche intersectionnelle. Afin de r?fl?chir au potentiel d?une queerisation des ?tudes t?l?visuelles, je ferai r?f?rence ? certains de mes r?cents projets de recherche, lesquels avaient pour objectif d?analyser les repr?sentations de personnages non-binaires et trans dans certaines s?ries t?l?vis?es r?centes, mais aussi de mieux comprendre les m?canismes de r?ception reli?s ? l?inclusion de personnages LGBTQ+ dans des fictions t?l?visuelles. Ces recherches permettront ainsi d?aborder les enjeux ?pist?mologiques et m?thodologiques reli?s ? la mobilisation des queer studies, que ce soit dans le cadre d?une analyse qualitative de contenu ou d?une ethnographie en ligne. Lien vers l'enregistrement de la s?ance. 23 avril 2021, 9h-12h au Qu?bec et 15h-18h en France : ?tudier la migration ? de l?ethnographie ? la recherche collaborative ?Conditions ?pist?mologiques et ?thiques d?une ethnographie de migrant.e.s blanc.he.s? Claire Cosquer Je reviendrai dans cette communication des conditions ?thiques et ?pist?mologiques de l?ethnographie des migrations fran?aises ? Abu Dhabi (?mirats arabes unis). Cette ethnographie analysait en particulier la position de ces migrant.e.s dans les rapports sociaux de race, en l?appr?hendant par le concept de blanchit?. La communication explorera les avantages et les tensions m?thodologiques associ?s ? l?usage de l?entretien biographique et de l?observation non-d?clar?e, en prenant au s?rieux leur sp?cificit? et leur plus-value ?pist?mologique respectives, mais ?galement en nuan?ant leur opposition terme ? terme. J?y r?fl?chis ? l?indissociabilit? des choix ?pist?mologiques et ?thiques, en ce qu?il n?est pas de parti pris ?thique qui n?ait de cons?quence ?pist?mologique, et inversement. ?Recherche collaborative et approches f?ministes : apports et tensions de la recherche par, pour et avec les femmes? Caterine Bourassa-Dansereau Dans le cadre du s?minaire Genre(s) et m?thodes organis? par le CRICIS et le LabSIC, je propose d?aborder les enjeux m?thodologiques et ?thiques qui caract?risent la recherche collaborative f?ministe men?e par, pour et avec les femmes. Ces enjeux concernent l?ensemble des ?tapes de la recherche; de la d?finition des objectifs, ? la diffusion des r?sultats, en passant par la construction des outils de collecte et l?analyse des donn?es. Au c?ur de cette communication, je m?attarderai aux d?fis li?s ? l?importance de reconnaitre et de valoriser les diff?rents types de savoirs, ? la n?cessit? d?identifier et de nommer les relations de pouvoir et ? l?engagement visant ? s?assurer que les apports et retomb?es de la recherche collaborative f?ministe profitent ? toutes les actrices de la d?marche. ? travers quelques exemples de projets de recherche, j?illustrerai de plus les enjeux sp?cifiques qui caract?risent la recherche collaborative avec les femmes immigrantes et r?fugi?es. Si cette communication propose des pistes de r?flexion sur la posture de la personne chercheuse, elle s?int?resse aussi aux principales actrices de la recherche collaborative f?ministe : les professionnel.lle.s des groupes partenaires, les intervenant.e.s et les femmes elles-m?mes, actrices au c?ur de ces d?marches. Lien vers l'?v?nement Facebook. 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? Sandeep Bakshi Visant ? ouvrir le champ d?colonial et les ?tudes queer aux possibilit?s d?une lecture crois?e, cette pr?sentation prend appui sur deux th?ories, deux analytiques v?ritables d??tudes critiques ?uvrant pour la transformation des relations sociales tout en relevant l?absence d?articulation d?un cadre de queeritude d?coloniale. Il convient de souligner que les deux outils th?oriques ne peuvent s?ignorer pendant longtemps car m?me si les deux champs de recherche demeurent rigoureusement disciplinaires, voire disciplin?s, les possibilit?s de croisement restent souvent nombreuses et mal exploit?es. Situant les questions sur le positionnement ?thique de la recherche et les objets de recherche dans le cadre ?pist?mologique, l?exemple phare de cette pr?sentation tend vers une analyse g?o-culturelle, aspirant ? formuler une critique du mouvement queer indien domin? par l??lite et la langue anglaise ? une des six langues imp?riales dans le monde, selon les ?tudes d?coloniales. En se d?centrant de la langue anglaise, cette recherche amende l??quilibre des pratiques culturelles queer indiennes de fa?on ? renouveler la probl?matique queer dans la r?gion. Cette approche interdisciplinaire embrasse ? la fois les grilles de lecture ?tablies par les th?ories queer et d?coloniales dans le but de proposer des outils pour une critique d?coloniale des ?nonciations transnationales de queeritude. ?Rechercher pour r?parer - desiderata en vue d'une ?thique f?ministe de la recherche? Na?ma Hamrouni Dans Moral Repair, Reconstructing Moral Relations After Wrongdoing (2006), la philosophe Margaret Urban Walker propose une th?orie de la justice r?paratrice guid?e par l?exigence de r?parer les relations morales intergroupes d?grad?es par une histoire de violence, d?exploitation et d?oppression. Dans cette pr?sentation exploratoire, nous proposons de poser les premi?res bases d?une approche ?thique f?ministe de la recherche qui s?inscrirait dans un paradigme de justice r?paratrice. Lien vers l'?v?nement Facebook. -------------- next part -------------- An HTML attachment was scrubbed... URL: From elight at glendon.yorku.ca Tue Apr 13 09:30:10 2021 From: elight at glendon.yorku.ca (Evan Light) Date: Tue, 13 Apr 2021 11:30:10 -0400 Subject: [acc-cca-l] Fwd: TR : Laurentian University In-Reply-To: References: Message-ID: [?EXTERNAL] Please see below. The petition can be signed by students as well, so share if and as you wish. -------- Here is a petition seeking a reversal of the decision to shut down LU: https://docs.google.com/forms/d/e/1FAIpQLSf3fS1bQjr7lENQzDattXOSVhYJgHFR8LrHDj4Xzcn2r12t-w/viewform -------------- next part -------------- An HTML attachment was scrubbed... URL: From ncasemajor at gmail.com Wed Apr 14 07:43:44 2021 From: ncasemajor at gmail.com (Nathalie Casemajor) Date: Wed, 14 Apr 2021 09:43:44 -0400 Subject: [acc-cca-l] Call for Chapters: Open Knowledge and Wikimedia Projects in Canada Message-ID: [?EXTERNAL] The year 2021 marks the 20th anniversary of Wikipedia and the 10th anniversary of Wikimedia Canada, the non-profit, educational association that aims to stimulate contributions to Wikimedia projects in Canada. This double anniversary testifies to the long-term nature of Wikimedia projects and invites us to reflect on the vitality and specificity of the free knowledge movement in Canada. This call for papers aims to collect chapter proposals for a peer-reviewed book to be published in French and English. The manuscript will be submitted for publication in the series Parcours num?riques at Les Presses de l'Universit? de Montr?al. This book aims to provide critical perspectives of the free knowledge movement in Canada since the turn of the millennium. Who contributes, or does not contribute, to Wikipedia and other projects in the Canadian Wikimedia ecosystem? What uses or misuses are made of Wikimedia platforms by the Canadian public, and more specifically by activists, political parties, teachers, librarians, archivists, the research community, students, artists, journalists, businesses and casual users of all kinds ? Currently, Wikimedia projects in Canada are mainly fed by three linguistic communities (English, French and Atikamekw nehiromowin), which break down into countless individual and collective profiles. We wish to paint a portrait of this vast community, as diverse as it is unknown. We are calling on people who believe in the free culture movement, Wikimedians, the research community, librarians, archivists and people from all walks of life to put together an overview of the specificities, challenges and issues of the Wikimedia movement in Canada. The book will bring together around a dozen texts, each between 3000 and 3500 words. We are particularly interested in texts that offer a synthesized understanding of a project's general scope (Wikipedia, Wikisource, Commons, Wikidata, etc.), centred on the Canadian context as a whole, or on a particular community -- province, nation, region, city, etc. These texts could address, but are not limited to, the following themes: * Scholarly research on the Wikimedia Movement in Canada ; * Wikidata, the Semantic Web and the Canadian context; * Wikimedia projects within GLAMU (galleries, libraries, archives, museums, universities); * The Wikimedia movement and open education in Canada; * History and actors of Wikimedia Canada; * Wikipedia, online health and Covid-19 in Canada ; * Editorial controversies within portals related to Canada in the various language versions of Wikipedia ; * The arts community, Canadian Cities and the Wikimedia projects; * The feminist and LGBTQ+ movements in Canada in Wikimedia projects; * Contributing feedback related to Wikimedia projects; * The use of Wikimedia projects within Indigenous nations; * The reading and consultation habits of Canadian users. The target audience for the book is the Canadian general public, the international Wikimedia community and the research community. Terms and conditions of participation Proposals should be sent by Friday the 14th of May 2021 at the latest at WMCA10 at wikimedia.ca. They can be written in French or English. Please include in your proposal 1) a working title, 2) an abstract of approximately 350 words, 3) five to ten bibliographic references and 4) a short biography of each author. The results will be communicated to all authors who have submitted a proposal by the end of May. Selected papers should be submitted no later than the 1st of November 2021 for peer review and translation. For any question, please contact Jean-Michel Lapointe : jmlapointe at wikimedia.ca. Scientific direction of the book * Jean-Michel Lapointe, Universit? du Qu?bec ? Montr?al and Wikimedia Canada * Sophie Montreuil, Association francophone pour le savoir (Acfas) See this call for proposals on Wikimedia Canada?s website (reference version) Nathalie Casemajor Professeure-chercheure INRS - Institut national de la recherche scientifique Centre Urbanisation Culture Soci?t? Codirectrice de l?Observatoire des m?diations culturelles (OMEC) 385 Sherbrooke Est, Montr?al H2X 1E3 T 514 499-8278 ? Bureau 5124 http://www.inrs.ca/nathalie-casemajor -------------- next part -------------- An HTML attachment was scrubbed... URL: From george.eric at uqam.ca Mon Apr 19 07:15:20 2021 From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=) Date: Mon, 19 Apr 2021 13:15:20 +0000 Subject: [acc-cca-l] =?utf-8?q?Conf=C3=A9rence_de_Carlo_Vercellone=2C_=22?= =?utf-8?q?Connaissance_et_travail_dans_le_capitalisme_cognitif=22=2C_merc?= =?utf-8?q?redi_28_avril_2021=2C_9h30_=28Montr=C3=A9al=29=2C_15h30_=28Pari?= =?utf-8?q?s=29?= Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, Dans le cadre de la derni?re s?ance du s?minaire ? Quelles m?thodologies pour quelles perspectives critiques ? ?, ?ric George (UQAM) et Christophe Magis (Universit? Paris 8) recevront Carlo Vercellone (Universit? Paris 8) pour une s?ance exceptionnelle le 28 avril 2021 ? 9h30 (heure de Montr?al) ou 15h30 (heure de Paris), par Zoom. Le th?me de la conf?rence sera le suivant : Connaissance et travail dans le capitalisme cognitif. R?sum? de la conf?rence La mont?e de la dimension cognitive du travail et le brouillage des fronti?res traditionnelles entre temps de travail et temps libre sont des traits saillants du nouveau capitalisme. Afin de cerner le sens et les enjeux de ces ?volutions, notre intervention combinera th?orie et histoire. Elle s?articulera en deux parties. Dans la premi?re, il sera question de l?actualit? des cat?gories marxiennes pour l??laboration d?une ? ?conomie historique de la connaissance ? qui met l?accent sur le r?le moteur des conflits de savoir et de pouvoir dans les m?tamorphoses de l?organisation sociale de la production. Dans la seconde, il s?agira de mettre en exergue ? l?aide de quelques faits stylis?s, les principales caract?ristiques des r?gimes de la connaissance et des r?gimes socio-temporels du travail ? l??ge du capitalisme mercantiliste et du capitalisme industriel. Puis, nous nous pencherons sur les mutations intervenues ? la suite de l?essor du capitalisme cognitif et informationnel. Notice biographique ?conomiste, Carlo Vercellone est professeur en sciences de l'information et de la communication ? l'Universit? Paris 8. Il est chercheur au Centre d'?tudes sur les M?dias, les Technologies et l'Internationalisation et chercheur associ? au Sophiapol?Universit? Paris Ouest. Sp?cialiste du capitalisme des plateformes, et de l'?conomie politique des communs, il est l'un des th?oriciens marxistes du capitalisme cognitif. L?inscription est ouverte ? toutes et ? tous. Merci toutefois de mentionner votre int?r?t ? ?ric GEORGE (george.eric at uqam.ca) ou ? Christophe MAGIS (christophe.magis at univ-paris8.fr) afin d?avoir acc?s ? l?URL de connexion par Zoom. Au plaisir de vous y retrouver. Christophe et ?ric -------------- next part -------------- An HTML attachment was scrubbed... URL: From sara.bannerman.lists at gmail.com Mon Apr 19 21:29:31 2021 From: sara.bannerman.lists at gmail.com (Sara Bannerman) Date: Mon, 19 Apr 2021 23:29:31 -0400 Subject: [acc-cca-l] May 3-7 Communication & Cultural Policy in the Age of the Platform Message-ID: <2ad338a9-71f4-f6a2-5af4-da1f4da16776@gmail.com> [?EXTERNAL] [Banner: Communication and Cultural Policy in the Age of the Platform, McMaster University, Hamilton, May 3-7, 2021] A conference presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). May 3-7, 2021 on Zoom This conference draws together researchers in Canada and beyond to explore the intersections between media/communications/cultural policy and platforms. Presentations will address arts policy, broadcasting policy, communication rights, Indigenous communication and cultural policy, competition policy, cultural industries policy, heritage policy, internet policy, media policy, speech regulation, privacy, smart city regulation, and platform regulation. The conference will consider the following key questions: 1. How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices? 2. How are platforms taking on, or failing to take on, regulatory roles in the fields of communication and culture? 3. How does the international political economy of platforms play out in media/communications/cultural policy? 4. How does algorithmic governance function as regulation and policy setting in these fields? 5. How are regulatory bodies in the field of communication and culture reconceptualizing their work in light of platforms? 6. What relationships and interactions do regulators, as well as arts, media, and cultural organizations, have with platforms? 7. How are regulatory bodies in the field of communication and culture incorporating platforms to conduct their work? 8. How do advocacy, activist, and social justice initiatives intercede in the relationships between platforms and media/communications/cultural policy? 9. How do comparative political cultures influence national regulatory agendas? What criteria may enable new comparative research? This conference will take place on Zoom. Free registration on Eventbrite is required. Key events (for the full program see comcultpolicy2021.ca): [Jesse Wente photo] Day 1 / Monday, May 3, 2021 12:15-1:15 EDT Keynote talk: Jesse Wente (Indigenous Screen Office) Jesse Wente is an Ojibwe broadcaster from the Serpent River First Nation in Ontario. He is the director of Canada's Indigenous Screen Office, established in 2018 with the mandate of supporting the development of Indigenous film and storytelling in Canada. A long-standing commentator on pop culture and film on CBC Radio, Wente is a board member of the Canada Council of the Arts and the Toronto Arts Council. He has served as Director of Film Programmes at TIFF Bell Lightbox where he oversaw theatrical, Cinematheque and Film Circuit programming, and on the board of the imagineNATIVE Film and Media Arts Festival. [Sharon McGowan photo] DAY 2 / Tuesday, May 4, 2021, noon-1 EDT Keynote talk: Sharon McGowan (Women in Film and Television-Vancouver; University of British Columbia) and Susan Brinton (Women in Film and Television-Vancouver) Sharon McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators, and unions to increase gender equity and diversity. Greenspon, Wente, and McGowan will participate in a keynote panel addressing the question, ?How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices?? She has an MFA in Film Studies and is an Associate Professor in the Film Production and Creative Writing Programs at UBC. She has written, directed and produced documentaries for the NFB and Canadian broadcasters and she has produced feature films including the internationally released hit lesbian romantic comedy Better than Chocolate (1999). McGowan's most recent film was the documentary, Bearded Ladies (2015), which premiered at the Vancouver Queer Film Festival. McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators and unions to increase gender equity and diversity. [Susan Brinton photo] Susan Brinton has decades of experience in film and television policy and analysis in Canada, and is nationally respected as an expert and spokesperson in this area. Her background includes senior management roles in the Canadian private broadcasting sector and federal public funding agencies. Susan has been a policy consultant and led producer-focused international export development initiatives for the Canadian Media Producers Association and other industry organizations. As Co-Chair of the Advocacy Committee for Women in Film and Television Vancouver (WIFTV), Susan has been a vital leader in many of its successful advocacy initiatives. She is a founding member of WIFT Canada and is currently the Vice President of WIFT International. Susan is also a member of the Women in Production Steering Committee for the Canadian Radio-television and Telecommunications Commission (CRTC). Susan holds a Bachelor of Commerce (Honours) degree and a Master?s degree in Communications, is the author of numerous industry reports and publications and has lectured on creative industry policy for both Simon Fraser University and the University of British Columbia. [Edward Greenspon] DAY 3 / Wednesday, May 5, 2021, 12:30-1:30 EDT Keynote talk: Edward Greenspon (Public Policy Forum) President and CEO of the Public Policy Forum, a non-profit Canadian thinktank, Edward Greenspon worked as founding editor of globeandmail.com and Editor-in-Chief of the Globe & Mail and in numerous prominent media roles, over the past 30 years from the Lloydminster Times to Bloomberg News. He is the co-author of two books on Canadian politics. In 2017, he authored The Shattered Mirror on news, democracy and trust, followed by Democracy Divided: Countering Disinformation and Hate in the Digital Public Sphere, co-authored with Taylor Owen. Democracy Divided offered policy options that respond to the policy challenges from digital platforms. Under Greenspon, the Public Policy Forum has produced a number of important studies, including its recent Commission on Democratic Expression chaired by former Supreme Court of Canada Chief Justice Beverly McLachlan and its January 2021 report, Harms Reduction: a six-step program to protect democratic expression online. [Joan Jenkinson photo] DAY 5 / Friday, May 7, 2021, 12:30-1:30PM EDT Keynote talk: Joan Jenkinson (Black Screen Office) Joan is the inaugural Executive Director of the Black Screen Office where she works to support Black Canadians in developing talent, accessing funding, and in assuming decision-making roles in television, film and digital media. She fosters relationships with federal funding agencies, broadcasters and distributors to eliminate anti-Black racism in the screen industries. Joan is a founding Partner/Producer at Artemis Pictures which is focused on developing and producing high-end scripted content for television and the cinema, for international audiences. Joan was Vice-President of Independent Production for ZoomerMedia Limited, Television Division. She commissioned, developed and executive produced hundreds of hours of award-winning creative content in all genres for VisionTV. Joan spearheaded VisionTV?s ground-breaking DiverseTV/NSI initiative which produced award-winning comedy and drama programs and earned her a Visionary Award from the ReelWorld Film Festival. For five years, Joan served as Executive Director of Women in Film and Television - Toronto (WIFT-T), where she established professional development training and networking opportunities for women in screen-based media. Organizers: Sara Bannerman (McMaster), David Ogborn (McMaster), Tamara Shepherd (University of Calgary) Panel organizers: Monique Manatch (Indigenous Culture and Media Innovations & Carleton University), Tamara Shepherd, MaryElizabeth Luka (University of Toronto), Paula Gardner (McMaster), Leslie Regan Shade (University of Toronto), Dwayne Winseck (Carleton), Ira Wagman (Carleton), Christina Baade (McMaster), Philip Savage (McMaster), Faiza Hirji (McMaster) This conference is support by the generous contributions of the Social Sciences and Humanities Research Council (through the Connections program), McMaster University Socrates Project - funded through the generous donation of Chancellor Emeritus Lynton (Red) Wilson, McMaster University Faculty of Humanities, McMaster University Centre for New Media and Performance (CNMAP), The University of Calgary - Faculty of Arts, McMaster University Department of Communication Studies and Multimedia, McMaster University Indigenous Studies Program, McMaster University School of the Arts (SOTA), and McMaster University Department of Political Science. [Logos of sponsors named above] May 3-7, 2021 Conference : Communication and Cultural Policy in the Age of the Platform, on Zoom, presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). Sara Bannerman, B.Mus., MA, PhD Canada Research Chair in Communication Policy and Governance Associate Professor Department of Communication Studies and Multimedia Togo Salmon Hall, Room 302 McMaster University 1280 Main St. W. Hamilton, ON CANADA L8S 4L8 +1(905) 525-9140 ext. 23722 (she/her) McMaster Faculty Profile Blog Subscribe to the weekly Communications Governance Newsletter -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: biifjmpjgmgjjdbn.png Type: image/png Size: 67431 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... 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Name: gmblhcjboapiiaie.png Type: image/png Size: 41108 bytes Desc: not available URL: From marusya at ryerson.ca Thu Apr 22 13:50:54 2021 From: marusya at ryerson.ca (Marusya Bociurkiw) Date: Thu, 22 Apr 2021 15:50:54 -0400 Subject: [acc-cca-l] Fwd: BORDER TROUBLE SYMPOSIUM April 26-29 Migration, Research Creation & Policy In-Reply-To: References: Message-ID: [?EXTERNAL] With apologies for cross-postings, please join us April 26-29... HUMAN RIGHTS ACTIVIST AND JOURNALIST BEHROUZ BOOCHANI TO DELIVER KEYNOTE AND SPEAK ON REFUGEE STORYTELLING AT ?BORDER TROUBLE: MIGRATION, RESEARCH CREATION ART & POLICY? SYMPOSIUM Register now https://bordertrouble.eventbrite.ca Find the full program here Toronto, ON- When Behrouz Boochani, Kurdish-Iranian human rights activist/journalist was in a refugee detention camp sanctioned by the Australian government, he secretly made a film on his smartphone, ?Chauka Please Tell Us the Time", and wrote a book, No Friend But the Mountains? to share his harrowing story with the world. He is one of several participants in the symposium Border Trouble: Migration, Research Creation Art & Policy April 26-29, 2021, in which the power of migrants telling their own stories to influence governments and communities, will be discussed. In addition to Boochani event (on April 28 4PM EDT) the 4-day, free online conference, co-hosted by Ryerson and London South Bank Universities will include 3 other interactive sessions, including: ? April 26 2PM EDT: A workshop exploring LGBTQ+ human rights stories through performance, led by UK-based artist Sebastian Aguirre. ? April 27 2PM EDT: A panel discussion featuring three migrant art-practitioners/companies exploring what it means to create migrant-situated knowledge through creative practice. ? April 29 2PM EDT: A final session bringing together researchers from Project Finding Home to discuss findings of their three-year SSHRC-funded project. They?ll speak to: best practices in research creation; observations on participatory video w LGBTQ+ asylum seekers; translating findings into policy. The symposium will address some of the following questions: ? How can art practice become a space where citizenship is performed by homeless or underhoused refugees and asylum seekers? ? How can these practices be mobilized as knowledge that can impact the host culture? ? How can research creation enhance, contradict, complement, or reinvent the official process of crossing a border, finding housing and striving for citizenship? ? How can arts-based research impact policy? The symposium is the culminating event of Project Finding Home, a Ryerson-based SSHRC-funded 3-year international project led by professors Marusya Bociurkiw , Elena Marchevska, and Caroline Lenette, exploring the complex intersection between forced migration and new place-making strategies through art and storytelling. For more information, visit https://www.projectfindinghome.net/ , or contact Nooreen Hussain at nooreen.hussain at ryerson.ca. Dr. Marusya Bociurkiw B.F.A., M.A., Ph.D. Professor of Media Theory RTA School of Media Ryerson University, 350 Victoria St., Toronto M5B 2K3 Website:https://marusyab.wixsite.com/marusya-bociurkiw Blog: http://recipesfortrouble.com Founding Director, The Studio for Media Activism and Critical Thought PI, Finding Home: Migration, Placemaking & Research-Creation (SSHRC-Funded research-creation project). In Development: "Before #MeToo": A documentary remediating Canada's feminist media revolution of the 1980's and what it has to say to the #MeToo generation. Board of Directors, Buddies in Bad Times Theatre Faculty Representative, Ryerson Faculty Association How to pronounce my name: http://nmdrp.me/marusyabociurkiw -------------- next part -------------- An HTML attachment was scrubbed... URL: From sara.bannerman.lists at gmail.com Fri Apr 23 08:15:12 2021 From: sara.bannerman.lists at gmail.com (Sara Bannerman) Date: Fri, 23 Apr 2021 10:15:12 -0400 Subject: [acc-cca-l] May 3-7: Communication & Cultural Policy in the Age of the Platform Message-ID: <708eee56-af35-0ae1-5233-2749b29c91d9@gmail.com> [?EXTERNAL] [Banner: Communication and Cultural Policy in the Age of the Platform, McMaster University, Hamilton, May 3-7, 2021] Communication & Cultural Policy in the Age of the Platform A conference presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP) @cnmap_mcmaster May 3-7, 2021 on Zoom Full schedule: http://comcultpolicy2021.ca Conference Highlights: Engaging in Policy Proceedings / DAY 2: Tuesday, May 4, 2021, 1:15-2:45 Eastern Daylight Time Chair: Tamara Shepherd (University of Calgary) This roundtable considers the process of engaging in policy proceedings from the perspectives of citizens, advocacy groups, cultural producers, and academics. Speakers will discuss their experiences interfacing with various government stakeholders as part of their public consultation strategies. The roundtable will also include a speaker from the Canadian Radio-television and Telecommunications Commission (CRTC), who will discuss the ways that the CRTC has worked to engage diverse publics in policymaking. Surveillance in the city / DAY 3: Wednesday, May 5, 2021, 1:45-3:15 Eastern Daylight Time Chair: Paula Gardner (McMaster University) Paula Gardner (McMaster) will guide a panel on the topic of surveillance capitalism in the smart city context, inviting discussion of policy responses to such problems. The rise of surveillance capitalism has only recently begun to be examined by policymakers, including representatives of governments around the world as part of the International Grand Committee on Big Data, Privacy, and Democracy. The rise of surveillance capitalism is a problem that is compounded by the rise of smart city platforms. Roundtable on algorithmic literacy / DAY 3: Wednesday, May 5, 2021, 2-3:15 Eastern Daylight Time Chair: Leslie Regan Shade (University of Toronto) This roundtable will discuss the concept and parameters of algorithmic literacy, and how it can best be integrated into a range of formal and informal educational programming, from those focusing on children and young people, to adults and seniors. The roundtable will also consider the recent development of various codes of practice and principles for algorithmic transparency and digital and data literacy, from a range of stakeholders, including government and civil society in Canada, the EU and UK. The roundtable will conclude with ideas for best practices for integrating algorithmic literacy into digital literacy education, especially from a human rights perspective. Broadcast and Digital Media / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Ira Wagman (Carleton University) This panel, led by Ira Wagman (Carleton University), will be focused around the various ways different actors (from traditional actors such as domestic broadcasters and film producers to recent entrants, such as powerful digital platforms like Netflix) engage with the institutions that regulate broadcasting in Canada. However, there are other interfaces with the policy apparatus that are worth considering, including those from the world of advocacy, multicultural broadcasting, and other components in the Canadian media landscape. This panel will explore top-down views of policymaking as well as bottom-up attempts to advocate for legitimacy within the policy process. Platform Governance: Media Policy or Telecoms Regulation as Guide? / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Dwayne Winseck (Carleton University) Dwayne Winseck (Carleton) will organize a panel that challenges the impulse amongst many observers to reach for media policy as a touchstone for platform regulation. This panel will ask, instead, whether telecoms regulation might offer a better guide; telecommunications regulation has a long legacy of bright light rules governing market dominance, data and privacy protection, and common technical standards for interfaces and interconnection that open up the blackbox of complex technical systems. Telecoms regulation can ensure that freedom of expression and other normative goals triumph over those of the owners of complex technical systems in regulating illegal content. Music, Platforms, and the Pandemic: How do we go forward? How can policy help? / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Christina Baade (McMaster University) This panel examines the impact of the pandemic on Canadian music making, music institutions and industries, and musical livelihoods?and how musicians and music communities are responding. The panelists will take up two key lines of inquiry: 1) What has been the role of online platforms in pandemic musical life? How have musicians used platforms to sustain communities and livelihoods? How has the turn to platforms strengthened corporate power (what corporations? what sorts of power?)