[Stremes-l] Simply Jamming
kfields at ucalgary.ca
Thu Dec 3 19:50:05 MST 2015
Remembering one of our first telematic performances with Emily Carr, 2009:
MUSICACOUSTICA 2009: A Telemusic Concert.
October 27th, 10am (Beijing): October 26th, (Calgary 8pm, Vancouver 7pm) 2009.
China's Central Conservatory of Music
University of Calgary, Syneme Lab
Emily Carr University Art Design, Intersection Digital Studio's Motion Capture Studio
> On Dec 4, 2015, at 3:11 AM, Maria Lantin <mlantin at ecuad.ca> wrote:
> That sounds like a lot of fun! Some great insights coming from play. Here at Emily Carr we’ve been playing around with VR and have formed a Consortium for Future Reality (c4fr) to work on networked and embodied VR experiences. Right now the main collaborations are between NYU (Ken Perlin’s lab) and Emily Carr, but soon USC (Mark Bolas), and the Max Planck Institute will be joining in the fun. We are using GearVRs, and VIVEs. Obviously the kinds of latency issues that you are encountering with sound are of great interest.
>> On Dec 2, 2015, at 9:30 PM, Kenneth Fields <kfields at ucalgary.ca <mailto:kfields at ucalgary.ca>> wrote:
>> I (in Beijing) had a great Jam with Ethan Cayko at the university of calgary
>> yesterday. His master’s degree is concerned with rhythmic complexities/opportunities
>> of network music.
>> We tested the network for a bit, found some problems and ‘tuned’ our jacktrip connection.
>> There was a 215ms delay, which we determined amounted to about 140bps.
>> however, when I started jacktrip in loop mode and Ethan played with the echo,
>> we found the actual beat (ricochet) to be around 127bpm. Seems reasonable since
>> a bit more delay is introduced by the software, hardware and actual-air in both studios.
>> Then we started jamming. It was a pleasure, just to sync into our particular
>> beat profile based on our distance. The interesting part, is that we are hearing
>> two different pieces - as I play off his beat and he plays off mine. We are, relatively
>> speaking, mutually one beat offset from each other's history.
>> We aim to add a third node, which will have its own unique delay time with each of us.
>> So with the addition of just one node, ethan will be playing in a complex rhythmic
>> mode and I will playing in another. While we will be hearing 3 different pieces as a result,
>> it will still be a unique composite - given the coupling/triangulating. We are playing
>> simply and looking for emerging genre in this.
>> The main point in this for me, was that there was no intention but to jam.
>> No theory, no crash rehearsal just before a performance. This is the way to develop a project.
>> When the music gets going, we can just open up the session, and start broadcasting to youtube.
>> Let the practice grow from a grounded, experiential reality.
>> We both commented afterwards, that we had been trying to get to that point
>> for a long time (years) - given all the complexities of (yes) organizing bandwidth,
>> developing software, getting comfortable with the ‘multi-chronotopical space,’
>> starting courses and grad programs, writing grants, etc. Just play!
>> And it coincides with the impetus to get this list going.
>> AND I’m reading Bergson’s Creative Mind (intuition/time)….
>> Hmm, must be time.
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> Dr. Maria Lantin Director, Stereoscopic 3D Centre | tel 604 630 4540 fax 866 731 3780 cel 604 722 3749
> emily carr university of art + design <http://www.ecuad.ca/> | 1399 Johnston Street, Vancouver BC V6H 3R9
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