? How have platforms in the pandemic reinforced and/or challenged longstanding inequalities in music cultures and industries. 2) As we look toward life after the pandemic, what do musicians and others involved in musicking need? What have been the limitations of cultural and media policy in Canada before the pandemic? What sorts of policy would help musicians, including those from marginalized communities and equity seeking groups, survive and thrive? Transformations in arts and media policy: from 2019 to 2021 via COVID-19 / DAY 4: Thursday, May 6, 2021, 1:45-3:15 Eastern Daylight Time Chair: MaryElizabeth Luka (University of Toronto) Eighteen months after more than 120 cultural leaders convened at the Banff Centre for Arts & Creativity for the Digital Transformation Summit, this roundtable will come together to examine what has changed strategically since then in the debate over digitizing the creative industries and culture sector. Once the COVID-19 pandemic took hold, digital infrastructure priorities and processes?and related policy implications including media and arts funding programs?rapidly shifted at all the organizations represented at Banff. The Canadian Broadcasting Corporation (CBC) and digital platforms / DAY 4: Thursday, May 6, 2021, 1:45-3:15 Eastern Daylight Time Chair: Philip Savage (McMaster University) Led by Philip Savage (McMaster), this panel will discuss the various relationships (of content dissemination, video and audio distribution, and advertising) between Canada?s national public broadcaster and digital platforms, including Facebook and Netflix. Closing session / DAY 5: Friday, May 7, 2021, 3:00-4:00PM Eastern Daylight Time Chair: Tamara Shepherd and Dana Cramer The conference will culminate in a plenary discussion facilitated by Tamara Shepherd and Dana Cramer (University of Calgary). This discussion will result in a collection of policy recommendations, to be compiled by Shepherd and Cramer, emerging from the panels and keynote presentations. This conference will take place on Zoom. Free registration on Eventbrite is required. Full schedule: http://comcultpolicy2021.ca From: Bannerman, Sara Sent: Monday, April 19, 2021 11:33 PM Cc: Tamara Shepherd ; Ogborn, David Subject: May 3-7 Communication & Cultural Policy in the Age of the Platform [Banner: Communication and Cultural Policy in the Age of the Platform, McMaster University, Hamilton, May 3-7, 2021] A conference presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). May 3-7, 2021 on Zoom This conference draws together researchers in Canada and beyond to explore the intersections between media/communications/cultural policy and platforms. Presentations will address arts policy, broadcasting policy, communication rights, Indigenous communication and cultural policy, competition policy, cultural industries policy, heritage policy, internet policy, media policy, speech regulation, privacy, smart city regulation, and platform regulation. The conference will consider the following key questions: 1. How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices? 2. How are platforms taking on, or failing to take on, regulatory roles in the fields of communication and culture? 3. How does the international political economy of platforms play out in media/communications/cultural policy? 4. How does algorithmic governance function as regulation and policy setting in these fields? 5. How are regulatory bodies in the field of communication and culture reconceptualizing their work in light of platforms? 6. What relationships and interactions do regulators, as well as arts, media, and cultural organizations, have with platforms? 7. How are regulatory bodies in the field of communication and culture incorporating platforms to conduct their work? 8. How do advocacy, activist, and social justice initiatives intercede in the relationships between platforms and media/communications/cultural policy? 9. How do comparative political cultures influence national regulatory agendas? What criteria may enable new comparative research? This conference will take place on Zoom. Free registration on Eventbrite is required. Key events (for the full program see comcultpolicy2021.ca): [A person sitting on a bench Description automatically generated with medium confidence] Day 1 / May 3 Noon-12:15 EDT Opening remarks: Chancellor Santee Smith Dean Pamela Swett [Jesse Wente photo] Day 1 / Monday, May 3, 2021 12:15-1:15 EDT Keynote talk: Jesse Wente (Indigenous Screen Office) Jesse Wente is an Ojibwe broadcaster from the Serpent River First Nation in Ontario. He is the director of Canada's Indigenous Screen Office, established in 2018 with the mandate of supporting the development of Indigenous film and storytelling in Canada. A long-standing commentator on pop culture and film on CBC Radio, Wente is a board member of the Canada Council of the Arts and the Toronto Arts Council. He has served as Director of Film Programmes at TIFF Bell Lightbox where he oversaw theatrical, Cinematheque and Film Circuit programming, and on the board of the imagineNATIVE Film and Media Arts Festival. [Sharon McGowan photo] DAY 2 / Tuesday, May 4, 2021, noon-1 EDT Keynote talk: Sharon McGowan (Women in Film and Television-Vancouver; University of British Columbia) and Susan Brinton (Women in Film and Television-Vancouver) Sharon McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators, and unions to increase gender equity and diversity. Greenspon, Wente, and McGowan will participate in a keynote panel addressing the question, ?How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices?? She has an MFA in Film Studies and is an Associate Professor in the Film Production and Creative Writing Programs at UBC. She has written, directed and produced documentaries for the NFB and Canadian broadcasters and she has produced feature films including the internationally released hit lesbian romantic comedy Better than Chocolate (1999). McGowan's most recent film was the documentary, Bearded Ladies (2015), which premiered at the Vancouver Queer Film Festival. McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators and unions to increase gender equity and diversity. [Susan Brinton photo] Susan Brinton has decades of experience in film and television policy and analysis in Canada, and is nationally respected as an expert and spokesperson in this area. Her background includes senior management roles in the Canadian private broadcasting sector and federal public funding agencies. Susan has been a policy consultant and led producer-focused international export development initiatives for the Canadian Media Producers Association and other industry organizations. As Co-Chair of the Advocacy Committee for Women in Film and Television Vancouver (WIFTV), Susan has been a vital leader in many of its successful advocacy initiatives. She is a founding member of WIFT Canada and is currently the Vice President of WIFT International. Susan is also a member of the Women in Production Steering Committee for the Canadian Radio-television and Telecommunications Commission (CRTC). Susan holds a Bachelor of Commerce (Honours) degree and a Master?s degree in Communications, is the author of numerous industry reports and publications and has lectured on creative industry policy for both Simon Fraser University and the University of British Columbia. [Edward Greenspon] DAY 3 / Wednesday, May 5, 2021, 12:30-1:30 Eastern Daylight Time Keynote talk: Edward Greenspon (Public Policy Forum) President and CEO of the Public Policy Forum, a non-profit Canadian thinktank, Edward Greenspon worked as founding editor of globeandmail.com and Editor-in-Chief of the Globe & Mail and in numerous prominent media roles, over the past 30 years from the Lloydminster Times to Bloomberg News. He is the co-author of two books on Canadian politics. In 2017, he authored The Shattered Mirror on news, democracy and trust, followed by Democracy Divided: Countering Disinformation and Hate in the Digital Public Sphere, co-authored with Taylor Owen. Democracy Divided offered policy options that respond to the policy challenges from digital platforms. Under Greenspon, the Public Policy Forum has produced a number of important studies, including its recent Commission on Democratic Expression chaired by former Supreme Court of Canada Chief Justice Beverly McLachlan and its January 2021 report, Harms Reduction: a six-step program to protect democratic expression online. [Joan Jenkinson photo] DAY 5 / Friday, May 7, 2021, 12:30-1:30PM Eastern Daylight Time Keynote talk: Joan Jenkinson (Black Screen Office) Joan is the inaugural Executive Director of the Black Screen Office where she works to support Black Canadians in developing talent, accessing funding, and in assuming decision-making roles in television, film and digital media. She fosters relationships with federal funding agencies, broadcasters and distributors to eliminate anti-Black racism in the screen industries. Joan is a founding Partner/Producer at Artemis Pictures which is focused on developing and producing high-end scripted content for television and the cinema, for international audiences. Joan was Vice-President of Independent Production for ZoomerMedia Limited, Television Division. She commissioned, developed and executive produced hundreds of hours of award-winning creative content in all genres for VisionTV. Joan spearheaded VisionTV?s ground-breaking DiverseTV/NSI initiative which produced award-winning comedy and drama programs and earned her a Visionary Award from the ReelWorld Film Festival. For five years, Joan served as Executive Director of Women in Film and Television - Toronto (WIFT-T), where she established professional development training and networking opportunities for women in screen-based media. Organizers: Sara Bannerman (McMaster), David Ogborn (McMaster), Tamara Shepherd (University of Calgary) Panel organizers: Monique Manatch (Indigenous Culture and Media Innovations & Carleton University), Tamara Shepherd, MaryElizabeth Luka (University of Toronto), Paula Gardner (McMaster), Leslie Regan Shade (University of Toronto), Dwayne Winseck (Carleton), Ira Wagman (Carleton), Christina Baade (McMaster), Philip Savage (McMaster), Faiza Hirji (McMaster) This conference is support by the generous contributions of the Social Sciences and Humanities Research Council (through the Connections program), McMaster University Socrates Project - funded through the generous donation of Chancellor Emeritus Lynton (Red) Wilson, McMaster University Faculty of Humanities, McMaster University Centre for New Media and Performance (CNMAP), The University of Calgary - Faculty of Arts, McMaster University Department of Communication Studies and Multimedia, McMaster University Indigenous Studies Program, McMaster University School of the Arts (SOTA), and McMaster University Department of Political Science. [Logos of sponsors named above] -- May 3-7, 2021 Conference : Communication and Cultural Policy in the Age of the Platform, on Zoom, presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). Sara Bannerman, B.Mus., MA, PhD Canada Research Chair in Communication Policy and Governance Associate Professor Department of Communication Studies and Multimedia Togo Salmon Hall, Room 302 McMaster University 1280 Main St. W. Hamilton, ON CANADA L8S 4L8 +1(905) 525-9140 ext. 23722 (she/her) McMaster Faculty Profile Blog Subscribe to the weekly Communications Governance Newsletter -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: gaegljoplkeadaph.jfif Type: image/jpeg Size: 16702 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... 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Name: khlnbmoojejahdng.jfif Type: image/jpeg Size: 2609 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: feopdmhjpcmfiomj.gif Type: image/gif Size: 48381 bytes Desc: not available URL: From saskia.kowalchuk at mail.concordia.ca Mon Apr 26 09:22:50 2021 From: saskia.kowalchuk at mail.concordia.ca (Saskia Kowalchuk) Date: Mon, 26 Apr 2021 15:22:50 +0000 Subject: [acc-cca-l] Event Registration: Digital (Im)materialities Graduate Conference Message-ID: [?EXTERNAL] We are pleased to inform you that registration to attend the Digital (Im)materialities Graduate Conference, hosted May 25-27 2021 by Concordia University's Media Studies Master's students, is now open! As the pandemic continues to rage, we have surpassed one year of conducting much of our lives: personal, professional, academic, online. This transition has proven in turns frustrating, alienating, and humorous but, more saliently, it has highlighted a myriad of questions and challenges in the realm of communications and media studies. Given these considerations, our conference encourages a self-reflexive approach which takes advantage of the unique affordances of virtual gathering and challenges the notion of the virtual as ahistorical and non-spatial. By bracketing the ?im? in immaterialities, we wish to emphasize the dual nature of digitally mediated life during the pandemic: both the ephemeral and the durable; absence and presence. While this conference is presented by the Communication Studies department, we are excited to showcase scholarship that bridges fields of study and provokes diverse ways of thinking through seemingly discipline-specific questions. Please register through our eventbrite link, which you will also find on our website. The event registration page only requires you to specify your attendance for the general event, however you may also choose the individual events you wish to attend. Full program is attached here. You are in no way obligated to attend all the sessions; however, we are keen to recreate the sustained attendance and energy of an in-person event. Warmly, Saskia Kowalchuk On behalf of the Digital (Im)materialities Organising Committee [https://lh6.googleusercontent.com/8pFylRgZOEJU9SlA1sCqfJ63jGZgz5onKBfOkdL3vsrN1M7OyU7baMLMl0Tb5JYrtbAX7UCm1tcxaPYp8RtaQ8LPRED26tImkT1sNZUbwJA30YIKKrgwUmJlxc9a2eMtDxVd9p5M] Saskia Kowalchuk, B.A. (she/her) Media Studies Master's Student Academic Co-chair, Digital (Im)materialities Conference Department of Communication Studies Concordia University Montreal, QC, Canada saskia.kowalchuk at mail.concordia.ca [cid:9e2cd9fd-da30-4a84-abb5-b4e401241958] -------------- next part -------------- An HTML attachment was scrubbed... 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Many thanks JAQUELINE MCLEOD ROGERS Professor and Chair | Department of Rhetoric, Writing, and Communications University of Winnipeg | 515 Portage Ave. Winnipeg, MB, R3B 2E9 204-786-9269 | j.mcleod-rogers at uwinnipeg.ca https://rowman.com/ISBN/9781793605245/McLuhan's- Techno-Sensorium-City-Coming-to-Our-Senses-in-a-Programmed-Environment https://familybloglines.com/ ________________________________ From: acc-cca-L on behalf of Sara Bannerman Sent: Friday, April 23, 2021 9:15:12 AM To: acc-cca-l at mailman.ucalgary.ca Subject: [acc-cca-l] May 3-7: Communication & Cultural Policy in the Age of the Platform Notice: This is external email. Verify the sender and use caution with any content. [?EXTERNAL] [Banner: Communication and Cultural Policy in the Age of the Platform, McMaster University, Hamilton, May 3-7, 2021] Communication & Cultural Policy in the Age of the Platform A conference presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP) @cnmap_mcmaster May 3-7, 2021 on Zoom Full schedule: http://comcultpolicy2021.ca Conference Highlights: Engaging in Policy Proceedings / DAY 2: Tuesday, May 4, 2021, 1:15-2:45 Eastern Daylight Time Chair: Tamara Shepherd (University of Calgary) This roundtable considers the process of engaging in policy proceedings from the perspectives of citizens, advocacy groups, cultural producers, and academics. Speakers will discuss their experiences interfacing with various government stakeholders as part of their public consultation strategies. The roundtable will also include a speaker from the Canadian Radio-television and Telecommunications Commission (CRTC), who will discuss the ways that the CRTC has worked to engage diverse publics in policymaking. Surveillance in the city / DAY 3: Wednesday, May 5, 2021, 1:45-3:15 Eastern Daylight Time Chair: Paula Gardner (McMaster University) Paula Gardner (McMaster) will guide a panel on the topic of surveillance capitalism in the smart city context, inviting discussion of policy responses to such problems. The rise of surveillance capitalism has only recently begun to be examined by policymakers, including representatives of governments around the world as part of the International Grand Committee on Big Data, Privacy, and Democracy. The rise of surveillance capitalism is a problem that is compounded by the rise of smart city platforms. Roundtable on algorithmic literacy / DAY 3: Wednesday, May 5, 2021, 2-3:15 Eastern Daylight Time Chair: Leslie Regan Shade (University of Toronto) This roundtable will discuss the concept and parameters of algorithmic literacy, and how it can best be integrated into a range of formal and informal educational programming, from those focusing on children and young people, to adults and seniors. The roundtable will also consider the recent development of various codes of practice and principles for algorithmic transparency and digital and data literacy, from a range of stakeholders, including government and civil society in Canada, the EU and UK. The roundtable will conclude with ideas for best practices for integrating algorithmic literacy into digital literacy education, especially from a human rights perspective. Broadcast and Digital Media / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Ira Wagman (Carleton University) This panel, led by Ira Wagman (Carleton University), will be focused around the various ways different actors (from traditional actors such as domestic broadcasters and film producers to recent entrants, such as powerful digital platforms like Netflix) engage with the institutions that regulate broadcasting in Canada. However, there are other interfaces with the policy apparatus that are worth considering, including those from the world of advocacy, multicultural broadcasting, and other components in the Canadian media landscape. This panel will explore top-down views of policymaking as well as bottom-up attempts to advocate for legitimacy within the policy process. Platform Governance: Media Policy or Telecoms Regulation as Guide? / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Dwayne Winseck (Carleton University) Dwayne Winseck (Carleton) will organize a panel that challenges the impulse amongst many observers to reach for media policy as a touchstone for platform regulation. This panel will ask, instead, whether telecoms regulation might offer a better guide; telecommunications regulation has a long legacy of bright light rules governing market dominance, data and privacy protection, and common technical standards for interfaces and interconnection that open up the blackbox of complex technical systems. Telecoms regulation can ensure that freedom of expression and other normative goals triumph over those of the owners of complex technical systems in regulating illegal content. Music, Platforms, and the Pandemic: How do we go forward? How can policy help? / DAY 4: Thursday, May 6, 2021, noon-1:30 Eastern Daylight Time Chair: Christina Baade (McMaster University) This panel examines the impact of the pandemic on Canadian music making, music institutions and industries, and musical livelihoods?and how musicians and music communities are responding. The panelists will take up two key lines of inquiry: 1) What has been the role of online platforms in pandemic musical life? How have musicians used platforms to sustain communities and livelihoods? How has the turn to platforms strengthened corporate power (what corporations? what sorts of power?)? How have platforms in the pandemic reinforced and/or challenged longstanding inequalities in music cultures and industries. 2) As we look toward life after the pandemic, what do musicians and others involved in musicking need? What have been the limitations of cultural and media policy in Canada before the pandemic? What sorts of policy would help musicians, including those from marginalized communities and equity seeking groups, survive and thrive? Transformations in arts and media policy: from 2019 to 2021 via COVID-19 / DAY 4: Thursday, May 6, 2021, 1:45-3:15 Eastern Daylight Time Chair: MaryElizabeth Luka (University of Toronto) Eighteen months after more than 120 cultural leaders convened at the Banff Centre for Arts & Creativity for the Digital Transformation Summit, this roundtable will come together to examine what has changed strategically since then in the debate over digitizing the creative industries and culture sector. Once the COVID-19 pandemic took hold, digital infrastructure priorities and processes?and related policy implications including media and arts funding programs?rapidly shifted at all the organizations represented at Banff. The Canadian Broadcasting Corporation (CBC) and digital platforms / DAY 4: Thursday, May 6, 2021, 1:45-3:15 Eastern Daylight Time Chair: Philip Savage (McMaster University) Led by Philip Savage (McMaster), this panel will discuss the various relationships (of content dissemination, video and audio distribution, and advertising) between Canada?s national public broadcaster and digital platforms, including Facebook and Netflix. Closing session / DAY 5: Friday, May 7, 2021, 3:00-4:00PM Eastern Daylight Time Chair: Tamara Shepherd and Dana Cramer The conference will culminate in a plenary discussion facilitated by Tamara Shepherd and Dana Cramer (University of Calgary). This discussion will result in a collection of policy recommendations, to be compiled by Shepherd and Cramer, emerging from the panels and keynote presentations. This conference will take place on Zoom. Free registration on Eventbrite is required. Full schedule: http://comcultpolicy2021.ca From: Bannerman, Sara Sent: Monday, April 19, 2021 11:33 PM Cc: Tamara Shepherd ; Ogborn, David Subject: May 3-7 Communication & Cultural Policy in the Age of the Platform [Banner: Communication and Cultural Policy in the Age of the Platform, McMaster University, Hamilton, May 3-7, 2021] A conference presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). May 3-7, 2021 on Zoom This conference draws together researchers in Canada and beyond to explore the intersections between media/communications/cultural policy and platforms. Presentations will address arts policy, broadcasting policy, communication rights, Indigenous communication and cultural policy, competition policy, cultural industries policy, heritage policy, internet policy, media policy, speech regulation, privacy, smart city regulation, and platform regulation. The conference will consider the following key questions: 1. How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices? 2. How are platforms taking on, or failing to take on, regulatory roles in the fields of communication and culture? 3. How does the international political economy of platforms play out in media/communications/cultural policy? 4. How does algorithmic governance function as regulation and policy setting in these fields? 5. How are regulatory bodies in the field of communication and culture reconceptualizing their work in light of platforms? 6. What relationships and interactions do regulators, as well as arts, media, and cultural organizations, have with platforms? 7. How are regulatory bodies in the field of communication and culture incorporating platforms to conduct their work? 8. How do advocacy, activist, and social justice initiatives intercede in the relationships between platforms and media/communications/cultural policy? 9. How do comparative political cultures influence national regulatory agendas? What criteria may enable new comparative research? This conference will take place on Zoom. Free registration on Eventbrite is required. Key events (for the full program see comcultpolicy2021.ca): [A person sitting on a bench Description automatically generated with medium confidence] Day 1 / May 3 Noon-12:15 EDT Opening remarks: Chancellor Santee Smith Dean Pamela Swett [Jesse Wente photo] Day 1 / Monday, May 3, 2021 12:15-1:15 EDT Keynote talk: Jesse Wente (Indigenous Screen Office) Jesse Wente is an Ojibwe broadcaster from the Serpent River First Nation in Ontario. He is the director of Canada's Indigenous Screen Office, established in 2018 with the mandate of supporting the development of Indigenous film and storytelling in Canada. A long-standing commentator on pop culture and film on CBC Radio, Wente is a board member of the Canada Council of the Arts and the Toronto Arts Council. He has served as Director of Film Programmes at TIFF Bell Lightbox where he oversaw theatrical, Cinematheque and Film Circuit programming, and on the board of the imagineNATIVE Film and Media Arts Festival. [Sharon McGowan photo] DAY 2 / Tuesday, May 4, 2021, noon-1 EDT Keynote talk: Sharon McGowan (Women in Film and Television-Vancouver; University of British Columbia) and Susan Brinton (Women in Film and Television-Vancouver) Sharon McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators, and unions to increase gender equity and diversity. Greenspon, Wente, and McGowan will participate in a keynote panel addressing the question, ?How can Canadian media systems respond simultaneously to the challenge of digital platforms and to calls for a greater diversity of on-screen and off-screen voices?? She has an MFA in Film Studies and is an Associate Professor in the Film Production and Creative Writing Programs at UBC. She has written, directed and produced documentaries for the NFB and Canadian broadcasters and she has produced feature films including the internationally released hit lesbian romantic comedy Better than Chocolate (1999). McGowan's most recent film was the documentary, Bearded Ladies (2015), which premiered at the Vancouver Queer Film Festival. McGowan is a founding member and past president of Women in Film and Television Vancouver and serves on the board of directors as Co-Chair of the Advocacy Committee. Her advocacy work has included decades of analysis and lobbying of Canadian film and television funding agencies, regulators and unions to increase gender equity and diversity. [Susan Brinton photo] Susan Brinton has decades of experience in film and television policy and analysis in Canada, and is nationally respected as an expert and spokesperson in this area. Her background includes senior management roles in the Canadian private broadcasting sector and federal public funding agencies. Susan has been a policy consultant and led producer-focused international export development initiatives for the Canadian Media Producers Association and other industry organizations. As Co-Chair of the Advocacy Committee for Women in Film and Television Vancouver (WIFTV), Susan has been a vital leader in many of its successful advocacy initiatives. She is a founding member of WIFT Canada and is currently the Vice President of WIFT International. Susan is also a member of the Women in Production Steering Committee for the Canadian Radio-television and Telecommunications Commission (CRTC). Susan holds a Bachelor of Commerce (Honours) degree and a Master?s degree in Communications, is the author of numerous industry reports and publications and has lectured on creative industry policy for both Simon Fraser University and the University of British Columbia. [Edward Greenspon] DAY 3 / Wednesday, May 5, 2021, 12:30-1:30 Eastern Daylight Time Keynote talk: Edward Greenspon (Public Policy Forum) President and CEO of the Public Policy Forum, a non-profit Canadian thinktank, Edward Greenspon worked as founding editor of globeandmail.com and Editor-in-Chief of the Globe & Mail and in numerous prominent media roles, over the past 30 years from the Lloydminster Times to Bloomberg News. He is the co-author of two books on Canadian politics. In 2017, he authored The Shattered Mirror on news, democracy and trust, followed by Democracy Divided: Countering Disinformation and Hate in the Digital Public Sphere, co-authored with Taylor Owen. Democracy Divided offered policy options that respond to the policy challenges from digital platforms. Under Greenspon, the Public Policy Forum has produced a number of important studies, including its recent Commission on Democratic Expression chaired by former Supreme Court of Canada Chief Justice Beverly McLachlan and its January 2021 report, Harms Reduction: a six-step program to protect democratic expression online. [Joan Jenkinson photo] DAY 5 / Friday, May 7, 2021, 12:30-1:30PM Eastern Daylight Time Keynote talk: Joan Jenkinson (Black Screen Office) Joan is the inaugural Executive Director of the Black Screen Office where she works to support Black Canadians in developing talent, accessing funding, and in assuming decision-making roles in television, film and digital media. She fosters relationships with federal funding agencies, broadcasters and distributors to eliminate anti-Black racism in the screen industries. Joan is a founding Partner/Producer at Artemis Pictures which is focused on developing and producing high-end scripted content for television and the cinema, for international audiences. Joan was Vice-President of Independent Production for ZoomerMedia Limited, Television Division. She commissioned, developed and executive produced hundreds of hours of award-winning creative content in all genres for VisionTV. Joan spearheaded VisionTV?s ground-breaking DiverseTV/NSI initiative which produced award-winning comedy and drama programs and earned her a Visionary Award from the ReelWorld Film Festival. For five years, Joan served as Executive Director of Women in Film and Television - Toronto (WIFT-T), where she established professional development training and networking opportunities for women in screen-based media. Organizers: Sara Bannerman (McMaster), David Ogborn (McMaster), Tamara Shepherd (University of Calgary) Panel organizers: Monique Manatch (Indigenous Culture and Media Innovations & Carleton University), Tamara Shepherd, MaryElizabeth Luka (University of Toronto), Paula Gardner (McMaster), Leslie Regan Shade (University of Toronto), Dwayne Winseck (Carleton), Ira Wagman (Carleton), Christina Baade (McMaster), Philip Savage (McMaster), Faiza Hirji (McMaster) This conference is support by the generous contributions of the Social Sciences and Humanities Research Council (through the Connections program), McMaster University Socrates Project - funded through the generous donation of Chancellor Emeritus Lynton (Red) Wilson, McMaster University Faculty of Humanities, McMaster University Centre for New Media and Performance (CNMAP), The University of Calgary - Faculty of Arts, McMaster University Department of Communication Studies and Multimedia, McMaster University Indigenous Studies Program, McMaster University School of the Arts (SOTA), and McMaster University Department of Political Science. [Logos of sponsors named above] -- May 3-7, 2021 Conference : Communication and Cultural Policy in the Age of the Platform, on Zoom, presented by the Communication Governance Observatory (CGO) and the Centre for Networked Media and Performance (CNMAP). Sara Bannerman, B.Mus., MA, PhD Canada Research Chair in Communication Policy and Governance Associate Professor Department of Communication Studies and Multimedia Togo Salmon Hall, Room 302 McMaster University 1280 Main St. W. Hamilton, ON CANADA L8S 4L8 +1(905) 525-9140 ext. 23722 (she/her) McMaster Faculty Profile Blog Subscribe to the weekly Communications Governance Newsletter -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: gaegljoplkeadaph.jfif Type: image/jpeg Size: 16702 bytes Desc: gaegljoplkeadaph.jfif URL: -------------- next part -------------- A non-text attachment was scrubbed... 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Name: ofbeogmfbcnjclgp.jfif Type: image/jpeg Size: 2301 bytes Desc: ofbeogmfbcnjclgp.jfif URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: khlnbmoojejahdng.jfif Type: image/jpeg Size: 2609 bytes Desc: khlnbmoojejahdng.jfif URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: feopdmhjpcmfiomj.gif Type: image/gif Size: 48381 bytes Desc: feopdmhjpcmfiomj.gif URL: From rruiz at ualberta.ca Thu Apr 29 11:14:34 2021 From: rruiz at ualberta.ca (Rafico Ruiz) Date: Thu, 29 Apr 2021 13:14:34 -0400 Subject: [acc-cca-l] New book - Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier Message-ID: [?EXTERNAL] Dear friends and colleagues, I hope you're all well in these difficult times. I'm writing to share the news that my first book, Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier (dukeupress.edu/slow-disturbance), has just recently been published by Duke University Press. The book emerged from my dissertation work at McGill, and so I wanted to express deep thanks to so many CCA friends and colleagues (Darin Barney, Jody Berland, Jonathan Sterne, Will Straw, and many many others) for helping it along the way. I would be delighted to have the opportunity to engage with undergraduate and graduate students around the questions raised by the book, foremost amongst these how settler infrastructure building persists across 'resource frontiers.' If this might be of interest please contact me off list at: rruiz at cca.qc.ca The release of the book fortuitously coincides with Duke's 50% off spring sale. Coupon code is below as well. With best wishes, Rafico Associate Director, Research, Canadian Centre for Architecture Adjunct Professor, Department of Sociology, University of Alberta Co-editor, Culture Machine + For more information, and to order the book directly from Duke University Press at a 30% discount please visit dukeupress.edu/slow-disturbance and enter the coupon code E21RUIZ during checkout. Currently, Duke's spring sale is occuring. Books are 50% off using the code SPRING21 through May 7th. -------------- next part -------------- An HTML attachment was scrubbed... URL: From HintzA at cardiff.ac.uk Fri Apr 30 15:03:00 2021 From: HintzA at cardiff.ac.uk (Arne Hintz) Date: Fri, 30 Apr 2021 21:03:00 +0000 Subject: [acc-cca-l] Data Justice Conference, 20-21 May 2021 Message-ID: [?EXTERNAL] Civic Participation in the Datafied Society Date: 20-21 May, 2021 Location: Online Host: Data Justice Lab, Cardiff University, UK We are happy to announce the final programme of the 2nd Data Justice Conference on Civic Participation in the Datafied Society. The two-day online event will include live sessions, recorded presentations, academic papers as well as workshops, book launches, a cultural event, and an online social space. Speakers include: Carly Kind (Ada Lovelace Institute), Mark Andrejevic (Monash University, Australia), Nanjira Sambuli (Researcher and Policy Analyst), Natalie Fenton (Goldsmiths, University of London, UK), Rashida Richardson (Rutgers University, US) and Tawana Petty (Data for Black Lives). The conference is free but registration is required. Registration deadline is 10 May! You can find all information on the conference website: https://datajusticelab.org/data-justice-2021/ Or download the full conference programme here: https://datajusticelab.org/wp-content/uploads/2021/04/DataJustice2021_Programme.pdf We hope to see you in May, Data Justice Lab ---------------- Dr Arne Hintz Reader | Co-Director Data Justice Lab | Director MA Digital Media and Society School of Journalism, Media and Culture | Cardiff University Two Central Square | Cardiff CF10 1FS Email: HintzA at cardiff.ac.uk | Tel: +44 (0)29 208 76281 | Twitter: @arne_hz Fellow | Center for Media, Data and Society | Central European University -------------- next part -------------- An HTML attachment was scrubbed... URL: From crystal.chokshi1 at ucalgary.ca Sat May 1 14:10:20 2021 From: crystal.chokshi1 at ucalgary.ca (Crystal Chokshi) Date: Sat, 1 May 2021 20:10:20 +0000 Subject: [acc-cca-l] University of Calgary graduate student conference, with keynote talks by Dr. Nicole Starosielski and Dr. Alex Cho Message-ID: Sent on behalf of the Department of Communication, Media and Film at the University of Calgary Dear colleagues, From May 11 to 13, graduate students in the Department of Communication, Media and Film at the University of Calgary will be hosting a conference titled, ?Opportunities in a Crisis.? The conference features seven short panels over three days, and we are thrilled to announce our keynote speakers: Dr. Alex Cho and Dr. Nicole Starosielski. Registration is free and open to all. Here are some quick links: * Learn more about and register for the panels. * Register for Dr. Alex Cho?s keynote talk on May 11. * Register for Dr. Nicole Starosielski?s keynote talk on May 13 (12-1:15 p.m. MT). We?d appreciate your passing the message on, especially to interested graduate students. With thanks, Crystal Crystal Chokshi | Ph.D. candidate | Associate Director, Environmental Media Lab Department of Communication, Media and Film | University of Calgary m. +1.403.978.0780 | e. crystal.chokshi1 at ucalgary.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From hubner.lena_alexandra at courrier.uqam.ca Mon May 3 07:55:17 2021 From: hubner.lena_alexandra at courrier.uqam.ca (=?UTF-8?Q?Lena_Alexandra_H=C3=BCbner?=) Date: Mon, 3 May 2021 09:55:17 -0400 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_textes_de_la_revue_=22Sur_le_?= =?utf-8?q?journalisme=22=3A_Journalistes_et_construction_m=C3=A9di?= =?utf-8?q?atique_des_probl=C3=A8mes_publics?= Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, L'appel ? textes pour le prochain num?ro th?matique de la revue Sur le journalisme pourrait int?resser plusieurs personnes abonn?es ? cette liste: Journalistes et construction m?diatique des probl?mes publics Date de publication de l?appel: 01 mai 2021 Date finale de r?ception des articles: 01 d?cembre 2021 Editeur.es. du num?ro th?matique : France Aubin (Universit? du Qu?bec ? Trois-Rivi?res, Canada) Erik Neveu (Universit? de Rennes 1, France) Paula de Souza Paes (Universidade Federal da Para?ba, Br?sil) Vous trouverez l'appel en fran?ais, anglais et portugais ci-joint. Cordialement, Lena Alexandra H?bner ?tudiante au doctorat conjoint en communication (UQAM, UdeM, Concordia) Coordonnatrice des activit?s scientifiques du CRICIS Charg?e de cours ? l'?cole des m?dias http://lenahubner.net/ -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CFP_Journalistes et construction me?diatique des proble?mes publics_FRA.pdf Type: application/pdf Size: 249415 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... 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Name: CFP_Journalists and media construction of public problems_EN.pdf Type: application/pdf Size: 485870 bytes Desc: not available URL: From hubner.lena_alexandra at courrier.uqam.ca Mon May 3 09:32:35 2021 From: hubner.lena_alexandra at courrier.uqam.ca (=?UTF-8?Q?Lena_Alexandra_H=C3=BCbner?=) Date: Mon, 3 May 2021 11:32:35 -0400 Subject: [acc-cca-l] =?utf-8?b?UHJvY2hhaW4gc8OpbWluYWlyZSDCq0dlbnJlKHMp?= =?utf-8?b?IGV0IG3DqXRob2Rlc8K7IChDUklDSVMgJiBMYWJTSUMpOiAyMS8wNSAi?= =?utf-8?q?M=C3=A9thodologies_et_d=C3=A9colonisation_=3A_enjeux=2C_?= =?utf-8?q?d=C3=A9bats_et_outils=22?= Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, Nous avons le plaisir de vous annoncer que la deuxi?me s?ance ? ?tudier la migration : de l?ethnographie ? la recherche collaborative ? du s?minaire Genre(s) et m?thodes (GEM) co-organis?e par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada) le vendredi 23 avril 2021 est d?sormais en ligne sur le site web du CRICIS. Un grand merci aux participant?e?s. Nous attirons par ailleurs votre attention sur la date de la troisi?me s?ance qui aura lieu le vendredi 21 mai 2021. Programmation : 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils * Sandeep Bakshi (Universit? de Paris - LARCA) : ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? * Na?ma Hamrouni (UQTR ? CRIDAQ) : ?Rechercher pour r?parer - desiderata en vue d?une ?thique f?ministe de la recherche? Vous trouverez le descriptif complet et les r?sum?s des interventions ci-dessous. Le s?minaire aura lieu sur Zoom. Il est gratuit et ouvert ? toutes et ? tous sous r?serve d?inscription pour recevoir le lien : cricis at uqam.ca (SVP mentionnez le nom et la date du s?minaire). Pour plus d'informations, visitez le site web du CRICIS / du LabSIC. Au plaisir de vous retrouver, Lena H?bner et H?l?ne Bourdeloie Lena Alexandra H?bner ?tudiante au doctorat conjoint en communication (UQAM, UdeM, Concordia) Coordonnatrice des activit?s scientifiques du CRICIS Charg?e de cours ? l'?cole des m?dias http://lenahubner.net/ Genre(s) et m?thodes Co-organis? par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada), le s?minaire Genre(s) et m?thodes (GEM) s?attache ? ?tudier les questions f?ministes, intersectionnelles et de genre(s) en termes de m?thodes, m?thodologies et ?pist?mologies. Concept transdisciplinaire fluide et non fig?, le genre ? ou les genres, pour ?chapper ? un fonctionnement social binaire ? a fait l?objet de travaux qui, en proposant un d?centrement radical, ont transform? le paysage des sciences sociales et humaines tout au long du XXe si?cle. Ce s?minaire a pour objectif de proposer un espace pour discuter des apports de ces ?tudes ? la pratique scientifique. Nous y discutons des fa?ons de faire de la recherche lorsqu?on travaille sur le(s) genre(s), de ses / leurs articulations avec d?autres formes de minoration, et du pouvoir critique de cet outil pour d?sessentialiser le monde social. Cherchant ? soustraire la r?flexion ? la pens?e universaliste, nous y d?centrons les regards pour aborder les questions de luttes, de r?sistances, ? l?exemple de celles de corps racis?s qui subissent diff?rents rapports de domination. Nous r?fl?chissons ? la fa?on dont sont op?r?s les d?centrements des concepts et aux d?marches mises en ?uvre pour d?construire les normes dominantes sur les identit?s de genre, les sexualit?s et d?autres rapports de pouvoir comme la classe ou la race. Pluriels, les questionnements portent sur la capacit? ? penser le positionnement de la chercheuse ou du chercheur, son engagement, sa subjectivit?, le d?voilement de biais en termes de production ou d?interpr?tation de donn?es, la r?flexivit? sur ces biais en tant que ressources heuristiques, ?pist?miques ou politiques, les questions ?thiques soulev?es par des objets per?us comme impurs, ou encore l?historiographie ou l?analyse du caract?re genr? d?un objet ou d?un dispositif d?enqu?te? Il s?av?re pertinent de mettre au jour et d?analyser les fa?ons dont le(s) genre(s) ? ainsi que les concepts qui lui / leur sont rattach?(s) ? sont travaill?s et reconstruits par le terrain? Enfin, cet espace de dialogue a aussi pour vocation d?interroger la possible singularit? des m?thodes, m?thodologies et ?pist?mologies des approches par le genre et des ?tudes f?ministes et intersectionnelles. Ce s?minaire met en lumi?re des travaux s?inscrivant dans les champs des m?dias et de la communication, et plus largement en sciences humaines et sociales (sociologie, histoire, anthropologie, sciences politiques ou philosophie?). Programmation 12 mars 2021, 9h-12h au Qu?bec et 15h-18h en France : D?construire le genre et d?autres rapports de minoration en ?tudes t?l?visuelles ?Du genre ? l??cran : m?thodologies crois?es pour analyser les repr?sentations des rapports sociaux de genre dans les s?ries t?l?vis?es fran?aises? Sarah L?cossais Afin d?interroger les dynamiques de repr?sentation du genre dans les s?ries t?l?vis?es, je propose de travailler aussi bien sur les contenus (analyse de corpus) qu?? partir d?entretiens avec des sc?naristes. Apr?s avoir rappel? ce qui m?a amen?e ? enqu?ter sur les objets longtemps m?pris?s que sont les s?ries fran?aises, je pr?senterai donc dans cette communication les enjeux de l?articulation de ces deux m?thodologies et le d?veloppement d?une approche f?ministe des politiques des repr?sentations (Hall, 2008). En termes th?oriques, mes recherches s?appuient ainsi sur une conception du genre comme performance it?rative (Butler, 2006) dont la repr?sentation est la construction (de Lauretis, 2007). Les s?ries peuvent alors ?tre entendues comme ? territoires du genre ? (L?cossais, 2020), via une relecture de Butler, de Lauretis, Foucault et Hall. ?Enjeux ?pist?mologiques et m?thodologiques d?une queerisation des ?tudes t?l?visuelles? St?fany Boisvert Cette communication proposera une r?flexion sur le potentiel de la th?orie queer pour le renouvellement des ?tudes de genre (gender studies) portant sur la t?l?vision. L?approche queer est ici d?finie comme une approche fondamentalement critique et anti-essentialiste qui vise ? questionner, d?naturaliser, subvertir et probl?matiser les savoirs normatifs ainsi que les conceptions fixes et binaires des identit?s et sexualit?s (Sullivan 2003 ; Chambers 2009 ; Joyrich, 2014). Partant de cette d?finition, je montrerai comment l?approche des queer television studies permet de surmonter un ?cueil encore fr?quent, soit celui d?une lecture ? binaire ? des repr?sentations t?l?visuelles, tout en mobilisant plus concr?tement une approche intersectionnelle. Afin de r?fl?chir au potentiel d?une queerisation des ?tudes t?l?visuelles, je ferai r?f?rence ? certains de mes r?cents projets de recherche, lesquels avaient pour objectif d?analyser les repr?sentations de personnages non-binaires et trans dans certaines s?ries t?l?vis?es r?centes, mais aussi de mieux comprendre les m?canismes de r?ception reli?s ? l?inclusion de personnages LGBTQ+ dans des fictions t?l?visuelles. Ces recherches permettront ainsi d?aborder les enjeux ?pist?mologiques et m?thodologiques reli?s ? la mobilisation des queer studies, que ce soit dans le cadre d?une analyse qualitative de contenu ou d?une ethnographie en ligne. Lien vers la vid?o. 23 avril 2021, 9h-12h au Qu?bec et 15h-18h en France : ?tudier la migration ? de l?ethnographie ? la recherche collaborative ?Conditions ?pist?mologiques et ?thiques d?une ethnographie de migrant.e.s blanc.he.s? Claire Cosquer Je reviendrai dans cette communication des conditions ?thiques et ?pist?mologiques de l?ethnographie des migrations fran?aises ? Abu Dhabi (?mirats arabes unis). Cette ethnographie analysait en particulier la position de ces migrant.e.s dans les rapports sociaux de race, en l?appr?hendant par le concept de blanchit?. La communication explorera les avantages et les tensions m?thodologiques associ?s ? l?usage de l?entretien biographique et de l?observation non-d?clar?e, en prenant au s?rieux leur sp?cificit? et leur plus-value ?pist?mologique respectives, mais ?galement en nuan?ant leur opposition terme ? terme. J?y r?fl?chis ? l?indissociabilit? des choix ?pist?mologiques et ?thiques, en ce qu?il n?est pas de parti pris ?thique qui n?ait de cons?quence ?pist?mologique, et inversement. ?Recherche collaborative et approches f?ministes : apports et tensions de la recherche par, pour et avec les femmes? Caterine Bourassa-Dansereau Dans le cadre du s?minaire Genre(s) et m?thodes organis? par le CRICIS et le LabSIC, je propose d?aborder les enjeux m?thodologiques et ?thiques qui caract?risent la recherche collaborative f?ministe men?e par, pour et avec les femmes. Ces enjeux concernent l?ensemble des ?tapes de la recherche; de la d?finition des objectifs, ? la diffusion des r?sultats, en passant par la construction des outils de collecte et l?analyse des donn?es. Au c?ur de cette communication, je m?attarderai aux d?fis li?s ? l?importance de reconnaitre et de valoriser les diff?rents types de savoirs, ? la n?cessit? d?identifier et de nommer les relations de pouvoir et ? l?engagement visant ? s?assurer que les apports et retomb?es de la recherche collaborative f?ministe profitent ? toutes les actrices de la d?marche. ? travers quelques exemples de projets de recherche, j?illustrerai de plus les enjeux sp?cifiques qui caract?risent la recherche collaborative avec les femmes immigrantes et r?fugi?es. Si cette communication propose des pistes de r?flexion sur la posture de la personne chercheuse, elle s?int?resse aussi aux principales actrices de la recherche collaborative f?ministe : les professionnel.lle.s des groupes partenaires, les intervenant.e.s et les femmes elles-m?mes, actrices au c?ur de ces d?marches. Lien vers la vid?o. 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? Sandeep Bakshi Visant ? ouvrir le champ d?colonial et les ?tudes queer aux possibilit?s d?une lecture crois?e, cette pr?sentation prend appui sur deux th?ories, deux analytiques v?ritables d??tudes critiques ?uvrant pour la transformation des relations sociales tout en relevant l?absence d?articulation d?un cadre de queeritude d?coloniale. Il convient de souligner que les deux outils th?oriques ne peuvent s?ignorer pendant longtemps car m?me si les deux champs de recherche demeurent rigoureusement disciplinaires, voire disciplin?s, les possibilit?s de croisement restent souvent nombreuses et mal exploit?es. Situant les questions sur le positionnement ?thique de la recherche et les objets de recherche dans le cadre ?pist?mologique, l?exemple phare de cette pr?sentation tend vers une analyse g?o-culturelle, aspirant ? formuler une critique du mouvement queer indien domin? par l??lite et la langue anglaise ? une des six langues imp?riales dans le monde, selon les ?tudes d?coloniales. En se d?centrant de la langue anglaise, cette recherche amende l??quilibre des pratiques culturelles queer indiennes de fa?on ? renouveler la probl?matique queer dans la r?gion. Cette approche interdisciplinaire embrasse ? la fois les grilles de lecture ?tablies par les th?ories queer et d?coloniales dans le but de proposer des outils pour une critique d?coloniale des ?nonciations transnationales de queeritude. ?Rechercher pour r?parer - desiderata en vue d'une ?thique f?ministe de la recherche? Na?ma Hamrouni Dans Moral Repair, Reconstructing Moral Relations After Wrongdoing (2006), la philosophe Margaret Urban Walker propose une th?orie de la justice r?paratrice guid?e par l?exigence de r?parer les relations morales intergroupes d?grad?es par une histoire de violence, d?exploitation et d?oppression. Dans cette pr?sentation exploratoire, nous proposons de poser les premi?res bases d?une approche ?thique f?ministe de la recherche qui s?inscrirait dans un paradigme de justice r?paratrice. Lien vers l'?v?nement Facebook. -------------- next part -------------- An HTML attachment was scrubbed... URL: From charlotteorzel at ucsb.edu Mon May 3 12:44:30 2021 From: charlotteorzel at ucsb.edu (Charlotte Orzel) Date: Mon, 3 May 2021 11:44:30 -0700 Subject: [acc-cca-l] Deadline Extension: Modularity and Modification (Media Fields Issue 17) Message-ID: <7E131354-D602-48B7-9505-E8D2D25F616E@ucsb.edu> [?EXTERNAL] The UC Santa Barbara Media Fields Collective is excited to announce an extension to its the call for papers for issue 17 of Media Fields: Critical Explorations of Media in Space. Please email submissions to submissions at mediafieldsjournal.org by June 4, 2021. You can review our submission guidelines at mediafieldsjournal.org. -- Call for Submissions Modularity and Modification Media Fields: Critical Explorations of Media in Space, Issue 17 To move, media must be flexible. Think, for instance, of the remarkably consistent form of the upscale multiplex that has made a home for global blockbuster cinema in China, Mexico, India, Belgium, and Canada alike. Or consider the efforts of communities who have had to salvage, appropriate, and alter telecommunications infrastructure?developing their own technical expertise in the process?in an effort to bring internet connectivity to remote areas neglected by corporate service providers. While distinct, these examples each raise the question of how media flexibility is underpinned by the tension between modularity and modification. Modularity involves the repetition, standardization, and recombination of existing forms: exhibitors use the standard form of the multiplex to signify the ?world-class? status of their up-to-date cinemas, while amateur technicians rely on widely used antennas, wires, and protocols to plug into existing internet infrastructure. Conversely, modification calls on the ability to adapt given materials (including technologies, practices, ideas, and senses of self) to prevailing conditions: theatre chains grapple with issues of urban development, audiences, and taste cultures as they develop new sites in new locales, while communities adapt technology to the resources they have, the landscapes they inhabit, and the histories they share to make their projects work. In these and other examples, media forge the channels along which modular elements can be disseminated and within which opportunities for modification take root. Considering these concepts as an entry point for the study of media in space immediately conjures associations with Michel de Certeau?s opposition between strategy and tactics. If modularity offers the opportunity to expand the ?proper place? of the powerful and extend the imposed terrain on which the subjected must move, modification suggests the potential to rework that terrain along tactical lines. The modularity of communication infrastructures and media forms might suggest narratives of spatial and temporal compression and, in turn, buttress colonial narratives that render distant, foreign spaces more legible, accessible, or profitable for powerful interests. Conversely, the modification of modular media genres, formats, technologies, and environments evokes profuse examples of narratives of localized or regionalized difference, adaptation, resistance, and even refusal. Such associations between modularity, modification, power, and resistance do not hold seamlessly, and are useful only to the extent that they are contextualized and questioned. Media scholarship that engages in this work does not necessarily dispense with familiar associations with these concepts but expose the frictions and counternarratives that arise out of close, critical analysis. Reconsidering these associations raises questions including: What are productive ways of conceptualizing modification without fetishizing neoliberal concepts of ingenuity that displace the responsibilities of media institutions and telecommunications services onto individuals? How might we understand corporate modularity as involving forms of differentiation that enable flows of capital and hegemony? Where can we see the activities of user or audience modification being channeled or controlled by powerful interests? In what ways does modularity emerge from individuals, social groups, and communities rather than being imposed on them? Can we uncover or recover cases that subvert binaries associating modularity with the homogenous, the corporate, and the global and modification with the heterogenous, the individual, and the local? The Media Fields Editorial Collective in the Department of Film and Media at the University of California, Santa Barbara seeks papers that interrogate the imbrication of modularity and modification in spatial practices and imaginaries and put forward thought-provoking examples of how they might be operationalized in the service of today?s media scholarship. Potential paper topics include, but are not limited to: * Technological standards and standardization * Circulating genres and formats * Digital ?modding? * Film and television ?packaging? * Franchises, sequels, spinoffs, ripoffs, and reboots * Platform systems and their users * Communication infrastructures and their nodes -- Mary Michael and Charlotte Orzel Issue Co-Editors Media Fields Journal -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Issue 17 Modularity + Modification CFP.pdf Type: application/pdf Size: 60927 bytes Desc: not available URL: -------------- next part -------------- An HTML attachment was scrubbed... URL: From commpositerevue at gmail.com Mon May 3 15:28:23 2021 From: commpositerevue at gmail.com (Revue COMMposite) Date: Mon, 3 May 2021 17:28:23 -0400 Subject: [acc-cca-l] =?utf-8?q?Revue_COMMposite_-_nouvelle_date_de_tomb?= =?utf-8?b?w6ll?= Message-ID: [?EXTERNAL] Bonjour ? tous et toutes, La revue COMMposite, revue num?rique destin?e aux jeunes chercheurs et chercheuses en communication, est pr?sentement en processus d'appel ? articles pour son prochain num?ro: Mutations du travail cr?atif : entre autonomie et pr?carit?. La date butoir pour proposer un article a ?t? repouss?e au 31 mai 2021. De nombreuses ?tudes dans les derni?res ann?es ont tent? de surmonter l?ambig?it? du travail cr?atif en cr?ant de multiples concepts. Certains parlent de ? hope labour ? ou encore de travail aspirationnel pour d?crire comment la travailleuse ou le travailleur cr?atif est toujours ? la recherche d?une autre forme de r?tribution comme de la visibilit? (Kuehn et Corrigan, 2013). D?autres affirment que ce travail est un ? affective labour ?, un travail affectif qui requiert avant tout la mobilisation des ?motions (Siapera, 2019). Les concepts de ? digital labour ?, de travailleurs cognitifs ou encore de ? multitude ? ont aussi ?t? mobilis?s (Casilli, 2019; Huws, 2014 et 2015; Fuchs, 2010). Gorz (2017) parle de la ? production de soi ? pour d?crire comment les nouveaux entrepreneurs d?eux-m?mes doivent produire leur employabilit? ce qui produit une certaine autonomie, mais que les entreprises capitalisent sur cet effort ce qui produit de la frustration et de la col?re. Certains chercheuses ou chercheurs tentent de leur c?t? d?actualiser, de d?fendre ou de modifier la th?orie de la valeur-travail, par exemple le concept de valeur affective (Arvidsson et Colleoni, 2012). Le prochain num?ro de COMMposite invite ? poursuivre ce mouvement. ? l??re de la post-covid-19, le travail cr?atif est amen? ? subir des mutations encore plus fondamentales, notamment le travail ? la maison et le travail m?diatis? par les technologies de la communication. Vous pouvez consulter l'appel ? articles complet ici. La revue accepte les articles originaux, les notes de recherche, les entrevues et les recensions d?ouvrages refl?tant la recherche francophone en communication. Le mandat de?COMMposite est de permettre aux chercheures et chercheurs de la rel?ve de faire l?exp?rience d?un premier processus de publication. Ainsi, seulement les ?tudiantes et les ?tudiants des cycles sup?rieurs (ma?trise et doctorat) ainsi que les chercheures et chercheurs en d?but de carri?re (moins de deux ans depuis la soutenance de la th?se de doctorat) sont invit?es et invit?s ? soumettre leurs textes. Vous pouvez d?poser vos soumissions sur le site Internet de la revue d'ici la fin du mois de mai. Pour toutes questions ou demandes d'information: commpositerevue at gmail.com Cordialement et solidairement, L'?quipe de COMMposite. -------------- next part -------------- An HTML attachment was scrubbed... URL: From Patricia.Elliott at uregina.ca Tue May 4 14:25:53 2021 From: Patricia.Elliott at uregina.ca (Patricia Elliott) Date: Tue, 4 May 2021 14:25:53 -0600 Subject: [acc-cca-l] Facts & Frictions journal- June 30 submission deadline Message-ID: <6091ADD1020000480012A0F1@gw004.cc.uregina.ca> [?EXTERNAL] FACTS & FRICTIONS: Emerging Debates, Pedagogies and Practices in Contemporary Journalism The deadline for submissions for our inaugural issue is June 30, 2021 Facts & Frictions/Faits et Frictions is a new Canadian-based peer-reviewed journal for journalism studies published by J-Schools Canada/Ecoles-J. Our mission is to promote diversity of discourse on emerging issues and controversies in journalism and journalism education. Content may be submitted in English or French, on themes related to our editorial mission stated above. Specifically we seek: 1. Scholarly articles of 5,500-7,000 words excluding references. 2. Research notes of 1,500-2,000 words, excluding references or 10-12 min. for notes in audio or video formats. 3. Substantive works of journalism addressing journalism and information-related themes. 4. Book reviews of 1,000-1,500 words or 3-5 min for A/V versions (not peer-reviewed) Log into the submissions portal at www.j-schoolscanada.ca/journal and follow instructions for uploading your abstract, keywords, manuscript and other attachments. FAITS ET FRICTIONS: D?bats, p?dagogies et pratiques ?mergentes en journalisme contemporain La date limite pour les soumissions pour notre premi?re ?dition est le 30e juin 2021 Facts & Frictions / Faits et Frictions est un nouveau journal canadien v?rifi? par nos pairs pour les ?tudes journalistiques publi?es par ?coles-J/J-Schools Canada. Notre mission est de promouvoir la diversit? des discours sur les probl?mes ?mergents en journalisme et en ?ducation journalistique. Le contenu doit ?tre soumis en anglais ou en fran?ais sur des sujets reli?s ? notre mission ?ditoriale mentionn?e plus haut. Pour ?tre plus sp?cifique, nous recherchons: 1. Articles acad?miques de 5500 ? 7000 mots excluant les r?f?rences bibliographiques. 2. Notes de recherches de 1500 ? 2000 mots excluant les r?f?rences bibliographiques ou 10 ? 12 minutes pour les notes audios ou les formats vid?os. 3. Travaux significatifs portant sur le journalisme et des sujets d?informations relatives. 4. Critiques de 1000 ? 1500 mots ou 3 ? 5 minutes pour les version audio/vid?o (non r?vis?s par nos pairs). Connectez-vous au portail de soumissions au www.j-schoolscanada.ca/journal et suivez les instructions pour t?l?charger votre sommaire, vos mots-cl?s, votre manuscrit ou tout autre pi?ces jointes. -------------- next part -------------- An HTML attachment was scrubbed... URL: From hubert.alain at umontreal.ca Tue May 4 14:44:28 2021 From: hubert.alain at umontreal.ca (Alain Hubert) Date: Tue, 4 May 2021 20:44:28 +0000 Subject: [acc-cca-l] Call for Submissions: 2021 CCA Conference Proceedings Message-ID: [?EXTERNAL] Greetings, Please find below Stream?s CFP for graduate students presenting at this year?s CCA conference. * Bonjour, ci-dessous, un appel ? publications dans le journal Stream pour les ?tudiant.es aux cycles sup?rieurs participant au colloque annuel de l?ACC. Hubert Alain and Monica Henderson, CCA Student Representatives, Repr?sentants ?tudiants ? l?ACC Call for Submissions: 2021 CCA Conference Proceedings Will you present at the 2021 ACC-CCA Annual Virtual Conference? We invite you to submit your paper, research in progress, or extended abstracts for a special ACC-CCA Conference Graduate Student Proceedings issue, to be published in the peer-reviewed journal Stream, produced by Simon Fraser University?s School of Communication Graduate Caucus. Submissions are welcome from all fields and disciplines that may overlap with communication studies. All papers should be 5?20 pages in length and submitted through Stream?s website. Please find the Stream guidelines at: journals.sfu.ca/stream/index.php/stream/about/submissions Please note that only works entirely authored by students at Master?s and/or doctoral levels will be accepted. Texts co-signed by instructors and/or professors do not qualify for publication. The deadline for submitting the texts is August 27, 2021. We look forward to receiving your contributions. Visit our website to read the full announcement. --- Stream: Interdisciplinary Journal of Communication http://journals.sfu.ca/stream -------------- next part -------------- An HTML attachment was scrubbed... URL: From annepasek at trentu.ca Tue May 4 11:01:27 2021 From: annepasek at trentu.ca (Anne Pasek) Date: Tue, 4 May 2021 17:01:27 +0000 Subject: [acc-cca-l] 3 Year LTA position at Trent Durham Message-ID: [?EXTERNAL] Hello all, I wanted to share the attached announcement about a new short-term (3 year) position announced for Trent Durham. The goal of the position is to help build a recently revised Communications program, and so as such we are looking for candidates with strong teaching and curriculum development skills. Warm regards, Anne Pasek Assistant Professor - Department of Cultural Studies and School of the Environment, Trent University Canada Research Chair in Media, Culture, and the Environment (she/her) -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: COMM LTA Posting[27].pdf Type: application/pdf Size: 129281 bytes Desc: COMM LTA Posting[27].pdf URL: From sjeppese at lakeheadu.ca Wed May 5 07:56:55 2021 From: sjeppese at lakeheadu.ca (Sandra Jeppesen) Date: Wed, 5 May 2021 09:56:55 -0400 Subject: [acc-cca-l] Contract lecturer positions Message-ID: [?EXTERNAL] Good morning, Please find attached two postings - one in critical studies and one in production - for multiple contract lecturer positions at Lakehead University Orillia for the Fall-Winter 2021-2022 academic year. All best, Sandra Dr Sandra Jeppesen (she/her) Professor Media, Film, and Communications Interdisciplinary Studies Department Co-founder, Media Action Research Group (MARG) Lakehead University Orillia 500 University Ave, OA 3022 Orillia ON Canada L3V 0B9 Lakehead University Orillia is located on the traditional territory of the Anishinaabeg. The Anishinaabeg include the Ojibwe, Odawa, and Pottawatomi nations, collectively known as the Three Fires Confederacy. Recent publications: BOOK: Media Activist Research Ethics: Global Approaches to Negotiating Power in Social Justice Research - Sandra Jeppesen & Paola Sartoretto (Eds.) Articles: Critical Reflections on Horizontal Media Activism Research Practices Toward an intersectional political economy of autonomous media resources Websites: http://www.mediaactionresearch.org/ Academia.edu -------------- next part -------------- A non-text attachment was scrubbed... Name: MDST production courses.docx Type: application/vnd.openxmlformats-officedocument.wordprocessingml.document Size: 23466 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: MDST courses.docx Type: application/vnd.openxmlformats-officedocument.wordprocessingml.document Size: 21245 bytes Desc: not available URL: From m.flisfeder at uwinnipeg.ca Wed May 5 08:02:24 2021 From: m.flisfeder at uwinnipeg.ca (Matthew Flisfeder) Date: Wed, 5 May 2021 14:02:24 +0000 Subject: [acc-cca-l] 3 Year LTA position at Trent Durham In-Reply-To: References: Message-ID: [?EXTERNAL] -------------- next part -------------- An embedded message was scrubbed... From: Matthew Flisfeder Subject: Re: [acc-cca-l] 3 Year LTA position at Trent Durham Date: Wed, 5 May 2021 14:02:24 +0000 Size: 65328 URL: From jodyberland at gmail.com Thu May 6 07:06:07 2021 From: jodyberland at gmail.com (Jody Berland) Date: Thu, 6 May 2021 09:06:07 -0400 Subject: [acc-cca-l] 3 Year LTA position at Trent Durham In-Reply-To: References: Message-ID: [?EXTERNAL] On Wed, May 5, 2021 at 10:08 AM Matthew Flisfeder > wrote: [?EXTERNAL] So right Matthew. That person would have no job security. In the current climate of Ontario universities, in which at least three universities have been the site of cruel and unusual termination or non-hire practices just this year, it?s particularly problematic. Sure, it?s a job? in the current branch plant mentality now driving universities I expect we will see more of these positions. Jody ---------- Forwarded message ---------- From: Matthew Flisfeder > To: Cc: "acc-cca-l at mailman.ucalgary.ca" > Bcc: Date: Wed, 5 May 2021 14:02:24 +0000 Subject: Re: [acc-cca-l] 3 Year LTA position at Trent Durham With respect to the hiring committee, colleagues and comrades, it is painfully disappointing to see a job ad for a limited term Assistant Professor position that doubles as a Program Coordinator. Dr. Matthew Flisfeder Associate Professor and Honours Advisor Dept. of Rhetoric, Writing, and Communications P 204.786.9848 515 Portage Avenue Winnipeg, Manitoba, Canada R3B 2E9 uwinnipeg.ca New book: Algorithmic Desire: Toward a New Structuralist Theory of Social Media https://nupress.northwestern.edu/content/algorithmic-desire [https://www.uwinnipeg.ca/branding/images/uw-esig-logo.png] Please note: To safeguard the health of the UWinnipeg community ? and support public health efforts ? during the ongoing COVID-19 situation, the campus is closed until further notice. All academic instruction and evaluation will continue through alternate delivery. Staff are working remotely to deliver most services online. Please see our website for information and updates. On May 4, 2021, at 12:01 PM, Anne Pasek > wrote: Notice: This is external email. Verify the sender and use caution with any content. [?EXTERNAL] Hello all, I wanted to share the attached announcement about a new short-term (3 year) position announced for Trent Durham. The goal of the position is to help build a recently revised Communications program, and so as such we are looking for candidates with strong teaching and curriculum development skills. Warm regards, Anne Pasek Assistant Professor - Department of Cultural Studies and School of the Environment, Trent University Canada Research Chair in Media, Culture, and the Environment (she/her) _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l _______________________________________________ This message was sent to all subscribers of / Ce message a ?t? envoy? aux membres de acc-cca-L To unsubscribe / Pour vous d?sabonner: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l E-mail: acc-cca-L at mailman.ucalgary.ca Homepage: https://mailman.ucalgary.ca/mailman/listinfo/acc-cca-l -- Jody Berland Professor, Department of Humanities 234 Founders College, York University, Toronto, ON M3J 1P3 Canada http://www.arts.yorku.ca/huma/jberland/ http://www.digitalanimalities.org Virtual Menageries: Animals as Mediators in Network Cultures. https://mitpress.mit.edu/books/virtual-menageries Communications Officer, York University Faculty Association https://www.yufa.ca She/her -------------- next part -------------- An HTML attachment was scrubbed... URL: From daniel.pare at uottawa.ca Fri May 7 07:35:54 2021 From: daniel.pare at uottawa.ca (=?utf-8?B?RGFuaWVsIFBhcsOp?=) Date: Fri, 7 May 2021 13:35:54 +0000 Subject: [acc-cca-l] 1 Year Instructor post - Critical Data Studies, Carleton University References: Message-ID: [?EXTERNAL] Forwarding on behalf of Prof. Tracey Lauriault Attention : courriel externe | external email Mornin? Just reaching out to let you know that my post comes open for one year during my sabbatical and we are in search for qualified applicants to teach my courses. Here is the announcement https://carleton.ca/provost/2021/instructor-i-journalism-and-communication-communication-and-media-studies/ ?We invite applicants with expertise to teach courses addressing the following areas: data justice, open data, algorithms, surveillance, ethics, and research methods.? I thought you might know a person or two & would be glad if you could circulate it. Cheerio Tracey Daniel J. Par?, Ph.D., Associate Professor / Professeur agr?g? Department of Communication, School of Information Studies (?SIS), and Institute for Science, Society and Policy (ISSP) Graduate Program Co-ordinator, ISSP University of Ottawa / Universit? d?Ottawa 55 Laurier Ave East, Rm 10154, Ottawa, ON, K1N 6N5, Canada Tel: (613) 562-5800 ext/poste: 2052 Fax: (613) 562-5854 Twitter: @DJ_Pare English Language Book Review Editor, Canadian Journal of Communication -------------- next part -------------- An HTML attachment was scrubbed... URL: From MirandaBrady at cunet.carleton.ca Mon May 10 16:10:22 2021 From: MirandaBrady at cunet.carleton.ca (Miranda Brady) Date: Mon, 10 May 2021 22:10:22 +0000 Subject: [acc-cca-l] Carleton-Instructor I Term Position Message-ID: [?EXTERNAL] Communication and Media Studies at Carleton University invites applications for a 1-year term appointment in data justice, open data, algorithms, surveillance, ethics, and research methods. For more details visit: https://carleton.ca/provost/2021/instructor-i-journalism-and-communication-communication-and-media-studies/ Instructor I - Journalism and Communication (Communication and Media Studies) - Office of the Provost and Vice-President (Academic) About the Position: The School of Journalism and Communication invites applications for a one-year term appointment in Communication and Media Studies at the rank of Instructor I, beginning July 1, 2021.. The primary duty of this position is undergraduate teaching. carleton.ca Miranda J. Brady Associate Professor School of Journalism and Communication Undergraduate Supervisor, Communication and Media Studies Carleton University She/her -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Tue May 11 12:06:54 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Tue, 11 May 2021 18:06:54 +0000 Subject: [acc-cca-l] =?utf-8?q?Exposition_et_symposium_ECRAN_TOTAL_c=27es?= =?utf-8?q?t_bient=C3=B4t_-_Exhibition_and_symposium_TOTAL_SCREEN_is_comin?= =?utf-8?q?g_soon?= Message-ID: [?EXTERNAL] (English message below as well as the official poster of the exhibition that will be held in the Centre de design, UQAM, Montreal, May 19th ? June 17th) Bonjour ? toutes et tous, Apr?s trois ans de pr?paration, le moment est venu pour vous inviter ? rejoindre les nombreux ?v?nements ? venir dans le cadre de l?exposition ECRAN TOTAL. Pr?sent?e au Centre de design de l?UQAM ? Montr?al, l?exposition ?CRAN TOTAL accueille, pour la premi?re fois au Canada, les photographies de Jean Baudrillard, mises en dialogue avec les ?uvres de Adam Basanta, Charlie Doyon, Clint Enns, Mishka Henner & Vaseem Bhatti, Penelope Umbrico et Xuan Ye. En compagnie de penseur.se.s marquant.e.s des images et du num?rique, des conf?rences, tables rondes et ateliers interrogent les diff?rents r?les et places de l??cran dans nos pratiques sociales et culturelles quotidiennes et prolongent, r?flexivement, l?exp?rience de l?exposition. Les inscriptions et la billetterie sont gratuites, mais il faudra s?y inscrire en amont en ligne. Veuillez donc trouver ici le lien vers le site web officiel de l??v?nement (https://ecrantotal.uqam.ca/) o? vous pouvez obtenir toutes les informations et aussi les d?tails d?inscription : ? L?exposition commence le 19 mai 2021. Elle se d?cline en trois exp?riences et m?diations distinctes. La premi?re est une exposition physique, bien ? r?elle ?, dans le Centre de design (https://centrededesign.com/), la seconde se tient ? l?ext?rieur ? autour du Centre de design et la troisi?me exp?rience est la rem?diation progressive de l?exposition sur https://ecrantotal.uqam.ca/accueil/exposition/. Avec les ?uvres de Jean Baudrillard, Adam Basanta, Charlie Doyon, Clint Enns, Mishka Henner/Vaseem Bahtti, Penelope Umbrico, Xuan Ye. ? Le symposium (12 mai ? 25 mai) et le jour du vernissage du 19 mai (https://ecrantotal.uqam.ca/accueil/symposium/) incluent la participation de conf?renci?res et conf?renciers comme Marine Baudrillard, Lin Chi-Ming, Anne Zeitz, Luc Courchesne ainsi que trois artistes invit?.e.s d??cran Total - Penelope Umbrico, Adam Basanta and Mishka Henner - mais aussi d?autres chercheur.e.s et artistes de renomm?e internationale comme le Media Metadata Research Lab. ? Dans la section ?In?dits? (https://ecrantotal.uqam.ca/accueil/inedits/) seront publi?s ? partir du 19 mai et jusqu?? la fin de l?ann?e des essais originaux de chercheur.e.s et artistes, des conf?rences-vid?o, des textes non-publi?s sur et de Baudrillard ainsi que des cr?ations d??tudiant.e.s de l?UQAM. Un num?ro sp?cial dans la revue MAST sortira ?galement sous peu : ? Total Screen: why Baudrillard, once again? ?. Merci d?avance de partager ces informations dans vos r?seaux de votre choix, par mail, par t?l?phone ou les r?seaux socio-num?riques avec le #ecrantotal2021, puis abonnez-vous si le c?ur vous en dit : @ecrantotal_UQAM (twitter), @ecran__total (instagram), https://www.facebook.com/ECRANTOTALJeanBaudrillard (Facebook). Au plaisir de vous retrouver bient?t, L??quipe d??CRAN TOTAL Les cinq commissaires de l?exposition : Amandine Alessandra, Marine Baudrillard, Carole L?vesque, Katharina Niemeyer and Magali Uhl L??quipe de coordination artistique et scientifique : Sonia Tr?panier et Ola Siebert https://ecrantotal.uqam.ca/ https://centrededesign.com/ecran-total/ _________________ Dear all, After three years of preparation, we wish to invite you to ECRAN TOTAL/TOTAL SCREEN: Exhibited for the first time in Canada at UQAM?s Centre de design, the exhibition ?CRAN TOTAL-TOTAL SCREEN, features Jean Baudrillard?s photographs in conversation with pieces by Adam Basanta, Charlie Doyon, Clint Enns, Mishka Henner + Vaseem Bhatti, Penelope Umbrico, and Xuan Ye. In conjunction with the exhibition, a series of international conferences, round tables, and workshops will be held in order to explore the different roles and forms of screens in our daily social and cultural practices. Please find here the link to the official ECRAN TOTAL website https://ecrantotal.uqam.ca/ where you can discover all relevant information and registration details (all events are free but online registration is mandatory): ? The exhibition starts on May 19th, 2021 - offering three distinct experiences of mediation. The first one is a very ?real?, physical exhibition at the Centre de design (https://centrededesign.com/), the second one is an outdoor installation at the Centre de design and the third one is that of the reimagined exhibition, progressively and partially re-mediated online on the website of Ecran Total (https://ecrantotal.uqam.ca/accueil/exposition/). With the artworks of Jean Baudrillard, Adam Basanta, Charlie Doyon, Clint Enns, Mishka Henner/Vaseem Bhatti, Penelope Umbrico, Xuan Ye. ? The symposium (May, 12-25) and vernissage day, May 19th(https://ecrantotal.uqam.ca/accueil/symposium/) includes speakers such as Marine Baudrillard, Lin Chi-Ming, Anne Zeitz, Luc Courchesne as well as three invited artists of ?cran Total - Penelope Umbrico, Adam Basanta and Mishka Henner - as well as more internationally well-known scholars and artists as for example the Media Metadata Research Lab. ? The ?Unpublished? section (https://ecrantotal.uqam.ca/accueil/inedits/) will feature - from May 19th on and until the end of this year - original essays written by scholars and artists, video conferences, unpublished work about and written by Baudrillard as well as UQAM students? creations. A special issue of the MAST journal is also coming soon: ? Total Screen: why Baudrillard, once again? ?. The website is not fully translated for the moment, but this is work in progress (Thanks for your understanding). Thank you also in advance for sharing the information in the networks of your choice, mail, phone or social media platforms with the #ecrantotal2021 and/or follow us - if you like - here : @ecrantotal_UQAM (twitter), @ecran__total(instagram), https://www.facebook.com/ECRANTOTALJeanBaudrillard (Facebook). Very happy to see you soon, The ?CRAN TOTAL committee The five curators : Amandine Alessandra, Marine Baudrillard, Carole L?vesque, Katharina Niemeyer and Magali Uhl The artistic and scientific coordination : Sonia Tr?panier et Ola Siebert https://ecrantotal.uqam.ca/ https://centrededesign.com/ecran-total/ [A screenshot of a computer screen Description automatically generated with low confidence] Design: Louise Paradis Thanks to/ Merci ? CRSH/SSHRC UQAM|Centre de design CELAT UQAM|Facult? de communication UQAM|?cole des m?dias UQAM|?cole de design UQAM|Facult? des sciences humaines UQAM|d?partement de sociologie Association Cool Memories CRICIS MAST MP Repro V2com -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.png Type: image/png Size: 1757123 bytes Desc: image001.png URL: From holtzsce at mcmaster.ca Wed May 12 08:15:40 2021 From: holtzsce at mcmaster.ca (Evangeline Holtz Schramek) Date: Wed, 12 May 2021 10:15:40 -0400 Subject: [acc-cca-l] request to share event with CCA listserv - McMaster University's Communications, New Media, and Cultural Studies Program: Event with Syrus Marcus Ware, Ravyn Wngs, and Dr. Jenna Reid Message-ID: [?EXTERNAL] Please join the Communication, New Media, and Cultural Studies PhD 1 Cohort at their mini-symposium entitled ?Doing the Work: Art & Activism in Action.? Date and Time: Thursday, May 20th, 2021 from 1:30-3:30pm. Roundtable Dialogue with Q&A to follow with speakers: Syrus Marcus Ware Ravyn Wngs Dr. Jenna Reid Syrus Marcus Ware Syrus is a Vanier Scholar, visual artist, activist, curator and educator. Syrus is an Assistant Professor at the School of the Arts, McMaster University. Syrus uses drawing, installation and performance to explore social justice frameworks and black activist culture. His work has been shown widely, including in a solo show at Grunt Gallery, Vancouver (2068:Touch Change) and new work commissioned for the 2019 Toronto Biennial of Art and the Ryerson Image Centre (Antarctica and Ancestors, Do You Read Us? (Dispatches from the Future)) and in group shows at the Art Gallery of Ontario, the University of Lethbridge Art Gallery, Art Gallery of York University, the Art Gallery of Windsor and as part of the curated content at Nuit Blanche 2017 (The Stolen People; Wont Back Down). His performance works have been part of festivals across Canada, including at Cripping The Stage (Harbourfront Centre, 2016, 2019), Complex Social Change (University of Lethbridge Art Gallery, 2015) and Decolonizing and Decriminalizing Trans Genres (University of Winnipeg, 2015). He is part of the PDA (Performance Disability Art) Collective and co-programmed Crip Your World: An Intergalactic Queer/POC Sick and Disabled Extravaganza as part of Mayworks 2014. Syrus' recent curatorial projects include That?s So Gay (Gladstone Hotel, 2016-2019), Re:Purpose (Robert McLaughlin Gallery, 2014) and The Church Street Mural Project (Church-Wellesley Village, 2013). Syrus is also co-curator of The Cycle, a two-year disability arts performance initiative of the National Arts Centre. Syrus is a core-team member of Black Lives Matter- Toronto. Syrus is a co-curator of Blackness Yes!/Blockorama. Syrus has won several awards, including the TD Diversity Award in 2017. Syrus was voted ?Best Queer Activist? by NOW Magazine (2005) and was awarded the Steinert and Ferreiro Award (2012). Syrus is an ABD PhD candidate at York University in the Faculty of Environmental Studies. He is the co-editor or the best-selling Until We Are Free: Reflections on Black Lives Matter in Canada (URP, 2020) Ravyn Wngz ?The Black Widow of Burlesque '' is a Tanzanian, Bermudian, Mohawk, 2Spirit, empowerment movement storyteller of Trans experience. An abolitionist, and Black Renaissance Artivist. Her work is rooted in Black liberation and Indigenous Resurgence. She has a vision to create work/art/conversations that open minds, expand truths and deepen intellectual commitments into lived practices. Her commitment is to elevate our collective global humanity. Ravyn is a co-founder of ILL NANA/DiverseCity Dance Company. A Co-Founder of Black Lives Matter Canada, A steering committee member of Black Lives Matter Toronto, A Canadian Best Selling Author and Co-Curator of The Wildseed Black Arts Fellowship. She is a graduate of the School Of Toronto Dance Theatre, Has trained with American Ballet Theatre, United Dance Productions(Bermuda), University Of The ARTS Philadelphia, and Duke Ellington Performing Arts High School(Washington D.C.). She has performed and collaborated with Keith Hennesy(Guggenheim Fellowship Recipient) InDance, Xing Dance Theatre, Earth In Motion, Ballet Creole, Ontario Ballet Theatre, Brandy Leary, Ame Henderson, Jefferson Pinder(Chicago), Victoria Mata and d?bi. young anitafrica (Watah Theatre) recently took part in the Luminato Festival inaugural Black Arts Residency 2020. Stratford Festival Emerging Artist Award 2020. Top25 Women of influence in Canada recipient. She recently premiered as lead Actor, in Obsidian Theatre and CBC Gem?s 21 Black futures. Dr. Jenna Reid (she/her) is the current Artistic Director at Kickstart Disability Arts & Culture. Jenna is a fibre artist who works primarily with the practices of quilting and natural dyes as a way to engage with activist based aesthetics. Throughout the spring, summer, and fall of 2020, Jenna has worked alongside prominent social movements in Toronto creating large scale banners and pennants to creatively activate messages for racial justice and radical change. Jenna has completed a residency on Toronto Island with the Feminist Art Conference, and has exhibited her work and presented on panels in Canada, the US, the UK, and Australia. Jenna?s studio work explores inter-institutional violence informed by the histories of queer, feminist, Deaf, disability, and mad movement organizing. With a studio based PhD in Critical Disability Studies at York University, Jenna?s teaching and research specializes in the emergent field of Mad Studies. Jenna has published in The Journal of Literary and Cultural Disability Studies, Canadian Art, Intersectionalities: A Global Journal of Social Work Analysis, Research, Policy, and Practice, Journal of Progressive Human Services, and Studies in Social Justice. Sign up for Eventbrite through this link: https://tinyurl.com/mac-cnmcs21 (Zoom link will be circulated closer to the event via email). Doing the Work: Art & Activism in Action The pandemic has quickly become the most pressing and constant issue in contemporary news media. The coronavirus? impact on daily life, politics, economics, and culture are profound. Further, the pandemic has exacerbated circumstances of inequality and has revealed how the most vulnerable groups are disproportionately affected. How has the COVID-19 pause shifted perceptions of; Dis/ability, Divergence, Racism / Anti-Racism within the political and social state of Canada. How is this informed by the US presidential elections, Black Lives Matter protests in response to police brutality and murder in Canada, Indigenous resistance movements, and anti-Asian racism. ? That folks with disabilities have lost or limited access to care? ? That mental health issues have exponentially grown or worsened? ? How have media depictions of COVID-19 related news shaped social relations and reactions to the pandemic? ? How have art and activism been impacted by COVID-19 & media landscape? ? Where do artistic and activist interventions on social media or in news media interrupt mainstream pandemic messaging? ? What role does art and activism play in the way we culturally process and adapt to the new normal? ? How do art and activist practices interrupt, challenge, and inform what a new normal ought to look like? Event will be live-captioned via Zoom Please contact holtzsce at mcmaster.ca with any questions or concerns Poster Photo Credits: Syrus Marcus Ware (photo credit: Jalani Morgan) Ravyn Wngz (photo credit: Jackie Brown Photography) Dr. Jenna Reid (photo credit: Cat O'Neil) -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CNMCS_May 20_Doing the Work.pdf Type: application/pdf Size: 7136979 bytes Desc: not available URL: From celat at uqam.ca Fri May 14 12:35:07 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Fri, 14 May 2021 18:35:07 +0000 Subject: [acc-cca-l] Diversity on Streaming Platforms in Pandemic Times - Conference and discussion with the Media Metadata Research Lab (mmrl) Message-ID: <85758A59-09E7-4582-82B6-1788CA49FD9E@uqam.ca> [?EXTERNAL] Dear all, As part of the exhibition and symposium TOTAL SCREEN - ?CRAN TOTAL (https://ecrantotal.uqam.ca/), we invite you to join the following conference: Vernissage Pre-Event ? 18 mai/May 18th/ 15h30-17h00 (MONTREAL time) Conference and discussion with the Media Metadata Research Lab (mmrl): Diversity on Streaming Platforms in Pandemic Times Abigail de Kosnik, Benjamin de Kosnik, Veronika Jackson, Matthew Jamison and Jaclyn Zhou (Berkeley University of California) (https://ecrantotal.uqam.ca/accueil/presentation/#ET-Participants) ________________________________ Registration: zoom / or live-broadcast on our Youtube Channel Over the past several years, social media campaigns such as #OscarsSoWhite (2015-2016) and #TimesUp (2017-present) have pressured the media industry to become more diverse and equitable in their hiring (including casting) practices, and to offer more and better representations of women, BIPOC, and LGBTQ+ characters. In response to the industry?s heightened focus on improving its diversity and inclusivity, the Media Metadata Research Lab (mmrl ? pronounced ?merl?) has developed an original method for assigning ?diversity scores? to films and television series. Unlike existing diversity reports that target industry or academic audiences, the mmrl Diversity Scoring system aims to be legible to a wide audience (i.e., the ?ordinary viewer?); to be comprehensive and intersectional (accounting for the ethnicity, age, gender, sexuality, and nationality of the main characters in every media text); and to attend to both quantity and quality of representation (i.e., to highlight when representations of women or minorities are stereotypical or otherwise problematic). In this presentation, we will present our Diversity Scores for 30 media properties that originally aired on major streaming platforms (Netflix, Disney+, and HBO Max) during the COVID-19 pandemic period, between January 2020 and April 2021. We opted to select texts from this period of time because, during the pandemic, streaming viewership has constituted the majority of media entertainment for millions of households, as cinemas have had to close for public health reasons. For the 30 texts we have chosen, we will share ?glyphs? that we have designed to visualize our scores. We will show scores for individual media properties, scores for platforms, and scores for both actors and characters (as actors frequently play characters with different identities than their own). We will discuss how we hope to use Diversity Scores to support media literacy education and to provide a common vocabulary for discussing and debating representation. -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Mon May 17 05:17:57 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Mon, 17 May 2021 11:17:57 +0000 Subject: [acc-cca-l] =?utf-8?q?Conf=C3=A9rence_Une_r=C3=A9flexion_sur_la_?= =?utf-8?q?repr=C3=A9sentation_de_conflits_arm=C3=A9s_par_Harun_Farocki=2C?= =?utf-8?q?_Omer_Fast_et_Forensic_Architecture_=C3=A0_partir_de_=C2=AB_La_?= =?utf-8?q?guerre_du_Golfe_n=E2=80=99a_pas_eu_lieu_=C2=BB_de_Jean_Baudrill?= =?utf-8?q?ard?= Message-ID: <275E9503-F08D-409D-B097-CEBD785570FA@uqam.ca> [?EXTERNAL] Bonjour, Dans le cadre des ?v?nements li?s ? l?exposition (https://ecrantotal.uqam.ca/) et au symposium d??cran Total (https://ecrantotal.uqam.ca/accueil/symposium/), nous vous invitons ? participer ? la conf?rence de Anne Zeitz (Universit? de Rennes) Une r?flexion sur la repr?sentation de conflits arm?s par Harun Farocki, Omer Fast et Forensic Architecture ? partir de ? La guerre du Golfe n?a pas eu lieu ? de Jean Baudrillard 19 mai ? 9h30 (heure de Montr?al) Inscription : https://uqam.zoom.us/meeting/register/tZEtdumqqz0uH9xE0AzZ6JaLQ_xDDDmpoJea Cette conf?rence prendra comme point de d?part le texte ? La guerre du Golfe n?a pas eu lieu ? de Jean Baudrillard dont une premi?re partie a ?t? publi?e en 1991 dans Lib?ration. Il s?agira de d?velopper la mani?re dont les artistes Harun Farocki et Omer Fast, ainsi que le groupe de recherche interdisciplinaire Forensic Architecture questionnent les technologies militaires et de reconnaissance. Le film Reconnaitre et poursuivre (2003) d?Harun Farocki se concentre sur les missiles autoguid?s dont les images ont ?t? largement diffus?es pendant la Premi?re Guerre du Golfe dans les ann?es 1990. La vid?o 5000 Feet is the Best (2011) d?Omer Fast repose sur un entretien men? avec un ancien pilote de drones ? Las Vegas. Les projets de Forensic Architecture se construisent en rapport avec des conflits arm?s actuels, notamment au Pakistan et en Syrie. A travers des approches diff?rentes, leurs ?uvres et projets interrogent les notions de simulation et de temporalit? ? qui se refl?tent dans les ?crits de Baudrillard ?, ainsi que l?impact des technologies militaires sur la perception de conflits arm?s contemporains. Le vernissage officiel de l?exposition aura lieu cette semaine ?galement :https://uqam.zoom.us/meeting/register/tZIlcuytrj8pGNXy_ezcJK8kqU84gOCpnC%20Zp CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From monica.henderson at mail.utoronto.ca Mon May 17 06:51:19 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Mon, 17 May 2021 12:51:19 +0000 Subject: [acc-cca-l] Grad students - important! Message-ID: [?EXTERNAL] Version fran?aise ci-dessous Hello CCA grad students! We are looking forward to "seeing" you all at Congress at University of Alberta this year. Please read this email in its entirety as there is important information about CCA. This is the first reminder that we will be holding a CCA grad student caucus AGM on Friday, June 4 from 12-1pm MST. An agenda will follow, but we wanted to inform you early on that we will be holding elections for the next Anglophone PhD rep for the CCA. If you are interested in being a candidate for the position, please send us a short bio of yourself as well as a paragraph with your motivations to be included in the agenda. We are also excited to announce that this year we will be hosting our first Graduate Professionalization Panel. We hope this is the start of a new initiative where every year, the CCA PhD reps will organize a CCA panel on a practical topic related to being a grad student and succeeding in academia. This year's panel, chaired by CCA Anglophone rep Monica Jean Henderson, is entitled: "Publish and Prevail: Graduate Student Guidance for Academic Publishing" and is preliminarily scheduled for Tuesday, June 1 from 9-10:15am MST. This is a Q&A panel comprised of published graduate students to provide advice and tips on how to break your way into academic publishing. Last, but certainly not least, we will be hosting a virtual grad pub quiz night event Friday, June 4 from 5:00-6:00pm MST! 1st and 2nd place teams will win Skip the Dishes gift cards! Sign up here: https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform Looking forward to seeing you all at CCA! Sincerely, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca --- Bonjour ?tudiant.es aux cycles sup?rieurs de l?ACC ! Nous avons h?te de vous voir au congr?s qui aura lieu cette ann?e ? l?Universit? de l?Alberta. Merci de prendre le temps de lire ce courriel en entier puisqu?il contient plusieurs informations importantes concernant l?ACC. D?abord, l?assembl?e g?n?rale des ?tudiant.es aux cycles sup?rieurs de l?ACC aura lieu Vendredi le 4 juin, de midi ? 13 h (heure des rocheuses). Nous vous partagerons l?ordre du jour prochainement, mais en attendant, nous tenions ? vous informer que nous y tiendrons une ?lection pour le poste de repr?sentant.e ?tudiant.e anglophone (doctorat) ? l?ACC. Si vous ?tes int?ress?.e par ce poste, merci de nous envoyer une courte biographie ainsi qu?un paragraphe d?crivant vos motivations afin que nous l?ajoutions ? l?ordre du jour. Nous sommes ?galement enthousiastes d?annoncer que nous tiendrons notre premier panel de professionnalisation pour les ?tudiant.es aux cycles sup?rieurs. Nous esp?rons que cette nouvelle initiative se poursuive dans le futur et que chaque ann?e, les repr?sentant.es ?tudiant.es organisent un panel sur un sujet pratique rattach? ? l?exp?rience d??tudier aux cycles sup?rieurs et ? la r?ussite dans le milieu acad?mique. Ce panel, pr?sid? par notre repr?sentante anglophone Monica Jean Henderson, s?intitule ?Publier et triompher : conseils destin?s aux ?tudiant.es aux cycles sup?rieurs pour la publication acad?mique? et aura lieu le mardi 1er juin, de 9 h ? 10 h 15 (heure des rocheuses). Sous la forme question-r?ponse, ce panel est compos? d??tudiant.es publi?.es qui offriront trucs et conseils afin de faire son chemin dans le monde de la publication universitaire. Finalement, nous vous invitons ? une soir?e pub-jeu-questionnaire virtuelle qui aura lieu le vendredi 4 juin de 5 h ? 6 h (heure des rocheuses ) ! Courez la chance de remport?e des cartes cadeaux Skip the Dishes ! Inscrivez-vous ici : https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform Cordialement, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From henry.svec at uwaterloo.ca Mon May 17 10:51:46 2021 From: henry.svec at uwaterloo.ca (Henry Adam Svec) Date: Mon, 17 May 2021 16:51:46 +0000 Subject: [acc-cca-l] This Thursday: Black And Free In-Reply-To: References: Message-ID: [?EXTERNAL] Greetings, The Department of Communication Arts at the University of Waterloo is delighted to announce an upcoming virtual Communication Speaks event of Dr. Naila Keleta-Mae's research-creation project, Black And Free. We invite all to attend, and we especially encourage you to spread the word to your students and colleagues. Date: Thursday, May 20th Time: 7 - 8 pm Eastern Event Link: https://youtu.be/Q-RFXFI6zHI [cid:22457a34-e1b6-4c42-954e-eeb1dd9aca5e] On behalf of the Speakers Series Committee, thank you. Sorouja Moll Henry Adam Svec David Janzen Lennart Nacke Henry Adam Svec, PhD Assistant Professor Department of Communication Arts University of Waterloo New Book: Life Is Like Canadian Football and Other Authentic Folk Songs www.henryadamsvec.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Keleta_Mae_Promotion_May2021.jpg Type: image/jpeg Size: 963605 bytes Desc: Keleta_Mae_Promotion_May2021.jpg URL: From ghislain.thibault at umontreal.ca Mon May 17 14:24:00 2021 From: ghislain.thibault at umontreal.ca (Ghislain Thibault) Date: Mon, 17 May 2021 20:24:00 +0000 Subject: [acc-cca-l] =?utf-8?q?CCA21_=3A_Final_program_and_countdown_to_m?= =?utf-8?q?eeting=3A_two_weeks_!_/_Le_programme_final_de_l=27ACC_21_et_le_?= =?utf-8?q?compte_=C3=A0_rebours_!?= Message-ID: <52FC1428-7DCC-49E6-84B3-C399C466CB5B@umontreal.ca> [?EXTERNAL] Dear CCA friends and colleagues, We?re really excited to send the final program for the upcoming CCA annual meeting, to be held virtually June 1 to June 4, 2021. A low resolution version of the program is attached to this email; a higher resolution is now available at: https://acc-cca.ca/wp-content/uploads/2021/05/CCA21_ACC21_Finalprogram.pdf We have a wonderful program this year and we very much look forward to seeing many of you in two weeks! Best regards, Ghislain Thibault, CCA Vice-President and 21 Conference Chair Gordon Gow, Local Arrangements Coordinator ??????? Ch?res et chers ami.e.s et coll?gues de l'ACC, Nous sommes tr?s heureux d?envoyer le programme final du prochain colloque annuel de l'ACC, qui se tiendra du 1er au 4 juin 2021. Une version basse r?solution du programme est jointe ? ce courriel; une r?solution plus ?lev?e peut ?tre trouv?e sur le site Web de l'ACC ici: https://acc-cca.ca/wp-content/uploads/2021/05/CCA21_ACC21_Finalprogram.pdf Nous avons h?te de voir plusieurs d?entre vous dans deux semaines! Meilleures salutations, Ghislain Thibault, organisateur principal du colloque Gordon Gow, coordonnateur local -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA21_ACC21_Finalprogram_SM.pdf Type: application/pdf Size: 3400173 bytes Desc: CCA21_ACC21_Finalprogram_SM.pdf URL: From celat at uqam.ca Tue May 18 05:18:18 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Tue, 18 May 2021 11:18:18 +0000 Subject: [acc-cca-l] Invitation vernissage en ligne (et exposition sur place) Message-ID: <5217B1E6-3152-4455-B74D-09B920B45D29@uqam.ca> [?EXTERNAL] Bonjour, Nous vous invitons chaleureusement aux deux activit?s de vernissage qui auront lieu demain: Le vernissage de l?exposition ?cran Total (https://ecrantotal.uqam.ca/) qui joindra par ailleurs la Biennale d?Architecture de Venise cet ?t? aura lieu ce mercredi 19 mai ? 12h30 (heure de Montr?al). Une rencontre in?dite entre Paris, Montr?al et Taipei avec Marine Baudrillard (Association Cool Memories), Lin Chi-Ming (Department of Arts and Design, National Taipei University), Luc Courchesne (artiste, Soci?t? des arts technologiques), Emmanuelle Fantin (Sorbonne Universit?s), Camille Z?henne (artiste et chercheure). D?tails et lien direct pour s?inscrire (interpr?tation en direct en langue des signes qu?b?coise) : https://uqam.zoom.us/meeting/register/tZIlcuytrj8pGNXy_ezcJK8kqU84gOCpnC%20Zp A 17h00 (heure de Montr?al), une rencontre ? en anglais (sous-titr?s) ? avec les artistes Adam Basanta, Mishka Henner et Penelope Umbrico expos?s est ?galement organis?e. D?tails et lien direct pour s?inscrire : https://uqam.zoom.us/meeting/register/tZMrf-GrrjMuHdSfe9pzjKC4V_sSjaAkfKPa Vous pouvez aussi suivre les autres activit?s du symposium : https://ecrantotal.uqam.ca/accueil/symposium/ Au plaisir, ECRAN TOTAL et son partenaire CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Tue May 18 05:23:24 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Tue, 18 May 2021 11:23:24 +0000 Subject: [acc-cca-l] Artist talk TOTAL SCREEN Penelope Umbrico, Adam Basanta and Mishka Henner Message-ID: <4193F16F-5EDF-44D2-83FB-7DDA1DA70F83@uqam.ca> [?EXTERNAL] ARTIST TALK Penelope Umbrico, Adam Basanta and Mishka Henner ? 17h00-18h30 (Montreal time) En anglais, les questions peuvent ?tre pos?es en fran?ais Direct registration link https://uqam.zoom.us/meeting/register/tZMrf-GrrjMuHdSfe9pzjKC4V_sSjaAkfKPa This online screen-conversation, marking the opening of ECRAN TOTAL-TOTAL SCREEN, gives us the opportunity to e-meet Penelope Umbrico, Adam Basanta and Mishka Henner. The artists will seize the opportunity to exchange views on the theories of Jean Baudrillard on virality, simulation, surveillance and implosion, and of their utter relevance in the current pandemic context. Live from New York, Manchester and Montreal, the three guest speakers will discuss these concepts, central to the philosopher?s work, in the context of their current art practice and exhibited pieces. TOTAL SCREEN Exhibited for the first time in Canada at UQAM?s Centre de design, the exhibition ?CRAN TOTAL-TOTAL SCREEN, features Jean Baudrillard?s photographs in conversation with pieces by Adam Basanta, Charlie Doyon, Clint Enns, Mishka Henner + Vaseem Bhatti, Penelope Umbrico, and Xuan Ye. In conjunction with the exhibition, a series of international conferences, round tables, and workshops will be held in order to explore the different roles and forms of screens in our daily social and cultural practices. Through photographs, projections, and installations, the ?CRAN TOTAL/TOTAL SCREEN exhibition features three distinct experiences of mediation. The first one is a very ? real ?, physical exhibition at the Centre de design. The second one is an outdoor installation at the Centre de design and the third experience is that of the reimagined exhibition, progressively and partially re-mediated online on this website. ?CRAN TOTAL et son partenaire CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From hubner.lena_alexandra at courrier.uqam.ca Tue May 18 07:45:04 2021 From: hubner.lena_alexandra at courrier.uqam.ca (=?UTF-8?Q?Lena_Alexandra_H=C3=BCbner?=) Date: Tue, 18 May 2021 09:45:04 -0400 Subject: [acc-cca-l] =?utf-8?q?Fwd=3A_Prochain_s=C3=A9minaire_=C2=ABGenre?= =?utf-8?b?KHMpIGV0IG3DqXRob2Rlc8K7IChDUklDSVMgJiBMYWJTSUMpOiAyMS8w?= =?utf-8?q?5_=22M=C3=A9thodologies_et_d=C3=A9colonisation_=3A_enjeu?= =?utf-8?b?eCwgZMOpYmF0cyBldCBvdXRpbHMi?= In-Reply-To: References: Message-ID: [?EXTERNAL] Bonjour ? toutes et ? tous, Ceci est un rappel cordial. Nous avons le plaisir de vous annoncer que la deuxi?me s?ance ? ?tudier la migration : de l?ethnographie ? la recherche collaborative ? du s?minaire Genre(s) et m?thodes (GEM) co-organis?e par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada) le vendredi 23 avril 2021 est d?sormais en ligne sur le site web du CRICIS. Un grand merci aux participant?e?s. Nous attirons par ailleurs votre attention sur la date de la troisi?me s?ance qui aura lieu le vendredi 21 mai 2021. Programmation : 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils * Sandeep Bakshi (Universit? de Paris - LARCA) : ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? * Na?ma Hamrouni (UQTR ? CRIDAQ) : ?Rechercher pour r?parer - desiderata en vue d?une ?thique f?ministe de la recherche? Vous trouverez le descriptif complet et les r?sum?s des interventions ci-dessous. Le s?minaire aura lieu sur Zoom. Il est gratuit et ouvert ? toutes et ? tous sous r?serve d?inscription pour recevoir le lien : cricis at uqam.ca (SVP mentionnez le nom et la date du s?minaire). Pour plus d'informations, visitez le site web du CRICIS / du LabSIC. Au plaisir de vous retrouver, Lena H?bner et H?l?ne Bourdeloie Lena Alexandra H?bner ?tudiante au doctorat conjoint en communication (UQAM, UdeM, Concordia) Coordonnatrice des activit?s scientifiques du CRICIS Charg?e de cours ? l'?cole des m?dias http://lenahubner.net/ Genre(s) et m?thodes Co-organis? par le LabSIC (Laboratoire des Sciences de l?information et de la communication, Universit? Sorbonne Paris Nord, France) et le CRICIS (Centre de recherche interuniversitaire sur la communication, l?information et la soci?t?, Qu?bec, Canada), le s?minaire Genre(s) et m?thodes (GEM) s?attache ? ?tudier les questions f?ministes, intersectionnelles et de genre(s) en termes de m?thodes, m?thodologies et ?pist?mologies. Concept transdisciplinaire fluide et non fig?, le genre ? ou les genres, pour ?chapper ? un fonctionnement social binaire ? a fait l?objet de travaux qui, en proposant un d?centrement radical, ont transform? le paysage des sciences sociales et humaines tout au long du XXe si?cle. Ce s?minaire a pour objectif de proposer un espace pour discuter des apports de ces ?tudes ? la pratique scientifique. Nous y discutons des fa?ons de faire de la recherche lorsqu?on travaille sur le(s) genre(s), de ses / leurs articulations avec d?autres formes de minoration, et du pouvoir critique de cet outil pour d?sessentialiser le monde social. Cherchant ? soustraire la r?flexion ? la pens?e universaliste, nous y d?centrons les regards pour aborder les questions de luttes, de r?sistances, ? l?exemple de celles de corps racis?s qui subissent diff?rents rapports de domination. Nous r?fl?chissons ? la fa?on dont sont op?r?s les d?centrements des concepts et aux d?marches mises en ?uvre pour d?construire les normes dominantes sur les identit?s de genre, les sexualit?s et d?autres rapports de pouvoir comme la classe ou la race. Pluriels, les questionnements portent sur la capacit? ? penser le positionnement de la chercheuse ou du chercheur, son engagement, sa subjectivit?, le d?voilement de biais en termes de production ou d?interpr?tation de donn?es, la r?flexivit? sur ces biais en tant que ressources heuristiques, ?pist?miques ou politiques, les questions ?thiques soulev?es par des objets per?us comme impurs, ou encore l?historiographie ou l?analyse du caract?re genr? d?un objet ou d?un dispositif d?enqu?te? Il s?av?re pertinent de mettre au jour et d?analyser les fa?ons dont le(s) genre(s) ? ainsi que les concepts qui lui / leur sont rattach?(s) ? sont travaill?s et reconstruits par le terrain? Enfin, cet espace de dialogue a aussi pour vocation d?interroger la possible singularit? des m?thodes, m?thodologies et ?pist?mologies des approches par le genre et des ?tudes f?ministes et intersectionnelles. Ce s?minaire met en lumi?re des travaux s?inscrivant dans les champs des m?dias et de la communication, et plus largement en sciences humaines et sociales (sociologie, histoire, anthropologie, sciences politiques ou philosophie?). Programmation 12 mars 2021, 9h-12h au Qu?bec et 15h-18h en France : D?construire le genre et d?autres rapports de minoration en ?tudes t?l?visuelles ?Du genre ? l??cran : m?thodologies crois?es pour analyser les repr?sentations des rapports sociaux de genre dans les s?ries t?l?vis?es fran?aises? Sarah L?cossais Afin d?interroger les dynamiques de repr?sentation du genre dans les s?ries t?l?vis?es, je propose de travailler aussi bien sur les contenus (analyse de corpus) qu?? partir d?entretiens avec des sc?naristes. Apr?s avoir rappel? ce qui m?a amen?e ? enqu?ter sur les objets longtemps m?pris?s que sont les s?ries fran?aises, je pr?senterai donc dans cette communication les enjeux de l?articulation de ces deux m?thodologies et le d?veloppement d?une approche f?ministe des politiques des repr?sentations (Hall, 2008). En termes th?oriques, mes recherches s?appuient ainsi sur une conception du genre comme performance it?rative (Butler, 2006) dont la repr?sentation est la construction (de Lauretis, 2007). Les s?ries peuvent alors ?tre entendues comme ? territoires du genre ? (L?cossais, 2020), via une relecture de Butler, de Lauretis, Foucault et Hall. ?Enjeux ?pist?mologiques et m?thodologiques d?une queerisation des ?tudes t?l?visuelles? St?fany Boisvert Cette communication proposera une r?flexion sur le potentiel de la th?orie queer pour le renouvellement des ?tudes de genre (gender studies) portant sur la t?l?vision. L?approche queer est ici d?finie comme une approche fondamentalement critique et anti-essentialiste qui vise ? questionner, d?naturaliser, subvertir et probl?matiser les savoirs normatifs ainsi que les conceptions fixes et binaires des identit?s et sexualit?s (Sullivan 2003 ; Chambers 2009 ; Joyrich, 2014). Partant de cette d?finition, je montrerai comment l?approche des queer television studies permet de surmonter un ?cueil encore fr?quent, soit celui d?une lecture ? binaire ? des repr?sentations t?l?visuelles, tout en mobilisant plus concr?tement une approche intersectionnelle. Afin de r?fl?chir au potentiel d?une queerisation des ?tudes t?l?visuelles, je ferai r?f?rence ? certains de mes r?cents projets de recherche, lesquels avaient pour objectif d?analyser les repr?sentations de personnages non-binaires et trans dans certaines s?ries t?l?vis?es r?centes, mais aussi de mieux comprendre les m?canismes de r?ception reli?s ? l?inclusion de personnages LGBTQ+ dans des fictions t?l?visuelles. Ces recherches permettront ainsi d?aborder les enjeux ?pist?mologiques et m?thodologiques reli?s ? la mobilisation des queer studies, que ce soit dans le cadre d?une analyse qualitative de contenu ou d?une ethnographie en ligne. Lien vers la vid?o. 23 avril 2021, 9h-12h au Qu?bec et 15h-18h en France : ?tudier la migration ? de l?ethnographie ? la recherche collaborative ?Conditions ?pist?mologiques et ?thiques d?une ethnographie de migrant.e.s blanc.he.s? Claire Cosquer Je reviendrai dans cette communication des conditions ?thiques et ?pist?mologiques de l?ethnographie des migrations fran?aises ? Abu Dhabi (?mirats arabes unis). Cette ethnographie analysait en particulier la position de ces migrant.e.s dans les rapports sociaux de race, en l?appr?hendant par le concept de blanchit?. La communication explorera les avantages et les tensions m?thodologiques associ?s ? l?usage de l?entretien biographique et de l?observation non-d?clar?e, en prenant au s?rieux leur sp?cificit? et leur plus-value ?pist?mologique respectives, mais ?galement en nuan?ant leur opposition terme ? terme. J?y r?fl?chis ? l?indissociabilit? des choix ?pist?mologiques et ?thiques, en ce qu?il n?est pas de parti pris ?thique qui n?ait de cons?quence ?pist?mologique, et inversement. ?Recherche collaborative et approches f?ministes : apports et tensions de la recherche par, pour et avec les femmes? Caterine Bourassa-Dansereau Dans le cadre du s?minaire Genre(s) et m?thodes organis? par le CRICIS et le LabSIC, je propose d?aborder les enjeux m?thodologiques et ?thiques qui caract?risent la recherche collaborative f?ministe men?e par, pour et avec les femmes. Ces enjeux concernent l?ensemble des ?tapes de la recherche; de la d?finition des objectifs, ? la diffusion des r?sultats, en passant par la construction des outils de collecte et l?analyse des donn?es. Au c?ur de cette communication, je m?attarderai aux d?fis li?s ? l?importance de reconnaitre et de valoriser les diff?rents types de savoirs, ? la n?cessit? d?identifier et de nommer les relations de pouvoir et ? l?engagement visant ? s?assurer que les apports et retomb?es de la recherche collaborative f?ministe profitent ? toutes les actrices de la d?marche. ? travers quelques exemples de projets de recherche, j?illustrerai de plus les enjeux sp?cifiques qui caract?risent la recherche collaborative avec les femmes immigrantes et r?fugi?es. Si cette communication propose des pistes de r?flexion sur la posture de la personne chercheuse, elle s?int?resse aussi aux principales actrices de la recherche collaborative f?ministe : les professionnel.lle.s des groupes partenaires, les intervenant.e.s et les femmes elles-m?mes, actrices au c?ur de ces d?marches. Lien vers la vid?o. 21 mai 2021, 9h-12h au Qu?bec et 15h-18h en France : M?thodologies et d?colonisation : enjeux, d?bats et outils ?Queeritude d?coloniale. Quels objets, quelles possibilit?s ?? Sandeep Bakshi Visant ? ouvrir le champ d?colonial et les ?tudes queer aux possibilit?s d?une lecture crois?e, cette pr?sentation prend appui sur deux th?ories, deux analytiques v?ritables d??tudes critiques ?uvrant pour la transformation des relations sociales tout en relevant l?absence d?articulation d?un cadre de queeritude d?coloniale. Il convient de souligner que les deux outils th?oriques ne peuvent s?ignorer pendant longtemps car m?me si les deux champs de recherche demeurent rigoureusement disciplinaires, voire disciplin?s, les possibilit?s de croisement restent souvent nombreuses et mal exploit?es. Situant les questions sur le positionnement ?thique de la recherche et les objets de recherche dans le cadre ?pist?mologique, l?exemple phare de cette pr?sentation tend vers une analyse g?o-culturelle, aspirant ? formuler une critique du mouvement queer indien domin? par l??lite et la langue anglaise ? une des six langues imp?riales dans le monde, selon les ?tudes d?coloniales. En se d?centrant de la langue anglaise, cette recherche amende l??quilibre des pratiques culturelles queer indiennes de fa?on ? renouveler la probl?matique queer dans la r?gion. Cette approche interdisciplinaire embrasse ? la fois les grilles de lecture ?tablies par les th?ories queer et d?coloniales dans le but de proposer des outils pour une critique d?coloniale des ?nonciations transnationales de queeritude. ?Rechercher pour r?parer - desiderata en vue d'une ?thique f?ministe de la recherche? Na?ma Hamrouni Dans Moral Repair, Reconstructing Moral Relations After Wrongdoing (2006), la philosophe Margaret Urban Walker propose une th?orie de la justice r?paratrice guid?e par l?exigence de r?parer les relations morales intergroupes d?grad?es par une histoire de violence, d?exploitation et d?oppression. Dans cette pr?sentation exploratoire, nous proposons de poser les premi?res bases d?une approche ?thique f?ministe de la recherche qui s?inscrirait dans un paradigme de justice r?paratrice. Lien vers l'?v?nement Facebook. -------------- next part -------------- An HTML attachment was scrubbed... URL: From agruzd at gmail.com Tue May 18 07:49:28 2021 From: agruzd at gmail.com (Anatoliy Gruzd) Date: Tue, 18 May 2021 09:49:28 -0400 Subject: [acc-cca-l] We're hiring a Postdoctoral Researcher to Study Dis/Mis-Information Campaigns at Scale Message-ID: [?EXTERNAL] The Social Media Lab at Ted Rogers School of Management, Ryerson University in Toronto, Canada is seeking a highly motivated and creative Postdoctoral Researcher with expertise in applying and evaluating various computational approaches for large-scale network visualization and analysis. In addition, applicants must also have strong research writing and communication skills and a passion for data analysis. The position will be for a period of one year with a preferred start date in the Fall of 2021 (an earlier start date is also possible). The salary is $50-60k CAD per annum (based on experience) plus a comprehensive benefits package. The successful candidate will be a member of Ryerson University?s Social Media Lab, headed by co-directors Dr. Anatoliy Gruzd, Canada Research Chair and Associate Professor at the Ted Rogers School of Management and Philip Mai, Director of Business and Communications. The researcher must be available to work onsite at the Social Media Lab in Toronto, Canada. RESPONSIBILITIES: The postdoctoral fellow will be expected to collaborate actively with all team members and contribute to the intellectual life of the lab. The successful candidate responsibilities include but are not limited to: * applying and evaluating distributed computing solutions and other computational techniques for large-scale network visualization and analysis; * applying the proposed methods to study the dissemination and reach of known dis/mis-information campaigns on social media sites such as Twitter, Reddit, Facebook, etc? * Contributing substantially to other research projects and publications of the lab, and other related tasks as they arise, * Communicating regularly with the project team, * Actively participating in the knowledge management and translation of the lab research via journals, conferences, the lab?s website and via our various social media channels. QUALIFICATIONS: * A doctorate in one of the following areas: Information Systems, Computer Science, Computational Social Science, Network Science, Communication, Complex Systems, Computer Engineering, Digital Sociology, or a related field is required; * Working knowledge of computer programming and analyzing large-size datasets; * Working knowledge of social network analysis; * Excellent written and oral communication skills; * Highly organized; * Independent; DESIRED QUALIFICATIONS: * Hands-on experience with distributed frameworks and parallel algorithms; * Strong publication record in the field of expertise; ELIGIBILITY TO APPLY: All qualified candidates are encouraged to apply but applications from Canadians and permanent residents will be given priority. To apply: * You must have completed all requirements of your doctoral degree no more than 2 years from the start of the fellowship. * Not hold a permanent faculty position or a faculty position leading to permanency. TO APPLY: Candidates should submit the following materials as one PDF file electronically to Dr. Anatoliy Gruzd and Mr. Philip Mai at info at socialmedialab.ca. 1. Cover Letter that describes your relevant background and skills, range of interests and career goals, 2. Academic CV, 3. The name and contact information for three research references (one reference should be your doctoral advisor); Reference letters will only be solicited from the short-listed candidates, 4. Sample publication. DEADLINE: * The review process will start on June 10, 2021 and will continue until the position is filled. ________________________________ INSTITUTIONAL BACKGROUND: The Social Media Lab is an internationally engaged multi- and interdisciplinary research laboratory at the Ted Rogers School of Management at Ryerson University. The lab studies how social media is changing the ways in which people and organizations communicate, disseminate information, conduct business and form communities online, and how these changes impact society. The lab?s research seeks to advance the public?s understanding of the benefits and pitfalls of social media adoption. The Social Media Lab was established in 2010 and is the first of its kind in North America. It is led by co-directors, Anatoliy Gruzd (PhD) ? Dir. of Research and Philip Mai (JD) ? Director of Business and Communications. The lab is internationally recognized and attracts a diverse range of outstanding multidisciplinary scholars from around the world each year. It is a leader in social media studies and is the convener of the annual International Conference on Social Media and Society (#SMSociety). The lab?s expertise lies in studying online communities and social networks, and developing new methods for analyzing and visualizing social media data. The Social Media Lab conducts research in a wide variety of areas including: Academia, Health, Information Privacy, Mis/Dis-information, Online Communities, Organizational Social Media Use, and Politics. The broad aim of the lab?s various research initiatives is to provide decision makers with additional knowledge and insights into the behaviors and relationships of online social network members, and to understand how these interpersonal connections influence our personal choices and actions. We also develop research apps, tools and methods for collecting, analyzing and visualizing publicly available social media data. Ted Rogers School of Management is home to nearly 11,000 students and more than 250 industry-connected faculty, the Ted Rogers School of Management at Ryerson University is Canada?s leading diverse, entrepreneurial business school centred in an urban learning environment. TRSM offers 12 Bachelor of Commerce degrees, two Bachelor of Health Administration degrees, the Ted Rogers MBA, a Professional Master?s Diploma in Accounting, customized Executive Education courses, a Master of Health Administration (Community Care) and a Master of Science in Management, as well as a new PhD in Management. TRSM is also home to 15 innovative research centres, institutes and labs. Ryerson University (with over 45,000 undergraduate and graduate students) is located in the heart of one of the world?s most culturally and linguistically diverse urban centres. Research at Ryerson is on a trajectory of success and growth, as evidenced by externally funded research doubling in the past 5 years. Longstanding partnerships with community, industry, government, and professional practice drive research and innovation that responds to real-world problems. The University?s academic plan, Our Time to Lead, can be found at https://www.ryerson.ca/provost/academic-plan/. Ryerson University is strongly committed to fostering diversity within our community. We welcome those who would contribute to the further diversification of our staff, our faculty and its scholarship including, but not limited to, women, visible minorities, Aboriginal people, persons with disabilities, and persons of any sexual orientation or gender identity. Please note that all qualified candidates are encouraged to apply but applications from Canadians and permanent residents will be given priority. -------------- next part -------------- An HTML attachment was scrubbed... URL: From Nicolas.Bencherki at teluq.ca Wed May 19 09:47:08 2021 From: Nicolas.Bencherki at teluq.ca (Bencherki, Nicolas) Date: Wed, 19 May 2021 15:47:08 +0000 Subject: [acc-cca-l] IADA 2021: Submit your work on dialogue! Message-ID: <2fff94d304e84ee895d10dfc8c813b5b@teluq.ca> [?EXTERNAL] [With the usual apologies for cross-posting] Hello dear CCA members, cher.e.s membres de l?ACC, If you are doing work on dialogue, please consider submitting your work to the 2021 conference of the International Association for Dialogue Analysis. This year?s theme, as you?ll see in the attached CfP, is ?Practices of dialogue, dialogues in practice ? with their problems?, but we welcome 500-word abstracts on any relevant topic surrounding dialogue, by June 15. You can submit your work (or a panel proposal) and learn more at https://www.iada2021.org For more information about IADA as an association, visit https://www.iada-web.org (and please join us!). Don?t hesitate to reach out to me if you have any question. The conference language is English / la conf?rence a lieu en anglais. Best, Nicolas ------ Nicolas Bencherki, PhD Professeur de communication organisationnelle D?partement Sciences humaines, lettres et communication Universit? T?LUQ | www.teluq.ca Professeur associ? D?partement de communication sociale et publique Universit? du Qu?bec ? Montr?al c. nicolas.bencherki at teluq.ca t. 514-843-2015 poste 2372 https://recor.uqam.ca https://www.researchgate.net/profile/Nicolas_Bencherki -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: IADA 2021CFP final.pdf Type: application/pdf Size: 171043 bytes Desc: IADA 2021CFP final.pdf URL: From celat at uqam.ca Wed May 19 15:52:21 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Wed, 19 May 2021 21:52:21 +0000 Subject: [acc-cca-l] =?utf-8?q?TABLE_RONDE_=E2=80=93_Ce_que_nous_faisons_?= =?utf-8?q?avec_les_=C3=A9crans_et_ce_que_les_=C3=A9crans_font_de_nous?= Message-ID: [?EXTERNAL] INVITATION : ECRAN TOTAL (https://ecrantotal.uqam.ca) TABLE RONDE ? Ce que nous faisons avec les ?crans et ce que les ?crans font de nous (Interpr?tation LSQ en simultan? via Zoom) Jeudi 20 mai 2021, 9h30 (heure de Montr?al) : https://uqam.zoom.us/meeting/register/tZYvcuihrTgpHNCUzEGZO6Ked6Kn5uI8ekUA Avec : Sofian Audry, Julia Bonaccorsi, Catalina Bricenco, Leona Nikolic, St?phane Vial (biographies : https://ecrantotal.uqam.ca/accueil/presentation/#ET-Participants) Animation : Chiara Piazzesi Il n?est plus n?cessaire de souligner l?omnipr?sence souvent pesante des multiples ?crans dans notre quotidien, notamment depuis l?av?nement du Web 2.0 et les t?l?phones nomm?s ?intelligents?. La pand?mie a encore amplifi? l?usage des ?crans dans nos vies - que ce soit pour acc?der ? la culture et l?art autrement ou encore pour substituer un grand nombre de nos activit?s habituelles professionnelles et/ou personnelles. De nos cellulaires, des tablettes, des ?crans d?ordinateurs ? ceux de la t?l?vision, nos vies se passent devant et surtout avec ces interfaces illumin?es. Dans le cadre du symposium de l?exposition ?cran Total, cette table ronde vise ? jeter un regard transversal et critique sur un grand nombre de pratiques diversifi?es et relatives aux ?crans. Les personnes participant ? cette discussion ont plus sp?cifiquement interrog?, analys? ou th?oris? l??cran et ses usages, son design et ses fonctionnalit?s au prisme des cr?ations artistiques, litt?raires ou encore ? la vue des pratiques sociales, m?diatiques et culturelles. Allant de l??ducation aux ?crans des jeunes aux usages de l?intelligence artificielle via les ?crans, les chercheur.e.s r?pondront ? quelques questions afin d??changer par la suite avec le public. -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Thu May 20 09:15:44 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Thu, 20 May 2021 15:15:44 +0000 Subject: [acc-cca-l] =?utf-8?q?TABLE_RONDE_=E2=80=93_=C3=89crans_et_ident?= =?utf-8?b?aXTDqXM=?= Message-ID: <8BC39A8D-0F46-4DAF-A0A3-61A1B4E5E6AD@uqam.ca> [?EXTERNAL] TABLE RONDE ? ?crans et identit?s VENDREDI 21 MAI 9h30-11h30 (heure de Montr?al) Dans le cadre de l?exposition/symposium ECRAN TOTAL (https://ecrantotal.uqam.ca/) Camila Ar?as, Anouk B?langer, St?fany Boisvert, Celina van Dembroucke, Destiny Tchehouali, Christine Tho?r (biographies ici : https://ecrantotal.uqam.ca/accueil/presentation/#ET-Participants) Animation : Michelle Stewart Inscription directe ici : https://uqam.zoom.us/meeting/register/tZMpceqvrDIuEteTQ_IjbD5ogmS5u2VIk1x4 Dans le cadre du symposium de l?exposition ?cran Total, cette table ronde vise ? jeter un regard critique sur le lien entre ?crans et identit?s au sens large du terme. Les chercheur.e.s participant ? cette discussion ont plus sp?cifiquement interrog? les ?crans et la production ou r?ception des images en posant des questions en rapport aux dimensions interculturelles, internationales et intersectionnelles. Les ?crans ne sont jamais neutres, ils sont l?interface qui nous permet d?acc?der ? au monde ? et de produire et recevoir des images et discours qui (re-)construisent des repr?sentations sociales souvent significativement norm?es. Par leur potentiel de sociabilit?, les ?crans et leurs technologies affili?es participent ?galement ? nos propres constructions identitaires au fil du temps. Allant de la d?couvrabilit? des s?ries (t?l?vis?es) et du visionnement en ligne aux images d?archives et photographiques de la t?l?phonie mobile, les chercheur.e.s r?pondront ? questions transversales afin d??changer par la suite avec le public. -------------- next part -------------- An HTML attachment was scrubbed... URL: From Ravindra.Mohabeer at viu.ca Thu May 20 11:27:47 2021 From: Ravindra.Mohabeer at viu.ca (Ravindra Mohabeer) Date: Thu, 20 May 2021 17:27:47 +0000 Subject: [acc-cca-l] JOB: LTC in Gaming, Digital Literacies & Pop Culture, Vancouver Island (1yr) Message-ID: [?EXTERNAL] Hi Friends (sorry for cross posting and please forward to potential candidates) We?re hiring! My department has a 1yr LTC in Gaming, Digital Literacies and Pop Culture at Vancouver Island University in Nanaimo, BC. We combine critical ?making? and ?analysis? courses and this teaching focused position offers a mix of both. You know you want to spend a year on the West Coast ? work. life. balance. Super small classes and lots of room to explore. Min.req. Master?s level degree (PhD in progress, ABD, or completed and/or industry experience a bonus). The posting can be found here: https://careers.viu.ca/vacancy/limited-term-contract-instructor-media-studies-digital-media-technology-353237.html Deadline to apply: JUNE 2, 2021 (must apply at the link above and NOT BY EMAIL) Informal inquiries welcome and can be sent to me directly (ravindra.mohabeer at viu.ca) Ravi --------------------------------------- Ravindra N. Mohabeer, PhD Chair, Media Studies Department https://ah.viu.ca/media-studies Director, Media Research Lab Vancouver Island University Nanaimo, BC CANADA ravindra.mohabeer at viu.ca --------------------------------------- T H I N K + M A K E + D O -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Thu May 20 20:56:03 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Fri, 21 May 2021 02:56:03 +0000 Subject: [acc-cca-l] =?utf-8?q?ATELIER_interactif_Quand_la_carte_recouvre?= =?utf-8?q?_le_territoire=3A_le_jeu_vid=C3=A9o_et_la_construction_des_iden?= =?utf-8?q?tit=C3=A9s_de_genre?= Message-ID: [?EXTERNAL] Dans le cadre de l?exposition ECRAN TOTAL (https://ecrantotal.uqam.ca/) : Mardi 25 mai ? 14h00 (heure de Montr?al) ATELIER/Workshop interactif Quand la carte recouvre le territoire: le jeu vid?o et la construction des identit?s de genre Animation : Maude Bonenfant, D?bora Krischke-Leit?o et Gabrielle Tr?panier-Jobin (bios : https://ecrantotal.uqam.ca/accueil/presentation/#ET-Participants) Lien direct d?inscription : https://uqam.zoom.us/meeting/register/tZwvd-qqpjwiHNDjQA4EUVfpaDTkndhjfzL5 Dans le cadre de cet atelier sera explor?e la notion d?hyperr?el de Baudrillard ? travers l?exemple des ?crans vid?oludiques. Partant de la m?taphore s?miotique de ?la carte et du territoire? et mettant en parall?le les concepts de simulacre, de simulation et d'hyperr?el avec ceux de l'immersion, du st?r?otype et de la performativit? du genre, l'atelier am?nera les participant.e.s ? r?fl?chir ? la mani?re dont la pratique de jeux vid?o dits ?genr?s? et la pratique ?genr?e? de jeux vid?o contribuent ? la naturalisation d'identit?s de genre qui ne sont, au fond, rien d'autres que des simulacres. Aucune connaissance ou expertise en jeux vid?o n?est n?cessaire pour participer. CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Thu May 20 21:02:53 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Fri, 21 May 2021 03:02:53 +0000 Subject: [acc-cca-l] =?utf-8?q?Une_exploration_visuelle_des_pratiques_de_?= =?utf-8?q?r=C3=A9paration_num=C3=A9rique_-_CONF=C3=89RENCE_Enqu=C3=AAte/C?= =?utf-8?q?r=C3=A9ation?= Message-ID: [?EXTERNAL] Dans le cadre de l?exposition ECRAN TOTAL (https://ecrantotal.uqam.ca/) : Mardi 25 mai ? 10h00 (heure de Montr?al) (Interpr?tation LSQ en simultan? via Zoom) Lien direct d?inscription : https://uqam.zoom.us/meeting/85607530836 CONF?RENCE Enqu?te/Cr?ation : une exploration visuelle des pratiques de r?paration num?rique Ana?s Bloch (Les Ateliers de Bellevaux) et Nicolas Nova (Haute ?cole d?art et de design ? Gen?ve) / (bios d?taill?es : https://ecrantotal.uqam.ca/accueil/presentation/#ET-Participants) Animation : Carole L?vesque En prenant l?exemple d?une enqu?te sur les pratiques de r?paration et de maintenance des smartphones (petites boutiques, hackerspace, repair caf?), cette pr?sentation traitera de la place donn?e au mat?riau visuel?; tant dans la phase de terrain que dans la formalisation de la restitution. Elle discutera du r?le attribu? aux illustrations, aux photographies et ? l??dition graphique de l?ouvrage tir? de ce travail. Ce faisant, cette intervention d?crire le caract?re situ? de ces d?cisions, en lien avec le questionnement de recherche et le type de terrain abord?. CELAT-UQAM Centre de recherche Cultures-Arts-Soci?t?s Coordinatrice : Estelle Grandbois-Bernard 279, rue Ste-Catherine Est Local DC-2210 Montr?al (Qu?bec) H2X 1L5 514-987-3000 poste 1664 Suivez-nous sur Twitter : @CelatUqam http://www.celat.ulaval.ca/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From DwayneWinseck at cunet.carleton.ca Fri May 21 13:08:46 2021 From: DwayneWinseck at cunet.carleton.ca (Dwayne Winseck) Date: Fri, 21 May 2021 19:08:46 +0000 Subject: [acc-cca-l] Bill C-10 & the Future of Internet Regulation in Canada In-Reply-To: References: , , Message-ID: [?EXTERNAL] Register Now! ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? No images? Click here [Carleton University - Faculty of Public Affairs] Bill C-10 & the Future of Internet Regulation in Canada On the surface, Bill C-10 main aim is to bring streaming television, film and music services like Netflix, Amazon Prime, illico, Crave, and Disney+ under the Broadcasting Act and the authority of Canada?s media regulator, the Canadian Radio-television & Telecommunications Commission (CRTC). While a bill like this would usually be expected to be of modest interest to a small number of people, discussion of it in the media, Parliament and amongst scholars has exploded into a sprawling debate over the future of Internet regulation and cultural policy in Canada. The aim of this event is to convene an informed and critical discussion on the scope and substance of Bill C-10 Reforms to Canada's Broadcasting Act. It is also to organize a discussion around this very important bill and the potential implications it has to influence communication, Internet and cultural policy and regulation in Canada for decades to come. The online event begins with a brief opening remarks by each panelist (~10 minutes) followed by a moderated discussion. The organization of this event has taken place at breakneck speed. In the short time, we have arranged the following speakers: 1. Tamara Shepherd (Associate Professor, Communication, Media and Film, University of Calgary), 2. Fenwick Mckelvey (Associate Professor, Dept of Communication Studies, Concordia University), 3. Anne-Marie Gingras (Professor, Departement de science politique, University of Quebec at Montreal), 4. Emily Laidlaw (Associate Professor, Faculty of Law, Canada Research Chair?Cybersecurity Law, University of Calgary), 5. Dwayne Winseck (Professor, School of Journalism and Communication and the Director of the Canadian Media Concentration Research Project and the Global Media & Internet Concentration Project). Tuesday, May 25, 2021 12:00 - 2:00 p.m. Via Zoom Conference Calling Register Now! [The Canadian Communication Association canadienne de communication logo] [Carleton School of Journalism and Communication Logo] [Facebook][Twitter][YouTube][Website] [http://i3.cmail19.com//static/eb/master/13-the-blueprint-3/images/linkedinshare-white-flex at 2x.png] Share [http://i4.cmail19.com//static/eb/master/13-the-blueprint-3/images/forwardtoafriend-white-flex at 2x.png] Forward Carleton University - Faculty of Public Affairs Preferences | Unsubscribe This email contains links to content or websites. Always be cautious when clicking on external links or attachments. If in doubt, please forward suspicious emails to phishing at carleton.ca. -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: From commpositerevue at gmail.com Fri May 21 12:54:50 2021 From: commpositerevue at gmail.com (Revue COMMposite) Date: Fri, 21 May 2021 14:54:50 -0400 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_contributions_-_Investir_les_?= =?utf-8?q?enjeux_environnementaux_-_Second_envoi?= Message-ID: [?EXTERNAL] Bonjour, Nous proc?dons ? un second envoi concernant un appel ? contributions pr?alablement envoy?. Si vous pouviez faire circuler ce message dans votre cercle de distribution, ce serait plus qu'appr?ci?. Merci beaucoup. Le Collectif Quatre-Temps et la revue en communication COMMposite lancent un appel ? contributions pour une ?dition sp?ciale de la revue, sous la th?matique Investir les enjeux environnementaux : conjuguer rigueur de pens?e, du c?ur et du faire. L'objectif de cette publication est de d?cloisonner les pratiques acad?miques et encourager la cr?ation de projets transdisciplinaires s'inscrivant autour de quatre axes : les pratiques scientifiques, artistiques, politiques et militantes. Pour cette ?dition sp?ciale, une collaboration entre la revue COMMposite et le Collectif Quatre-Temps a ?t? initi?e afin d?encourager un nouveau format de r?flexions et d??dition. Cette alliance na?t d?une volont? de faire appara?tre et de valoriser des contributions non traditionnelles et audacieuses dans le milieu acad?mique. Pour participer ? ce num?ro de la revue COMMposite, vous devez soumettre votre proposition compl?te et anonymis?e au plus tard le lundi 31 mai 2021, a? l?adresse suivante: collectif.quatretemps at gmail.com. La publication du num?ro est pr?vue ? l?automne 2021. Vous trouverez en pi?ce jointe l?appel ? contributions ? partager abondamment dans vos r?seaux autant acad?miques que citoyens. N'h?sitez pas ? nous contacter : collectif.quatretemps at gmail.com commposite.org Solidairement, L'?quipe du Collectif Quatre-Temps et l'?quipe ?ditoriale de la revue COMMposite Attachments area -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Appel ? contributions..pdf Type: application/pdf Size: 56378 bytes Desc: not available URL: From theop at yorku.ca Wed May 26 10:13:30 2021 From: theop at yorku.ca (Philippe Theophanidis) Date: Wed, 26 May 2021 16:13:30 +0000 Subject: [acc-cca-l] =?utf-8?b?MjAyMSDigJxTcGlyYWwgVGFsa3PigJ0gTGVjdHVy?= =?utf-8?q?e=3A_Elizabeth_Reich_=E2=80=94_Black_Time=2C_Technics=2C_and_th?= =?utf-8?q?e_Haptic?= Message-ID: <5E8EDF4C-0E38-45D4-A9DF-A65E6C810C77@yorku.ca> [?EXTERNAL] The Spiral Collective cordially invites you to its 2021 ?Spiral Talks? Lecture: ? Black Time, Technics, and the Haptic ? Elizabeth Reich Associate Professor, University of Pittsburgh Friday, June 25, 2021 3:00-4:30pm EDT Zoom (Click HERE to register) This talk will begin with a consideration of how and why theorizations of Black time(s) remain necessary to engage the socio-political realities and paradoxes of Black life in the diaspora; and to interrogate and reconceptualize accepted epistemologies and ontologies that delegitimize, constrain, and render distorted or incomprehensible Black movement, experience, and expression. My articulation of Black times, and the problematics they engage theoretically as well as in daily life, will include readings of contemporary Black cultural production as well as what I will describe as ?the haptic,? a form of knowing, being, and acting by which I argue Black peoples can create lifeworlds of unrestricted dimensionality. Operating from the premise that Blackness has already been constructed as a category outside of ?the human,? I will argue for an understanding of Black survival and resistance praxis as inherently technological, extra-temporal, and subversive, and focus in particular on how Black embodiment may disrupt, extend, or resolve seemingly immanent paradoxes. The talk will bring together diverse theoretical frameworks by Bernard Stiegler, Kodwo Eshun, Fred Moten, Katherine McKittrick, and Sun Ra, among others. To demonstrate the importance of reconceptualizing the sphere of the technical and the urgency of redressing the times, spaces and possibilities for liberatory Black life, I will be drawing on analyses of Black media and internet work, including from films by Kathryn Bigelow, Jordan Peele and Boots Riley; television series by Terence Nance and Peele and Misha Green; and #BlackLivesMatter. Elizabeth Reich is Associate Professor of Film Studies in the Department of English at the University of Pittsburgh and Affiliate Faculty with the Center for African American Poetry and Poetics and the Program for Gender, Sexuality, and Women?s Studies. Her research focuses on the intersections of Black Studies, digital media, Afrofuturism, critical race studies, queer and trans studies, and social movements in historical, global, and transnational contexts. She is author of Militant Visions: Black Soldiers, Internationalism and the Transformation of American Cinema and her coedited collection, Justice in Time: Critical Afrofuturism and the Struggle for Black Freedom, is under contract at University of Minnesota Press. She is also coeditor of three special journal issues, ?New Approaches to Cinematic Identification,? in Film Criticism with Scott Richmond, ?Reliquary for the Digital in Nine Key Terms,? in ASAP/Journal with Stephen Yeager, and ?Black Film Feminisms? in Film Criticism with Courtney Baker and Ellen Scott. She is working on her second monograph, ?Reparative Ecologies: Time and the Globe,? and recent essays have appeared in ASAP/Journal, Film Criticism, Screen, Post45, ASAP/Journal, World Records Journal, and African American Review. Liz is a contributing editor to ASAP/Journal and serves on the editorial board of Film Criticism. Spiral is a Toronto-based collective dedicated to exploring intersections of film, media, and philosophy with a special interest in issues and themes of political resistance and aesthetic dissonance. Contact: spiralfilmphilosophy at gmail.com Website: spiralfilmphilosophy.ca [REICH_2021.jpeg] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: 258DD67B-71A8-4D77-921E-CD13C0F015B5.jpeg Type: image/jpeg Size: 83580 bytes Desc: 258DD67B-71A8-4D77-921E-CD13C0F015B5.jpeg URL: From monica.henderson at mail.utoronto.ca Fri May 28 05:37:48 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Fri, 28 May 2021 11:37:48 +0000 Subject: [acc-cca-l] CCA grad pub quiz Message-ID: [?EXTERNAL] Hi CCA grads! In this email: * grad pub quiz sign-up * CCA Anglophone PhD rep recruitment * grad caucus meeting reminder A reminder that we will be hosting a virtual grad pub quiz night event Friday, June 4 from 5:00-6:00pm MST! 1st and 2nd place teams will win Skip the Dishes gift cards! Sign up here: https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform We will also be holding a CCA grad student caucus AGM on Friday, June 4 from 12-1pm MST. An agenda will follow, but we wanted to inform you early on that we will be holding elections for the next Anglophone PhD rep for the CCA. If you are interested in being a candidate for the position, please send us a short bio of yourself as well as a paragraph with your motivations to be included in the agenda. Looking forward to seeing you all at CCA! Sincerely, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca --- Bonjour ?tudiant.es aux cycles sup?rieurs de l?ACC ! Dans cet e-mail: * inscription de la soir?e pub-jeu-questionnaire virtuelle * l?assembl?e g?n?rale des ?tudiant.es aux cycles sup?rieurs * ?lection pour le poste de repr?sentant.e ?tudiant.e anglophone (doctorat) ? l?ACC Nous vous invitons ? une soir?e pub-jeu-questionnaire virtuelle qui aura lieu le vendredi 4 juin de 5 h ? 6 h (heure des rocheuses ) ! Courez la chance de remport?e des cartes cadeaux Skip the Dishes ! Inscrivez-vous ici : https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform L?assembl?e g?n?rale des ?tudiant.es aux cycles sup?rieurs de l?ACC aura lieu Vendredi le 4 juin, de midi ? 13 h (heure des rocheuses). Nous vous partagerons l?ordre du jour prochainement, mais en attendant, nous tenions ? vous informer que nous y tiendrons une ?lection pour le poste de repr?sentant.e ?tudiant.e anglophone (doctorat) ? l?ACC. Si vous ?tes int?ress?.e par ce poste, merci de nous envoyer une courte biographie ainsi qu?un paragraphe d?crivant vos motivations afin que nous l?ajoutions ? l?ordre du jour. Cordialement, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From a.kaminska at umontreal.ca Fri May 28 10:37:00 2021 From: a.kaminska at umontreal.ca (Aleksandra Kaminska) Date: Fri, 28 May 2021 16:37:00 +0000 Subject: [acc-cca-l] Postdoctoral Position: The Sociability of Sleep: Careful Design for Collective Conditions Message-ID: <5CDBC338-CB2E-409A-96A5-C12A96252DB8@umontreal.ca> [?EXTERNAL] Hi All, We are hiring a postdoc at for a project of sleep, full details below. Open to many different backgrounds and disciplines. Thanks for helping to circulate! Aleksandra ==== Call for Applications ? Postdoctoral Fellowship ?The Sociability of Sleep: Careful Design for Collective Conditions? Universit? de Montr?al and McGill University, Montreal, Canada DEADLINE: June 15, 2021 We are seeking a postdoctoral fellow for a 10-month position to work on the new interdisciplinary research-creation project ?The Sociability of Sleep.? The candidate will work directly with Professors Aleksandra Kaminska (Director of the Bricolab, Universit? de Montr?al, Communications) and Alanna Thain (Director of the Moving Image Research Lab, McGill University, English) and have the opportunity to work with project collaborators. These include researchers and practitioners from communication and media studies, media arts, cinema and performance, psychiatry, psychology, and clinical medicine across Montreal?s universities. The Sociability of Sleep is funded through a special initiative to support interdisciplinary, experimental, and intensive projects. We explore exceptional and everyday experiences of sleep and its problems to generate new knowledge and empathies for sleep conditions, defined as a disordered and debilitating relation between sleep and wakefulness (including, but not limited to somnambulism, insomnia, narcolepsy, parasomnias, dreams and nightmares, sleep apnea, chronodiversity, etc.). Through collaboration between artists, scientists, and media studies scholars, we aim to generate novel sleep situations that make perceptible, and thus actionable, our key intuition: that sleep is much more social than it might seem. In sleep, we become radically vulnerable in a way that requires social forms of care: individuals are experts of their somatic experience, and yet access to the sleeping self relies on the perception of human and technological others. How might exploring a sleeper subjectivity?the quotidian ways we navigate time, space, ourselves, and others?help us rethink and reanimate the sociability of sleep itself? We engage these questions by working on 1) developing interdisciplinary approaches to sleep research taking advantage of the tools, methods, and insights of arts, humanities and social sciences; 2) thinking critically and historically about technologies of sleep, including biometrics and sleep tracking apps; and 3) identifying, analysing, and producing artistic interventions into sleep in design, media, and performance, to see how they might enrich normative treatment of sleep conditions. Our approach is rooted in art-science experimentation, collaboration, prototyping, and various forms of ?critical making? that integrate and engage with qualitative or quantitative research data. Over the two years of the project, we have planned a series of experimental events, including Sleep Salons, maker labs and prototyping workshops, artist residencies, pedagogical videos, a summer school, and a final exhibition. We are looking for a critical and engaged researcher with an established interest and expertise in sleep. We are open to a variety of (inter)disciplinary backgrounds, including: media studies, communications, cinema studies, performance studies, science and technology studies, media arts, visual and sound arts, disability studies, design, urban planning, architecture, Indigenous studies, gender, feminist and sexuality studies, critical race studies, visual and material culture, information science, history of science, neuroscience, psychology, psychiatry, sociology, research-creation, curation, critical making, etc. The fellow?s primary responsibilities will be to facilitate the collaborative activities across the team, while also developing their own research within the project. They will have the opportunity to be implicated in all aspects of the project with specific responsibilities to be determined according to their particular interests and profile. These may include curation, programming, medical or public outreach, publishing collaborations, workshop design, prototyping, exhibition design, etc. The position is best suited for someone with strong organizational and communication skills, experience working collaboratively, and an enthusiastic approach to interdisciplinary teams and research. The fellow will have a workspace and access to equipment, mentoring, and support through the project headquarters at the Bricolab and the MIRL, as well as the opportunity to access partner resources and expertise, including the Topological Media Lab (Concordia), the Visualisation Laboratory and Screen (UdeM), Artefact Lab (UdeM), Hexagram, GRAFIM, the Dream & Nightmare Laboratory within the Center for Advanced Research in Sleep Medicine (UdeM, H?pital du Sacr?-Coeur), and the Sleep Lab (McGill Health University Centre), among others. Eligibility: Candidates must have received a PhD within the past 5 years, or have a doctoral defence scheduled prior to Sept. 15, 2021. Regardless of field or discpline, they must have demonstrated expertise in a relevant area of sleep-related research. The fellowship is open to both national and international scholars. Fluency in English is essential; working knowledge of French is an asset. We welcome and encourage applications from racialized persons/visible minorities, women, Indigenous persons, persons with disabilities, ethnic minorities, and persons of minority sexual orientations and gender identities, as well as from all qualified candidates with the skills and knowledge to engage productively with diverse communities. Start date and duration: The position is from Sept. 1, 2021 to June 2022, with the possibility of a renewal for a second 10-month term (July 2023-April 2023) Salary: The salary is $35,000 CAD for 10 months, plus 17% in benefits. The fellow will also have access to a research stipend for materials and research dissemination. TO APPLY Documents required: 1) a current CV, 2) a cover letter describing your training, relevant research interests and a brief description of the work you would like to pursue in relation to the project including, if relevant, any anticipated material needs (max 2 pages), and 3) contact information for 2 referees. Please send your application as a single PDF file to both a.kaminska at umontreal.ca and alanna.thain at mcgill.ca. Zoom interviews for shortlisted candidates will be held on June 17-18. Deadline: June 15, 2021 https://bricolab.org/2021/05/25/sleep-postdoc/ ? Aleksandra Kaminska, PhD Professeure adjointe (Assistant Professor) D?partement de communication Universit? de Montr?al a.kaminska at umontreal.ca aleksandrakaminska.com ? @alekskaminska artefactlab.ca ? @paperologyRAG -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Call_PostdoctoralFellow_SocialbilityofSleep.pdf Type: application/pdf Size: 29123 bytes Desc: Call_PostdoctoralFellow_SocialbilityofSleep.pdf URL: From renaud.carbasse at gmail.com Mon May 31 09:20:10 2021 From: renaud.carbasse at gmail.com (Renaud Carbasse) Date: Mon, 31 May 2021 11:20:10 -0400 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_articles_=E2=80=93_Journalism?= =?utf-8?q?e_et_entrepreneuriat=3A_entre_mod=C3=A9lisations_et_r?= =?utf-8?q?=C3=A9alit=C3=A9s_du_terrain=2E_Bilans_et_perspectives_?= =?utf-8?b?4oCTIEJKUiAxOC4yICgyMDIyKQ==?= Message-ID: [?EXTERNAL] Ch?r.e.s coll?gues, Nous vous informons du lancement d?un appel ? article pour un num?ro ? Journalisme et entrepreneuriat: entre mod?lisations et r?alit?s du terrain. Bilans et perspectives ? de la revue Brazilian Journalism Research (V.18, n.2, 2022). L?appel ? articles est disponible en pi?ce jointe et sur le site de la revue. Le BJR accepte les manuscrits en portugais, espagnol, fran?ais et anglais. Ceux-ci sont attendus d?ici le 30 novembre 2021, pour une publication ? l??t? 2022. Bien cordialement, Renaud Carbasse, Olivier Standaert et Clare Cook ***** CFP - Entrepreneurial journalism: emerging models and lived experiences. Looking back and looking forward. Dear colleagues, The Brazilian Journalism Research is looking for contributions to a special issue ? Entrepreneurial journalism: emerging models and lived experiences. Looking back and looking forward. ? The CFP attached is also available at : https://bjr.sbpjor.org.br/bjr/announcement/view/29 The BJR accepts manuscripts in Portuguese, Spanish, French and English. Papers must be submitted by November 30th 2021. Sincerely, Renaud Carbasse, Olivier Standaert and Clare Cook -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... 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Name: Call for Papers_Entrepreneurial journalism_EN.pdf Type: application/pdf Size: 179721 bytes Desc: not available URL: From manuel.puppis at unifr.ch Mon May 31 10:21:07 2021 From: manuel.puppis at unifr.ch (PUPPIS Manuel) Date: Mon, 31 May 2021 16:21:07 +0000 Subject: [acc-cca-l] =?windows-1252?q?Register_for_the_RIPE=402021_Confer?= =?windows-1252?q?ence=3A_=93Public_Service_Media=92s_Contribution_to_Soci?= =?windows-1252?q?ety=94?= In-Reply-To: <88098e57b1574bf19e1165ed07bd1e04@unifr.ch> References: <88098e57b1574bf19e1165ed07bd1e04@unifr.ch> Message-ID: <2a9f341f5f814f57b6fc537af8d2038d@unifr.ch> [?EXTERNAL] Public Service Media (PSM) organizations across Europe and beyond are increasingly under pressure. Media use is changing rapidly, with streaming services and online platforms gaining in importance and making it harder for legacy media to hold their ground. The business model of newspaper publishers is under pressure, which, in turn, leads to disagreement about PSM?s online activities. And many policy-makers are highly critical of PSM due to a belief in the efficiency of market solutions or for political reasons. As a result, both PSM?s role in a digital environment and its funding are under scrutiny. Increasingly, PSM organizations are using the ?contribution to society? concept to demonstrate their public value. Yet scholars need to critically discuss the analytical value and the usefulness of new concepts that are circulated in industry and policy-making ? the RIPE at 2021 conference offers such an opportunity. RIPE at 2021 will take place as a virtual conference on Monday, September 27, 2021, in the afternoon, and Tuesday, September 28, 2021, in the morning (Central European Time). As a positive side effect of the virtual format, all interested scholars may participate free of charge. RIPE at 2021 offers: * A keynote speech by Abraham Bernstein (University of Zurich, Director Digital Society Initiative) titled ?Society Rules?. * A keynote speech by Gilles Marchand (Director-General SRG SSR) tilted ?SRG SSR Public Value Approach: Managing Our Contribution to Society ? A Swiss Perspective?. * The session ?How Practitioners and Scholars Can Work Together to Demonstrate the Value of PSM? discussing the potential and pitfalls of collaboration between academics and PSM practitioners. * A closing plenary session providing answers to some overarching conference questions. * And dozens of paper presentations focusing on the four conference themes ?Communication Needs of Changing Societies?, ?New Forms of Contribution and Distinctiveness?, ?Involving Citizens, Building Communities?, and ?Governance, Communication and Legitimacy Management?. There will be no live presentations at RIPE at 2021. All presentations will be pre-recorded and participants can watch them before the conference starts. The live sessions will be entirely devoted to discussion. While the plenary sessions are open to all registered participants, working group sessions are restricted to paper presenters. However, all registered participants have access to all the presentations and papers. To see the complete program and to register for the conference, please visit https://www.unifr.ch/dcm/en/ripe-2021 -------------- next part -------------- An HTML attachment was scrubbed... URL: From george.eric at uqam.ca Wed Jun 2 03:57:49 2021 From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=) Date: Wed, 2 Jun 2021 09:57:49 +0000 Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_contribution=2C_revue_tic=26s?= =?utf-8?b?b2Npw6l0w6ksIFNww6ljaWFsIFZhcmlh?= Message-ID: [?EXTERNAL] Num?ro sp?cial Varia La revue tic&soci?t?, cr??e en 2007, s?est fix?e pour projet ?ditorial de favoriser l?analyse des rapports entre les soci?t?s et les technologies de l?information et de la communication (TIC), ainsi que l?indique son titre. ? la suite de la revue TIS, alors disparue dix ans auparavant, le comit? ?ditorial a repris le principe d?accorder la priorit? ? des textes qui traitent de probl?matiques communicationnelles dans le cadre d?une perspective critique, entendue d?un point de vue th?orique, m?thodologique ou ?pist?mologique. Nous avions alors aussi repris ? notre compte une autre caract?ristique de la revue TIS, ? savoir que chaque num?ro porterait sur une th?matique sp?cifique prise en charge par un ou une coll?gue reconnu.e dans le champ scientifique pour sa connaissance de ce domaine de recherche. En compl?ment, chaque num?ro pouvait comprendre ?galement un ou plusieurs textes publi?s dans une rubrique ? Varia ?. En 2015, tout en d?cidant de maintenir cette orientation ?ditoriale au cours des ann?es ? venir, il nous a sembl? pertinent d?envisager de publier un num?ro ? Sp?cial varia ?. Deux raisons ont motiv? cette d?cision. La premi?re est que nous recevions de plus en plus de propositions d?articles ne correspondant pas aux appels th?matiques; la deuxi?me est que nous souhaitions ouvrir la revue ? la publication de propositions n?entrant pas forc?ment dans le cadre d?appels pr?d?termin?s. Cinq apr?s la publication du premier num?ro ? Sp?cial varia ?, le comit? ?ditorial estime qu?il serait opportun d?en pr?voir un deuxi?me dont la mise en ligne se ferait au cours de 2022. Ce num?ro nous semble d?autant plus pertinent que la crise sanitaire provoqu?e par la COVID 19 a grandement favoris? des activit?s ? distance, des pratiques renouvel?es et des usages diversifi?s qui se sont d?velopp?s via les technologies num?riques de l?information et de la communication (TNIC). Le comit? ?ditorial lance ainsi un appel ? proposition d?articles qui s?inscrit dans son projet ?ditorial : https://journals.openedition.org/ticetsociete/564. Les contributions doivent ?tre soumises en fran?ais et comprendre entre 40 000 et 50 000 caract?res espaces compris. Les auteurs et autrices sont invit?s ? respecter les consignes concernant la mise en forme du texte (consignes disponibles sur le site de la revue, ? la page suivante : https://journals.openedition.org/ticetsociete/90. Les manuscrits feront l?objet de deux ?valuations selon la proc?dure d??valuation ? l?aveugle. La date limite de soumission des articles est fix?e au 1er novembre 2O21. Les textes doivent ?tre envoy?s ? l?attention du comit? ?ditorial ? l?adresse suivante : ticetsociete at revues.org -------------- next part -------------- An HTML attachment was scrubbed... URL: From a.kaminska at umontreal.ca Wed Jun 2 06:44:30 2021 From: a.kaminska at umontreal.ca (Aleksandra Kaminska) Date: Wed, 2 Jun 2021 12:44:30 +0000 Subject: [acc-cca-l] CFP / Appel : Returning (Nostalgia) / Retourner (la nostalgie) Message-ID: [?EXTERNAL] Call for papers / Appel ? contributions : Returning (Nostalgia) / Retourner (la nostalgie) Intermediality / Interm?dialit?s no. 39 (spring 2022) Pour l?appel en fran?ais: http://intermedialites.com/appel-a-contributions-call-for-papers-no-39-retourner-la-nostalgie-returning-nostalgia-printemps-2022/ Full call in English: http://intermedialites.com/en/call-for-papers-appel-a-contributions-no-39-returning-nostalgia-retourner-la-nostalgie-printemps-2022 / GUEST EDITORS Andr? Habib, Universit? de Montr?al Suzanne Paquet, Universit? de Montr?al Carl Therrien, Universit? de Montr?al KEY DATES Deadline for submitting a proposal: July 15, 2021 Announcement of proposal selection results: August 15, 2021 Submission of completed texts for peer review: October 15, 2021 Publication of the texts approved by the journal?s editorial board: spring 2022 RETURNING (NOSTALGIA) The neologism ?nostalgia? was first coined in 1688 by the Swiss medical student Johannes Hofer in order to give a scientific name to a peculiar affliction and to inscribe it in the catalogue of nosographical entries (which was in full expansion in the seventeenth century): the sickly desire to return to one?s distant native land, a desire that until then had been known in common parlance as Heimweh, Sehnsucht, mal du pays, homesickness, saudade, desenga?o, etc. From the scholarly language of medicine (and military medicine in particular) in the eighteenth century to the language of Romantic literature and music in the nineteenth century, and then entering into common usage, the term would lose, over time, both its prominent place in the inventory of medical pathologies and its relevance as a poetic mode or wellspring (Starobinksi, Bolzinger). In the meantime, it had come to designate a sense of distance from one?s homeland as well as the pain associated with the irreversible passage of time and the loss of childhood. Thus, after deserting the dissecting rooms, the doctors? offices, and the poetry books of the avant-garde, nostalgia migrated into popular culture and, since the 1960s and 1970s, has marked in a substantial way the realms of cinema, music, and television (Davis, Cook, Dwyer, Holdsworth, Lizardi). It has come to define a way of relating to the past?and our digital environment has only reinforced this trend?that makes the past conceivable primarily in terms of regret or lack, thus also incorporating, some would say, a regressive and reactionary dimension, sometimes coupled with dubious political connotations (which we still haven?t completely gotten rid of). For this reason, the 1970s and 1980s gave rise to a scathing critique of nostalgia and the ?retro? trend in general (Baudrillard, Jameson). For the last twenty years or so, however, we have been witnessing nostalgia?s slow rehabilitation, or rather a move towards making this concept more intellectually and critically complex (Svetlana Boym?s seminal work is a notable starting point), including its potentially positive, progressive, and even curative aspects. Various approaches?a closer look at the history of nostalgia (Bolzinger, Starobinski), the emergence of new cultural and aesthetic expressions of nostalgia?s ?symptoms? (in video games, music, photography, cinema), and the advent, in the digital age, of technological and media-based forms of this feeling (one speaks of technostalgia, analog nostalgia, of online nostalgic ?communities?)?have invited researchers from the social sciences and the humanities as well as from media studies, literature, and the artistic disciplines to ?return? (towards) nostalgia, thinking of it as an activity (?to nostalgize?) and as a productive way to describe the modes of interaction that individuals and communities maintain with the past and with technology (Niemeyer, Fantin, F?vry, Schrey, van der Heijden). Other approaches have considered nostalgia from an anthropological, intercultural, global, queer, and decolonial perspective, revealing nostalgia?s new, contemporary critical potential (Ang?, Berliner, Bonnett, Duyvendak, Padva). What, then, can an intermedial approach to nostalgia contribute? Intermediality, considered not as a transcendent concept or as an autonomous metadiscipline, but as an interdisciplinary (and often undisciplined) method, allows one to situate, question, and seize the objects of analysis from within their environment, from the interweaving of the material conditions and techniques, as well as ideas and discourses that constitute their a priori. In this issue of Interm?dialit?s/Intermediality we will approach nostalgia by analyzing, through its various manifestations (medical dissertations, popular songs, TV series, video games, novels, etc.), the tangle of media connections that underlie its effectiveness and relevance. Intermediality also invites us to think of nostalgia across historical epochs and at the intersection of several media in order to unfold the clich?s associated with the concept, its notions of cultural survival, temporal montages, remediations of memories. By approaching nostalgia in terms of intermediality, we seek to underscore the plurality of relations that overlap within different phenomena, and the different ways they engage with the media?s material conditions, the media environments in which distinct practices and exchanges develop, and the production of discourses and affects. This issue aims to gather contributions by researchers from diverse disciplinary backgrounds. The articles should focus on specific case studies that demonstrate the diverse intermedial dimensions of nostalgia. Topics of interest include, but are not limited to, the following: ? Media, memory, and nostalgia ? Retrogaming ? Fake vintage, retro, and nostalgia ? Non-western nostalgia ? Nostalgia and social media ? Technostalgia (analog and digital nostalgia) ? Literature(s) of exile and nostalgia ? Contemporary cinema and TV series ? Nostalgia, queer, and kitsch ? Industries of nostalgia: economy, value, and affect ? Nostalgia and melancholy ? Nostalgia and psychoanalysis ? Nostalgia(s): global and postcolonial perspectives ********* Interm?dialit?s/Intermediality is a biannual journal, which publishes original articles in French and English evaluated through a blind peer review process. Proposals (350?400 words) in English or French should include an abstract, a preliminary bibliography (five books or articles) and a brief biographical note (academic program, fields of interest, 5?10 lines). Proposals will be evaluated by the journal?s scientific committee, based on the originality of the approach and the relevance of the problematic. They should be sent before July 15th, 2021 to Andr? Habib at the following email address: andre.habib at umontreal.ca Completed texts should be sent before October 15th, 2021. They should be no longer than 6,000 words (40,000 characters, including spaces) and can incorporate illustrations (audio, visual, still or animated) whose publication rights should be secured by the authors. -------------- next part -------------- An HTML attachment was scrubbed... URL: From Tanner.Mirrlees at ontariotechu.ca Wed Jun 2 15:16:46 2021 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Wed, 2 Jun 2021 21:16:46 +0000 Subject: [acc-cca-l] CCA21-Annual General Meeting (AGM) Agenda / 1:00pm - 2:15 (EST) Message-ID: <1622668606723.13908@ontariotechu.ca> [?EXTERNAL] Dear CCA colleagues, Please find attached the CCA 2021 - Annual General Meeting (AGM) Agenda and a reminder about the CCA 2021 keynote. All the best,? Tanner --- Annual General Meeting (AGM) 2021 Date-Time: June 3 11am-12:15 (MDT) / 1:00pm - 2:15 (EST) Space - ZOOM meeting room: https://zoom.us/j/94973620670 (passcode: 865247) AGM Agenda 1. 1. Land Acknowledgement (Mirrlees) 2. 2. Motion to Approve Agenda (Mirrlees) 3. 3. President's Welcome (Mirrlees) 4. 4. Treasurer's Report (Shepherd) 5. 5. Vice-President-Conference Chair Report (Thibault) 6. 6. CCA Graduate Student Representative Report (Alain/Henderson) 7. 7. CCA Annual Prize Ceremony (Mirrlees) 8. 8. CCA Board and Members Discussions and Motions (Mirrlees) 9. 9. CCA Members-at-Large Elections (Mirrlees) 10. 10. Adjournment * This year, two members-at-large positions on the CCA's board are open. At our Annual General Meeting (AGM), the CCA's Nomination Committee will present a candidate for one members-at-large position. Also, at the AGM, CCA members in good standing may nominate other members in good standing in attendance for either of the two positions. An election will the be held, with all members in good standing casting their vote. The winners are decided by majority vote. ** Apropos our welcome note, the CCA Board encourages all members to read The Federation's Charter on Equity, Diversity, Inclusion, and Decolonization in the Social Sciences and Humanities, which commits to "identifying and removing the specific and intersecting barriers and obstacles that impede the equitable representation of women, Indigenous Peoples, visible/racialized minorities, persons with disabilities, and LGBTQ2S+ in our scholarly associations, universities, and colleges" (?4, art. 9). The Congress Advisory Committee on Equity, Diversity, Inclusion, and Decolonization (AC-EDID) (http://www.ideas-idees.ca/about/CAC-EDID-report) encourages all associations (and/or individual members) to sign the Charter. *** Although the meeting is scheduled from 11am to 12:15pm (MDT)/1pm to 2:15pm(EST), we may extend it to 12:45pm(MDT)/2:45pm(EST), if needed. **** The CCA 2021 Keynote "How to Make Your Technology Anti-Racist" by Charlton D. McIlwain is Thursday June 3, 5:00pm-6:30pm (EST), and accessed through the Congress platform here: https://www.virtualeventplace.com/en?t=/tradeshow/index&page=auditorium&id=1609958685904&webcast=1620142610628 -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA2021AnnualGeneralMeetingAgenda.pdf Type: application/pdf Size: 114451 bytes Desc: CCA2021AnnualGeneralMeetingAgenda.pdf URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: How to Make Your Technology Anti-Racist - CCA2021 Keynote.jpg Type: image/jpeg Size: 6209140 bytes Desc: How to Make Your Technology Anti-Racist - CCA2021 Keynote.jpg URL: From DwayneWinseck at cunet.carleton.ca Thu Jun 3 07:46:53 2021 From: DwayneWinseck at cunet.carleton.ca (Dwayne Winseck) Date: Thu, 3 Jun 2021 13:46:53 +0000 Subject: [acc-cca-l] Bill C-10 and the Future of Internet Regulation in Canada Is there a more democratic and accountable alternative? Message-ID: [?EXTERNAL] Dear All, If you've been following along with respect to the debates sparked by Bill C-10, the Broadcasting Reform Act, and other pending government bills and actions with respect to online harms, website blocking, news compensation, etc., you may find a new piece by me that just came out this morning of interest. [https://www.cigionline.org/static/images/shutterstock_1620294976_1.2e16d0ba.fill-1600x900.jpg] Bill C-10 and the Future of Internet Regulation in Canada Bill C-10 is an attempt by the Canadian government to bring internet-based audiovisual media services under democratic oversight, but its scope is ill-defined. As Dwayne Winseck argues, given the core flaws that the debate over Bill C-10 has identified, this much is clear: Canada should drop the bill and start over. www.cigionline.org https://www.cigionline.org/articles/bill-c-10-and-the-future-of-internet-regulation-in-canada/ Other than that, I hope that you are well and enjoying a week of CCA papers and other activities. best wishes, Dwayne Professor, School of Journalism and Communication and Director of the Canadian Media Concentration Research Project, Carleton University, Ottawa, Canada Phone: 613 520-2600 x.7525 Mobile: 613 769-7587 Follow me on Twitter: @mediamorphis Visit my blogs: http://www.cmcrp.org/; https://dwmw.wordpress.com/ This email contains links to content or websites. Always be cautious when clicking on external links or attachments. If in doubt, please forward suspicious emails to phishing at carleton.ca. -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: From IrenaKnezevic at CUNET.CARLETON.CA Thu Jun 3 12:25:35 2021 From: IrenaKnezevic at CUNET.CARLETON.CA (Irena Knezevic) Date: Thu, 3 Jun 2021 18:25:35 +0000 Subject: [acc-cca-l] FW: CFP - Knowing Theory to Show Theory - new open educational resource In-Reply-To: References: Message-ID: [?EXTERNAL] Apologies for cross-postings. Please see the attached call for proposals. Patricia Ballamingie (Carleton University), David Szanto (uOttawa/Carleton University) and Nancy Snow (OCAD University) are sending this Call for Proposals for an exciting initiative, with funding from e-Campus Ontario, to create a new Open Educational Resource (OER). As described below, we are hoping that you will be interested in contributing to this effort. Note that final submissions are due June 30. The project is titled: Showing Theory to Know Theory: Understanding social science concepts through illustrative vignettes. The OER will bring together a collection of 100+ short pedagogical pieces (500-1000 words) to help students understand complex theoretical concepts and disciplinary jargon from the critical social sciences. Following a set of defined guidelines (see the Author Guide in the attached PDF), OER contributors will create ?vignettes??short, evocative stories, illustrations or infographics, poems, described photographs, or other audio-visual material. This OER will be of use across disciplines and community contexts, democratizing theory while linking it to practical, grounded experience. In The Elements of Style, Strunk and White famously implore us to show rather than tell what we want to express. In contrast, theoretical work seems perpetually prone to the latter. Nonetheless, abstraction and disciplinary jargon remain useful, synthesizing and communicating complex ideas?at least, to those who are already familiar with the terminology. This OER will demystify theoretical concepts, making abstract-yet-valuable ideas more accessible by ?showing? (rather than ?telling?) how they are meaningful and usable in day-to-day situations. Concepts such as performativity, neoliberalism, intersectionality, and social nature, among others, will become accessible without being diluted or ?dumbed-down.? Instead, learners in both university and community contexts will be able to make the all-important connections between theory and practice, abstract and concrete, developing the critical reading skills and innovative forms of expression that are so urgently needed in today?s complex, entangled, and fraught social and political ecologies. Vignettes can fall into several possible categories, including (but not limited to): - concrete, illustrative texts (see "The American Bullfrog: Economic savior to monster to miracle cure," illustrating social nature, in the attached PDF) - short, evocative stories/narratives - illustrations (see "What if we could look at the Big Dipper from Alpha Centauri?," illustrating positionality, in the attached PDF) - infographics - poems - described photographs - other audio-visual material This is where you come in! Are there terms or concepts you use that would benefit from being ?shown? in this collection? Would you like to create a vignette to illustrate it? We have come up with a long list of possibilities, but we also welcome submissions that address other terms/concepts. If you are interested, please consult our initial spreadsheet of terms and concepts, and either select one (following the Notes to Contributors in the spreadsheet) or come up with another that we haven?t listed. Then reply to DavidSzanto at cunet.carleton.ca as soon as possible with a quick Expression of Interest, confirming the term/concept you would like to illustrate and the illustrative example that you would like to use. Final submissions are due June 30, although we would be happy to receive yours before that date. Please also review the attached PDF carefully, which includes: * Author Guidelines * Instructions on how to join the Rebus Community (our open publishing platform) * Two examples of vignettes Some additional details: Learning Outcomes After reading/viewing and discussing an individual vignette, our intention is that students will be able to: - Articulate, in their own words, the meaning of the theoretical concept/term at hand. - Form and describe connections between the theoretical concept/term and examples of how the concept/term is meaningful to lived experience. - Identify or create their own vignette, based on an existing understanding of a theoretical concept or term, and draw connections to lived experience and concrete examples. FAQs - Will these vignettes be peer reviewed? Yes, each vignette will be reviewed by one or more reviewers, plus the two editors. In keeping with the ethos of open publishing, reviewers will be credited for their contributions to the book. - Will these vignettes be published? Yes, we will publish this volume through the open-access publishing network, Rebus Community. It will then be available for free, open-access download in a number of file formats and through a variety of open-access digital repositories. - How will these vignettes be used? The OER as a whole will be beta-tested in classrooms by a select number of instructors, after which it will be made broadly available. We anticipate that instructors will use the vignettes in a variety of learning contexts and that students will use the OER independently as a reference tool. Because the book is being published under a CC-BY-NC licence (see below), we anticipate that it may be revised, updated, and republished in a number of different editions over the coming years. - Will I retain copyright over my vignette? The OER will be published under a Creative Commons CC-BY-NC licence, which means that it will be useable, remixable, and re-publishable by anyone, provided that they publish under the same license, give attribution to the original author, and do not benefit from any form of commercialization through their use of the work. (For more about OA and CC licenses, go to CreativeCommons.org.) Please feel free to share the Call for Proposals with anyone for whom you think it would be of interest! We are hoping to reach a broad range of social science educators. This email contains links to content or websites. Always be cautious when clicking on external links or attachments. If in doubt, please forward suspicious emails to phishing at carleton.ca. -----End of Disclaimer----- -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: STtoKT CFP.pdf Type: application/pdf Size: 1121829 bytes Desc: STtoKT CFP.pdf URL: From monica.henderson at mail.utoronto.ca Thu Jun 3 15:09:20 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Thu, 3 Jun 2021 21:09:20 +0000 Subject: [acc-cca-l] CCA grads - reminders! Message-ID: [?EXTERNAL] *fran?ais ci-dessous* Hi CCA grads! In this email: * grad pub quiz sign-up * CCA Anglophone PhD rep recrutement * grad caucus meeting reminder * A reminder that we will be hosting a virtual grad pub quiz night event Friday, June 4 from 5:00-6:00pm MST! 1st and 2nd place teams will win Skip the Dishes gift cards! Sign up here: https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform We will also be holding a CCA grad student caucus AGM on Friday, June 4 from 12-1pm MST here : https://umontreal.zoom.us/j/95092578283?pwd=YmtuN1BNMDUyMkViNUZSbkJUd1JvZz09 Please find the agenda attached. We will be holding elections for the next Anglophone PhD rep for the CCA. If you are interested in being a candidate for the position, please send us a short bio of yourself as well as a paragraph with your motivations to be included in the agenda. You can submit your candidacy up until the meeting tomorrow. Looking forward to seeing you all tomorrow ! Sincerely, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca --- Bonjour ?tudiant.es aux cycles sup?rieurs de l?ACC ! Dans ce courriel : * inscription de la soir?e pub-jeu-questionnaire virtuelle * l?assembl?e g?n?rale des ?tudiant.es aux cycles sup?rieurs * ?lection pour le poste de repr?sentant.e ?tudiant.e anglophone (doctorat) ? l?ACC Nous vous invitons ? une soir?e pub-jeu-questionnaire virtuelle qui aura lieu le vendredi 4 juin de 5 h ? 6 h (heure des rocheuses ) ! Courez la chance de remport?e des cartes cadeaux Skip the Dishes ! Inscrivez-vous ici : https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform L?assembl?e g?n?rale des ?tudiant.es aux cycles sup?rieurs de l?ACC aura lieu Vendredi le 4 juin, de midi ? 13h (heure des rocheuses), ici : https://umontreal.zoom.us/j/95092578283?pwd=YmtuN1BNMDUyMkViNUZSbkJUd1JvZz09 Ci-joint, l?ordre du jour. Nous y tiendrons une ?lection pour le poste de repr?sentant.e ?tudiant.e anglophone (doctorat) ? l?ACC. Si vous ?tes int?ress?.e par ce poste, merci de nous envoyer une courte biographie ainsi qu?un paragraphe d?crivant vos motivations afin que nous l?ajoutions ? l?ordre du jour. Vous pouvez pr?senter votre candidature jusqu?? l?heure de la rencontre demain. Au plaisir de vous y voir ! Cordialement, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: CCA Caucus meeting 2021 Agenda - Ordre du jour.pdf Type: application/pdf Size: 83299 bytes Desc: CCA Caucus meeting 2021 Agenda - Ordre du jour.pdf URL: From monica.henderson at mail.utoronto.ca Fri Jun 4 07:08:27 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Fri, 4 Jun 2021 13:08:27 +0000 Subject: [acc-cca-l] Grad meeting/pub links Message-ID: [?EXTERNAL] Hi all, Please join us at the CCA/ACC grad caucus meeting today from 12-1 MST or 2-3 EST. We will be electing a new PhD anglophone rep for 2021-2023. The AGM is open to all CCA graduate students in good standing, and not just CCA21 attendees. This link is external to Congress. Link: https://umontreal.zoom.us/j/95092578283?pwd=YmtuN1BNMDUyMkViNUZSbkJUd1JvZz09 Passcode: 815042 Afterward, this evening, join us for a pub quiz at 5pm mst / 7pm est! Sign up here: https://docs.google.com/forms/d/1RZpiC3N6GdfQT7IfQbAJ2Rxp0Jkwqtrl3_SkLuSYuYM/edit Zoom link here: https://utoronto.zoom.us/j/86538128105 Cheers, Monica PhD Anglophone Rep 2019-2021 -- Monica Jean Henderson, Ph.D. Student (she/her) Research Assistant - www.equalityproject.ca Faculty of Information, University of Toronto -------------- next part -------------- An HTML attachment was scrubbed... URL: From monica.henderson at mail.utoronto.ca Fri Jun 4 08:32:19 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Fri, 4 Jun 2021 14:32:19 +0000 Subject: [acc-cca-l] pub trivia single players Message-ID: [?EXTERNAL] Hi all, Just a note that if you want to join the pub quiz but don't have a team, we have a few singles participating that we will be able to join into a team at the beginning of the call. YAY making friends!!! Sign up here: https://docs.google.com/forms/d/e/1FAIpQLSeKvPs3MkEu0hgPpEt0WJuHvnuKEPbigODC-PRHsoG6g_YNrA/viewform Cheers, Monica -- Monica Jean Henderson, Ph.D. Student (she/her) Research Assistant - www.equalityproject.ca Faculty of Information, University of Toronto -------------- next part -------------- An HTML attachment was scrubbed... URL: From MyriamDurocher at cunet.carleton.ca Fri Jun 4 11:09:12 2021 From: MyriamDurocher at cunet.carleton.ca (Myriam Durocher) Date: Fri, 4 Jun 2021 17:09:12 +0000 Subject: [acc-cca-l] Call for Proposals: Food Matters Virtual Art Gallery In-Reply-To: References: Message-ID: [?EXTERNAL] Apologies for cross-postings. The Food Matters and Materialities: Critical Understanding of Food Cultures Conference committee invites artistic proposals that explore directly or in connected ways the Conference theme. Food Matters, which will occur online from September 22 ? 25, 2021, is an international and multidisciplinary conference that explores, from a critical perspective, how power relations (informed by racism, colonialism, gender-related issues, anthropocentrism, and socio-economic inequities) take form in contemporary food cultures and materialize in particular food matters/materialities and in a wide range of food-related practices such as production, harvesting, circulation, preparation, control, and consumption. The committee recognizes the importance of art in addressing such power dynamics and in moving towards cultural change. This call also responds to the increasing interest in experiential and sensorial modes of knowledge production and transmission in the exploration of food-related matters. The conference thus aims to showcase creative and alternative forms of knowledge creation about matter and materialities as they link in one way or another to contemporary food cultures. We welcome submissions from all artists and creators whose work is suitable for the online format of this exhibition. Submissions can be either artworks or presentations of artworks that are suitable for an online platform, such as documentation of an installation uploaded to vimeo, or a sound recording, uploaded to SoundCloud. Conference participants will be able to access all the creative work for the duration of the Conference. The virtual gallery will also be made available for one month after the conference. Proposals submission deadline: June 21st, 2021 Final submission of work: August 9th, 2021 All proposals must include: Your full name, contact information, and affiliation (if relevant) Title of the work submitted Format of final submission (e.g. video, sound, images, interactive website, documentation of a physical work, etc.) Indication of interest in participating in the conference Artist Talk (optional) Short description (150-200 words) of your work, relevance to the conference theme and how you imagine the work online. Please send questions and proposals to pamela.tudge at concordia.ca Please feel free to share the Call with anyone for whom you think it would be of interest! For questions and further inquiries about the conference, please contact us at myriamdurocher at cunet.carleton.ca Pamela Tudge Virtual Art Gallery Curator & Coordinator Food Matters and Materialities: Critical Understanding of Food Cultures -------------- next part -------------- An HTML attachment was scrubbed... URL: From monica.henderson at mail.utoronto.ca Fri Jun 4 16:57:55 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Fri, 4 Jun 2021 22:57:55 +0000 Subject: [acc-cca-l] Grad pub trivia Message-ID: [?EXTERNAL] Join now, whether you've signed up or not!!! Zoom link here: https://utoronto.zoom.us/j/86538128105 -- Monica Jean Henderson, Ph.D. Student (she/her) Research Assistant - www.equalityproject.ca Faculty of Information, University of Toronto -------------- next part -------------- An HTML attachment was scrubbed... URL: From Marie-Eve.Carignan at USherbrooke.ca Sat Jun 5 11:04:37 2021 From: Marie-Eve.Carignan at USherbrooke.ca (=?utf-8?B?TWFyaWUtw4h2ZSBDYXJpZ25hbg==?=) Date: Sat, 5 Jun 2021 17:04:37 +0000 Subject: [acc-cca-l] =?utf-8?q?Annonce_-_Sortie_du_dossier_=22journalisme?= =?utf-8?q?_au_prisme_du_mobile=22_=28Les_Cahiers_du_Journalisme=2C_Vol=2E?= =?utf-8?b?IDIsIE51bcOpcm8gNik=?= Message-ID: <580C32CD-8E63-4CB7-BE0B-E569D03636B6@usherbrooke.ca> [?EXTERNAL] Bonjour ? tous, J'ai le plaisir de vous annoncer la sortie du dossier "Le journalisme au prisme du mobile" coordonn? par Nathalie Pignard-Cheynel, Universit? de Neuch?tel ; Lara van Dievoet, Universit? catholique de Louvain et Pascal Ricaud, Universit? de Tours. Merci aux contributeurs : Virginie Sonet, Marie Rumignani, Jean-Hugues Roy, Arnaud Mercier et Etienne Damome. Les Cahiers du Journalisme c'est aussi et toujours la partie "d?bats" proposant notamment un entretien avec Pascal Engel, une chronique inspir?e de Bertrand Labasse et des "points de vue" autour de probl?matiques et d?enjeux li?s au journalisme aujourd'hui (environnement, journalistes et internautes, sources anonymes). Il vous suffit de suivre le lien suivant pour acc?der ? ce nouveau num?ro : http://cahiersdujournalisme.org/V2N6/index.html Bonne lecture, Marie-Eve Carignan Membre du comit? de r?daction Les Cahiers du journalisme [cid:image001.jpg at 01D75A0B.53537F00] Marie-Eve Carignan, Ph.D. Professeure agr?g?e D?partement de communication Facult? des lettres et sciences humaines Universit? de Sherbrooke Bureau : A3-250 T?l?phone : 819 821-8000 poste 63120 Courriel: Marie-Eve.Carignan at USherbrooke.ca Directrice du p?le m?dias, Chaire UNESCO en pr?vention de la radicalisation et de l?extr?misme violents [cid:image002.png at 01D75A0B.53537F00] -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image001.jpg Type: image/jpeg Size: 200344 bytes Desc: image001.jpg URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: image002.png Type: image/png Size: 24305 bytes Desc: image002.png URL: From daniel.pare at uottawa.ca Mon Jun 7 06:17:32 2021 From: daniel.pare at uottawa.ca (=?utf-8?B?RGFuaWVsIFBhcsOp?=) Date: Mon, 7 Jun 2021 12:17:32 +0000 Subject: [acc-cca-l] Postdoctoral Fellowship Opportunity at the University of Waterloo References: <8b24141a-7fb3-4a1b-a40c-68b78c060e9dn@googlegroups.com> Message-ID: <7B50153F-52FD-42CE-9980-7BA0AD89D5EF@uottawa.ca> [?EXTERNAL] Perhaps of interest to some members of this mailing-list Hi Everyone, My colleague and I are hiring a Postdoctoral Research Associate to work with us on ?Fostering Effective Collaboration & Communication Between Philosophers, STEM Researchers, and Diverse Publics." We're both located at University of Waterloo in Ontario, Canada, and do STS-related research. See attached for details about the position and how to apply. I've also listed the job ad on my website: https://uwaterloo.ca/scholar/kplaisan/blog/2021/06/postdoc-opportunity The deadline for applications is June 20, 2021. Note that we strongly encourage applications from members of equity-seeking groups. Thanks, Katie Plaisance -- Dr. Kathryn S. Plaisance Associate Professor Department of Knowledge Integration University of Waterloo 200 University Avenue West Waterloo, ON N2L 3G1 Canada Pronouns: she/her I acknowledge that I live and work on the traditional territory of ?the Neutral, Anishinaabeg and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometres on each side of the Grand River. Daniel J. Par?, Ph.D., Associate Professor / Professeur agr?g? Department of Communication, School of Information Studies (?SIS), and Institute for Science, Society and Policy (ISSP) Graduate Program Co-ordinator, ISSP University of Ottawa / Universit? d?Ottawa 55 Laurier Ave East, Rm 10154, Ottawa, ON, K1N 6N5, Canada Tel: (613) 562-5800 ext/poste: 2052 Fax: (613) 562-5854 Twitter: @DJ_Pare English Language Book Review Editor, Canadian Journal of Communication -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Postdoctoral Research Associate - University of Waterloo - June 2021.pdf Type: application/pdf Size: 347581 bytes Desc: Postdoctoral Research Associate - University of Waterloo - June 2021.pdf URL: From Tanner.Mirrlees at ontariotechu.ca Mon Jun 7 11:15:43 2021 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Mon, 7 Jun 2021 17:15:43 +0000 Subject: [acc-cca-l] CCA21 Graduate Student Congress Fees Rebate Opportunity Message-ID: <1623086143391.93565@ontariotechu.ca> [?EXTERNAL] Dear CCA graduate student members, As announced at our Annual General Meeting, the CCA is happy to provide a Congress fee rebate to graduate students for the fees required to participate in the virtual conference. Any graduate student who presented at CCA 2021 and paid Congress fees that is not eligible for reimbursement via their home institution is eligible to apply for a fee rebate. The application is open from June 7-11, 2021. A portion of the Congress registration fees will be reimbursed via e-transfer by early July. The amount reimbursed will depend on the number of applications received. Students must have presented a paper or as part of a roundtable during the Canadian Communication Association annual conference this year. Please complete the form linked below and include a copy of the Congress receipt that shows the amount paid for registration (either regular $70, or earlybird $55). You must submit this form by Friday, June 11 at 5pm MST. Rebates will be issued by early July 2021. https://forms.gle/PjrGsLajsdfgqoGR7 Best wishes, Tanner Tanner Mirrlees Associate Professor Communication and Digital Media Studies FSSH, Ontario Tech University President, Canadian Communication Association Faculty Profile ? From j.mcleod-rogers at uwinnipeg.ca Tue Jun 8 09:32:23 2021 From: j.mcleod-rogers at uwinnipeg.ca (Jaqueline McLeod Rogers) Date: Tue, 8 Jun 2021 15:32:23 +0000 Subject: [acc-cca-l] please post launch invite to list serve In-Reply-To: References: , Message-ID: [?EXTERNAL] https://irdl.info.yorku.ca/event/mcluhan/ [https://irdl.info.yorku.ca/files/2020/11/BEST-SLIDER-1400HQ-sensorium-300x102.jpg] McLuhan?s Techno-Sensorium City Book Launch ? IRDL irdl.info.yorku.ca IRDL is proud to host the book launch event for McLuhan’s Techno-Sensorium City: Coming to Our Senses in a Programmed Environment by Jaqueline McLeod Rogers. Marshall McLuhan?s active engagement with the vibrant art and urban design culture of his day drew links between media, technolo JAQUELINE MCLEOD ROGERS Professor and Chair | Department of Rhetoric, Writing, and Communications University of Winnipeg | 515 Portage Ave. Winnipeg, MB, R3B 2E9 204-786-9269 | j.mcleod-rogers at uwinnipeg.ca https://rowman.com/ISBN/9781793605245/McLuhan's- Techno-Sensorium-City-Coming-to-Our-Senses-in-a-Programmed-Environment https://familybloglines.com/ ________________________________ From: acc-cca-L on behalf of Myriam Durocher Sent: Friday, June 4, 2021 12:09 PM To: acc-cca-l at mailman.ucalgary.ca Subject: [acc-cca-l] Call for Proposals: Food Matters Virtual Art Gallery Notice: This is external email. Verify the sender and use caution with any content. [?EXTERNAL] Apologies for cross-postings. The Food Matters and Materialities: Critical Understanding of Food Cultures Conference committee invites artistic proposals that explore directly or in connected ways the Conference theme. Food Matters, which will occur online from September 22 ? 25, 2021, is an international and multidisciplinary conference that explores, from a critical perspective, how power relations (informed by racism, colonialism, gender-related issues, anthropocentrism, and socio-economic inequities) take form in contemporary food cultures and materialize in particular food matters/materialities and in a wide range of food-related practices such as production, harvesting, circulation, preparation, control, and consumption. The committee recognizes the importance of art in addressing such power dynamics and in moving towards cultural change. This call also responds to the increasing interest in experiential and sensorial modes of knowledge production and transmission in the exploration of food-related matters. The conference thus aims to showcase creative and alternative forms of knowledge creation about matter and materialities as they link in one way or another to contemporary food cultures. We welcome submissions from all artists and creators whose work is suitable for the online format of this exhibition. Submissions can be either artworks or presentations of artworks that are suitable for an online platform, such as documentation of an installation uploaded to vimeo, or a sound recording, uploaded to SoundCloud. Conference participants will be able to access all the creative work for the duration of the Conference. The virtual gallery will also be made available for one month after the conference. Proposals submission deadline: June 21st, 2021 Final submission of work: August 9th, 2021 All proposals must include: Your full name, contact information, and affiliation (if relevant) Title of the work submitted Format of final submission (e.g. video, sound, images, interactive website, documentation of a physical work, etc.) Indication of interest in participating in the conference Artist Talk (optional) Short description (150-200 words) of your work, relevance to the conference theme and how you imagine the work online. Please send questions and proposals to pamela.tudge at concordia.ca Please feel free to share the Call with anyone for whom you think it would be of interest! For questions and further inquiries about the conference, please contact us at myriamdurocher at cunet.carleton.ca Pamela Tudge Virtual Art Gallery Curator & Coordinator Food Matters and Materialities: Critical Understanding of Food Cultures -------------- next part -------------- An HTML attachment was scrubbed... URL: From shoang at wlu.ca Fri Jun 11 08:38:01 2021 From: shoang at wlu.ca (Sylvia Hoang) Date: Fri, 11 Jun 2021 14:38:01 +0000 Subject: [acc-cca-l] Communication Studies & Cultural Studies part-time postings for 2021/22 In-Reply-To: References: Message-ID: [?EXTERNAL] Contingent on adequate student registration and subject to budgetary funding, the Department of Communication Studies and the Cultural Studies Program invites applications for instructors to teach our courses and tutorials as posted on Laurier?s Faculty Positions page located at: https://www.wlu.ca/about/careers-at-laurier/career-opportunities/faculty-and-librarian-positions.html To find CS or KS postings, please enter ?CS? in the ?Search by Keyword? field. Please apply by email, by June 17 at 11:59pm. Thank you for your consideration. SYLVIA HOANG Administrative Assistant Communication Studies & Cultural Studies Faculty of Arts WILFRID LAURIER UNIVERSITY Waterloo, ON, Canada N2L 3C5 Office: 3-134, Dr. Alvin Woods Building 519.884.0710 x2806 wlu.ca/arts/communicationstudies wlu.ca/arts/culturalstudies -------------- next part -------------- An HTML attachment was scrubbed... URL: From cordelier.benoit at uqam.ca Fri Jun 11 09:27:46 2021 From: cordelier.benoit at uqam.ca (=?Windows-1252?Q?Cordelier=2C_Beno=EEt?=) Date: Fri, 11 Jun 2021 15:27:46 +0000 Subject: [acc-cca-l] =?windows-1252?q?Communiquer_=7C_Parution_n=B031=2C_?= =?windows-1252?q?Usage=28r=29s_des_plateformes_=3A_les_publics_de_l=92aud?= =?windows-1252?q?iovisuel_=E0_la_demande?= In-Reply-To: References: , Message-ID: [?EXTERNAL] introduces its 31st issue> C'est avec plaisir que le comit? ?ditorial de Communiquer vous annonce la mise en ligne du dossier th?matique Usage(r)s des plateformes : les publics de l'audiovisuel ? la demande dans son num?ro 31. Ce dossier propose d?examiner les plateformes num?riques de diffusion de contenus audiovisuels ? partir de leurs ? publics ?. En effet, si la tendance ? la ? plateformisation ? de l?organisation des activit?s ?conomiques au sein des industries culturelles est ?tudi?e depuis plusieurs ann?es par les chercheuses et chercheurs en sciences de l?information et de la communication, c?est l?analyse des mod?les d?affaires de ces nouveaux acteurs de la diffusion (souvent ? travers la notion d?interm?diation) qui a surtout retenu l?attention. Ce dossier propose d?apporter un ?clairage compl?mentaire aux travaux francophones contemporains. ? travers l?examen de diff?rents types de publics, plateformes et contextes de communication et gr?ce ? des m?thodologies vari?es, les autrices et auteurs montrent combien les pratiques de consommation audiovisuelle ? en ligne ? s?inscrivent dans une longue histoire du visionnage des films. Nous ne doutons pas que vous trouverez stimulante la lecture du dossier coordonn? par Chlo? Delaporte (Universit? Paul-Val?ry Montpellier 3) et Quentin Mazel (Universit? Sorbonne Nouvelle) et vous invitons ? partager le num?ro dans vos r?seaux. Dossier : Usage(r)s des plateformes : les publics de l?audiovisuel ? la demande Chlo? Delaporte et Quentin Mazel - Des publics ? ? la demande ? : penser les usages des plateformes audiovisuelles Christine Tho?r, Vincent T. Fabre et Sophie Le Berre - Revisionnement des s?ries sur les plateformes de vid?o ? la demande Catherine Dessinges et Lucien Perticoz - Netflix et les mutations des pratiques de visionnage : entre rupture et continuit? H?lo?se Boudon et Virginie Sonet - Le dispositif d?accompagnement des publics de Netflix : un processus d?accountability Christel Taillibert - Penser l?accompagnement ?ducatif cin?phile dans un environnement num?rique Barbara Laborde - Transmettrelecinema.com : une plateforme p?dagogique pour une certaine transmission d?un certain cin?ma Jean Ch?teauvert - Le vlog pour espace de communication Entretien Josiane Jou?t et Bastien Louessard - ? Vivre l?indiscipline ?. Entre questionnements m?thodologiques et int?r?ts pour les publics, r?flexions sur les usages du num?rique avec Josiane Jou?t. ANNONCES G?N?RALES Communiquer accepte toutes propositions Varia spontan?es qui r?pondent ? nos exigences de contenu et de r?daction. Vous pouvez vister le site de la revue pour plus d?indications. Nous vous invitons aussi ? faire des suggestions de notes de lecture, ou encore, ? consulter les listes d?ouvrages sur notre site web. Au plaisir de vous retrouver ? l?occasion des prochains num?ros. Le comit? ?ditorial Benoit Cordelier, professeur, D?partement de communication sociale et publique, UQAM Camille Alloing, professeur, D?partement de communication sociale et publique, UQAM Caroline Bouchard, professeure, D?partement de communication sociale et publique, UQAM Dominic Duval, , professeur, D?partement de communication sociale et publique, UQAM Martin Lussier, professeur, D?partement de communication sociale et publique, UQAM Florence Millerand, professeure, D?partement de communication sociale et publique, UQAM Pierre-Gabriel Dumoulin, secr?taire de r?daction, Facult? de communication, UQAM -- Benoit Cordelier Professeur, D?partement de communication sociale et publique Directeur, Communiquer Revue de communication sociale et publique Universit? du Qu?bec ? Montr?al, UQAM T?l?phone : (514) 987-3000, p. 6712 http://www.dcsp.uqam.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From celat at uqam.ca Mon Jun 14 06:44:12 2021 From: celat at uqam.ca (CELAT-UQAM) Date: Mon, 14 Jun 2021 12:44:12 +0000 Subject: [acc-cca-l] TOTAL SCREEN exhibition: curator and artist talk - Biennale di architettura Venezia Message-ID: [?EXTERNAL] June 18th, 2021, 5.30 (Montreal time) CURATOR and ARTIST talk Registration: EVENTBRITE More details: https://ecrantotal.uqam.ca/accueil/biennalearchitettura2021/ ?CRAN TOTAL / TOTAL SCREEN: Penelope Umbrico, Louise Pelletier, Amandine Alessandra, Carole L?vesque, Katharina Niemeyer, Magali Uhl Arts Letters & Numbers founding director David Gersten and Louise Pelletier, director of the UQAM Design Centre and Arts Letters & Numbers visiting artist, are pleased to collaborate in presenting this public panel discussion of the exhibition ?CRAN TOTAL/TOTAL SCREEN. The Artist and Curators Talk will be the opportunity to hear Penelope Umbrico describe her latest work: Out of Order / eBay (Broken Screens on Screen and Broken Screens), a multimedia installation that confronts us with the materiality of the screen as a solid interface between the ?here? of our physical being and the ?there? of intangible information. Through multiplied screens, it appears to us as a projection surface that we gaze upon, but that we are never quite able to see. About ?CRAN TOTAL / TOTAL SCREEN: Presented at the UQAM Design Centre in Montreal, Canada, the exhibition ?CRAN TOTAL/TOTAL SCREEN features Jean Baudrillard?s photographs in conversation with pieces by Penelope Umbrico, Mishka Henner + Vaseem Bhatti, Adam Basanta, as well as Charlie Doyon, Clint Enns, and Xuan Ye. Through photographs, projections, and installations, the ?CRAN TOTAL/TOTAL SCREEN exhibition offers three distinct experiences of mediation that articulate critically Baudrillard?s concepts of virality, simulation, surveillance and implosion. The first mediation is a very ? real ?, physical exhibition at the Design Centre; the second is an outdoor installation; and the third is a partially re-mediated online exhibition. In conjunction with the exhibition, a series of international conferences, round tables, and workshops will be available online. -------------- next part -------------- An HTML attachment was scrubbed... URL: From Tanner.Mirrlees at ontariotechu.ca Wed Jun 16 10:39:24 2021 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Wed, 16 Jun 2021 16:39:24 +0000 Subject: [acc-cca-l] =?iso-8859-1?q?CCA_2021_Congress_fee_rebate_opportun?= =?iso-8859-1?q?ity_for_academic_contract_faculty_/_Possibilit=E9_de_rembo?= =?iso-8859-1?q?ursement_des_frais_du_Congr=E8s_CCA_2021_pour_les_professe?= =?iso-8859-1?q?urs_universitaires_contractuels?= Message-ID: <1623861564415.97004@ontariotechu.ca> [?EXTERNAL] Dear CCA contract academic faculty (LTAs, Sessionals and Post-doctoral Researchers) The CCA is happy to provide a Congress fee rebate to contract academic faculty for the fees required to participate in the virtual conference. Any contract academic faculty who presented at CCA 2021 and paid Congress fees that is not eligible for reimbursement via their home institution is eligible to apply for a fee rebate. The application is open from Monday June 21 to Friday June 25. A portion of the Congress registration fees will be reimbursed via e-transfer by early July. The amount reimbursed will depend on the number of applications received. Contract academic faculty must have presented a paper or as part of a roundtable during the Canadian Communication Association annual conference this year. Please complete the form linked below and include a copy of the Congress receipt that shows the amount paid for registration (either regular $70, or earlybird $55). https://forms.gle/ipSr9acrePq5EeKS6 You must submit this form no later than Friday, June 25 at 5pm MST. Rebates will be issued by early July 2021. Best wishes, Tanner Mirrlees -? From zeffiroa at mcmaster.ca Thu Jun 17 11:55:47 2021 From: zeffiroa at mcmaster.ca (Zeffiro, Andrea) Date: Thu, 17 Jun 2021 17:55:47 +0000 Subject: [acc-cca-l] Two-year contract: Digital Scholarship Coordinator at McMaster University Message-ID: An HTML attachment was scrubbed... URL: From asmaa.malik at ryerson.ca Thu Jun 17 12:21:19 2021 From: asmaa.malik at ryerson.ca (Asmaa Malik) Date: Thu, 17 Jun 2021 14:21:19 -0400 Subject: [acc-cca-l] Tenure-stream opening: Assistant or Associate Professor Position in Journalism at X University Message-ID: [?EXTERNAL] Hi, everyone ... The School of Journalism at X University is looking to hire a new tenure-stream faculty member at the rank of Assistant or Associate Professor. We are hoping to attract a diversity of candidates, so please share widely across your networks. The complete posting and details about how to apply can be found here: https://hr.cf.ryerson.ca/ams/faculty/preview.cfm?posting_id=541479 Please ask anyone who is interested to get in touch at asmaa.malik at ryerson.ca if they have any questions. Best, Asmaa Assistant or Associate Professor Position in Journalism Located in downtown Toronto, the largest and most culturally diverse city in Canada and on the territory of the Anishinaabeg, Haudenosaunee and the Wendat Peoples, the School of Journalism in the Faculty of Communication and Design [FCAD] at X University invites applications for a tenure track position at the rank of Assistant or Associate Professor, effective September 1, 2021, subject to final budgetary approval. If the candidate has achieved tenure at another recognized University, the candidate may be appointed directly to the tenured faculty at the rank of Associate. The successful candidate will engage in a combination of teaching, research and service duties, maintaining an inclusive, equitable, and collegial work environment across all activities. Responsibilities will include: normally teaching four courses per academic year, potentially including JRN 319 Reporting on Race: The Black Community in the Media and JRN 400 Critical Issues in Journalism. Teaching also includes mentoring and supervising undergraduate and graduate students; contributing to the development of individual courses and the overall curriculum; developing a robust scholarly or creative research agenda, attracting external funding and disseminating research findings; serving on school/faculty/university committees; contributing in a collegial and enthusiastic way to the life of the School and the professional journalism community; and demonstrating a professional and academic commitment to equity, diversity, inclusion and a commitment to student well-being. Candidates shall have a relevant post-graduate degree. Candidates who are close to completing a relevant post-graduate degree and provide evidence of considerable relevant industry experience with demonstrated ability to contribute significantly towards student success in the respective academic programs, may also be considered.. In addition, the successful candidate must present evidence of: * demonstrated experience covering or teaching on coverage of underrepresented communities in Canada, such as Black and Indigenous communities; * demonstrated commitment to equity, diversity and inclusion in course development and teaching, or in professional training; * strong potential for scholarly research and creative practice in journalism studies and journalism practice, particularly as it pertains to the evolving role of news in a diverse, democratic society; * an accomplished professional background in journalism; * a track record of teaching, coaching and mentoring excellence at the university or professional level; * commitment to equity, diversity and inclusion as it pertains to service, teaching, and scholarly research or creative activities; lived professional and personal experience is also valued; * commitment to the wellbeing of students, including a demonstrated ability to make learning accessible and inclusive for a diverse student population; and * an ability to contribute to the life of the School of Journalism and the University through collegial service. Our committee recognizes that scholars have varying career paths and that career interruptions can be part of an excellent academic record. Candidates are encouraged to provide any relevant information about their experience and/or career interruptions. This position falls under the jurisdiction of the X* Faculty Association (X*FA) (www.rfanet.ca). The X*FA collective agreement can be viewed here and a summary of X*FA benefits can be found here. [* the X is out of respect for those who are campaigning for the University to change its name] -- ASMAA MALIK she/her Interim co-chair | Associate professor School of Journalism | Faculty of Communication and Design X University | bit.ly/X-University + bit.ly/X-University-Spice In solidarity: bit.ly/X-University-Faculty -------------- next part -------------- An HTML attachment was scrubbed... URL: From Tanner.Mirrlees at ontariotechu.ca Fri Jun 18 10:09:34 2021 From: Tanner.Mirrlees at ontariotechu.ca (Tanner Mirrlees) Date: Fri, 18 Jun 2021 16:09:34 +0000 Subject: [acc-cca-l] JOB -> Assistant Professor, Critical Approaches to Communication and Digital Media, Ontario Tech University Message-ID: <558acba397f44439b5e9b6122e77f6c1@ontariotechu.ca> [?EXTERNAL] Position Title: Assistant Professor, Communication and Digital Media Studies Institution: Ontario Tech University, Faculty of Social Science and Humanities Application Review Date: September 3, 2021 Position Start Date: July 1, 2022 The Faculty of Social Science and Humanities (FSSH) at Ontario Tech University (OTU) invites applications for an Assistant Professor in the area of Critical Approaches to Communication and Digital Media Studies for its Bachelor of Communication and Digital Media Studies (CDMS) program... Applicants should have a clear program of research and undergraduate teaching experience in one or more of the following areas: -Critical communication and digital media studies -Intersectional communication and digital media studies -Race, ethnicity, class, sexuality, gender, religion, and ability-disability in media, old and new -Digital media and social justice advocacy -International political economy of digital media industries. For the full job ad and application requirements, click here Tanner Mirrlees Undergraduate Director, Communication and Digital Media Studies Ontario Tech University President, Canadian Communication Association Faculty Profile From ChrisWaddell at Cunet.Carleton.Ca Tue Jun 22 09:09:41 2021 From: ChrisWaddell at Cunet.Carleton.Ca (Chris Waddell) Date: Tue, 22 Jun 2021 15:09:41 +0000 Subject: [acc-cca-l] J-Source editor-in-chief - application deadline June 25. Message-ID: <93B496A7-B57B-4B28-948E-8AC284F3AB8A@cunet.carleton.ca> [?EXTERNAL] As publisher of J-Source, I am writing to remind you that the deadline is fast approaching (June 25) for applications for the position of editor-in-chief of J-Source as Sonya Fatah from Ryerson comes to the end of her three years. Please share this with your faculty members who might e be interested. Al the details about the position and the application process can be found here - https://j-source.ca/call-for-applicants-j-source-editor-in-chief-2/ I would also be happy to answer any questions anyone may have about the position. Just send me an email to this address. best wishes Chris 613.850.2313 - mobile Christopher Waddell, Ph.D. Professor Emeritus School of Journalism and Communication Richcraft Hall Carleton University 1125 Colonel By Drive, Ottawa, Ontario K1S 5B6 613.850.2313 - mobile The information in this message, including any attachments, is privileged and may contain confidential information intended only for the person(s) named above. Any other distribution, copying or disclosure is strictly prohibited. If you are not the intended recipient or have received this message in error, please notify Carleton University immediately by reply email at the contact listed above and permanently delete the original transmission from us, including any attachments, without making a copy. Carleton University is fully compliant with the Freedom of Information and Protection of Privacy Act and appreciates your cooperation in this matter. This email contains links to content or websites. Always be cautious when clicking on external links or attachments. If in doubt, please forward suspicious emails to phishing at carleton.ca. -----End of Disclaimer----- From monica.henderson at mail.utoronto.ca Wed Jun 23 10:23:48 2021 From: monica.henderson at mail.utoronto.ca (Monica Henderson) Date: Wed, 23 Jun 2021 16:23:48 +0000 Subject: [acc-cca-l] Grad CCA proceedings issue Message-ID: [?EXTERNAL] Hi grad students, Just a reminder that Stream has put out a CFP for papers presented at CCA to be published in the 2021 special ACC-CCA Conference Graduate Student Proceedings issue. View the call here: https://journals.sfu.ca/stream/index.php/stream/announcement/view/17 As always, let us know if you have any questions. Sincerely, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca * Bonjour ?tudiant.es, En rappel, le magazine Stream invite les ?tudiant.es ayant particip? ? l?ACC cette ann?e ? soumettre leur article ? cet appel ? publication pour leur num?ro sp?cial des Actes de colloque ACC-CCA 2021. Les d?tails sont disponibles ici : https://journals.sfu.ca/stream/index.php/stream/announcement/view/17 Comme d?habitude, n?h?sitez pas ? nous faire signe si vous avez des questions. Au plaisir, Monica Jean Henderson Anglophone PhD representative, 2019-2021 University of Toronto monica.henderson at mail.utoronto.ca Hubert Alain Repr?sentant ?tudiant francophone 2020-2022 Universit? de Montr?al hubert.alain at umontreal.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From henry.svec at uwaterloo.ca Wed Jun 30 11:24:09 2021 From: henry.svec at uwaterloo.ca (Henry Adam Svec) Date: Wed, 30 Jun 2021 17:24:09 +0000 Subject: [acc-cca-l] New Book - Life Is Like Canadian Football and Other Authentic Folk Songs Message-ID: [?EXTERNAL] Dear Friends and Colleagues, I wanted to let you know about my new book, which has just been published by Invisible Publishing, entitled Life Is Like Canadian Football and Other Authentic Folk Songs. It has emerged from my ongoing research on folk revivalism and media theory, but it is a work of fiction (a novel). The book tells the story of a Canadian grad student who, while working in the basement of Library and Archives Canada, uncovers a box of tapes documenting the folk songs of the Canadian Football League c. 1970, which, it turns out, were made by the iconoclastic and communistic Canadian phonographer Staunton R. Livingston. The discovery launches this grad student onto a quest of professional and personal discovery, from London to Dawson City to Sackville, NB. It's a bildungsroman of sorts, but also an alternative history of Canadian media theory. I'll be performing from the book at this year's Hillside Festival, too, if you would like to see the live version of the project. Here's a link to the publisher page, where you can order a copy and also take a look at some blurbs and more information: https://invisiblepublishing.com/product/life-is-like-canadian-football/ Take care, and stay cool! Sincerely, Henry Henry Adam Svec, PhD Assistant Professor Department of Communication Arts University of Waterloo New Book: Life Is Like Canadian Football and Other Authentic Folk Songs www.henryadamsvec.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: From jheydon at wlu.ca Wed Jun 30 13:44:17 2021 From: jheydon at wlu.ca (Jeff Heydon) Date: Wed, 30 Jun 2021 19:44:17 +0000 Subject: [acc-cca-l] New Book - Visibility and Control: Cameras and Certainty in Governing Message-ID: [?EXTERNAL] Hello all, I'm just writing to let you all know about my book Visibility and Control: Cameras and Certainty in Governing, published by Lexington/Rowman & Littlefield. The book traces the relationship between certainty in the universality and accuracy of photographic and videographic images and their use in governing. If interested, please follow this link to the publisher's website: https://rowman.com/ISBN/9781793618177?cat=8S21COM Thanks and take care, Jeff [https://rowman.com/S/17/936/9781793618184.jpg] Visibility and Control: Cameras and Certainty in Governing Visibility and Control: Cameras and Certainty in Governing addresses the ways in which camera-produced images are used to support governmental authority in contemporary Western culture. rowman.com ----------------------------------------------------------------------- Dr. Jeff Heydon (he/him) Communication Studies Wilfrid Laurier University 75 University Avenue W. Waterloo, Ontario N2L 3C5 Canada -------------- next part -------------- An HTML attachment was scrubbed... URL: