From jpetrychyn at gmail.com  Tue Oct  3 13:20:03 2023
From: jpetrychyn at gmail.com (Jonathan Petrychyn)
Date: Tue, 3 Oct 2023 15:20:03 -0400
Subject: [acc-cca-l] CALL FOR PARTICIPANTS! Toronto Queer Film Festival
 Annual Symposium
In-Reply-To: <e48a07aa59a2c8e7f1e29acd7.0859302a8b.20230921211415.795c9c18da.92066e7d@mail121.suw151.rsgsv.net>
References: <e48a07aa59a2c8e7f1e29acd7.0859302a8b.20230921211415.795c9c18da.92066e7d@mail121.suw151.rsgsv.net>
Message-ID: <CAPor0k26ReU7MAKqH0xG3Riyfnz2WAh-X1d4D8f=qQx+VprXpA@mail.gmail.com>

[?EXTERNAL]




---------- Forwarded message ---------
From: Toronto Queer Film Festival <info at torontoqueerfilmfest.com<mailto:info at torontoqueerfilmfest.com>>
Date: Thu, Sep 21, 2023 at 5:14?PM
Subject: CALL FOR PARTICIPANTS!
To: <jpetrychyn at gmail.com<mailto:jpetrychyn at gmail.com>>


The Toronto Queer Film Festival is seeking proposals for its annual Symposium

View this email in your browser<https://mailchi.mp/751a813c7617/call-for-participants?e=0859302a8b>

[https://mcusercontent.com/e48a07aa59a2c8e7f1e29acd7/images/7810f380-14f6-4be3-df67-e403bc2dd208.png]<https://torontoqueerfilmfest.us14.list-manage.com/track/click?u=e48a07aa59a2c8e7f1e29acd7&id=e26d84a521&e=0859302a8b>
[https://mcusercontent.com/e48a07aa59a2c8e7f1e29acd7/images/ca664f39-eeed-3214-5fbc-001cf6e605a1.png]<https://torontoqueerfilmfest.us14.list-manage.com/track/click?u=e48a07aa59a2c8e7f1e29acd7&id=6f091685a9&e=0859302a8b>
[https://mcusercontent.com/e48a07aa59a2c8e7f1e29acd7/images/60682418-ec25-3566-28ab-97efc2e9d99d.png]<https://torontoqueerfilmfest.us14.list-manage.com/track/click?u=e48a07aa59a2c8e7f1e29acd7&id=68f428202c&e=0859302a8b>
SUBMIT<https://torontoqueerfilmfest.us14.list-manage.com/track/click?u=e48a07aa59a2c8e7f1e29acd7&id=abbe107294&e=0859302a8b>
[Facebook icon] [Instagram icon]        [Twitter icon]

Copyright (C) 2023 Toronto Queer Film Festival. All rights reserved.


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From kmo at counterarchive.ca  Wed Oct  4 07:26:24 2023
From: kmo at counterarchive.ca (Archive/Counter-Archive Knowledge Mobilization Officer)
Date: Wed, 4 Oct 2023 09:26:24 -0400
Subject: [acc-cca-l] Screening in Montreal of Outer Worlds IMAX,
 featuring Michael Snow's final film
Message-ID: <CAPH8dbahLje1LQcdxjEFhqKbOaCdVKEBXTHUTFUMx9uMnTah5A@mail.gmail.com>

[?EXTERNAL]


Those of you in the Montreal area may be interested in an upcoming screening at Centre des sciences of five experimental IMAX films:

fran?ais en bas

Outer Worlds
In keeping with the cinematic genre typical of IMAX films?the larger-than-life landscape that forms an outer world beyond the limits of the human sensorium?Outer Worlds is an extra-ordinary program that features five experimental IMAX films by Canada?s leading artists: Oliver Husain, Lisa Jackson, Kelly Richardson, Michael Snow, and Leila Sujir.

Each of the films explores expanded cinema through different ecologies of the non-human: the forest, lichen, snails, water, and sky. Proposing different worlds of experience and distinct grammars of immersion through a meeting with the camera, the films imagine common worlds by reflecting upon the exigencies of intercultural and interspecies communication, a task that has taken on great urgency in the 21st century as we grapple with how to adapt to the ecological realities brought about by anthropogenic climate change.

The updated program includes a new sound mix of Michael Snow?s final film, Cityscape.

The screening is curated by Janine Marchessault (York University) and presented by Concordia University?s Thinking Allowed<https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar> project.

Thursday, October 19th 2023
@ the IMAX Telus Theatre, Montreal Science Centre
2 De la Commune St W, Montreal, Quebec H2Y 2E2

Doors: 18:30h
Screening: 19h
Runtime: 50mins, followed by Q&A with artists (Oliver Husain, Mani Mazinani [Snow?s collaborator and representative], and Leila Sujir)

Tickets ($10): https://outer-worlds-imax.eventbrite.ca<https://outer-worlds-imax.eventbrite.ca/>
To find out more about the films, visit: www.xlouterworlds.ca<http://www.xlouterworlds.ca/>

Prior to the screening, the Thinking Allowed project presents a day of panel talks about IMAX and immersive screen experience at 4th Space, featuring scholars, curators and artists. The Outer Worlds artists (along with Kelly Richardson via Zoom) will be talking about their work and experiences of working with IMAX on a panel at 15:00h. These talks are free and open to the public. For more information:  https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar <https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar>

This screening is organized by the ?Locating Transnational Collaborations in the Early History of Imax Films and Architectures (1970-1990)? research project at York University, funded by the Social Sciences and Humanities Research Council of Canada. Learn more about our research at: http://www.imax-history.ca<http://www.imax-history.ca/>.
The Outer Worlds film program was one of the 200 exceptional projects funded through the Canada Council for the Arts? New Chapter program. With this $35M investment, the Council supports the creation and sharing of the arts in communities across Canada.

****

Outer Worlds
Les films IMAX constituent un genre cin?matographique unique, se d?marquant par un paysage plus grand que nature qui forme un monde ext?rieur au-del? des limites du sensorium humain. Outer Worlds est un programme extraordinaire qui pr?sente cinq films IMAX exp?rimentaux r?alis?s par des artistes canadien.nes de premier plan : Oliver Husain, Lisa Jackson, Kelly Richardson, Michael Snow et Leila Sujir.

Chacun de ces films explore le cin?ma ?largi ? travers diff?rentes ?cologies du non-humain : la for?t, le lichen, les escargots, l'eau et le ciel. Proposant diff?rents mondes d'exp?rience et des grammaires distinctes d'immersion ? travers une rencontre avec la cam?ra, les films imaginent des mondes communs en r?fl?chissant aux exigences de la communication interculturelle et inter-esp?ces, t?che devenue urgente au 21e si?cle alors que nous devons nous adapter aux nouvelles r?alit?s ?cologiques provoqu?es.

Ce programme comprend un nouveau mixage sonore de Cityscape, le dernier film de Michael Snow.
Jeudi 19 octobre 2023
au Cin?ma IMAX Telus, Centre des sciences de Montr?al
2, rue de la Commune Ouest, Montr?al, Qu?bec H2Y 2E2

Portes : 18:30h
Projection : 19h
Dur?e : 50 minutes, suivi d'une s?ance de questions-r?ponses avec les artistes Oliver Husain, Mani Mazinani (collaborateur et repr?sentant de Snow), et Leila Sujir.

Billets ($10) : https://outer-worlds-imax.eventbrite.ca<https://outer-worlds-imax.eventbrite.ca/>

Pour en savoir plus sur les films, visitez : www.xlouterworlds.ca<http://www.xlouterworlds.ca/>

La projection est organis?e par Janine Marchessault et pr?sent?e par le projet Thinking Allowed<https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar> de l'Universit? Concordia.

Avant la projection, le projet Thinking Allowed pr?sente une journ?e de discussions sur l'IMAX et l'exp?rience de l'?cran immersif au 4th Space, avec des chercheur.euses et des artistes. Les artistes d'Outer Worlds (ainsi que Kelly Richardson via zoom) parleront de leur travail et de leurs exp?riences de travail avec IMAX lors d'une table ronde ? 15h00. Ces conf?rences sont gratuites et ouvertes au public. Pour plus d'informations :
 https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar <https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2023/10/19/thinking-allowed.html?c=/next-gen/4th-space/programming/fullcalendar>

Cette projection est organis?e par le projet de recherche "Locating Transnational Collaborations in the Early History of Imax Films and Architectures (1970-1990)" de l'Universit? York, financ? par le Conseil de recherches en sciences humaines du Canada. Pour en savoir plus sur nos recherches : http://www.imax-history.ca<http://www.imax-history.ca/>.
Le programme de films Outer Worlds est l'un des 200 projets exceptionnels financ?s par le programme Nouveau chapitre du Conseil des Arts du Canada. Avec cet investissement de 35 millions de dollars, le Conseil soutient la cr?ation et le partage des arts dans les communaut?s ? travers le Canada.

Andrew Bailey (he/him) ? Knowledge Mobilization Officer
SSHRC Partnership Grant, Archive/Counter-Archive
www.counterarchive.ca<http://www.counterarchive.ca/>
York University | 2001E Victor Phillip Dahdaleh Building
4700 Keele Street ? Toronto ON ? Canada M3J 1P3
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From cchokshi at mtroyal.ca  Wed Oct  4 11:30:26 2023
From: cchokshi at mtroyal.ca (Crystal Chokshi)
Date: Wed, 4 Oct 2023 11:30:26 -0600
Subject: [acc-cca-l] The Need to Rename Tech: Deadline is October 6
Message-ID: <CAFu_YhZi4cLNUJYgcujRQy_ZiFDVGGMXqmGCwavm=ODW92ZV-g@mail.gmail.com>

[?EXTERNAL]


Dear colleagues,

This is a gentle nudge for anyone considering submitting to the CFP below. The deadline is October 6 (this Friday).

Robin and I thank you for considering this project, as we know there is lots out there vying for your labour and time. And for those who have already sent queries, notes of encouragement, or submissions, we thank you for supporting this project.

Sincerely,
Crystal

Crystal Chokshi, PhD
Assistant Professor
School of Communication Studies
Mount Royal University
(t) 403-440-6088 | (e) cchokshi at mtroyal.ca<mailto:cchokshi at mtroyal.ca>

***

Call for Proposals: The Need to Rename Tech

Deadline: October 6, 2023


Editors

Crystal Chokshi (MRU) and Robin Mansell (LSE)


Link to Full Call

bit.ly/CFPRenameTech <http://bit.ly/CFPRenameTech>


Project Description

This is a book about words?often metaphors coined by Big Tech?that fool us into thinking the digital technologies we use every day are beautiful, benign, and consequence-free. They?re not. As the writers in this edited collection will show, the digital tech that facilitates daily life has social, political, and climate consequences. But these consequences are concealed by reductive nouns and misleading metaphors, such as the cloud or AI (Hwang & Levy, 2015; Vlasits, 2017; Hogan & Vondereau, 2018; Wyatt, 2021), that are invoked to uphold the technology industry (Ignatow, 2003).


Each chapter in this volume will discuss a specific technology and, crucially, a move to rename it. Collectively, we aim to subvert Big Tech?s careful branding and rechristen today?s most popular technologies in ways that point explicitly to their problems. As a whole, this book will propose alternative vocabulary to technologies in the Anthropocene, emphasizing what they actually do or perform, rather than Silicon Valley notions of what people should buy.


Project Goal

Critical media and communication scholars have made many calls for new language to talk about technology (Lanier, 2010; Hwang and Levy, 2015; Gillespie, 2017; Jobin and Ziewitz, 2018; Wyatt, 2018, 2021; Boucher, 2021; Wallenborn, 2022; Chown and Nascimento, 2023). This book answers these longstanding calls.


Our approach to renaming technology, like Lakoff and Johnson (1980), is not necessarily to abandon the use of metaphor. But, like Sally Wyatt (2021), we know better than to be lackadaisical when it comes to language. Language philosophy tells us that words have the power to bring things into being (Austin, 1962); therefore, we need to be very careful with them.


Carefulness, by which we mean practicing an ethic of care, comes down to renaming?and, therefore, reframing?the technology industry and the technologies it develops in terms of what they do, not what they appear to be. We hold this conviction: what something is is what it does (Drucker, 2013; van Dijck et al., 2018; Deibert, 2020). This means that things are best understood in terms of their unfolding and their consequences, in what they do as much as what they are. As such, the essays in this volume will discuss and catalogue aspects such as processes, byproducts, outcomes, and aftermaths.


How to Submit an Expression of Interest

We ask that prospective authors complete our Google form<http://bit.ly/RenameTech>, which includes the following fields:

  *   The technology your chapter will discuss

  *   Its new name (can be tentative, but it will be helpful to show us what you are thinking)

  *   Your argument, in one sentence

  *   A 150-word synopsis


If you do not have a Google account, please submit your expression of interest directly to Crystal Chokshi at cchokshi at mtroyal.ca<mailto:cchokshi at mtroyal.ca>. Please ensure your submission includes responses to the four points directly above.


Expressions of interest are due October 6, 2023.


Please see the full call<http://bit.ly/CFPRenameTech> for a list of other key dates.


Questions?

Please feel free to contact Crystal at cchokshi at mtroyal.ca<mailto:cchokshi at mtroyal.ca>.





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From ggow at ualberta.ca  Wed Oct  4 11:40:28 2023
From: ggow at ualberta.ca (Gordon A. Gow)
Date: Wed, 4 Oct 2023 11:40:28 -0600
Subject: [acc-cca-l] Term instructor - Winter 2024 - Critical media studies
 (can be online)
Message-ID: <CAKZyiLs4x9B2sy6XBXUFfjc_pgSyCy+KnFH7=Fyv8AE1h1eO7g@mail.gmail.com>

[?EXTERNAL]


The Department of Sociology at the University of Alberta is looking for a term instructor to teach a fourth-year course on critical media studies in the Winter term of 2024.

The course is scheduled for Mondays from 2:00-4:50 pm, running from Jan 8-April 12.  It can be taught online if the instructor is not located in Edmonton.

This is a great opportunity for Phd (ABD) students looking for teaching experience.

Please get in touch with the Sociology Undergraduate Coordinator, Alison Dunwoody (dunwoody at ualberta.ca<mailto:dunwoody at ualberta.ca>), if you are interested in this position. The earlier, the better.


GORDON A. GOW, PhD
Professor
Interim Director, Media & Technology Studies

UNIVERSITY OF ALBERTA
College of Humanities and Social Sciences
Faculty of Arts

Sociology/Media & Technology Studies
4-26 Tory (HM) Building
Edmonton, AB Canada T6G 2H4


[University of Alberta Logo]<https://www.ualberta.ca/index.html>

The University of Alberta respectfully acknowledges
that we are situated on Treaty 6 territory, traditional
lands of First Nations and M?tis people.

[Facebook Logo]<https://www.facebook.com/ualberta/>  [Twitter] <https://twitter.com/UAlberta>  [Instagram] <https://www.instagram.com/ualberta>   [YouTube] <https://www.youtube.com/channel/UC7TheT4tlz2KDgUppvYPrJQ>   [LinkedIn] <https://ca.linkedin.com/school/university-of-alberta/>  [Orchid] <https://orcid.org/>
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From dana.cramer at torontomu.ca  Thu Oct  5 10:16:32 2023
From: dana.cramer at torontomu.ca (Dana Cramer)
Date: Thu, 5 Oct 2023 16:16:32 +0000
Subject: [acc-cca-l] Grad Journal CFP - Deadline extended
Message-ID: <SA3PR15MB563260625720B1E4170BA02CA2CAA@SA3PR15MB5632.namprd15.prod.outlook.com>

[?EXTERNAL]


**Please forward to CCA Graduate Students**

Dear CCA Graduate Students,

The call for papers<https://journals.sfu.ca/stream/index.php/stream/announcement/view/29> for this year?s special issue of Stream: Interdisciplinary Journal of Communication for the graduate proceedings from this year?s CCA conference has been extended to Tuesday, 10 October 2023 if you need the extra long weekend to submit.

Submissions may be in the form of 5-20 pages in length. Submission guidelines can be found on Stream?s website<https://journals.sfu.ca/stream/index.php/stream/about/submissions>. Submissions can include full papers, extended abstracts, talking papers, or other scholarly works which fit within Stream?s submission guidelines. If you have any questions, please feel free to email me (dana.cramer at torontomu.ca<mailto:dana.cramer at torontomu.ca>).

All the best,
Dana | CCA Graduate Student Representative

Dana Cramer (she/her/elle)
PhD Student | Communication and Culture
Toronto Metropolitan University
[York University and Toronto Metropolitan University logo for the Joint Graduate Program in Communication and Culture.]<https://www.torontomu.ca/graduate/programs/comcult/people/students/dana-cramer/>
w: https://www.torontomu.ca/graduate/programs/comcult/people/students/dana-cramer/
e: dana.cramer at torontomu.ca s: @DanaCramer96
cal.: https://calendar.app.google/LhDYHudTvVUyxnYz7
[Logo for LinkedIn.]<https://www.linkedin.com/in/dana-cramer/>     [Logo for Twitter.] <https://twitter.com/DanaCramer96>

Research Interests: Internet Governance; Internet Fragmentation; Splinternet; Multiple Public Internets; Internet Infrastructure & Standards; Broadband; Telecommunications & Technology Policy; Geopolitical Competition; Political Economy of Communication; Internet Usage; Sustainable Development

New Publication: Cramer, Dana (2023). Cybersecurity as the future of the Internet: A systems thinking analysis to achieve a secure Internet. International Institute of Communications. Available open access.<https://www.iicom.org/feature/dana-cramer/>
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From stephane.couture at umontreal.ca  Fri Oct  6 08:07:13 2023
From: stephane.couture at umontreal.ca (=?Windows-1252?Q?St=E9phane_Couture?=)
Date: Fri, 6 Oct 2023 14:07:13 +0000
Subject: [acc-cca-l] =?windows-1252?q?Appel_=E0_participation_-_Rencontre?=
 =?windows-1252?q?s_=AB_Droits_et_r=E9sistances_num=E9riques_en_contexte_f?=
 =?windows-1252?q?rancophone_=BB=2E_Montr=E9al=2C_21-24_mai_2024=2E?=
Message-ID: <YT3PR01MB9626A148F20E2751D338A34DF0C9A@YT3PR01MB9626.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


N'h?sitez pas ? faire circuler!
----

Appel ? participation - Rencontres ? Droits et r?sistances num?riques en contexte francophone ?. Montr?al, 21-24 mai 2024.


Vous avez jusqu?au 1er novembre 2023 pour soumettre votre proposition de participation. Le texte de l'appel se trouve ici: https://www.labdelta.ca/app-rencontres2024/

Nous vous invitons ? soumettre une proposition de communication, d?atelier pratique ou de discussion aux rencontres ? droits et r?sistances num?riques en contexte francophone ?. Ces rencontres auront lieu ? Montr?al du 21 au 24 mai 2024 (lieu pr?cis ? d?terminer). L?objectif principal de ces rencontres est de favoriser des partenariats entre activistes, organisations associatives ou non gouvernementales et chercheur.es (universitaires ou ind?pendant.es) issu.es du Qu?bec, du Canada et d?autres pays francophones, notamment africains, sur la question des droits et r?sistances num?riques en contexte francophone. Les rencontres consisteront en une combinaison de panels d?expert.es (chercheur.es acad?miques, militant.e.s ou autres), d?ateliers pratiques et de s?ances de r?seautage et de travail. Un colloque ?tudiant aura ?galement lieu lors de la premi?re journ?e. L??v?nement se d?roulera en pr?sentiel mais sera rediffus? en ligne.

Ces rencontres ne se voulant pas qu?acad?miques, nous invitons particuli?rement les responsables de projets ou d?organisations (charg?.es de projets, direction, b?n?voles) ? d?poser une proposition.

Le th?me des rencontres s?appuie sur la n?cessit? de r?fl?chir et d??changer ? propos des concepts et des enjeux li?s aux droits et r?sistances num?riques en contexte francophone. Le terme ? droits num?riques ? est une traduction fran?aise de digital rights (en anglais) ou derechos digitales (en espagnol) et renvoie pour nous ? la mani?re dont les droits individuels et collectifs s?actualisent sur Internet et en contexte num?rique (droits ? la connaissance, ? la connectivit?, ? la vie priv?e ou ? l?oubli), mais surtout ? un mouvement social de revendication de ces droits, particuli?rement actif dans le monde anglophone et hispanophone. Dans les derni?res ann?es par exemple, des conf?rences comme le RightsCon ont attir? des dizaines de milliers de personnes de nombreux pays, mais les francophones sont g?n?ralement peu pr?sents ou isol?s sur ces questions. ?troitement li?e sur le plan pratique, la r?sistance num?rique renvoie pour nous ? des formes d?action, de discours ou des postures qui cherchent ? contester, subvertir, refuser ou transformer les structures de pouvoir ?tablies. Nous souhaitons particuli?rement, durant ces rencontres, mieux conna?tre les initiatives qui consistent par exemple ? contester, subvertir, refuser ou transformer les infrastructures et plateformes num?riques dominantes et ce dans un horizon politique d??mancipation sociale. C?est dans la perspective de susciter un plus grand int?r?t et de favoriser des partenariats sur ces questions que nous organisons ces rencontres.

Les propositions peuvent prendre plusieurs formes (ateliers, affiches, d?monstrations) et porter sur les th?mes suivants, sans toutefois s?y limiter :

  *   Contextes nationaux et r?gionaux de l?exercice des droits et/ou des r?sistances num?riques francophones;
  *   Pr?sentation d?initiatives li?es aux droits et/ou r?sistances num?riques francophones;
  *   Propositions politiques de partenariats ou de r?seautages;
  *   Pr?sentation de projets de recherche-cr?ation ou de projets artistiques mobilisant les notions de droits et/ou de r?sistances num?riques francophones;
  *   Pr?sentation d??tudes empiriques en lien avec les droits et/ou les r?sistances num?riques francophones;
  *   Th?orisation et conceptualisation des droits num?riques et/ou des r?sistances num?riques;
  *   Pr?sentation d?outils ou de m?thodes en lien avec les droits et/ou r?sistances num?riques en contexte francophone.

Les propositions doivent ?tre soumises au plus tard le 1er novembre 2023. La d?cision sera transmise aux pr?sentateurs et pr?sentatrices vers la mi-d?cembre 2023.

Pour soumettre une proposition de communication, veuillez remplir le formulaire ?lectronique ici :

https://framaforms.org/appel-a-participation-1695996492

Pour toute question, contactez Chanel Robin, coordonnatrice du projet : chanel.robin at umontreal.ca

________________________________


Les rencontres ? Droits et r?sistances num?riques en contexte francophone ? sont organis?es par le Laboratoire sur les droits en ligne et les technologies alternatives (labdelta.ca) avec le soutien financier du Conseil de recherches en sciences humaines du Canada<https://www.sshrc-crsh.gc.ca/home-accueil-fra.aspx> et plusieurs organismes partenaires (voir logos sur l?affiche ci-haut).

Comit? d?organisation (Lab-Delta, Universit? de Montr?al) :

St?phane Couture
Chanel Robin
Adel Aouam
Marvin Ceinos-Dumont
Christopher Housseaux

Comit? de programme :

Abdelaziz Blilid, Facult? Polydisciplinaire d?Azilal (Maroc)
Alexandra Hach?, Digital Defenders Partnership
Destiny Tchehouali, Universit? du Qu?bec ? Montr?al
Francesca Musiani, Centre Internet et Soci?t? (Paris)
Guillaume Latzko-Toth, Universit? Laval
Sarah Choukah, Universit? de l?Ontario fran?ais
Sophie Toupin, Universit? Laval
St?phane Couture, Universit? de Montr?al

Nos partenaires :

LabCMO
Facult? des arts et sciences, D?partement de communication | Universit? de Montr?al
Universit? Laval
P?le d??tudes et de recherche en culture num?rique | Universit? de l?Ontario fran?ais
Centre Internet et Soci?t? | Centre national de la recherche scientifique (CNRS)
Centre interuniversitaire de recherche sur la science et la technologie (CIRST)
Internet Society ? Chapitre Qu?bec Canada (ISOC-Qu?bec)
Centre pour l?intelligence ?motionnelle en ligne (CIEL)
Machine Agencies | Universit? Concordia
Association for Progressive Communications (APC)
FACiL, pour l?appropriation collective de l?informatique libre
Association des utilisateurs des TIC (ASUTIC)
Chaire de recherche ?ducation aux m?dias et droits humains (Chaire EMDH)
Alternatives
Amnistie Internationale Canada Francophone
Chaire de recherche France-Qu?bec sur les enjeux contemporains de la libert? d?expression (COLIBEX)
ProtegeQV


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From rbuiani at gmail.com  Sat Oct  7 08:29:07 2023
From: rbuiani at gmail.com (roberta buiani)
Date: Sat, 7 Oct 2023 10:29:07 -0400
Subject: [acc-cca-l] Two must-see events Oct. 16 (on future of food) and
 Oct. 27 (on Media Carbon footprint)
Message-ID: <347AB5EA-9F30-4476-91C7-FC05037724D6@gmail.com>

[?EXTERNAL]


please, circulate to anybody interested

best
roberta



View this email in your browser<https://mailchi.mp/c1a819dbd044/two-artsci-must-see-events-oct-16-and-oct-27?e=[UNIQID]>
[https://mcusercontent.com/e5d452879d9cb99972f79d659/images/deec57e1-2272-daa5-0eec-779bf2da9fad.png]

Oct 16, 3:30 PM
The Anthropocene cookbook

with authors
Zane Cerpina & Stahl Stenslie

Cerpina and Stenslie are the authors of
The Anthropocene Cookbook. How to survive in the age of catastrophes <https://anthropocenecookbook.com/>


[https://mcusercontent.com/e5d452879d9cb99972f79d659/images/7fd90430-deab-955c-b592-215165c35309.png]

Join us to welcome Cerpina and Stenslie as they introduce us to their book and discuss the future cuisine of humanity. To sustain the soon-to-be 9 billion global population we cannot count on Mother Earth?s resources anymore. The project explores innovative and speculative ideas about new foods in the field of arts, design, science & technology, rethinking eating traditions and food taboos, and proposing new recipes for survival in times of ecological catastrophes.

To match the topic of their talk, attendees will be presented with "anthropocene snacks" and will be encouraged to discuss food alternatives and new networks of solidarity to fight food deserts, waste, and unsustainable consumption.

This is a Hybrid event: our guests will join us virtually on zoom.
Join us in person at Glendon Campus, rm YH190 (the studio next to the Glendon Theatre) for a more intimate community experience and some anthropocene snacks. If you wish to join us on Zoom, please

register here<https://yorku.zoom.us/meeting/register/tJMkceGhrjopE9Hsc3PCOSmBtJMEd9b01E9W>

This event is part of a series on Emergent Practices in Communication, featuring  explorations on interspecies communication and digital networks; land-based justice and collective care. The full program can be found here<https://artscisalon.com/coms4208/>

This initiative  is supported by York University's Teaching Commons Academic Innovation Fund

Zane Cerpina is a multicultural and interdisciplinary female author, curator, artist, and designer working with the complexity of socio-political and environmental issues in contemporary society and in the age of the Anthropocene. Cerpina earned her master?s degree in design from AHO ? The Oslo School of Architecture and Design and a bachelor?s degree in Art and Technology from Aalborg University. She resides in Oslo and is a project manager/curator at TEKS (Trondheim Electronic Arts Centre). She is also a co-founder and editor of EE: Experimental Emerging Art Journal. From 2015 to 2019, Cerpina was a creative manager and editor at PNEK (Production Network for Electronic Art, Norway).

Stahl Stenslie works as an artist, curator and researcher specializing in experimental media art and interaction experiences. His aesthetic focus is on art and artistic expressions that challenge ordinary ways of perceiving the world. Through his practice he asks the questions we tend to avoid ? or where the answers lie in the shadows of existence. Keywords of his practice are somaesthetics, unstable media, transgression and numinousness. The technological focus in his works is on the art of the recently possible ? such as i) panhaptic communication on Smartphones, ii) somatic and immersive soundspaces, and iii) design of functional and lethal artguns, 3D printed in low-cost plastic material.He has a PhD on Touch and Technologies from The School of Architecture and Design, Oslo, Norway. Currently he heads the R&D department at Arts for Young Audiences Norway.

[https://mcusercontent.com/e5d452879d9cb99972f79d659/images/38d56d31-4d47-d7cc-ee4e-3955346e0da1.png]

Oct 27, 5:00-7:00 PM
Streaming Carbon Footprint

with
Laura U. Marks
and
David Rokeby
-
Room 230
The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto

We are thrilled to announce this dialogue between media Theorist Laura U. Marks and Media Artist David Rokeby. Together, they will discuss a well known elephant in the room of media and digital technologies: their carbon footprint. As social media and streaming media usage increases exponentially, what can be done to mitigate their impact? are there alternatives?

This is a live event: our guests will join us in person.
if you wish to join us on Zoom instead, a link will be circulated on our website and on social media a few days before the event. The event will be recorded
Laura U. Marks works on media art and philosophy with an intercultural focus, and on small-footprint media. She programs experimental media for venues around the world. As Grant Strate University Professor, she teaches in the School for the Contemporary Arts at Simon Fraser University in Vancouver, Canada. Her upcoming book The Fold: From Your Body to the Cosmos will be published I March 2024 by Duke University Press.

David Rokeby is an installation artist based in Toronto, Canada. He has been creating and exhibiting since 1982. For the first part of his career he focussed on interactive pieces that directly engage the human body, or that involve artificial perception systems. In the last decade, his practice has expanded to included video, kinetic and static sculpture. His work has been performed / exhibited in shows across Canada, the United States, Europe and Asia.
Awards include the first BAFTA (British Academy of Film and Television Arts) award for Interactive Art in 2000, a 2002 Governor General's award in Visual and Media Arts and the Prix Ars Electronica Golden Nica for Interactive Art 2002. He was awarded the first Petro-Canada Award for Media Arts in 1988, the Prix Ars Electronica Award of Distinction for Interactive Art (Austria) in 1991 and 1997.
[https://mcusercontent.com/e5d452879d9cb99972f79d659/images/3284df0d-2cda-2394-5171-9bb59bfc241c.png]
These two Events are part of the international Leonardo LASER series
LASER Toronto is hosted by Nina Czegledy and Roberta Buiani
[Facebook]<http://www.facebook.com/artscisalon>
[Website]<http://artscisalon.com/>
[YouTube]<http://www.youtube.com/@artscisalon>
[Instagram]<http://instagram.com/artscisalon>
Copyright ? 2023 ArtSci salon, All rights reserved.


Want to change how you receive these emails?
You can update your preferences<https://artscisalon.us11.list-manage.com/profile?u=e5d452879d9cb99972f79d659&id=305cf65303&e=[UNIQID]&c=c1f3b655bb> or unsubscribe from this list<https://artscisalon.us11.list-manage.com/unsubscribe?u=e5d452879d9cb99972f79d659&id=305cf65303&e=[UNIQID]&c=c1f3b655bb>.

[Email Marketing Powered by Mailchimp]<http://www.mailchimp.com/email-referral/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=referral_marketing&aid=e5d452879d9cb99972f79d659&afl=1>


roberta buiani
atomarborea.net<http://atomarborea.net>
artscisalon.com<http://artscisalon.com>




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From pooley at muhlenberg.edu  Mon Oct  9 12:40:13 2023
From: pooley at muhlenberg.edu (Jeff Pooley)
Date: Mon, 9 Oct 2023 14:40:13 -0400
Subject: [acc-cca-l] New Open Access Book: Franklin Ford Collection
In-Reply-To: <d8387f1e-df30-4edd-af71-2fd8c39bb8ea@Spark>
References: <d8387f1e-df30-4edd-af71-2fd8c39bb8ea@Spark>
Message-ID: <7f4dd676-75f1-49ab-ab83-64b6f05d813f@Spark>

[?EXTERNAL]


mediastudies.press is a scholar-led, nonprofit, diamond open access publisher in the media, film, and communication studies fields. We are excited to announce the publication of Franklin Ford Collection:

https://www.mediastudies.press/ford-collection

The American journalist Franklin Ford (1849?1918) is remembered for his ambitious (and stillborn) Thought News periodical, hatched with philosopher John Dewey. The Franklin Ford Collection, curated and introduced by Trudel and De Maeyer, takes in the full shambolic spread of Ford's thought, across news, politics, education, finance, and society at large. The collection includes nineteen documents?letters, leaflets, editorials, and treatises?with critical annotations from Trudel and De Maeyer. The works, many unpublished or rarely circulated, illustrate the core themes that animated Ford's career, including his sweeping program of press reform and his thoughts on the interconnected flows of money, transportation, and communication.

The book is available online and as a free download in PDF and ePub. A paperback version is also available.

https://www.mediastudies.press/ford-collection

Franklin Ford Collection appears in the Public Domain Series series. Scholars interested in proposing volumes in this or other series are encouraged to reach out with a query:

https://www.mediastudies.press/proposals

You can learn more about mediastudies.press, including our operations and OA principles, on our site:

https://www.mediastudies.press/about

The press is a member of the Open Book Collective and the ScholarLed consortium, and also publishes the History of Media Studies journal. Please contact us at press at mediastudies.press<https://mailto:press at mediastudies.press>.
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From dr.g.voorhees at gmail.com  Tue Oct 10 07:16:22 2023
From: dr.g.voorhees at gmail.com (Gerald Voorhees)
Date: Tue, 10 Oct 2023 09:16:22 -0400
Subject: [acc-cca-l] Lecture and Workshop: Paratopian Design and Equitable
 Game Dev Education
Message-ID: <CAHysLZGMko8MSpJ9HvGR8ZBKdZM6zy40QYAcLp4_=c1iadQ0cg@mail.gmail.com>

[?EXTERNAL]


Dear friends and colleagues,

Please join us for two upcoming events (online or in-person) hosted by the University of Waterloo Games Institute:

1. On Monday, 23 October from 11AM-12:30PM EDT/UTC+4: "Building Equitable and Sustainable Game Development Education" Workshop led by Kenzie Gordon (University of Alberta), Dr. Sean Gouglas (University of Alberta), Dr. Alison Harvey (York University),
Vishal Sooknananl (Western University), Dr. Johanna Weststar (Western University), and
Dr. Jennifer Whitson (University of Waterloo).  Register for free using this Eventbrite link<https://www.eventbrite.ca/e/workshopbuilding-equitable-and-sustainable-game-development-education-tickets-728981462177?aff=oddtdtcreator>.

With recent waves of layoffs, high-profile workplace harassment cases, and a notoriously short career length for gender minorities and people of colour, the transition of new workers into the game industry involves navigating a spate of barriers to equity and success that have been understudied in academic research. The First Three Years is an ongoing longitudinal study of graduates of game programs in Canada and the United States, following the journey of 207 students as they move into the game industry. In this workshop, our research team will summarise the primary challenges students have identified in their game programs. This summary includes equity and diversity issues inherent in common curricular practices such as the efficacy of capstone courses and internships, the inclusion of crunch-like practices in the classroom, the systematic failure to inform students of actual workplace conditions, and the mismatch between student preparation and industry hiring practices. Afterwards, participants will address whether/how these problems manifest in their own institutions, and what solutions might improve equity outcomes for students seeking careers in games.?

2. On Tuesday, 31 October from 3-4PM EDT/UTC+4: "The Case for Paratopian Design" lecture by Dr Rilla Khaled (Concordia University). Register for free using this Eventbrite link.<https://www.eventbrite.ca/e/guest-lecture-the-case-for-paratopian-design-tickets-721528760947?aff=oddtdtcreator>

What if we could make complex social and cultural questions playable? And what if we could do so through interactions with familiar digital interfaces set in alternative presents and near futures? The work I will discuss sits at the intersection between the design traditions of speculative and critical design on the one hand, and the philosophies and best practices of game design, playful media and interaction design on the other. It turns out, though, that an arranged marriage between these traditions produces unusual offspring. In this talk, grounded in examples including outsourcing religious tolerance to technological solutions, Indigenous Hawaiians undertaking space travel, matrimonial websites from the near future, and flirtatious AI chatbot therapists, I make the case for paratopian design, which is neither utopian nor dystopian, but proposes paradigm shifts that invite us to reconceptualise and reconsider the building blocks of "here" & "now".

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From Manon.Niquette at com.ulaval.ca  Wed Oct 11 12:37:17 2023
From: Manon.Niquette at com.ulaval.ca (Manon Niquette)
Date: Wed, 11 Oct 2023 18:37:17 +0000
Subject: [acc-cca-l] Call for papers: The Regional ICA Conference on food
 communication
Message-ID: <6B01F7CF-D2A1-4608-891F-F803F91F7ED8@com.ulaval.ca>

[?EXTERNAL]


Hi,

For your information, see the call for papers below. Note that the conference will be in English.

Manon Niquette.

Manon Niquette Ph. D.
Professeure titulaire
D?partement d'information et de communication
Chercheuse, Centre NUTRISS-INAF, IPAC, ComSant?
Universit? Laval
T  418 656-2131, poste 404354





Food Communication

International Communication Association

French Society for Information and Communication Science

Lab. CIMEOS (University of Burgundy)





The Regional ICA Conference to be held in May 2024 in Dijon welcomes scholars from all over the worldworking on food-related issues from a Communication Sciences perspective. Today, food is the subject of numerous studies in history, sociology and anthropology. Many reference works have been written in the disciplines of Human and Social Sciences yet reading the food fact by the prism of the Communication Sciences is an original approach which allows to underline aspects until now little treated.



Eating and food choices are the result of numerous factors: biological, psychological, cultural and social. The latter are made up of a whole range of dimensions, such as the media context, memory traces linked to childhood, our upbringing or the experiences and memories that stem from it.



From this perspective, food choices require us to adopt a reflexive stance on the social, symbolic and memorial values we incorporate when we eat. As part of the research carried out by the CIMEOS laboratory and its food and gastronomy axis, it's the meaning of our food that we're concerned with. Its gourmet meaning, its environmental and ethical meaning, its nutritional meaning but also its political meaning.



Communication Sciences have taken on the food issue around several polarities (De Iulio et al., 2015). The first considers food as a system in the sense understood by Greimas, who emphasizes that "food constitutes a form of non-verbal communication through which meaning is shared" (2015: 8). The second polarity addresses our acts, practices and food choices from media perspective, as an object of discourse and images.



It is then a matter of working on food and gastronomy by studying the discourses, their circularity, their impacts on the representations of consumers but also, by extension, on their practices. Various and diversified epistemological approaches are developed questioning a multiplicity of concepts from sensorial and sensitive communication to knowledge constitution and mediation, or digital impacts, challenges and stakes.



The ICA "Food Communication? regional conference offers opportunities for engagement with scholars, students and public intellectuals from around the continent to debate these important and topical issues. The following types of proposal are encouraged: communications, thematic panels, posters (especially by the young scholars).



Papers, panels (free formats but no longer than one hour and a half) or posters could address the following themes:





1. Social practices concerning the act of ? eating ?.



2. Food communication and digital technologies.



3. Health, food and communication.



4. Communication strategies of the food science industry: food security, labels, etc.



5. Food as a medium for constructing a territory?s reputation and notoriety.





The conference will be held in person and is open to everyone, but scholars who wish to present their works need to submit an extended abstract (400-600 words) that will be double-peer reviewed.

In the future, an Interest Group Food and Communication could be created participating to the development of research in that area for ICA.


CALL FOR EXTENDED ABSTRACTS DETAILS:



Following the ICA tradition, multiple methodologies are valued and works conducted from a wide range of paradigmatic perspectives are encouraged. The goal for extended abstracts is to present and discuss current research about food communication and should adhere to the following guidelines:



- Extended abstract should be between 400-600 words (excluding references, tables & figures), and should clearly state the contribution of the work to food communication.



- Research data should already be collected. Abstracts need to present some preliminary analyses to provide a first review of results.



- Theoretical or methodological extended abstracts are also acceptable; authors should lay out the main arguments to be developed.



- Work should be unpublished and not presented at other conferences.

?

Please upload a single de-identified PDF file of your paper (including tables, figures, and references) by the deadline (November 15th, 2023) to: https://icafood2024.sciencesconf.org/. To submit an abstract each author must create an account on the website.



Deadlines:

Deadline for submission: November 15th, 2023



Applicants will hear by mid-January 2024





Provisional Schedule:



23rd of may

8h45 ? 9h30: Reception

9h30 ? 12h30: Plenary session

9h30 ? 9h45: Opening (organizing committee, laboratory direction)

9h45 ? 11h30: Keynote speaker #1 + Keynote speaker #2

11h30 ? 12h30: Round table #1 (4 keynote speakers)



12h30 ? 14h00: Lunch break



14h00 ? 15h30: Parallel workshops / panel

15h30 ? 16h00: Coffee break, posters and networking

16h00 ? 17h30: Round table #2







24th of May:

8h45 ? 9h00: Reception

 9h00 ? 10h45: Plenary session (2 keynote speakers)

10h45 ? 11h00: Coffee break, posters and networking

11h00 ? 12h30: Parallel panels



12h30 ? 14h00: Lunch break



14h00 ? 15h00: Young scholars session

15h00 ? 15h30: Coffee break, posters and networking
15h30 ? 17h00: Round table #3

 17h00 ? 17h30: Conclusion



25th of May: Cultural visit ? details TBA











CONFERENCE REGISTRATION PRICES (EUR) - subject to validation by the administrator






LOCATION:





TIER A





TIER B





TIER C






Dijon, FRANCE

(in-person conference)






Regular faculty/ graduates (includes all meals and gala dinner)





EUR 200





EUR 100





EUR 50






 Students (includes all meals and gala dinner)





EUR 150





EUR 75





EUR 40













Cultural visit of Dole and the Burgundy Franche-Comt? region - for those interested





TBA





Questions? Please contact:



Estera-Tabita Badau estera-tabita.badau at u-bourgogne.fr<mailto:estera-tabita.badau at u-bourgogne.fr>



Aude Chauviat aude.chauviat at u-bourgogne.fr<mailto:aude.chauviat at u-bourgogne.fr>





Organizing Committee:



Estera Badau

Aude Chauviat

Cl?mentine Hugol-Gential

Daniel Raichvarg




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From hirjif at mcmaster.ca  Wed Oct 11 23:13:59 2023
From: hirjif at mcmaster.ca (Hirji, Faiza)
Date: Thu, 12 Oct 2023 05:13:59 +0000
Subject: [acc-cca-l] Call for Papers - Canadian Communication Association
 2024 Annual Conference
Message-ID: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>

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From slebel at unb.ca  Thu Oct 12 06:18:17 2023
From: slebel at unb.ca (Sabine LeBel)
Date: Thu, 12 Oct 2023 12:18:17 +0000
Subject: [acc-cca-l] Job: Assistant Professor,
 Community-Engaged Media Arts at University of New Brunswick
Message-ID: <YT1PR01MB4140C960751E834D5734A51BBED3A@YT1PR01MB4140.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hi folks,

The University of New Brunswick Fredericton is hiring an Assistant Professor, Community-Engaged Media Arts in the Culture & Media Studies Department. Closing date is November 10, 2023. See details below or here for more info: https://www.unb.ca/hr/careers/posting/academic.php?id=2875&fbclid=IwAR3mLlrWcEujo9nDq3d5OwuCPzIf0_LUmHe_xeAi9mcEUd0UagA_GWpaWho



The Department of Culture and Media Studies in the Faculty of Arts at the University of New Brunswick, Fredericton, New Brunswick (Canada), invites applications for a tenure track appointment at the rank of Assistant Professor.

The start date of the position is July 1, 2024. This position is subject to final budgetary approval.

We seek a scholar-practitioner of media and cultural studies with expertise in film production, whose research and filmmaking demonstrate a commitment to community-engaged practice and inquiry with an emphasis on working with and representing equity-seeking groups. A PhD in Film or Media Studies (or related discipline) or a terminal degree in their area of specialization is required. Candidates should have demonstrated evidence of exceptional, nationally and/or internationally recognized achievement in community-engaged mediamaking practices and national/international exhibition. An active research profile in the field of media and cultural studies, and post-secondary teaching experience would be strong assets.

The successful candidate's research and teaching areas will support our existing departmental areas of specialization and help strengthen and consolidate our core curriculum. They will teach film and media production at all levels (including camera, sound, lighting, editing and pre-production), oversee the program's technical needs, supervise internships, develop projects, secure funding, and create innovative community-learning opportunities that benefit students and shape the future of media and cultural studies at UNB. Candidates will be expected to demonstrate capacity to apply principles of decolonizing, equity, diversity, and inclusion in their pedagogy.

Media Arts & Cultures is an interdisciplinary program that combines critical and creative work, encouraging students to become scholars and authors of media. Bringing together perspectives from the social sciences, humanities, and fine arts, and grounded in the Canadian tradition of communication studies, the program is built around the assumption that critical thinking about contemporary media cultures benefits significantly from practical experience with the processes and technologies of cultural production. Housed in the Eaton Multimedia Centre, the program features smart classrooms, a 24-seat computer lab, and a production studio, all recently renovated. Along with a Minor in Music and a variety of language courses, our department also houses a Comparative Cultural Studies program with an international and comparative focus in which students pursue the study of culture and cultural expression as significant meaning making.

Applicants are asked to submit a letter of application, a C.V. (either PDF or Word format) and a link to a digital portfolio/reel electronically to cams at unb.ca<mailto:cams at unb.ca>. In addition, candidates should arrange for three letters of reference to be sent electronically under separate cover to the attention of Dr. Sophie Lavoie, Chair, Dept. of Culture & Media Studies, UNB Fredericton, cams at unb.ca<mailto:cams at unb.ca>.

Please note: writing samples, teaching dossiers, and sample syllabi will be requested only from those selected for further consideration by the hiring committee.

Closing Date for Applications: November 10, 2023.

All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority. Applicants should indicate current citizenship status.

Short-listed candidates will be required to provide satisfactory proof of credentials including appropriately certified translations of credentials into English, as applicable

The University of New Brunswick is committed to employment equity and fostering diversity within our community and developing an inclusive workplace that reflects the richness of the broader community that we serve. The University welcomes and encourages applications from all qualified individuals who will help us achieve our goals, including women, visible minorities, Aboriginal persons, persons with disabilities, persons of any sexual orientation, gender identity or gender expression. Preference will be given to Canadian citizens and permanent residents of Canada.




Sabine LeBel, PhD

she/her

Associate Professor, Culture & Media Studies
University of New Brunswick, Fredericton
slebel at unb.ca


We recognize and respectfully acknowledge that UNB is on the unsurrendered and unceded traditional lands of the Wolastoqiyik peoples. Signed in 1725, the Peace and Friendship Treaties established Mi'kmaq and Wolastoqiyik title over these lands, and provided rules for ongoing relations between nations.

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From tamara.shepherd at ucalgary.ca  Thu Oct 12 09:51:33 2023
From: tamara.shepherd at ucalgary.ca (Tamara Shepherd)
Date: Thu, 12 Oct 2023 15:51:33 +0000
Subject: [acc-cca-l] UCalgary graduate programs
Message-ID: <YT2PR01MB6516BC64A59F6660B16EDFF3F1D3A@YT2PR01MB6516.CANPRD01.PROD.OUTLOOK.COM>

Hi everyone,

I hope you are well!

The Graduate Program in Communication and Media Studies in the Department of Communication, Media and Film at the University of Calgary, is now accepting applications from prospective MA and PhD students for September 2024. The application deadline is December 1, 2023.

Our growing program offers opportunities for interdisciplinary media and communications studies research across several areas, including:


  *   Digital media cultures, platforms, & politics
  *   Feminist media studies
  *   Surveillance studies
  *   Film and visual cultures
  *   Health communication
  *   Media Histories
  *   Telecommunications policy

We also have several exciting research initiatives, including the Transdisciplinary Approaches to Data, Surveillance, and Creativity Research Group and the Environmental Media Lab: https://www.environmentalmedialab.com<https://www.environmentalmedialab.com/>

We offer competitive funding packages and affordable living in a diverse urban center at the foot of the Rocky Mountains.

And as always, more information can be found on our website: https://arts.ucalgary.ca/communication-media-film/future-students/graduate or contact us at artsgradsc at ucalgary.ca<mailto:artsgradsc at ucalgary.ca>.

Additionally, I am holding a Graduate Programs information session on Thursday, November 2, 2023 at 10:00am Mountain / 12:00pm Eastern on Zoom:
https://ucalgary.zoom.us/meeting/register/tJUodO2tqT8uHtXyJRowl1oJWDF9FOAXjfMY

Thanks for sharing!
Tamara

---
Dr. Tamara Shepherd
Graduate Program Director
Associate Professor
Communication, Media & Film
University of Calgary
Social Sciences 236
2500 University Drive NW
Calgary, AB  T2N 1N4


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From sibo.chen at torontomu.ca  Fri Oct 13 10:21:40 2023
From: sibo.chen at torontomu.ca (Sibo Chen)
Date: Fri, 13 Oct 2023 12:21:40 -0400
Subject: [acc-cca-l] =?utf-8?q?Invitation_to_Participate_in_CCA=E2=80=93R?=
	=?utf-8?q?ISN_Event_Planning_-_Your_Input_Needed?=
Message-ID: <CACN25vu7XxsNJCb4_oCw4qs3Jr_jOXFjH+N7EwS2_SD6Bzr+QQ@mail.gmail.com>

[?EXTERNAL]


Dear CCA colleagues,

I hope this email finds you well. This is Sibo Chen from Professional Communication, Toronto Metro U. I am writing to you as the chair of the Racialized and Indigenous Scholars Network (RISN) for CCA, 2023-2024. The network was founded last year and we welcome everyone to join us in discussing issues and scholarships related to RISN.

RISN's Mission, as stated in its government document, is to "foster community among racialized and Indigenous communication scholars; to promote their work, including marginalized objects, frameworks, and epistemologies, within the field of Canadian communication studies; and to support racialized and Indigenous students and early career researchers in navigating the CCA, the discipline, the profession, and their home institutions."

I would like to express my gratitude to Dr. Benjamin Woo (Carleton) for his remarkable efforts in establishing the network and leading the previous year?s RISN activities. I look forward to assuming this role and working closely with all of you in the academic year 23-24.

In line with RISN's Mission, I am proposing the following events for the academic year 2023-2024:

1. 1-2 RISN virtual events before the CCA annual conference (formats to be decided, could be workshops, panel discussions, etc.)
2. A panel discussion at the CCA conference in Montreal.
3. A networking event at the CCA conference in Montreal.

To ensure we plan these events effectively, I would like to schedule a quick online meeting consulting with existing and new RISN members during the week of October 23rd to October 29th. To accommodate everyone's schedules, I have created a Doodle poll where you can specify your preferred time slots.

https://doodle.com/meeting/participate/id/e099kWXa

I kindly request you to fill out the poll by Wednesday, October 18th. Based on the results, I will schedule two quick online meetings (you can join either one of them) for RISN members to join and contribute to our discussions.

I look forward to your participation as we shape our agenda for the upcoming academic year.

Best Regards,
Sibo Chen
Chair of the Racialized and Indigenous Scholars Network, 23-24

---
Sibo Chen (he/him)
Assistant Professor & Graduate Program Director
School of Professional Communication
Toronto Metropolitan University (Formerly Ryerson University)

We acknowledge that Toronto is in the 'Dish With One Spoon Territory?. The Dish With One Spoon is a treaty between the Anishinaabe, Mississaugas and Haudenosaunee that bound them to share the territory and protect the land. Subsequent Indigenous Nations and peoples, Europeans and all newcomers have been invited into this treaty in the spirit of peace, friendship and respect.
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From cetepper at ucalgary.ca  Mon Oct 16 12:23:03 2023
From: cetepper at ucalgary.ca (Charles Tepperman)
Date: Mon, 16 Oct 2023 18:23:03 +0000
Subject: [acc-cca-l] =?utf-8?q?CFP=3A_=E2=80=9CRevisiting_a_Golden_Era=3A?=
 =?utf-8?q?_Canadian_Cinema_of_the_1980s_and_90s=E2=80=9D?=
Message-ID: <740C3E40-E6F5-42AB-AAE4-069E86D7E74E@ucalgary.ca>

Dear friends, colleagues-

Please consider submitting a proposal for our new CFP - and distribute widely!

CFP: ?Revisiting a Golden Era: Canadian Cinema of the 1980s and 90s?
Call for essay proposals for an edited volume about Canadian films, filmmakers, and film culture (for submission to McGill-Queens University Press)
Edited by Lee Carruthers and Charles Tepperman

This volume proposes a reconsideration of the aesthetic, cultural, and industrial development of motion pictures in Canada between (approximately) the years 1980 and 2000. This period has often been described as a ?golden era? of Canadian cinema, seeing the rise to prominence of a new generation of Canadian filmmakers and the emergence of new institutions to support them. Piers Handling has characterized this phenomenon as the emergence of a distinctive Canadian cinema that is ?esoteric, diverse, and multifaceted.? As he writes, Canadian cinema was newly mobilized in this phase through festivals, finding an equal standing with literature: ?Cronenberg, Arcand, Egoyan and Maddin stood shoulder-to-shoulder with Atwood, Ondaatje, Martel and Richards.? Significantly, this emergence also coincided with the maturation of academic Film Studies in Canada, a parallel development that resulted in robust critical and scholarly responses. While the films and film contexts of this period were much discussed in the 80s, 90s and early 2000s, they demand a new assessment.

We invite essay submissions about Canadian cinema of the 1980s and 90s, deploying established critical approaches (textual and cultural analysis, stylistic analysis) as well as new critical methods (such as transmedia and transnational analyses, data-based research, and media industry studies). The collection particularly values close readings of the films of this period, reassessed through the lens of the present, which might serve as exemplary essays for undergraduate and graduate coursework. We encourage reassessments that are critically agile and historiographical in approach, reflecting on the distance that separates us from these films and filmmakers and also the discourses and methods that scholars have brought to them.

Articles may address French-, English-, and/or Indigenous-language filmmaking, and films and film cultures from diasporic communities and international co-productions. We ask these contributions to consider the following questions: What does it mean to (re)consider this film / filmmaker / topic in our current moment? What does this reconsideration show us about Canadian cinema of the 1980s and 90s and about contemporary film practice? How do contemporary critical / theoretical / methodological / historiographical resources freshly illuminate the topic, forming contrasts and continuities with earlier examinations? How, for example, do recent conceptualizations of (trans)national cinema, decolonization, anti-racism, gender, and/or media industries reposition our perspective on the films/contexts of Canadian cinema in this period?

Contributions can be in various forms and may include short essays (4000-5000 words), long essays (6000-8000), and interviews.

Possible topics:

-       reconsideration of a prominent film or filmmaker ie) Atom Egoyan, David Cronenberg, Denys Arcand, Patricia Rozema, L?a Pool, Deepa Mehta, Don McKellar, Alanis Obomsawin, Robert Lepage, Fran?ois Girard, Micheline Lanct?t, John Greyson, Robert Morin, Guy Maddin and others.

-       consideration of a film, filmmaker, or context that has been overlooked by scholars but that can be productively retrieved for the present

-       Indigenous filmmaking, decolonization

-       gender, cultural difference, and diversity in Canadian cinema

-       queer and LGBTQ films and cultures

-       examination of film styles, trends, genres, popular cinema, and art cinema

-       film festivals (rise of TIFF, other festivals)

-       film policy (CCA, Telefilm, tax credits)

-       film distribution and exhibition (theatrical, community, TV)
-  independent, avant-garde, and experimental film in Canada
-  developments in documentary film
-  video, transmedia, new media
-  film culture, audiences, and reception
-  co-productions, transnational cinema in the Canadian context
-  local scenes, regional contexts
-  other topics related to Canadian cinema in the 1980s and 90s

Article proposal/abstract (300-400 words + bibliography/filmography) will be due on January 15, 2024. Final essays will be due by Sept 1, 2024.

Please send your proposals and inquiries to Lee Carruthers (lee.carruthers at ucalgary.ca<mailto:lee.carruthers at ucalgary.ca>) and Charles Tepperman (c.tepperman at ucalgary.ca<mailto:c.tepperman at ucalgary.ca>).


Charles Tepperman
Associate Professor, Department of Communication, Media and Film | University of Calgary
Director, Amateur Movie Database project: http://www.amateurcinema.org
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From sherrys.yu at utoronto.ca  Mon Oct 16 18:48:55 2023
From: sherrys.yu at utoronto.ca (Sherry Yu)
Date: Tue, 17 Oct 2023 00:48:55 +0000
Subject: [acc-cca-l] Fully Funded PhD Student Positions in the Faculty of
 Information at the University of Toronto
In-Reply-To: <YT3PR01MB980472EBD96FD297E58BD58988D2A@YT3PR01MB9804.CANPRD01.PROD.OUTLOOK.COM>
References: <YT2PR01MB6516BC64A59F6660B16EDFF3F1D3A@YT2PR01MB6516.CANPRD01.PROD.OUTLOOK.COM>
 <YQBPR0101MB86060E62DA5FC7B772E53CE586D2A@YQBPR0101MB8606.CANPRD01.PROD.OUTLOOK.COM>
 <YT3PR01MB980472EBD96FD297E58BD58988D2A@YT3PR01MB9804.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YQBPR0101MB8606BAA3A4E82D85937954CD86D6A@YQBPR0101MB8606.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hi everyone,

The Faculty of Information at the University of Toronto is accepting applications for fully funded PhD student positions.

The application deadline is December 1, 2023. For further information, please see attached.

Best,

Sherry S. Yu, Ph.D.
Associate Professor
Co-Program Director, Journalism Joint Program
Department of Arts, Culture and Media (UTSC)
Faculty of Information (UTSG)
University of Toronto
sherrys.yu at utoronto.ca

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From rbuiani at gmail.com  Mon Oct 16 21:38:53 2023
From: rbuiani at gmail.com (roberta buiani)
Date: Mon, 16 Oct 2023 23:38:53 -0400
Subject: [acc-cca-l] Patterns from Nature, November 4,
 8:00 pm @ Isabel Bader Theatre, Toronto
Message-ID: <8A50A315-F2FD-483B-A3C8-F5F0245AB040@gmail.com>

[?EXTERNAL]


Please, circulate widely and come if you can.
best
Roberta



View this email in your browser<https://us11.campaign-archive.com/?e=__test_email__&u=e5d452879d9cb99972f79d659&id=096fcab38c>
[deec57e1-2272-daa5-0eec-779bf2da9fad.png]
[8d79c28b-549b-47a6-0116-ab57abf3c021.gif]
PATTERNS FROM NATURE
Saturday, November 4th, 2023
Isabel Bader Theatre
93 Charles St West
Toronto
8pm
 Free admission
Register here<https://us11.mailchimp.com/mctx/clicks?url=https%3A%2F%2Fwww.eventbrite.com%2Fe%2Fpatterns-from-nature-tickets-738906638647%3Faff%3Doddtdtcreator&xid=f2a36de43f&uid=45187701&iid=096fcab38c&pool=cts&v=2&c=1697512581&h=daa5631811ecaa70d55f4358831250bcf743d77ce94031adc46166adf91b894d>
An ambitious new project is set to captivate audiences with a mesmerizing fusion of physics, film, and music.

Physicist Stephen Morris, filmmakers Udo Prinsen, Gita Blak, Lee Hutzulak, Tina de Groot, and composer/saxophonist Quinsin Nachoff are joining forces to explore Morris? area of research Emergent Patterns in Nature through a captivating multimedia experience.

The centerpiece of this innovative project is a four-movement, 40-minute work. Each filmmaker will delve into a specific research area within Emergent Patterns in Nature, exploring Branches, Flow, Cracks, and Ripples. Collaborating closely, the team will draw inspiration from one another?s progress into the composition and filmmaking processes.  These areas were inspired, in part, by the books about Patterns in Nature by Philip Ball. <https://us11.mailchimp.com/mctx/clicks?url=https%3A%2F%2Fpress.uchicago.edu%2Fucp%2Fbooks%2Fbook%2Fchicago%2FP%2Fbo23519431.html&xid=f2a36de43f&uid=45187701&iid=096fcab38c&pool=cts&v=2&c=1697512581&h=1f680e0b40bc01a56dd8cf7ca27ca5efef6b820098c698738a36af2d2490235e>

Blending jazz and classical elements, the composition will be performed by a chamber ensemble featuring woodwinds, brass, percussion, piano, string quartet, bass, drum set, and conductor. Renowned soloists, including clarinetist Fran?ois Houle, the Molinari String Quartet, pianists Matt Mitchell and Santiago Leibson, bassist Carlo De Rosa, drummer Satoshi Takeishi, trombonist Ryan Keberle, and saxophonist Quinsin Nachoff, will contribute their virtuosity to the performance.

This groundbreaking collaboration promises to transport audiences on an immersive journey through the wonders of Emergent Patterns in Nature. The result will be an unforgettable multimedia experience that pushes the boundaries of creativity and innovation.
Toronto ensemble: Camille Watts (flute), Fran?ois Houle (clarinet), Quinsin Nachoff (tenor saxophone), Peter Lutek (bassoon), Jason Logue (trumpet), David Quackenbush (french horn), Ryan Keberle (trombone), Mark Duggan (percussion), Santiago Leibson (piano), Carlo De Rosa (bass), Satoshi Takeishi (drums), Molinari String Quartet (Olga Ranzenhofer ? violin I, Antoine Bareil ? violin II, Fr?d?ric Lambert ? viola, Pierre-Alain Bouvrette ? cello), JC Sanford (conductor)

In co-presentation with Art-Sci Salon at the Fields Institute for Research in Mathematical Sciences and the University of Toronto Department of Physics

Made possible, in part, through the generous support of The Canada Council for the Arts, the Fields Institute for Research in Mathematical Sciences and the Conseil des Arts et des Lettres du Qu?bec
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Copyright ? 2023 ArtSci salon, All rights reserved.
You are receiving this email because you signed up to our Mailinglist. Thanks for supporting ArtSci Salon

Our mailing address is:
ArtSci salon
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From leslie.shade at utoronto.ca  Wed Oct 18 07:42:54 2023
From: leslie.shade at utoronto.ca (Leslie Shade)
Date: Wed, 18 Oct 2023 13:42:54 +0000
Subject: [acc-cca-l] Faculty of Information - Univ of Toronto - Faculty Job
 Ads
Message-ID: <YT1PR01MB94839D38057C084132E404E19FD5A@YT1PR01MB9483.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Dear Colleagues:



The Faculty of Information at the University of Toronto has several job opportunities that might be of interest to our community, notably positions in Policy Studies and Information and Technology Studies. Closing date is November 30, 2023. Please see links below for details.


  *   Assistant Professor, Policy Studies<https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-Policy-Studies-ON/574067117/>
  *   Associate Professor, Policy Studies<https://jobs.utoronto.ca/job/Toronto-Associate-Professor-Policy-Studies-ON/574067217/>
  *
Assistant Professor, Teaching Stream- Information and Technology Studies<https://jobs.utoronto.ca/job/Toronto-Assistant-Professor%2C-Teaching-Stream-Information-and-Technology-Studies-ON/574067317/>



There are also positions in Archives and Records Management, Information Systems Design - Human Centered Data Science and User Experience Design/Human Computer Interaction:



  *   Assistant Professor, Archives and Records Management (ARM)<https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-Archives-and-Record-Management-ON/574065817/>
  *   Associate Professor, Archives and Records Management (ARM)<https://jobs.utoronto.ca/job/Toronto-Associate-Professor-Archives-and-Record-Management-ON/574066217/>
  *   Assistant Professor, Information Systems Design-Human Centered Data Science (ISD/HCDS)<https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-Information-Systems-Design-Human-Centered-Data-Science-%28ISD-HCDS%29-ON/574066417/>
  *   Associate Professor, Information Systems Design-Human Centered Data Science (ISD/HCDS)<https://jobs.utoronto.ca/job/Toronto-Associate-Professor-Information-Systems-Design-Human-Centered-Data-Science-%28ISD-HCDS%29-ON/574066517/>
  *   Assistant Professor, User Experience Design/ Human Computer Interaction<https://jobs.utoronto.ca/job/Toronto-Assistant-Professor-User-Experience-DesignHuman-Computer-Interaction-ON/574066717/>
  *   Associate Professor, User Experience Design/ Human Computer Interaction<https://jobs.utoronto.ca/job/Toronto-Associate-Professor-User-Experience-DesignHuman-Computer-Interaction-ON/574066917/>



----------

Leslie Regan Shade

Professor, Faculty of Information
University of Toronto

leslie.shade at utoronto.ca
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From mstahl at uwo.ca  Thu Oct 19 12:30:19 2023
From: mstahl at uwo.ca (Matt Stahl)
Date: Thu, 19 Oct 2023 18:30:19 +0000
Subject: [acc-cca-l] Fwd: 2024 LAW AND HUMANITIES WORKSHOP FOR JUNIOR
 SCHOLARS
References: <sympa.1697739626.994652.18683.255@utlists.utexas.edu>
Message-ID: <12F471CE-9C8F-468F-B187-5FEB8D4262F9@uwo.ca>

[?EXTERNAL]




Begin forwarded message:

From: "Susan Heinzelman" <sheinz at austin.utexas.edu<mailto:sheinz at austin.utexas.edu>>
Subject: 2024 LAW AND HUMANITIES WORKSHOP FOR JUNIOR SCHOLARS
Date: October 19, 2023 at 2:20:53 PM EDT
To: aslch at utlists.utexas.edu<mailto:aslch at utlists.utexas.edu>
Reply-To: aslch at utlists.utexas.edu<mailto:aslch at utlists.utexas.edu>, "Susan Heinzelman" <sheinz at austin.utexas.edu<mailto:sheinz at austin.utexas.edu>>

2024 LAW AND HUMANITIES WORKSHOP FOR JUNIOR SCHOLARS
Call for Participation
Georgetown University Law Center, Stanford Law School, UCLA School of Law, the
University of Pennsylvania, and the University of Southern California Center
for Law, History, and Culture invite submissions for the 23d meeting of the
Law and Humanities Workshop for Junior Scholars, to be held at the UCLA School
of Law, on June 9-10, 2024.
ABOUT THE WORKSHOP
The workshop is open to untenured professors, advanced graduate students,
post-doctoral scholars, and independent scholars working in law and the
humanities. In addition to drawing from numerous humanistic fields, including
Black and Indigenous studies, history, literature, political theory, critical
race theory, feminist theory, and philosophy, we welcome critical, qualitative
work in the social sciences, including anthropology and sociology. While the
scope of the Workshop is broad, we cannot consider proposals that are focused
solely on quantitative social science research or that are limited to purely
doctrinal legal research. We are especially interested in submissions from
members of traditionally underrepresented groups and submissions touching on
themes of anti-racism and anti-subordination. We welcome submissions from
those working at regional and teaching-intensive institutions.
Based on anonymous evaluation by an interdisciplinary selection committee,
between six and eight papers will be chosen for presentation at the Workshop.
At the Workshop, two senior scholars will comment on each paper. Commentators
and other Workshop participants will be asked to focus specifically on the
strengths and weaknesses of the selected scholarly projects, with respect to
subject and methodology. The selected papers will then serve as the basis for
a larger conversation among all the participants that may include themes
connecting all of the projects, as well as discussion of the evolving
standards by which we judge excellence and creativity in interdisciplinary
scholarship.
The selected papers will appear in a special issue of the Legal Scholarship
Network; there is no other publication commitment. (We will accommodate the
wishes of chosen authors who prefer not to have their paper posted publicly
with us because of publication commitments to other journals.) However, we
will only accept Workshop participants whose papers are true works in
progress; articles or chapters that are already in page proofs or are
otherwise unable to be revised by the time of the Workshop are ineligible.
The Workshop will pay the domestic travel and hotel expenses of authors whose
papers are selected for presentation. For authors requiring airline travel
from outside the United States, the Workshop will cover such travel expenses
up to a maximum of $1250.
SUBMISSION INSTRUCTIONS
Applications should include:
a 1500-2000 word summary of the paper (including footnotes or endnotes),
a 1-2 page bibliography,
in Microsoft Word (not PDF)
and, if your paper is a chapter in a book or dissertation, an optional 1-page
chapter outline of the larger project.
Applications are due on December 15, 2023.
If your application advances to the final stage of consideration, you will be
asked to submit the full paper on February 1, 2024. Please do not apply if you
will not have a full paper on February 1. The application is intended to be a
summary of existing, ongoing work rather than a proposal for new or planned
work.
Final paper submissions must be works-in-progress that do not exceed 10,000
words in length (including footnotes/ endnotes). A dissertation chapter may be
submitted, but we strongly suggest that it be edited so as to stand alone as a
piece of work with its own integrity. A paper that has been submitted for
publication is eligible for selection so long as it will not be in galley
proofs or in print at the time of the Workshop; it is important that authors
still be in a position at the time of the Workshop to consider comments they
receive there and to incorporate them as they think appropriate in their
revisions.
We ask that those submitting applications be careful to omit or redact any
information in the paper summary or the body of the paper that might serve to
identify them, as we adhere to an anonymous or ?blind? selection process.
Applications (in Microsoft Word?no pdf files, please) will be accepted until
December 15, 2023, and should be sent by e-mail to:
Lawandhumanitiesworkshop at gmail.com<mailto:Lawandhumanitiesworkshop at gmail.com>. Please be sure to include your name,
institutional affiliation (if any), and phone and email contact information in
your covering email, not in the paper itself.
For more information, please send an email inquiry to
Lawandhumanitiesworkshop at gmail.com<mailto:Lawandhumanitiesworkshop at gmail.com> or visit our new website
www.lawandhumanitiesworkshop.org<http://www.lawandhumanitiesworkshop.org>
Simon Stern, University of Toronto, Law & English, Chair
Martha Jones, Johns Hopkins University, History
Sherally Munshi, Georgetown University, Law
Riaz Tejani, University of Redlands, School of Business & Society
Nomi Stolzenberg, Law, University of Southern California
Martha Umphrey, Amherst College, Law, Jurisprudence, and Social Thought
Program Committee, 2024 Law and Humanities Workshop for Junior Scholars
The Law and Humanities Workshop for Junior Scholars is committed to anti-
racism both inside and outside the academy.




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From inahonse at uottawa.ca  Tue Oct 24 03:28:28 2023
From: inahonse at uottawa.ca (Isaac Nahon-Serfaty)
Date: Tue, 24 Oct 2023 09:28:28 +0000
Subject: [acc-cca-l] =?windows-1252?q?MS_Teams_invitation_-_Building_a_?=
 =?windows-1252?q?=93digital_machine=94_to_study_emotions_about_nature_and?=
 =?windows-1252?q?_animals_on_social_media?=
Message-ID: <YQXPR01MB435930EEC10F227F22AF71EDA2DFA@YQXPR01MB4359.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



 Dear colleagues,

You?re all warmly invited to join us for next Thursday's (October 26) seminar at 12.00 (Valencia, Spain time) in Sala Descubre or MS Teams: Building a ?digital machine? to study emotions about nature and animals on social media by Isaac Nahon-Serfaty (Universit? d'Ottawa)

Abstract

The object of this project is nature and the ?natural? understood as the non-human, including non-human sentient beings, the plant and mineral kingdoms. The main goal is to expand our understanding of the economy of emotions in the digital communication ecosystem to the field of nature and the ?natural? that are part of several public discourses (e.g. ecologism, animal rights, green activism, veganism, etc.). Placing the visually grotesque (i.e. disruptive, shocking) and kitschy (i.e. sentimentalism, cloying, cute) in the communication battleground of nature and the ?natural? contributes to highlight the role of emotions in shaping public ideas, perceptions, opinions, attitudes and behaviours about nature and non-human animals. In this particular lecture, we will present the methodology of this research by focusing on the creation of a ?digital machine? using algorithms, AI, and other programming tools to analyze texts, emojis, images and online conversations. This ?digital machine? will help us to discover the emotional strategies of Greenpeace, WWF and PETA on Twitter (now X). This tool will also be used to reveal the interactions between users and these organizations, observing the emotional convergences, dissonances and ambiguities during their communicative exchanges.

Short bio

Isaac Nah?n-Serfaty (MSc, PhD, Universit? de Montr?al) is a scholar, writer and consultant in organizational communication, with extensive experience in health communication, crisis management, and corporate social responsibility. He is interested in studying the role of the senses and emotions in our perception of the world and interaction with other beings. His book Strategic Communication and Deformative Transparency. Persuasion in politics, propaganda and public health (Routledge, 2019) explores the representations of the grotesque in public health, politics and terrorism. He is currently studying the role of the visually kitsch and grotesque in environmental and ?animalist? communication through the design of a ?digital machine? to analyze emotions about nature and non-human animas on social media. He is Associate Professor in the Department of Communication at the University of Ottawa (Canada). He was born in Tangier (Morocco). At six, he moved to Venezuela with his parents and sister. He has lived in Ottawa for the last 16 years. His plurilingual and pluricultural experiences influence his communication research and literary work. He co-wrote with Meir Magar the novel La conjura del esplendor (Medata, 2016).

________________________________________________________________________________

Microsoft Teams meeting

Join on your computer, mobile app or room device

Click here to join the meeting<https://teams.microsoft.com/l/meetup-join/19%3a96679549644641919e979640f231cc1b%40thread.tacv2/1697798373762?context=%7b%22Tid%22%3a%22be4655df-ac73-401f-a7ae-198c3b72d0c6%22%2c%22Oid%22%3a%22a3823b25-a30d-4efd-a0af-e0fab455fa15%22%7d>

Meeting ID: 396 802 235 670
Passcode: sbzxUV

Download Teams<https://www.microsoft.com/en-us/microsoft-teams/download-app> | Join on the web<https://www.microsoft.com/microsoft-teams/join-a-meeting>

Learn More<https://aka.ms/JoinTeamsMeeting> | Meeting options<https://teams.microsoft.com/meetingOptions/?organizerId=a3823b25-a30d-4efd-a0af-e0fab455fa15&tenantId=be4655df-ac73-401f-a7ae-198c3b72d0c6&threadId=19_96679549644641919e979640f231cc1b at thread.tacv2&messageId=1697798373762&language=en-US>



Isaac Nahon-Serfaty
Professeur agr?g?/Associate Professor
Communication
uOttawa (Canada)
Website: https://criticaleducationcritique.blogspot.com/
Twitter: @narrativaoral
[cid:253d69df-8979-4290-84f5-3a68b818a124]
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From stacey_copeland at sfu.ca  Wed Oct 25 08:47:24 2023
From: stacey_copeland at sfu.ca (Stacey Copeland)
Date: Wed, 25 Oct 2023 14:47:24 +0000
Subject: [acc-cca-l] =?windows-1252?q?Amplify_Podcasting_School_=96_Sprin?=
 =?windows-1252?q?g_2024_CFP?=
Message-ID: <642154e28e5345d4952c792ee79c9eca@sfu.ca>

[?EXTERNAL]



Amplify Podcasting School ? Spring 2024 CFP


Five days of hands-on workshops and seminars for scholars looking to make a podcast.


Where: Simon Fraser University, Vancouver, British Columbia

When: April 22-26, 2024

Who: Hannah McGregor and Stacey Copeland (Amplify Podcast Network); Milena Droumeva (Glenfraser Endowed Professor in Sound Studies at SFU); Vinita Srivastava (Don?t Call Me Resilient at The Conversation Canada); David Gauntlett (Canada Research Chair in Creative Innovation and Leadership at The Creative School, Toronto Metropolitan University); Martin Austwick (Song by Song); Helen Zaltzman (The Allusionist)


What: We are delighted to invite proposals to participate in the first Amplify Podcasting School, to be held at the Burnaby campus of Simon Fraser University, April 22-26, 2024.


As part of a cohort of 15 students, participants will take part in five days of hands-on workshops and presentations with scholars and professional podcasters, participants will gain practical experience in creating their own podcasts based on their own research. Participants will gain skills in:

  *   Communicating your research in compelling and expressive forms
  *   Figuring out who you want to be on the podcast
  *   Recording audio, microphone technique, editing and sound design
  *   Writing for audio and interviewing
  *   Project planning and collaboration
  *   Identifying and building an audience, and publishing your podcast

[?] And of course, participants will engage with the theory and context of scholarly podcasting, and its potential as a creative route to open and accessible scholarly communication!


Participants will also receive one-on-one mentoring and feedback on their work, to produce creative and engaging podcasts that will reach diverse audiences. We will also support participants in identifying potential publishing platforms for their podcasting work.

If selected, participants will receive financial support for their travel to and from Burnaby, BC, of up to $850, as well as free accommodation and hospitality throughout the week. There is no other cost to the event.


Who can apply: You will be hoping to connect your research with people ? but do not need any previous experience of podcast production. You must be a graduate student, postdoctoral fellow, or emerging scholar<https://www.sshrc-crsh.gc.ca/funding-financement/programs-programmes/definitions-eng.aspx> working in the arts, humanities or social sciences. You must be affiliated with a Canadian post-secondary or research institution (but you don?t need to be Canadian). Priority will be given to applicants from equity-deserving groups, including BIPOC, LGBTQ+, and disabled scholars.

How to apply: Please complete the application form<https://forms.gle/E19DFmBAAPK5Yti19> at https://forms.gle/E19DFmBAAPK5Yti19 by December 15, 2023. Selected participants will be notified by January 15, 2024.


Weblink to our Amplify Website Version of CFP can be found here for easy sharing: https://amplifypodcastnetwork.ca/2023/10/19/amplify-podcasting-school-cfp-24/

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From miranda.campbell at torontomu.ca  Wed Oct 25 12:34:02 2023
From: miranda.campbell at torontomu.ca (Miranda Campbell)
Date: Wed, 25 Oct 2023 14:34:02 -0400
Subject: [acc-cca-l] Invitation to Share Information about Fall 2024
 Admissions for Joint Graduate Program in Communication and Culture at TMU
Message-ID: <CADt5xJct4ZKF-k_RLzVeVG2x9zi5xLAFkGZRptFMNs9BtW19fg@mail.gmail.com>

[?EXTERNAL]



Dear CCA Colleagues,


I'm reaching out to request your assistance in spreading the word about Fall 2024 admissions for the Joint Graduate Program in Communication and Culture at Toronto Metropolitan University. (https://www.torontomu.ca/comcult/)


Many of our exceptional students have been referred to us by faculty members like yourself.


If you know students passionate about communication and culture, we appreciate your efforts in passing along this invitation and encouraging their application.


We invite you to share the following information with your senior undergraduate students and graduating Master?s students who have an interest in communication and culture.


Launched in 1999, the joint graduate program in Communication and Culture is a unique partnership between Toronto Metropolitan University and York University. Our students have access to the faculty and scholarly resources of both universities.


We invite your students to join us for an admissions information session:


In-person Admissions Info Session

Date: Tuesday, November 7, 2023

Time: 4:00 ? 6:00 pm

Location: DCC Building, 7th Floor Interdisciplinary Student Commons

RSVP for the in-person event.<https://forms.gle/yBEi4c83essMn7UPA>


2023 Cross-Canada MA Program Virtual Open House

Date: Thursday, December 7, 2023

Time: 12:00 pm - 2:00 pm (ET Toronto)

RSVP for the zoom event<https://concordia-ca.zoom.us/meeting/register/tZUuduutqDMoHN0cfEwU3Ni6bdFTXK8422f7>


Online Admissions Info Session

Date: Tuesday, December 12, 2023

Time: 2:00 ? 3:00pm (ET Toronto)

RSVP for the zoom event<https://torontomu.zoom.us/meeting/register/tJMofu-tqzkiE9NR5wZBvBJg8pEgR11AFvye#/registration>


We are proud to offer both an MA and a PhD program, providing students with a range of opportunities to pursue their academic and research interests. Our MA and PhD students have the chance to major in one or more interdisciplinary streams:


Media and Culture: Focusing on the confluence of media and culture and their relationships within social systems.


Politics and Policy: Examining the critical role of the state and civil society in the development of communication systems, the production and distribution of culture, and issues of societal power.


Technology in Practice: Exploring the development, application, and influence of historical, current, and emerging communication technologies in cultural production, both personal and organizational.


Our program takes pride in the quality of our student research and academic achievements. On our website, you can read a sampling of student project abstracts<https://www.torontomu.ca/graduate/programs/comcult/research-creative/>. Additionally, please visit our People <https://www.torontomu.ca/graduate/programs/comcult/people/> page to review a selection of faculty and student research profiles.


We offer competitive funding packages, teaching and research assistant work opportunities, and strong support for external scholarship application success. For master?s students, there are for-credit field placement options, as well as opportunities to conduct scholarly research-creation and multi-modal scholarship projects. At the doctoral level, students also have the opportunity to engage in similar research-creation and multi-modal scholarship projects.


Your help in forwarding this information and encouraging participation would mean a lot to us. Interested candidates can also visit our admissions page<https://www.torontomu.ca/graduate/programs/comcult/admissions/> for an overview of the program and detailed application instructions.


Toronto is a vibrant, global city and is also known as one of the safest urban centres in the world. The city's central location means that students will have access to many resources, including adjunct faculty and visiting lecturers and exposure to many culture- and communication-based industries and activities.


We appreciate your time and effort in helping connect prospective students with our program, and we eagerly look forward to welcoming potential candidates to Communication and Culture at TMU.


Best regards,

Miranda Campbell

Graduate Program Director

Joint Graduate Program in Communication and Culture

Toronto Metropolitan University


--
Dr. Miranda Campbell
she/her
Associate Professor, School of Creative Industries
Graduate Program Director, Communication and Culture program
Toronto Metropolitan University
(416) 979-5000 x553519
KHS 349G

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From dr.kim.hong at gmail.com  Mon Oct 30 13:00:35 2023
From: dr.kim.hong at gmail.com (Kim Hong Nguyen)
Date: Mon, 30 Oct 2023 15:00:35 -0400
Subject: [acc-cca-l] Book announcement
Message-ID: <37F988D0-D368-4A5D-88DB-0D0D76F3C67E@gmail.com>

[?EXTERNAL]


Dear friends and colleagues,

Forgive me for the plug in of my own work--I?m very excited to announce that my book Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss, will be published January 9, 2023 by the University of Illinois Press. In a starred review, the Library Journal calls Mean Girl Feminism "A sweeping, smart manifesto that's crucial for white feminists to read in order to acknowledge, mitigate, and correct microaggressions and challenge oppressive systems.? And, Professor Kishonna L. Gray calls it "an important book that is beautifully and powerfully written and deeply original while offering productive interventions into the study of mean girl culture and its larger impact on conversations on feminism.?

I hope you will consider putting the book on your reading lists for under/graduate courses addressing the areas of intersectional feminism, postfeminism, and/or popular feminism; rhetorical criticism; media criticism; or popular culture. If you do adopt the book, I would be happy to give a virtual/remote talk or Q&A with your class.

You can request an examination copy of the book or purchase at 30% (code: F23UIP) at the University of Illinois Press website<https://www.press.uillinois.edu/books/?id=p087684>. And, please encourage your university library to purchase a copy!

Many thanks in advance

Kim Hong
University of Waterloo
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From george.eric at uqam.ca  Tue Oct 31 08:22:04 2023
From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=)
Date: Tue, 31 Oct 2023 14:22:04 +0000
Subject: [acc-cca-l] =?utf-8?q?Appel_=C3=A0_communication=2C_CR_33_=28AIS?=
 =?utf-8?q?LF=29=2C_Produire_les_savoirs_=3A_les_enjeux_relationnels_entre?=
 =?utf-8?q?_humains_et_non-humains_en_questions=2C_Universit=C3=A9_d?=
 =?utf-8?q?=E2=80=99Ottawa=2C_du_8_au_12_juillet_2024?=
Message-ID: <7334E133-3FED-43E2-9877-0E7B43C92115@uqam.ca>

[?EXTERNAL]


Dans le cadre du XXIIe Congr?s international de l'AISLF, Sciences, Savoirs et Soci?t?s, Universit? d?Ottawa, du 8 au 12 juillet 2024

Appel du CR33 - Sociologie de la communication et du num?rique (Congr?s 2024 ? Date limite des appels : 15 d?cembre 2023)

Produire les savoirs : les enjeux relationnels entre humains et non-humains en questions

Il est beaucoup question de ChatGPT, l'agent conversationnel qui nous propose des textes sur tous les sujets relevant de la connaissance humaine. Pour les uns, il s'agit d'une perc?e majeure en termes d'? intelligence artificielle ? g?n?rative. Pour les autres, ces am?liorations rapides ne doivent pas ?tre vues comme des exploits techniques, mais au contraire comme autant de sources de probl?mes sociaux majeurs. Au-del?, cette actualit? renvoie ? s'interroger sur les fronti?res entre humains et non-humains. Ces d?bats ne sont pas compl?tement nouveaux dans notre champ, celui de la sociologie de la communication. D?s 1950, Alan Turing avait invent? un test dit ? test de Turing ? qui avait pour but de s'interroger sur la capacit? d'une machine ? penser en demandant ? un ?tre humain s'il pensait communiquer avec un autre ?tre humain ou avec une machine?

Aujourd'hui, les m?mes questions se posent, mais avec une acuit? toute nouvelle. Les enjeux sociaux s'av?rent majeurs, par exemple ? propos du r?le des algorithmes dans les recommandations d'?uvres culturelles sur les plateformes au d?triment de m?diations humaines plus traditionnelles. Ou bien du r?le de ces m?mes algorithmes dans la mise en visibilit? de certains contenus sur les r?seaux socionum?riques qui favorisent la reproduction des id?es dominantes via les bulles de filtre, voire trompent les internautes en laissant prolif?rer des nouvelles falsifi?es.

En raison de la place et du r?le pris par les m?dias (socio)num?riques ? une ?chelle quasi-plan?taire, le capital et le pouvoir s'av?rent de plus en plus concentr?s entre quelques g?ants du capitalisme, des r?gimes politiques stables sont susceptibles d'?tre d?stabilis?s et les big data sont utilis?es massivement pour analyser, voire pr?dire, nos comportements. Face ? de tels enjeux, quels sont les objets et terrains ? privil?gier ? Est-il encore possible de distinguer clairement les places respectives des humains et des techniques, de la technique ? Quelles sont les pratiques de r?sistance aussi bien ? propos des collectes de donn?es qu'en termes de d?tournements d'usages et de tentatives de contournement des logiques d'hame?onnage de l'attention ? Ces pratiques visent-elles ? prot?ger nos vies priv?es, ? tenter de renouveler les formes de sociabilit? et de vivre-ensemble, ou bien ? remettre en cause les formes prises par le capitalisme ? Dans le cadre de ces pratiques contestataires, qu'en est-il des relations entre humains et technique(s) ?

R?f?rente : H?l?ne BOURDELOIE - helene.bourdeloie at gmail.com<mailto:helene.bourdeloie at gmail.com>

Pour proposer une communication, vous devez vous rendre dans votre espace personnel : https://congres2024.aislf.org/pages/log01.php

si vous ?tes membre de l'AISLF : utilisez l'identifiant (adresse courriel) et le mot de passe de votre compte AISLF. Si ce n'est d?j? fait, votre espace personnel sera cr?? automatiquement.
si vous n'?tes pas membre de l'AISLF : si ce n'est d?j? fait, vous devez d'abord cr?er votre espace personnel.

Pour avoir acc?s au site du Congr?s : https://congres2024.aislf.org/
Pour avoir un aper?u du programme du Congr?s : https://congres2024.aislf.org/pages/11-progen.php

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From j.hannan at uwinnipeg.ca  Thu Nov  2 08:52:08 2023
From: j.hannan at uwinnipeg.ca (Jason Hannan)
Date: Thu, 2 Nov 2023 14:52:08 +0000
Subject: [acc-cca-l] Book Announcement
Message-ID: <YQBPR0101MB64259D8AF24D76B95C2EAA5BE4A6A@YQBPR0101MB6425.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Jason Hannan, Trolling Ourselves to Death: Democracy in the Age of Social Media (Oxford, 2023)


https://global.oup.com/academic/product/trolling-ourselves-to-death-9780197557778



Discount Code: ASFLYQ6



DESCRIPTION: Almost forty years ago, Neil Postman argued that television had brought about a fundamental transformation to democracy. By turning entertainment into our supreme ideology, television had recreated public discourse in its image and converted democracy into show business. In this book, Jason Hannan argues that social media have brought about a second transformation, this time involving internet trolls. He explores how the trolls have emerged from the cave and now walk in the clear light of day. Trolling has gone mainstream, eroding our public culture and changing the rules of democratic politics. Adding a twist to Postman?s classic thesis, Hannan argues that we are not so much amusing, as trolling ourselves to death.

But how did this come to be? Can we attribute this transformation solely to digital technology? Or are there deeper political, economic, and cultural roots? Trolling Ourselves to Death moves beyond the familiar picture of trolling by recasting it in a broader historical light. It shows how trolling is the logical outcome of a culture of possessive individualism, widespread alienation, mass distrust, and rampant paranoia. Synthesizing media ecology with historical materialism, it explores the disturbing rise of political unreason in the form of mass trolling. It sheds light on the proliferation of disinformation, conspiracy theory, ?cancel culture,? and digital violence. Taking inspiration from Robert Brandom?s innovative reading of Georg Wilhelm Friedrich Hegel, this book makes a case for building ?a spirit of trust? to curb the epidemic of mass distrust that feeds the plague of political trolling.



REVIEWS


"When assessing online toxicity, violence, and manipulation, it's tempting to frame each as creatures of the platforms' lagoons: 'new' problems caused by digital technologies. In this provocative analysis, Jason Hannan shows that there are creatures in the lagoon, yes, but those waters are older, murkier, and much more steeped in analog dysfunction than we might care to admit. Identifying these origins is the first and most critical step to understanding how we arrived at such a precarious political moment?and what we can, and must, do next to begin undoing the damage." ? Whitney Phillips, author of This Is Why We Can't Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture



"Almost forty years after Neil Postman's seminal work, Jason Hannan analyzes the profound problem of a poisoned public sphere in a platform society. His new book offers a deeply insightful analysis of the transformation of online culture, in which trolling, disinformation, and conspiracy theories are increasingly normalized. Essential reading for all teachers and students who believe that education can serve as a civic counteroffensive against the massive pollution of our online channels." ? Jos? van Dijck, co-author of The Platform Society: Public Values in a Connective World

"Democracy comes with an abundance of enemies, and lately with trolls. In this engaging read, Jason Hannan historicizes trolling with and without technology and walks us through its impact on civic cultures. This lucid and informed book is a must-read for those curious about what trolling is, why and how it manifests, and how we may survive it." ? Zizi Papacharissi, author of After Democracy: Imagining Our Political Future
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From leslie.shade at utoronto.ca  Thu Nov  2 11:50:29 2023
From: leslie.shade at utoronto.ca (Leslie Shade)
Date: Thu, 2 Nov 2023 17:50:29 +0000
Subject: [acc-cca-l] CFP: CJC Policy Portal: Intersectionality & Inclusion
 in Digital Policy
Message-ID: <YT1PR01MB9483B9284E0655F537E24CB49FA6A@YT1PR01MB9483.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Call for Papers

Canadian Journal of Communication Policy Portal: Intersectionality and Inclusion in Digital Policy
Leslie Regan Shade (University of Toronto) & Tamara Shepherd (University of Calgary), co-editors

For the full CFP and submission instructions, see: https://cjc.utpjournals.press/cjc/call-for-papers



Submission deadline: March 15, 2024

Submission Length: 3,000?4,000 words, including references


In this issue of the CJC Policy Portal, we aim to compile a set of necessary intersectional critiques and commentaries on the state of digital policy in Canada and beyond. Specific areas of enquiry can include:


  *   equity, diversity and inclusion integration into various aspects of digital policy at local, national and global levels
  *   feminist perspectives on specific digital policy issues in Canada and/or globally
  *   how intersectional feminist approaches (e.g., those including class, caste, sexuality, race, and other facets of social identity) shape our experiences and needs regarding digital technologies
  *   scholarly and civil society initiatives to develop intersectional feminist principles and recommendations on digital policy, including forms of activism about policy
  *   intersectional data justice initiatives and recommendations
  *   global geographies of gendered activism that shape digital policy
  *   the labor of those working on digital policy making from an inclusive framework
  *   feminist critiques of the tech industry?s reach into digital policy making

Authors are encouraged to contact Leslie Shade, CJC Policy Portal Editor (leslie.shade at utoronto.ca<mailto:leslie.shade at utoronto.ca>) or Tamara Shepherd, co-editor of this special issue (tamara.shepherd at ucalgary.ca<mailto:tamara.shepherd at ucalgary.ca>) if they have any questions.
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From malithgow at gmail.com  Thu Nov  2 15:02:45 2023
From: malithgow at gmail.com (Michael Lithgow)
Date: Thu, 2 Nov 2023 15:02:45 -0600
Subject: [acc-cca-l] New Publication - Eyewitness Textures: User-Generated
 Content & Journalism in the 21st Century
Message-ID: <CALYtZ0h-UssPk1Whk=uYbQUc6k9Q7aFOASS8-TAMhEDGL6C8Ow@mail.gmail.com>

[?EXTERNAL]


Hello CCA ListServ,

Please find below an announcement for the CCA ListServ of a new publication from McGill-Queen's University Press, an edited collection of papers about user-generated content and journalism in the 21st Century.

I have included a brief description, a review quote, the Table of Contents and link to publisher's website.

Thank you,

Michael Lithgow

BEGIN POSTING

*NEW PUBLICATION*

We are pleased to announce the publication of Eyewitness Textures: User-Generated Content & Journalism in the 21st Century<https://www.mqup.ca/eyewitness-textures-products-9780228019237.php>, by McGill-Queen's University Press (edited by Michael Lithgow and Mich?le Martin). Eyewitness Textures offers a collection of papers exploring the important and far-reaching changes taking place in professional journalism in connection with user-generated digital content.

Description

Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.

Review

?This book explores the breadth of new dimensions crucial to understanding the implications of user-generated content today. While this kind of content has become commonplace, the blurred distinctions between it and citizen witnessing, or between witnessing in general and the processes of publication, are not easily resolved. The global case studies and dialogues in Eyewitness Textures constitute a particularly thoughtful and enriching discussion that moves beyond the familiar accounts of user-generated content we are so used to hearing.? Scott A. Eldridge II, University of Groningen and author of Online Journalism from the Periphery: Interloper Media and the Journalistic Field

Table of Contents

Prologue: Truth and Technology in the Age of Digital Witnessing xi
Lilie Chouliaraki

1 New Voices, New Practices, New Discourses: The Transformation of Journalism through
the Eyewitness Experiences of User-Generated Content 3 Michael Lithgow and Mich?le Martin

Part One: User-Generated Content and Changing Newsroom Practices

2 Ethical Use of Eyewitness Content: How Public Service Media Are Rebuilding Trust in News
Derek Bowler

3 The Origins, Development, and Future of the User-Generated Content Team at the BBC
Natalie Miller

4 The Global News Audience: User-Generated Content at a Canadian National Broadcast News Network Shauna Rempel

5 Managing the Impact of Eyewitness Videos of Violence against Racialized Communities on the Public and on Journalists, Andree Lau, Asha Tomlinson, Tashauna Reid,Tamika Forrester, Jillian Taylor, and Jorge Barrera

6 France 24 and Storyful: Two Unique Approaches to User-Generated Content in the Newsroom
Mich?le Martin and Michael Lithgow

Part Two: User-Generated Content and the Changing Landscape of News Outcomes

7 From Evidence to Affect: The Different Discursive Functions of User-Generated Content in Coverage of the Arab Spring 99 Michael Lithgow and Mich?le Martin

8 What Hits Me the Hardest ... The Photojournalist Blog: Genres and Practices of Journalistic Witnessing
Kenzie Burchell and Stephanie Fielding

9 User-Generated Ethical Audiences: On the Discursive Significance of the Abject in Amateur Video
during the Arab Spring, Michael Lithgow

Part Three: User-Generated Content Journalism around the World

10 User-Generated Content Narrates #ForaTemer on Twitter: Patterns of Citizen Media as Users Document an Anti-impeachment Protest in Brazil, Marcelo Santos

11 Making Room for Citizen Journalism against User-Generated Content: Situating South Korea?s OhmyNews in the History of Journalism, Inkyu Kang

12 Media and User-Generated Content Images during the Terrorist Attacks in Catalonia: Recommendations and Remediation, Carolina Escudero

13 What?s Trending? The Influence of Twitter and Instagram Agendas on Online News Portals in Ghana Eugene Brown Nyarko Agyei and Sarah Akrofi-Quarcoo

14 We Are Not Parasites: Intergroup Differentiation in the User-Generated Content of Nigerian News Media Babatunde Raphael Ojebuyi and Abiodun Salawu

Link to Publisher's Website

https://www.mqup.ca/eyewitness-textures-products-9780228019237.php

For inquiries, please contact: michael[dot]lithgow[at]athabascau[dot]ca


--

Michael Lithgow, M.A., Ph.D. | he/him
Associate Professor, Communication and Media Studies
Athabasca University, Centre for Interdisciplinary Studies<http://cmns.athabascau.ca/>
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From alison.harvey at glendon.yorku.ca  Sat Nov  4 14:08:13 2023
From: alison.harvey at glendon.yorku.ca (Alison Harvey)
Date: Sat, 4 Nov 2023 20:08:13 +0000
Subject: [acc-cca-l] =?windows-1252?q?Call_for_Editor-in-Chief=3A_Loading?=
 =?windows-1252?q?=2E=2E=2E//Appel_pour_r=E9dacteur=B7rice_en_chef=3A_Load?=
 =?windows-1252?q?ing=2E=2E=2E?=
Message-ID: <YT2PR01MB9221150F7239A9BDA0162675CEA4A@YT2PR01MB9221.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


La version fran?aise suit.

The Canadian Game Studies Association (CGSA/AC?J) welcomes applications for the role of Editor-in-Chief of Loading: The Journal of the Canadian Game Studies Association<https://gamestudies.us12.list-manage.com/track/click?u=a594426481937ddd634035c24&id=b9e40665db&e=7d44f9315b>. This is a four (4) year term position (with possibility for renewal for up to two more years). It is an exciting opportunity to extend and develop the purview of an open access journal, lead a team of editors, manage the peer review process, and coordinate special issues and open call submissions.

Loading: The Journal of the Canadian Game Studies Association is a forum for publishing original and interdisciplinary academic research on games. We accept work from a variety of perspectives: from research on game cultures and industries to educational approaches to the study and development of games; and from computer science-driven papers on designing and testing games to psychological research on games and their effects. Founded in 2007, the journal accepts articles from researchers in Canada and world wide. We aim to publish at least two issues per year.

The role is open to tenured or otherwise permanently employed academic candidates. Listed in order of priority, candidates are required to bring to the role: a solid understanding of the ethics of academic publishing; strong knowledge of the field of game studies; robust networks in the Canadian and global game studies communities; experience in peer reviewing and, preferably, editing of academic work; a high level of proficiency in English written communication, and, ideally, French written communication. Applicants can be based in Canada or outside, but an understanding of the context of Canadian game studies and Canadian academic publishing is an asset.

For the first year of their editorship, the successful applicant will be mentored by the outgoing editor Dr. Jennifer Jenson. Please note that the ethos of the journal is informed by an ethos of humane, thoughtful, and reflexive knowledge production informed by ?The Slow Professor? (Berg & Seeber, 2016), and the Editor-in-Chief should embody and enact the values of this resistance to the academic grind.

Those interested are encouraged to send any questions to Alison Harvey, President, Canadian Game Studies Association (CGSA/AC?J): canadiangamestudies at gmail.com

To apply please send the following materials to the CGSA/AC?J Executive, with ?Loading Editor-In-Chief? included in the email subject header:

  *   A statement of purpose, detailing your interest in and objectives for the position, relevant research activities, and qualifications pertinent to the role;

  *   An up-to-date CV outlining publishing experience;

  *   An overview of proposed recruitment strategies for Loading?s editorial team. Preference will be given to candidates whose recruitment strategies most effectively manifest the principles of diversity, inclusivity, and anti-oppression outlined in the CGSA/AC?J bylaws<https://gamestudies.us12.list-manage.com/track/click?u=a594426481937ddd634035c24&id=229407c1dd&e=7d44f9315b>;

  *   Any other personal and/or professional experience(s) that the CGSA/AC?J Executive Committee may find helpful when considering your application.

The deadline for applications is 11:59pm ET December 11 2023.

The CGSA/AC?J Executive Committee will review all received applications. Applications will be evaluated against the role requirements listed above. Candidates whose application materials most fully meet these requirements will be contacted in January 2024 to confirm their interest and to set up a virtual interview that same month. Interview questions will be provided five weekdays in advance of their scheduled interview; all candidates to be interviewed will receive the same questions. Interviews will be approximately 45 minutes in length. The CGSA/AC?J Executive Committee aims to communicate its decision to the successful candidate by March 15 2024. The incoming Editor-In-Chief will be expected to attend the 2024 CGSA/AC?J Annual General Meeting, to be held as part of CGSA/AC?J 2024 in June 2024 at McGill University in Montreal as part of the 2024 Congress of the Social Sciences and Humanities.

//////////////////////

L'Association canadienne des ?tudes sur le jeu (AC?J/CGSA) accueille des candidatures au poste de r?dacteur?rice en chef de Loading: The Journal of the Canadian Game Studies Association<https://gamestudies.us12.list-manage.com/track/click?u=a594426481937ddd634035c24&id=f44ab5f56a&e=7d44f9315b>. La dur?e de cette position est de quatre (4) ans (avec possibilit? de renouvellement pour deux ann?es suppl?mentaires). Il s'agit d'une opportunit? passionnante d'?tendre et de d?velopper la port?e d'une revue ? acc?s libre, de diriger une ?quipe de r?dacteur?rice?s, de g?rer le processus d'?valuation par les pairs et de coordonner les num?ros sp?ciaux et les soumissions d'appels ouverts.

Loading: The Journal of the Canadian Game Studies Association est un forum pour la publication de recherches universitaires originales et interdisciplinaires sur les jeux. Nous acceptons des travaux issus de diff?rentes perspectives : de la recherche sur les cultures et les industries du jeu aux approches ?ducatives ? l'?tude et au d?veloppement des jeux; et d?articles ancr?s en science informatiques allant de la conception et le test des jeux ? la recherche en psychologie sur les jeux et leurs effets. Fond?e en 2007, la revue accepte des articles de chercheur?se?s du Canada et du monde entier. Nous visons ? publier au moins deux num?ros par an.

Le poste est ouvert aux professeur?e?s titulaires ou autres chercheur?e?s avec une permanence. Les candidat?e?s doivent, par ordre de priorit?, avoir une solide compr?hension de l'?thique de la publication en milieu universitaire, une connaissance approfondie du domaine des ?tudes des jeux, de solides r?seaux dans les communaut?s canadienne et mondiale des ?tudes des jeux, une exp?rience en ?valuation par les pairs et, de pr?f?rence, en r?daction de travaux universitaires, une ma?trise ?lev? de la communication ?crite en anglais et, id?alement, en fran?ais. Les candidat?e?s peuvent ?tre bas??e?s au Canada ou ? l'?tranger, mais une compr?hension du contexte des ?tudes des jeux au Canada et de publication en mileu universitaire canadien est un atout.

Pendant la premi?re ann?e de son mandat, lea candidat?e retenu?e sera encadr??e par la r?dactrice en chef sortante, Jennifer Jenson. Veuillez noter que l'activit? de la revue repose sur une ?thique de production de connaissances humaines, r?fl?chies et r?flexives fond?e sur ? The Slow Professor ? (Berg & Seeber, 2016), et lea r?dacteur?rice en chef devra incarner et mettre en ?uvre les valeurs de cette r?sistance au culte de la productivit? universitaire.

Les personnes int?ress?es sont invit?es ? envoyer leurs questions ? Alison Harvey, pr?sidente de l'Association canadienne des ?tudes des jeux (AC?J) : canadiangamestudies at gmail.com

Pour poser votre candidature, veuillez envoyer les documents suivants ? l'ex?cutif de l'AC?J/CGSA, en indiquant ? R?dacteur?rice en chef Loading ? dans l'en-t?te du courriel :

  *   Une d?claration d'intention d?taillant votre int?r?t et vos objectifs pour le poste, vos activit?s de recherche et vos qualifications pertinentes pour le poste;

  *   Un CV ? jour d?crivant votre exp?rience en publication;

  *   Un aper?u des strat?gies de recrutement propos?es pour l'?quipe ?ditoriale de Loading. La pr?f?rence sera accord?e aux candidat?e?s dont les strat?gies de recrutement refl?tent le plus efficacement les principes de diversit?, d'inclusion et de lutte contre la discrimination ?nonc?s dans les r?glements de l'AC?J/CGSA<https://gamestudies.us12.list-manage.com/track/click?u=a594426481937ddd634035c24&id=e44f1fb29d&e=7d44f9315b> ;

  *   Toute autre exp?rience personnelle ou professionnelle que le comit? ex?cutif de l'AC?J/CGSA pourrait juger utile lors de l'examen de votre candidature.

La date limite de d?p?t des candidatures est fix?e ? 23h59 HE, le 11 d?cembre 2023.

Le comit? ex?cutif de la CGSA/AC?J examinera toutes les candidatures re?ues. Elles seront ?valu?es en fonction des exigences du poste ?num?r?es ci-dessus. Les candidat?e?s dont le dossier de candidature r?pond le mieux ? ces exigences seront contact??e?s en janvier 2024 pour confirmer leur int?r?t et organiser un entretien virtuel le m?me mois. Les questions pos?es durant l'entretien seront fournies cinq jours ouvrables avant l'entretien pr?vu; toustes les candidat?e?s ? interviewer recevront les m?mes questions. Les entretiens dureront environ 45 minutes. Le comit? ex?cutif de l'AC?J/CGSA entend communiquer sa d?cision ? lea candidat?e retenu?e avant le 15 mars 2024. Lea nouveau?elle r?dacteur?rice en chef devra assister ? l'assembl?e g?n?rale annuelle 2024 de l'AC?J/CGSA, qui aura lieu en juin 2024 ? l'Universit? McGill, ? Montr?al, dans le cadre du Congr?s des sciences humaines de 2024.

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From stephane.couture at umontreal.ca  Mon Nov  6 00:23:52 2023
From: stephane.couture at umontreal.ca (=?iso-8859-1?Q?St=E9phane_Couture?=)
Date: Mon, 6 Nov 2023 07:23:52 +0000
Subject: [acc-cca-l] =?iso-8859-1?q?Prolongation_=3A_appel_=E0_participat?=
 =?iso-8859-1?q?ion_-_Rencontres_=AB_Droits_et_r=E9sistances_num=E9riques_?=
 =?iso-8859-1?q?en_contexte_francophone_=BB=2E_Montr=E9al=2C_21-24_mai_202?=
 =?iso-8859-1?q?4=2E?=
In-Reply-To: <YT1PR01MB9290DAA71D74931E18095A91FAA1A@YT1PR01MB9290.CANPRD01.PROD.OUTLOOK.COM>
References: <YT3PR01MB9626A148F20E2751D338A34DF0C9A@YT3PR01MB9626.CANPRD01.PROD.OUTLOOK.COM>
 <YT1PR01MB84591BAC9162498DA3715C0AF0A1A@YT1PR01MB8459.CANPRD01.PROD.OUTLOOK.COM>
 <YT1PR01MB9290DAA71D74931E18095A91FAA1A@YT1PR01MB9290.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YT1PR01MB84598171A19687DF087169FAF0AAA@YT1PR01MB8459.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


L??ch?ance pour notre appel ? participation est prolong?e jusqu?au 15 novembre. N?h?sitez pas ? faire circuler!

----
Appel ? participation - Rencontres ? Droits et r?sistances num?riques en contexte francophone ?. Montr?al, 21-24 mai 2024.

Prolongation : vous avez jusqu?au 15 novembre 2023 pour soumettre votre proposition de participation. Le texte de l'appel se trouve ici: https://www.labdelta.ca/app-rencontres2024/

Nous vous invitons ? soumettre une proposition de communication, d?atelier pratique ou de discussion aux rencontres ? droits et r?sistances num?riques en contexte francophone ?. Ces rencontres auront lieu ? Montr?al du 21 au 24 mai 2024 (lieu pr?cis ? d?terminer). L?objectif principal de ces rencontres est de favoriser des partenariats entre activistes, organisations associatives ou non gouvernementales et chercheur.es (universitaires ou ind?pendant.es) issu.es du Qu?bec, du Canada et d?autres pays francophones, notamment africains, sur la question des droits et r?sistances num?riques en contexte francophone. Les rencontres consisteront en une combinaison de panels d?expert.es (chercheur.es acad?miques, militant.e.s ou autres), d?ateliers pratiques et de s?ances de r?seautage et de travail. Un colloque ?tudiant aura ?galement lieu lors de la premi?re journ?e. L??v?nement se d?roulera en pr?sentiel mais sera rediffus? en ligne.

Ces rencontres ne se voulant pas qu?acad?miques, nous invitons particuli?rement les responsables de projets ou d?organisations (charg?.es de projets, direction, b?n?voles) ? d?poser une proposition.

Le th?me des rencontres s?appuie sur la n?cessit? de r?fl?chir et d??changer ? propos des concepts et des enjeux li?s aux droits et r?sistances num?riques en contexte francophone. Le terme ? droits num?riques ? est une traduction fran?aise de digital rights (en anglais) ou derechos digitales (en espagnol) et renvoie pour nous ? la mani?re dont les droits individuels et collectifs s?actualisent sur Internet et en contexte num?rique (droits ? la connaissance, ? la connectivit?, ? la vie priv?e ou ? l?oubli), mais surtout ? un mouvement social de revendication de ces droits, particuli?rement actif dans le monde anglophone et hispanophone. Dans les derni?res ann?es par exemple, des conf?rences comme le RightsCon ont attir? des dizaines de milliers de personnes de nombreux pays, mais les francophones sont g?n?ralement peu pr?sents ou isol?s sur ces questions. ?troitement li?e sur le plan pratique, la r?sistance num?rique renvoie pour nous ? des formes d?action, de discours ou des postures qui cherchent ? contester, subvertir, refuser ou transformer les structures de pouvoir ?tablies. Nous souhaitons particuli?rement, durant ces rencontres, mieux conna?tre les initiatives qui consistent par exemple ? contester, subvertir, refuser ou transformer les infrastructures et plateformes num?riques dominantes et ce dans un horizon politique d??mancipation sociale. C?est dans la perspective de susciter un plus grand int?r?t et de favoriser des partenariats sur ces questions que nous organisons ces rencontres.

Les propositions peuvent prendre plusieurs formes (ateliers, affiches, d?monstrations) et porter sur les th?mes suivants, sans toutefois s?y limiter :
?         Contextes nationaux et r?gionaux de l?exercice des droits et/ou des r?sistances num?riques francophones;
?         Pr?sentation d?initiatives li?es aux droits et/ou r?sistances num?riques francophones;
?         Propositions politiques de partenariats ou de r?seautages;
?         Pr?sentation de projets de recherche-cr?ation ou de projets artistiques mobilisant les notions de droits et/ou de r?sistances num?riques francophones;
?         Pr?sentation d??tudes empiriques en lien avec les droits et/ou les r?sistances num?riques francophones;
?         Th?orisation et conceptualisation des droits num?riques et/ou des r?sistances num?riques;
?         Pr?sentation d?outils ou de m?thodes en lien avec les droits et/ou r?sistances num?riques en contexte francophone.

Les propositions doivent ?tre soumises au plus tard le 15 novembre 2023. La d?cision sera transmise aux pr?sentateurs et pr?sentatrices vers la mi-d?cembre 2023.

Pour soumettre une proposition de communication, veuillez remplir le formulaire ?lectronique ici :
https://framaforms.org/appel-a-participation-1695996492

Pour toute question, n?h?sitez pas ? contacter St?phane Couture (stephane.couture at umontreal.ca<mailto:stephane.couture at umontreal.ca>) et Chanel Robin (chanel.robin at umontreal.ca<mailto:chanel.robin at umontreal.ca>)

________________________________

Les rencontres ? Droits et r?sistances num?riques en contexte francophone ? sont organis?es par le Laboratoire sur les droits en ligne et les technologies alternatives (labdelta.ca) avec le soutien financier du Conseil de recherches en sciences humaines du Canada<https://www.sshrc-crsh.gc.ca/home-accueil-fra.aspx> et plusieurs organismes partenaires (voir logos sur l?affiche ci-haut).

Comit? d?organisation (Lab-Delta, Universit? de Montr?al) :

St?phane Couture
Chanel Robin
Adel Aouam
Marvin Ceinos-Dumont
Christopher Housseaux

Comit? de programme :

Abdelaziz Blilid, Facult? Polydisciplinaire d?Azilal (Maroc)
Alexandra Hach?, Digital Defenders Partnership
Destiny Tchehouali, Universit? du Qu?bec ? Montr?al
Francesca Musiani, Centre Internet et Soci?t? (Paris)
Guillaume Latzko-Toth, Universit? Laval
Sarah Choukah, Universit? de l?Ontario fran?ais
Sophie Toupin, Universit? Laval
St?phane Couture, Universit? de Montr?al

Nos partenaires :
LabCMO
Facult? des arts et sciences, D?partement de communication | Universit? de Montr?al
Universit? Laval
P?le d??tudes et de recherche en culture num?rique | Universit? de l?Ontario fran?ais
Centre Internet et Soci?t? | Centre national de la recherche scientifique (CNRS)
Centre interuniversitaire de recherche sur la science et la technologie (CIRST)
Internet Society ? Chapitre Qu?bec Canada (ISOC-Qu?bec)
Centre pour l?intelligence ?motionnelle en ligne (CIEL)
Machine Agencies | Universit? Concordia
Association for Progressive Communications (APC)
FACiL, pour l?appropriation collective de l?informatique libre
Association des utilisateurs des TIC (ASUTIC)
Chaire de recherche ?ducation aux m?dias et droits humains (Chaire EMDH)
Alternatives
Amnistie Internationale Canada Francophone
Chaire de recherche France-Qu?bec sur les enjeux contemporains de la libert? d?expression (COLIBEX)
ProtegeQV

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From inahonse at uottawa.ca  Mon Nov  6 13:23:48 2023
From: inahonse at uottawa.ca (Isaac Nahon-Serfaty)
Date: Mon, 6 Nov 2023 20:23:48 +0000
Subject: [acc-cca-l] Fw: Conversation avec F. Chapleau sur sexe et genre -
 16 novembre, 18h (Ottawa) - Zoom
In-Reply-To: <YQXPR01MB4359C93C1C137724194EC486A2AAA@YQXPR01MB4359.CANPRD01.PROD.OUTLOOK.COM>
References: <YQXPR01MB4359C93C1C137724194EC486A2AAA@YQXPR01MB4359.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YQXPR01MB4359CF2840874D9CCB7B9263A2AAA@YQXPR01MB4359.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Forum C?C

Sexe et genre :
science, ?ducation et politiques publiques

Une conversation avec Fran?ois Chapleau
Professeur ?m?rite, D?partement de biologie, Universit? d?Ottawa

Inscriptions ici :  https://uottawa-ca.zoom.us/meeting/register/tJcudu-rqzwuEtNnm-qDioEjHn1p7Pof-rmy


[cid:abe077bb-6b64-43b2-8538-843dc0aaa6ec]

Isaac Nahon-Serfaty
Professeur agr?g?/Associate Professor
Communication
uOttawa (Canada)
Website: https://criticaleducationcritique.blogspot.com/
Twitter: @narrativaoral
[cid:e576da07-cef2-4cbd-8804-ceb39aa86324]
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From JenSiushansian at cmail.carleton.ca  Mon Nov  6 15:28:49 2023
From: JenSiushansian at cmail.carleton.ca (Jen Siushansian)
Date: Mon, 6 Nov 2023 22:28:49 +0000
Subject: [acc-cca-l] 2024 CGC Conference Call for Papers
Message-ID: <YQXPR01MB4277FA1BC573CC30B257CDD291AAA@YQXPR01MB4277.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Hello,


I am reaching out on behalf of Carleton University?s 2024 CGC Conference: Power & Responsibility, which will be held March 14-15, 2024. I am attaching the call-for-papers with all the information regarding the conference and submission guidelines.


As stated in the CFP, submissions can be made through the following Google doc:

https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform

[https://lh6.googleusercontent.com/F7ZhLWOxxWnmy0-KfCDPxXb7ySO4LXxGSZUD3jUJ5mbh8qbkQUAquhilthXSdh5tYu7iRTtCKpo=w1200-h630-p]<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
Power & Responsibility<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
docs.google.com


If you would please pass this along to your graduate students on our behalf, that would be much appreciated.


Take care,

Jen, Morgan, Emma

2024 CGC Conference Co-Chairs

_

Jennie Siushansian (They/Them)

MA Student / Teaching Assistant

School of Journalism and Communication - Carleton University


I acknowledge the Anishinaabe Algonquin People whose traditional unceded territory is where I work, learn, and live on.

This email contains links to content or websites. Always be cautious when opening external links or attachments.

Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages.

When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat

-----End of Disclaimer-----

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From mconsalvo at gmail.com  Tue Nov  7 12:26:32 2023
From: mconsalvo at gmail.com (Mia Consalvo)
Date: Tue, 7 Nov 2023 14:26:32 -0500
Subject: [acc-cca-l] TT position in Intermedia
Message-ID: <CABvUAweNFzrcknkbWRgaKwnBKsLXuDdgvPXQVwSdqDJoxv3ieA@mail.gmail.com>

[?EXTERNAL]



Please share as you see fit:

https://www.concordia.ca/artsci/about/jobs/tenure-track-appointments/2023/tt-assistant-professor-intermedia-production.html
Assistant Professor, Intermedia Production

Last updated: October 19, 2023, 4:06 p.m.

Job title: Assistant Professor, Intermedia Production
Position code: 21_T_COMS_O
Date posted: October 19, 2023
Application deadline: November 30, 2023
Advertised until: Position is filled

Position description

The Department of Communication Studies in the Faculty of Arts and Science at Concordia University invites applications for a tenure-track position in Intermedia Production at the rank of Assistant Professor. We are seeking candidates with expertise in one or more of the following areas: expanded cinema, critical audio narratives, non-linear/interactive forms, and/or related practices. As a humanities-oriented department with a founding tradition of concern for social justice, we value diversity among our faculty and strongly encourage candidates whose creative work and academic research engages with issues of racial and gender inequality, LGBTQ rights, Indigenous rights, economic inequality, critical disabilities, and other related areas. The successful candidate will be expected to teach technical approaches along with critical histories and theories that explore different political, ethical, and institutional frameworks of media production. Additional university-level teaching experience in moving images and sound is an asset. The successful candidate should also have an active practice in creating and exhibiting intermedia-based work at a professional level. Duties will include developing and leading research-creation projects, teaching production and theory courses at the graduate and undergraduate level, managing two computer teaching labs with the assistance of technical staff and service to the department, the institution, and the wider scholarly community.

Qualifications and assets

Candidates must have completed their PhD in Media or a cognate Humanities or Fine Arts area by the start date of the appointment. Qualified candidates must be media makers/scholars who have the expertise to teach media production in an academic context, have professional experience or up to date skills with new production technologies, and have experience with innovative forms of media-making.

The main criteria for selection are scholarly and teaching excellence. The successful candidate will provide evidence of high-quality scholarly output that demonstrates potential for independent research leading to peer assessed publications and the securing of external research funding, as well as strong potential for outstanding teaching contributions at both the undergraduate and graduate levels. Candidates are encouraged to share any career interruptions or personal circumstances that may have had an impact on their career goals in their letter of application. These will be carefully considered in the assessment process. The Department values diversity among its faculty and strongly encourages applications from women and members of underrepresented groups. Concordia University is an English-language institution of higher learning at which the primary language of instruction and research is English. Since this position supports academic functions of the university, proficiency in English is required. Working knowledge of French is an asset.

How to apply

All qualified candidates are encouraged to apply; however, Canadians and Permanent Residents will be given priority. To comply with the Government of Canada?s reporting requirements, the University is obliged to gather information about applicants? status as either Permanent Residents of Canada or Canadian citizens. While applicants need not identify their country of origin or current citizenship, all applicants must include one of the following statements:

Yes, I am a citizen or permanent resident of Canada

or

No, I am not a citizen or permanent resident of Canada

Application packages should be addressed to Professor Elizabeth (Liz) Miller, Chair of the Department of Communication Studies, and must include the following items in the given order as a single .pdf document: a cover letter which identifies the job title and position code (21_T_COMS_O), outlines the candidate?s media profile (2 or 3 most important creative research contributions to date), describes relevant teaching experience, and includes the citizenship statement; a curriculum vitae which should also include software and technical competencies; evidence of teaching expertise that may include any of the following materials: sample assignments, teaching evaluations (if applicable), and/or syllabi of courses taught; a teaching statement that includes your approach, philosophy, and how this connects to past and future teaching experiences; a research statement that details future creative research plans; an Equity Diversity and Inclusion (EDI) statement (see below); and the names of three referees (reference letters will only be solicited for short-listed candidates).

Applications should be submitted electronically to Donna Stewart, Department Administrator, at donna.stewart at concordia.ca<mailto:donna.stewart at concordia.ca>, with the subject heading Tenure-Track Application in Media Production, by November 30, 2023, but will continue to be reviewed until the position is filled. Only short-listed candidates will be notified. The appointment is expected to commence in August 2024.

Concordia University is strongly committed to building a diverse, equitable, and inclusive community, and recognizes the importance of inclusion in achieving excellence in teaching and research. As part of this commitment to providing our students with the dynamic, innovative, and inclusive educational environment of a Next?Generation University, we require all applicants to articulate in their EDI statement how their background, as well as lived and professional experiences and expertise have prepared them to teach in ways that are relevant for a diverse, multicultural contemporary Canadian society.

Possible examples to demonstrate a diverse experience may include, but are not limited to:

? teaching about underrepresented populations

? mentoring students from underrepresented backgrounds

? committee work

? offering or organizing educational programming

? participation in training and workshops

All applicants will receive an email invitation to complete a short equity survey. Participation in the survey is voluntary and no identifying information about candidates will be shared with hiring committees. Candidates who wish to self-identify as a member of an underrepresented group to the hiring committee may do so in their cover letter or by writing directly to the contact person indicated in this posting.

Adaptive measures

Applicants who anticipate requiring adaptive measures throughout any stage of the recruitment process may contact, in confidence, Anna Barrafato, Accessibility Change Lead: anna.barrafato at concordia.ca<mailto:anna.barrafato at concordia.ca> or by phone at 514-848-2424 extension 3511.

________________________________
Information about the Department
Information about the Faculty of Arts and Science
________________________________
________________________________
Information about Concordia
________________________________
Information about Montreal
________________________________
________________________________
Territorial Acknowledgement

Concordia University is located on unceded Indigenous lands. The Kanien?keh?:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohti?:ke/Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community.

Employment Equity

Concordia University is strongly committed to employment equity within its community, and to recruiting a diverse faculty and staff. The University encourages applications from all qualified candidates, including women, members of visible minorities, Indigenous persons, members of sexual minorities, persons with disabilities, and others who may contribute to diversification; candidates are invited to self-identify in their applications.

Immigration Status

All qualified candidates are encouraged to apply; however, Canadian and Permanent Residents will be given priority. To comply with the Government of Canada?s reporting requirements, the University is obliged to gather information about applicants? status as either Permanent Residents of Canada or Canadian citizens. While applicants need not identify their country of origin or current citizenship, all applications must include one of the following statements:

Yes, I am a citizen or permanent resident of Canada
or
No, I am not a citizen or permanent resident of Canada.

--
Mia Consalvo, Ph.D. (she/her)
Professor and Canada Research Chair in Game Studies & Design
Department of Communication Studies
Concordia University
7141 Sherbrooke Street West
CJ Bldg, 4.407
Montreal, Quebec
Canada




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From daniel.harley at uwaterloo.ca  Tue Nov  7 17:43:58 2023
From: daniel.harley at uwaterloo.ca (Daniel Harley)
Date: Wed, 8 Nov 2023 00:43:58 +0000
Subject: [acc-cca-l] CfP for ICA 2024 post-conference
Message-ID: <YTBPR01MB238180108FA1185C3B8414E894A8A@YTBPR01MB2381.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hi all, please feel free to share the following:

We are excited to announce a Call for Papers for an upcoming post-conference of the 2024 International Communications Association (ICA) Conference at the University of Sydney, on the 25th of June 2024. The post-conference is hosted by the Critical Augmented and Virtual Reality Research Network (CAVRN<https://cavrn.org/>), a scholarly network established in 2022 dedicated to connecting academic researchers in the rapidly growing field of Virtual Reality (VR) and Augmented Reality (AR) technologies with attention to their social, political and economic contexts.

The post-conference will feature a combination of presentations, roundtable discussions, and hands-on experiences with VR applications in the University of Sydney VR Lab. We encourage submissions that incorporate innovative research methodologies, interdisciplinary approaches, and critical perspectives. Current Ph.D. students are encouraged to apply and will be assessed as part of a doctoral student track. Abstract submission deadline is the 24th of January 2024. For complete submission details, please see: https://cavrn.org/ica24-conf-cfp/


--
Daniel Harley, PhD
He/him

Assistant Professor
Stratford School of Interaction Design and Business
University of Waterloo
Email: dharley at uwaterloo.ca<mailto:dharley at uwaterloo.ca>

We acknowledge that the Stratford School is on the traditional territory of the Anishinaabe, Haudenosaunee, and Ojibway/Chippewa peoples. This territory is covered by the Upper Canada Treaties. Our actions toward reconciliation take place through our research, teaching, learning, and community events, with guidance from the University?s Indigenous Initiatives office<https://uwaterloo.ca/human-rights-equity-inclusion/indigenousinitiatives>.


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From RenaBivens at cunet.carleton.ca  Wed Nov  8 06:44:36 2023
From: RenaBivens at cunet.carleton.ca (Rena Bivens)
Date: Wed, 8 Nov 2023 13:44:36 +0000
Subject: [acc-cca-l] COMS Graduate Degrees at Carleton!
Message-ID: <YT1PR01MB47432FF0ED75FB235D86A9F280A8A@YT1PR01MB4743.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Hi Everyone,



It?s that time of year when we get to hear about all the interesting graduate programs across Canada. I?m chiming in to encourage students to apply to Communication Studies at Carleton University for an MA or PhD. If you are a potential applicant, this is for you. If you are a faculty member, please consider telling some of your students about us!



We work hard to create a collegial and supportive environment for our graduate students (and our faculty!). Join us and you?ll find yourself getting to know 22 full-time faculty members who teach and research in a wide variety of interdisciplinary areas, including activism, climate change, pandemic culture, comic books, sound studies, algorithmic culture, gender and sexuality, art history, disability studies, race and colonialism, media philosophy, big data and smart cities.



Are you also obsessed with media and communication? Good! We can?t wait to talk to you about your ideas and help you think about those burning questions. Our graduate student mentors are standing by, ready to help you with your application. All you have to do is reach out to me (rena.bivens at carleton.ca).

https://www.cucoms.ca/graduatestudies



Thanks for your time!

Rena

--
Dr. Rena Bivens (she, her)
Associate Professor
School of Journalism and Communication
Carleton University
Unceded Algonquin Territory
Ottawa, Canada
This email contains links to content or websites. Always be cautious when opening external links or attachments.

Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages.

When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat

-----End of Disclaimer-----

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From Jaigris.Hodson at RoyalRoads.ca  Wed Nov  8 11:28:44 2023
From: Jaigris.Hodson at RoyalRoads.ca (Jaigris Hodson)
Date: Wed, 8 Nov 2023 18:28:44 +0000
Subject: [acc-cca-l] OF INTEREST - workshop about online harassment of
 researchers - Nov 23, 2023
Message-ID: <9C6C974D-9E9D-473A-86E3-75B264BED029@royalroads.ca>

[?EXTERNAL]


Hello everyone,

If you have been subjected to research as a result of discussing your work online, you might be interested in a virtual workshop being put on by researchers at Royal Roads University, Toronto Metropolitan University, and the University of British Columbia.

The online workshop, titled What Can Researchers and Research Communicators Do to Address Online Abuse?<https://www.surveymonkey.com/r/Preview/?sm=3n5pKcF8lJcfm_2B4S1KmL9OQ6pbaaPNneBGC8nCtpF6SOXCyvkKr0xL1t25bPjJnh>, happens November 23 from 10 to 11:30 a.m. PST. It?s specifically designed to support researchers and research communicators, but it?s open to everyone.
The workshop covers scenarios and strategies to protect yourself online, including how to limit the amount of data you expose online.
?None of us should have to deal with this alone,? Hodson says, adding that she and her team have met so many just doing that over the course of their research.
?I think people don?t realize that we could be a community. I think one of the broader goals for this and our work going forward is to help people recognize that they?re not alone and we really are stronger together.?
Learn more about the workshop and register now<https://www.surveymonkey.com/r/Preview/?sm=3n5pKcF8lJcfm_2B4S1KmL9OQ6pbaaPNneBGC8nCtpF6SOXCyvkKr0xL1t25bPjJnh>.
Workshop facilitators
Anatoliy Gruzd, Canada Research Chair in Privacy Preserving Digital Technologies, Toronto Metropolitan University
Anatoliy Gruzd is a Canada Research Chair in Privacy-Preserving Digital Technologies, a professor at the Ted Rogers School of Information Technology Management and the Director of Research at the Social Media Lab<https://socialmedialab.ca/about/> at Toronto Metropolitan University. He is also a Member of the Royal Society of Canada<https://rsc-src.ca/en/fellows>?s College of New Scholars, Artists and Scientists, and a founding co-chair of the International Conference on Social Media and Society<https://socialmediaandsociety.org/>. The broad aim of Gruzd?s various research initiatives is to understand how social media data can be used ethically to tackle a wide variety of societal problems from combating disinformation to helping educators navigate social media for teaching and learning.
Jaigris Hodson, Canada Research Chair in Digital Communication for the Public Interest, Royal Roads University.
Jaigris Hodson is a Canada Research Chair in Digital Communication for the Public Interest. She has published research in a wide range of academic publications and presented her work to national and international audiences. She has also published in non-academic publications such as The Evolllution and spoke at TEDX Victoria 2012. She is currently working on several SSHRC funded grant projects related to online harassment, anti social online behavior and digital misinformation. She is also a founding member of the Digital Public Interest Collective
Chris Tenove, Interim Director in the Centre for the Study of Democratic Institutions, University of British Columbia
Chris Tenove<https://sppga.ubc.ca/profile/chris-tenove/> is the interim director of the University of British Columbia?s Centre for the Study of Democratic Institutions (CSDI<https://democracy.ubc.ca/>), and a researcher and instructor in the School of Public Policy & Global Affairs. He has published peer-reviewed articles and book chapters on the challenges that digital media pose to democracy and human rights, focusing on topics such as electoral disinformation, social media regulation, and online harassment of politicians and health communicators. His policy reports on these topics include Trolled on the Campaign Trail: Online Incivility and Abuse in Canadian Politics<https://democracy.ubc.ca/platforms/online-incivility-in-politics-in-canada/trolled-on-the-campaign-trail-online-incivility-and-abuse-in-canadian-politics/> (2020), Online Hate in the Pandemic<https://hateinquiry.bchumanrights.ca/wp-content/uploads/Online-hate-in-the-pandemic-by-Dr.-Tenove-Dr.-Tworek_BCOHRCs-Inquiry-into-hate-in-the-pandemic.pdf> (2022), and Not Just Words: How Reputational Attacks Harm Journalists and Undermine Press Freedom<https://globalreportingcentre.org/reputational-attacks/> (2023). Prior to obtaining a PhD in Political Science, he worked in Canada and internationally as an award-winning journalist.
Victoria O?Meara, PhD, Postdoctoral Researcher and co-Founder of the Digital Public Interest Collective
Victoria O?Meara is a post-doctoral researcher at Royal Roads University in the College of Interdisciplinary Studies. She received her PhD in Media Studies from Western University. Her research draws from critical political economy and intersectional feminism to examine issues related to work, technology, reputation, and influence in the digital media economy.

Jaigris Hodson PhD, Canada Research Chair (Tier II) in Digital Communication For the Public Interest
Associate Professor, College of Interdisciplinary Studies | Royal Roads University
T 250.391.2600 | F 250.391.2587
2005 Sooke Road, Victoria, BC  Canada  V9B 5Y2 | royalroads.ca<https://webmail.royalroads.ca/owa/redir.aspx?C=QXhN0f5Q17WvcmXecxL28GUrFWzz_b6WZg6OBhWblb3RcR58CxfUCA..&URL=http%3a%2f%2froyalroads.ca%2f>
Pronouns: she/her/hers

LIFE.CHANGING

Royal Roads is located on the traditional lands of the Xwsepsum  and Lekwungen First Nations? ancestors and families.
CONFIDENTIALITY NOTICE: This e-mail and attachments may contain personal or confidential information for the sole use of the intended recipient. If you are not the intended recipient and you have received this transmission in error, please notify the sender immediately and delete the message and attachments.
Jaigris Hodson PhD, Canada Research Chair (Tier II) in Digital Communication For the Public Interest
Associate Professor, College of Interdisciplinary Studies | Royal Roads University
T 250.391.2600 | F 250.391.2587
2005 Sooke Road, Victoria, BC  Canada  V9B 5Y2 | royalroads.ca<https://webmail.royalroads.ca/owa/redir.aspx?C=QXhN0f5Q17WvcmXecxL28GUrFWzz_b6WZg6OBhWblb3RcR58CxfUCA..&URL=http%3a%2f%2froyalroads.ca%2f>
Pronouns: she/her/hers

LIFE.CHANGING

Royal Roads is located on the traditional lands of the Xwsepsum  and Lekwungen First Nations? ancestors and families.
CONFIDENTIALITY NOTICE: This e-mail and attachments may contain personal or confidential information for the sole use of the intended recipient. If you are not the intended recipient and you have received this transmission in error, please notify the sender immediately and delete the message and attachments.




Royal Roads acknowledges the campus is located on the traditional Lands of the Lekwungen-speaking Peoples, the Songhees and Esquimalt Nations.


CONFIDENTIALITY NOTICE: This e-mail and attachments may contain personal or confidential information for the sole use of the intended recipient. If you are not the intended recipient and you have received this transmission in error, please notify the sender immediately and delete the message and attachments.
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From dr.g.voorhees at gmail.com  Wed Nov  8 14:21:24 2023
From: dr.g.voorhees at gmail.com (Gerald Voorhees)
Date: Wed, 8 Nov 2023 16:21:24 -0500
Subject: [acc-cca-l] Lecture and Panel: Asian/American Game Studies
Message-ID: <CAHysLZFk+6BvLcqFT0y+TbrTjYs8hUq7KBTd+yrXweoL8aY8Kw@mail.gmail.com>

[?EXTERNAL]


Dear friends and colleagues,

Please join us for two upcoming events (online or in-person) hosted at the University of Waterloo Games Institute<https://uwaterloo.ca/games-institute/>:

1. On Tuesday, 14 November from 11AM-12PM (EST/UTC-4): Skins Deep: Race, Gender, and Nationality in eSports<https://uwaterloo.ca/games-institute/events/skins-deep-race-gender-and-nationality-esports>, a lecture by Tara Fickle (Northwestern University). Register for free using this Eventbrite link<https://www.eventbrite.ca/e/guest-lecture-skins-deep-race-gender-and-nationality-in-esports-tickets-745328988067?aff=oddtdtcreator>.

Since the Nintendo Entertainment System in 1985, Asia has remained the center of the manufacturing of video game hardware (China and Southeast Asia), the center of game innovation and the birthplace of most game genres (Japan), and the largest reliable resource of consumers (nearly half of game players reside in Asia). Dr. Fickle asks how video games, in being inextricably tethered to Asia, continue to produce new racializations of Asians around the globe, and the varied impacts games have had on Asian diasporas in North America through forms of digitization, ?gamic? worlds, and play itself. The talk will explore a range of relevant contemporary topics in Asian/American gaming, such as esports, visual novels, racial representations, gender, labor and industry culture.

2. On Monday, 20 November from 11AM-12:30PM (EST/UTC-4): Emerging Voices in Asian/American Game Studies<https://uwaterloo.ca/games-institute/events/emerging-voices-asian-american-game-studies>, featuring Matthew Howard (Loyola University), Sarah Ganzon (Simon Fraser University), and Huan He (Vanderbilt University). Register for free using this Eventbrite link<https://www.eventbrite.ca/e/panel-emerging-voices-in-asianamerican-game-studies-tickets-750731808047?aff=oddtdtcreator>.

This panel highlights emerging scholars in Asian/American games studies. Panelists will present recent and/or ongoing work, sharing a glimpse of the emerging research questions animating the field. Topics include He?s analysis of NPC discourse, particularly the phenomena of NPC streaming, as an Asiatic form, Ganzon?s examination of Filipino political activism in digital games that extend public and community spaces, and Howard?s inquiry on 'region locking' in online games as racial practices.
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From sofia.digironimo at mail.mcgill.ca  Wed Nov  8 19:15:42 2023
From: sofia.digironimo at mail.mcgill.ca (Sofia Di Gironimo)
Date: Thu, 9 Nov 2023 02:15:42 +0000
Subject: [acc-cca-l] McGill Art History and Communication Studies CFP
Message-ID: <YT2PR01MB9875D91FF3305735E49494F5B6AFA@YT2PR01MB9875.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Hello,


I hope this email finds you well! The Art History and Communication Studies Graduate Student Association is putting together a graduate symposium in April 2024 and we think our theme might be of interest to your network. Could you please circulate the attached CFP?


Thank you so much,


Sofia Di Gironimo and Marcus Prasad



---


CFP: McGill Art History and Communication Studies Graduate Symposium


Call for Papers: Reorienting the Sublime

McGill University

Department of Art History and Communication Studies

Graduate Student Symposium



Deadline for Submissions: December 29, 2023



?The sublime is something added that expands us, overstrains us, and causes us to be both here, as dejects, and there, as others and sparkling. A divergence, an impossible bounding. Everything missed, joy?fascination? -- Julia Kristeva, Powers of Horror.



The Department of Art History and Communication Studies at McGill University is pleased to invite submissions for the Annual Graduate Symposium ?Reorienting the Sublime,? to be held on Thursday, April 4 and Friday, April 5, 2024.



The sublime has held a steady yet complex position within the discourse of art history and visual culture, and encourages a consideration of its relationship to media and communication studies. Its perhaps best known form can be traced to Edmund Burke in the 18th century, who defined the sublime through a dual emotional quality of attraction and fear, which Immanuel Kant honed to describe a magnitude of unlimited feeling that humans are unable to possess. Jacques Lacan, who follows from a Freudian notion of the sublime as a positivised or aestheticised counterpart to the uncanny, also suggests that the ?sublime object? points us towards that which has the power to de-realise and dematerialize, revealing the contradictions at the center of a law.



As such, the sublime has provided a rife affective terrain for artists to draw from that could elicit awe, power, and a certain delight in transgressing limitation. It has also offered a useful framework to think through the meanings and affects circulating new communication technologies, which are often simultaneously feared and viewed as opportunities for human transcendence. At the same time, the sublime has provided the means to bolster colonial understandings of ?taming the unknown? and efforts to seek command of that which appears to be out of order. What can be said of the sublime as revelatory, a call to re-translate or re-visit the foundational systems of meaning which structure the world and our place in it? How might we position the sublime in relation to contemporary politics, culture, and technologies? In what ways do awe, terror, beauty, and overwhelm play into our current objects of research, and how might these aspects of sublimity reorient the objects and approaches within our fields of study?



Following this history of contestation, our symposium seeks to consider the state of the sublime today and how its discourse continues to take shape within the interdisciplinary realms of art history and communication studies. We invite papers from all periods of art history, communication studies, and related disciplines to consider these questions, as well as the following topics as prompts for further thought:



-       Beyond the worldly, transcendence, (dis)embodiment

-       Affect, desire, aversion, horror, tragedy

-       Consumption, glut, excess, control

-       Technological sublime

-       Hyperreality, capitalist/cyber/digital sublime

-       Landscape painting, romanticism, colonial origins and post-colonial critiques

-       Gestalt, Gesamtkunstwerk

-       Historical reconfigurations of Kant, Burke, Hegel, Lacan, etc.

-       Incomprehensibility, inspiration, confusion

-       The non-human, anthropocene, pre-linguistic

-       (Against) the uncanny, the beautiful, the harmonious



The Art History and Communication Studies Graduate Symposium committee invites proposals for fifteen-minute-long paper presentations. Current and recently graduated Masters, Doctoral, and Postdoctoral students from various Humanities fields whose research addresses this year?s theme are encouraged to apply. Applicants should submit an abstract of no more than 300 words with the title of the paper, along with a separate document that includes a 250-word bio, to ahcs.pgss at mail.mcgill.ca by Friday, December 29, 2023. Please include your full name, affiliation, and contact information in your bio. A blind panel will be reviewing all submissions, so please ensure that your name and other identifying marks do not appear in the abstract document.



While we encourage in-person participation at the symposium, we will have limited spots for presentations over Zoom. If you would like to be considered for a virtual presentation, please indicate so in your abstract, in addition to any other accommodations or considerations you would like the committee to know of.



Sincerely,

Sofia Di Gironimo, Marcus Prasad (Co-Chairs), and the AHCS Graduate Symposium Committee

McGill University | Montreal, Quebec


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From daniel.pare at uottawa.ca  Thu Nov  9 13:09:02 2023
From: daniel.pare at uottawa.ca (=?Windows-1252?Q?Daniel_Par=E9?=)
Date: Thu, 9 Nov 2023 20:09:02 +0000
Subject: [acc-cca-l] =?windows-1252?q?Fw=3A_Call_for_book_reviews_/_appel?=
 =?windows-1252?q?_=E0_recensions_de_livres_-_Canadian_Journal_of_Communic?=
 =?windows-1252?q?ation?=
In-Reply-To: <CA63723D-B0CF-450E-ACF2-D7C85FF4F219@uottawa.ca>
References: <CA63723D-B0CF-450E-ACF2-D7C85FF4F219@uottawa.ca>
Message-ID: <YT2PR01MB6514CB2E73FE612AE4F42D8198AFA@YT2PR01MB6514.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]




Dear colleagues / Cher.e.s coll?gues,

The Canadian Journal of Communication (CJC)<https://cjc.utpjournals.press/loi/cjc>  has a newly updated list of English and French language titles for which we are seeking reviewers to contribute academic book reviews.

You can find the of books here: https://docs.google.com/spreadsheets/d/1ROMmLWfaLkxtVeG8G-vKT9IpmdWF4oFvjxCcn8d0Mo0/edit?hl=en&pli=1#gid=1402353254

Instructions for submitting a review can be found here: https://cjc.utpjournals.press/cjc/resources/books-for-review<https://cjc.utpjournals.press/cjc/resources/books-for-review?fbclid=IwAR1Ur4gUnHTag_rJOjYz8mS4kH33XaW6FzQ0LGh9JWLSYsYZBZRcGL_JLBA>

=====

Le Canadian Journal of Communication (CJC)<https://cjc.utpjournals.press/loi/cjc> a r?cemment mis ? jour sa liste d'ouvrages acad?miques en anglais et en fran?ais pour lesquels nous recherchons des auteur.es pour r?diger des recensions.

La liste des livres est disponible ici : https://docs.google.com/spreadsheets/d/1ROMmLWfaLkxtVeG8G-vKT9IpmdWF4oFvjxCcn8d0Mo0/edit?hl=en&pli=1#gid=1402353254

Les instructions relatives ? la soumission d'une r?cension sont disponibles ici (pour l?instant, uniquement en anglais) : https://cjc.utpjournals.press/cjc/resources/books-for-review<https://cjc.utpjournals.press/cjc/resources/books-for-review?fbclid=IwAR0r-TBQPzZWk57OQD9baqObTJ-Z_PI0C6GIrK1umsC05tFrj9jI51eSWFI>



Cordially / Cordialement

The CJC's English and French language book review editors / Les r?dacteurs des revues de livres en anglais et en fran?ais du CJC





Daniel J. Par?, Ph.D.,

Associate Professor / Professeur agr?g?

Department of Communication<http://arts.uottawa.ca/communication/en>,

School of Information Studies (?SIS)<http://www.sis.uottawa.ca/>, and

Institute for Science, Society and Policy (ISSP)<https://issp.uottawa.ca/>



Graduate Program Co-ordinator, ISSP<https://issp.uottawa.ca/en/education/master>

University of Ottawa / Universit? d?Ottawa

55 Laurier Ave East, Rm 10154, Ottawa, ON, K1N 6N5, Canada

Tel: (613) 562-5800 ext/poste: 2052

Fax: (613) 562-5854

Twitter: @DJ_Pare

English Language Book Review Editor, Canadian Journal of Communication<https://cjc-online.ca/index.php/journal>


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From a.delfanti at utoronto.ca  Fri Nov 10 13:40:23 2023
From: a.delfanti at utoronto.ca (Alessandro Delfanti)
Date: Fri, 10 Nov 2023 20:40:23 +0000
Subject: [acc-cca-l] TT job at U of Toronto Mississauga
Message-ID: <YQBPR0101MB48379186272279155E178D3986AEA@YQBPR0101MB4837.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Dear colleagues,

The Institute of Communication, Culture, Information and Technology (ICCIT) at the University of Toronto Mississauga invites applications for a full-time tenure stream appointment in the area of critical marketing/advertising studies and digital culture at the rank of Assistant Professor. The expected start date for this position will be July 1, 2024, or shortly thereafter.

 Candidates must hold a PhD in history, American studies, media studies, communications, or a related discipline/field by the time of appointment or shortly thereafter.  Candidates must show excellence in research as demonstrated by an active research program and the proven willingness to attract external research funding and/or research awards; publications in top-tier peer reviewed journals within the above-mentioned fields; and strong recommendations from referees of international standing.

We are seeking a scholar who has demonstrated a program of research focusing on critical approaches to marketing and advertising that centers feminist analysis in the historical development of these industries in North America. Candidates? areas of study and approaches should include critical archival research, digital humanities tools and methods, and the application of feminist, social, and cultural analysis to the history of twentieth-century market segmentation strategies. We especially welcome applications from candidates with a demonstrated record of research/knowledge mobilization in the form of public-facing writing.

All application materials, including recent reference letters, must be received by December 4, 2023.

The full job descritpion can be found at: https://jobs.utoronto.ca/job/Mississauga-Assistant-Professor-Critical-MarketingAdvertising-Studies-and-Digital-Culture-ON/574628017/


Alessandro Delfanti
University of Toronto
www.delfanti.org
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From Normand.Landry at teluq.ca  Mon Nov 13 07:08:21 2023
From: Normand.Landry at teluq.ca (Landry, Normand)
Date: Mon, 13 Nov 2023 14:08:21 +0000
Subject: [acc-cca-l] Book Announcement - Media Literacy and Media Education
 Research Methods: A Handbook
Message-ID: <72C0DE0A-7758-4CF9-956E-AF81761EAEE3@teluq.ca>

[?EXTERNAL]


Dear friends,
Please find below an announcement for our upcoming new book.

Media Literacy and Media Education Research Methods: A Handbook
Edited by Pierre Fastrez and Normand Landry
About the Book: Media Literacy and Media Education Research Methods: a Handbook (Fastrez & Landry, eds., 2024) interrogates the foundations of media literacy and media education research from a methodological standpoint. It provides a detailed, illustrated overview of key methods used in the study of media literacy and media education. Further, it reveals the diversity of this research field and organizes this diversity by using three categories of investigation: media practices, educational initiatives, and prescriptive discourses. The book offers valuable reference points and tools for exploring the range of research methods used to study media literacy and media education and how these methods connect to epistemological stances, theoretical frameworks, and research questions. It serves as a guide for researchers who wish to position themselves, reflect on the methods they use or are considering using, and compare and contrast them against alternative or complementary approaches. After reading this book, readers will be better able to identify and define the objects of study in media literacy and media education research, the preferred ways of conducting investigations, the phenomena, issues, and dimensions that these are likely to bring to light, and the knowledge that they generate. This comprehensive and up-to-date overview of the field of media literacy education research methods will be of great interest to scholars and students of education studies, media studies, media literacy, cognitive science, and communication studies.
 The complete table of contents can be accessed Here<https://www.routledge.com/Media-Literacy-and-Media-Education-Research-Methods-A-Handbook/Fastrez-Landry/p/book/9780367492649>.
 The book can be bought Here<https://www.routledge.com/Media-Literacy-and-Media-Education-Research-Methods-A-Handbook/Fastrez-Landry/p/book/9780367492649>. A special discount can be accessed Here<https://tandfbis.s3.us-west-2.amazonaws.com/rt-files/AUTHOR/23-09+My+New+Book/Facebook.jpg?utm_medium=email&amp;utm_source=EmailStudio&amp;utm_campaign=B048303_eh1_1au_1aj_t007_1al_45170_4766861&amp;utm_id=>.

Very best,
Normand Landry, Ph.D.

Professeur, TELUQ
Titulaire de la Chaire de recherche du Canada en ?ducation aux m?dias et droits humains
Normand.landry at teluq.ca<mailto:Normand.landry at teluq.ca>
chaire-emdh.teluq.ca<http://chaire-emdh.teluq.ca>

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From nicole.cohen at utoronto.ca  Mon Nov 13 13:19:48 2023
From: nicole.cohen at utoronto.ca (Nicole Cohen)
Date: Mon, 13 Nov 2023 20:19:48 +0000
Subject: [acc-cca-l] Shameless magazine for teaching and research
Message-ID: <YTBPR01MB35208DDA2F7E84A0696B252D93B3A@YTBPR01MB3520.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Dear colleagues,

Shameless, an independent feminist teen magazine I co-founded in 2004 and which has been run by a collective of incredible activists for the past decade, has announced that it will no longer publish a print magazine. The collective has published a statement: https://shamelessmag.com/blog/entry/important-announcement-from-the-shameless-collective.

We have a lot of back issues, and I?d love to pass them along to anyone who researches activist media, radical media, feminist activism, independent publishing, or who would find them useful for their students and for teaching. The list of issues is here: https://shamelessmag.com/buy.

We are not charging for the issues, but most likely can?t pay to ship them (I can deliver in the GTA). If you?re interested, please email me.

All the best,
Nicole

---
Nicole Cohen, PhD
Associate Professor
University of Toronto

Institute of Communication, Culture, Information and Technology (ICCIT)
Faculty of Information

New Media Unions: Organizing Digital Journalists<https://culturalworkersorganize.org/newmediaunions/> (Routledge, 2020)
Writers? Rights: Freelance Journalism in a Digital Age<https://www.mqup.ca/writers--rights-products-9780773547964.php> (McGill-Queen?s, 2016)

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From inahonse at uottawa.ca  Tue Nov 14 17:10:57 2023
From: inahonse at uottawa.ca (Isaac Nahon-Serfaty)
Date: Wed, 15 Nov 2023 00:10:57 +0000
Subject: [acc-cca-l] =?cp1258?q?Rappel_=3A_peut-on_parler_de_sexe_et_de_g?=
 =?cp1258?q?enre_dans_les_universit=E9s_=3F?=
Message-ID: <YQXPR01MB4359E6B5AD9A2A0BD2BC2880A2B2A@YQXPR01MB4359.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Rappel : Conversation avec @FrChapleau<https://twitter.com/FrChapleau> sur sexe et genre - 16 novembre, 18h (Ottawa) - Zoom.

Inscription ici :
https://uottawa-ca.zoom.us/meeting/register/tJcudu-rqzwuEtNnm-qDioEjHn1p7Pof-rmy

After registering, you will receive a confirmation email containing information about joining the meeting.

[cid:4f0507bc-de85-4bb1-9a94-75784c70dbf1]

Isaac Nahon-Serfaty
Professeur agr?g?/Associate Professor
Communication
uOttawa (Canada)
Website: https://criticaleducationcritique.blogspot.com/
Twitter: @narrativaoral
[cid:ebc5c101-2595-4383-9d42-0abfe1cd583a]
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From jnicholson at wlu.ca  Wed Nov 15 08:21:26 2023
From: jnicholson at wlu.ca (Judith Nicholson)
Date: Wed, 15 Nov 2023 15:21:26 +0000
Subject: [acc-cca-l] Seeking panelist - CCA 2024 Conference
In-Reply-To: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>
References: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>
Message-ID: <YT1PR01MB23298AE38AF9B90C9D6EB0F8AFB1A@YT1PR01MB2329.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Dear CCA members,

My colleague, Dr. Sara Matthews, and I are seeking an additional panelist for a panel proposal on the theme of Vehicular Violence in Canada. See our draft proposal below. Please contact me if you?re interested in joining the panel.


 ---

This panel centres vehicular violence in Canada and how it is implicated in the white settler project of nation building. Drawing on case studies (X, X, and X TBD), the panel explores the politics of mobility that enable the conditions for vehicular violence. This includes the racialization and masculinization of mobility in conjunction with settler colonialism and racial capitalism, and a common-sense acceptance of pedestrian fatalities as exchange for freedoms associated with vehicular mobility and its colonization of space through the infrastructure of the road. Following Stuesse and Coleman (2014), we argue that paying attention to ?place-based mobilities? is crucial for understanding how ?race, class, gender, nationality, and sexuality underwrite a widespread condition of not being able to move freely, or perhaps at all? (56).



Best,

Judith, jnicholson at wlu.ca<mailto:jnicholson at wlu.ca>

Judith Nicholson, PhD
Associate Professor
Communication Studies
---
Laurier is located on traditional territory of the Neutral/Attawandaron, Anishnawbe and Haudenosaunne peoples.
________________________________
From: acc-cca-L <acc-cca-l-bounces at mailman.ucalgary.ca> on behalf of Hirji, Faiza <hirjif at mcmaster.ca>
Sent: Thursday, October 12, 2023 01:13
To: acc-cca-l at mailman.ucalgary.ca <acc-cca-l at mailman.ucalgary.ca>
Subject: [EXTERNAL *] [acc-cca-l] Call for Papers - Canadian Communication Association 2024 Annual Conference


Call for Papers

Canadian Communication Association (CCA) Annual Conference 2024

June 18-21, 2024



Dear CCA colleagues,

We are very pleased to release our Call for Papers for the next annual conference of the Canadian Communication Association, which will be held in person from June 18-21, 2024 as part of the Canadian Federation for the Humanities and Social Sciences (CFHSS). Congress 2024 will be held in person and this year?s theme is ?Sustaining Shared Futures." We call for papers that explore and extend this theme and/or contribute to the range and depth of communications, media-culture, and digital technology scholarship in Canada, and internationally.

  *   Proposal Submission Deadline: December 1, 2023.
  *   You may submit your proposals at https://www.openconf.org/cca2024/openconf.php
  *   Please refer to the PDF attached or CCA?s website (https://acc-cca.ca/) for detailed information.


We hope to see you at CCA 2024!



Faiza Hirji, McMaster University

CCA Vice-President and Conference Chair


Mark Lloyd, McGill University

CCA Local Arrangement Coordinator



_______





Chers coll?gues de l?ACC,

Nous sommes tr?s heureux de publier notre appel ? communications pour le prochain colloque de l'Association canadienne de communication, qui se tiendra en personne du 18 au 21 juin 2024 dans le cadre de la F?d?ration canadienne des sciences humaines et sociales (FCSH). Le Congr?s 2024 se tiendra en personne et le th?me de cette ann?e est Assurer nos avenirs communs. Nous sollicitons des communications qui explorent et approfondissent ce th?me et/ou qui contribuent aux ?tudes en communication au Canada et ? l'?tranger.

?       Date limite de soumission des propositions : Le 1er d?cembre 2023.

?       Vous pouvez soumettre vos propositions ? https://www.openconf.org/cca2024/openconf.php.

?       Veuillez consulter le PDF ci-joint ou le site Web de l?ACC (https://acc-cca.ca/) pour obtenir des informations d?taill?es.

Nous esp?rons vous voir ? l?ACC 2024 !

Faiza Hirji, Universit? McMaster

Vice-pr?sidente de l'ACC et organisatrice principale du colloque



Mark Lloyd, Universit? McGill

Responsable des arrangements locaux

Dr. Faiza Hirji
Associate Professor
Department of Communication Studies and Media Arts
McMaster University
http://csmm.humanities.mcmaster.ca/

Vice-President
Canadian Communication Association

McMaster University recognizes and acknowledges that it is located on the traditional territories of the Mississauga and Haudenosaunee nations, and within the lands protected by the ?Dish With One Spoon? wampum agreement.
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From RosalesR2 at macewan.ca  Wed Nov 15 10:19:20 2023
From: RosalesR2 at macewan.ca (Rey Rosales)
Date: Wed, 15 Nov 2023 17:19:20 +0000
Subject: [acc-cca-l] Two-tenure track positions - MacEwan University
 (Edmonton)
In-Reply-To: <YT1PR01MB23298AE38AF9B90C9D6EB0F8AFB1A@YT1PR01MB2329.CANPRD01.PROD.OUTLOOK.COM>
References: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>
 <YT1PR01MB23298AE38AF9B90C9D6EB0F8AFB1A@YT1PR01MB2329.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YQXPR01MB6186D7F7D045C8509CD072E891B1A@YQXPR01MB6186.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Good morning, my dear awesome colleagues!

MacEwan University, located in picturesque Edmonton, is hiring two full-time tenure-track faculty positions: one in journalism and another in professional communication. Kindly spread the word.

Professional Communication application link: https://www.macewan.ca/about-macewan/careers/opportunities/postings/?competition=23.10.325

Journalism application link: https://www.macewan.ca/about-macewan/careers/opportunities/postings/?competition=23.11.345

Muchas gracias,
Rey

Rey Rosales, PhD (he/him)
Associate Professor
Chair, Department of Communication

MacEwan University
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From marcel at uwaterloo.ca  Thu Nov 16 11:46:49 2023
From: marcel at uwaterloo.ca (Marcel O'Gorman)
Date: Thu, 16 Nov 2023 18:46:49 +0000
Subject: [acc-cca-l] Suzanne Kite: "How to Build Anything Ethically" - Nov.
 21
Message-ID: <2B8CC87B-AA67-41A2-99A4-4511BE166F23@uwaterloo.ca>

[?EXTERNAL]


Dear Friends,

The Critical Media Lab is thrilled to announce that Dr. Suzanne Kite, award-winning Ogl?la Lak??ta artist, composer, and academic, will be joining us via Zoom THIS TUESDAY for an actionable talk about designing and world-building a "Good Way.? This talk builds on a methods-based essay she contributed to the Indigenous Protocol and Artificial Intelligence<https://www.indigenous-ai.net/position-paper/> position paper.

Additional details are below.

DATE: Tuesday, November 21 at 11:30 am EST
LOCATION: Please see Zoom link and passcode below

TITLE: ?How to Build Anything Ethically?
This discussion of ethical decision making when building technologies in a ?Good Way? includes two examples. First, I illustrate how the protocol for building a Lakota sweat lodge can act as a framework for building a physical computing device. Next, I provide an example of how multiple streams of protocol are necessary to build an AI system as a confluence of ethics. Some ideas proposed here are not currently possible, some are possible if investment is made in the necessary research, and some are possible but only through a radical change in the way technology companies are run and the pyramid of compensation for the exploitation of resources is reversed.

BIO:
Suzanne Kite is an award-winning Ogl?la Lak??ta artist, composer, and academic. Her scholarship and practice explore contemporary Lak??ta ontology (the study of beinghood in Lak??ta), artificial intelligence, and contemporary art and performance. She creates interfaces and arranges software systems that engage the whole body, in order to imagine new ethical AI protocols that interrogate past, present, and future Lak??ta  philosophies.

[cid:E39BFDAE-CC5C-49DC-BCDE-1D271D54A5D1]

Please click the link below to join the webinar:
https://uwaterloo.zoom.us/j/97003693737?pwd=TzkvbjVlS09rdWRXR2RJbWdmTzd3QT09
Passcode: 756099
Or One tap mobile :
    +13602095623,,97003693737#,,,,*756099# US
    +13863475053,,97003693737#,,,,*756099# US
Or Telephone:
    Dial(for higher quality, dial a number based on your current location):
    +1 360 209 5623 US
    +1 386 347 5053 US
    +1 507 473 4847 US
    +1 564 217 2000 US
    +1 646 558 8656 US (New York)
    +1 646 931 3860 US
    +1 669 444 9171 US
    +1 669 900 9128 US (San Jose)
    +1 689 278 1000 US
    +1 719 359 4580 US
    +1 253 205 0468 US
    +1 253 215 8782 US (Tacoma)
    +1 301 715 8592 US (Washington DC)
    +1 305 224 1968 US
    +1 309 205 3325 US
    +1 312 626 6799 US (Chicago)
    +1 346 248 7799 US (Houston)
    +1 438 809 7799 Canada
    +1 587 328 1099 Canada
    +1 647 374 4685 Canada
    +1 647 558 0588 Canada
    +1 778 907 2071 Canada
    +1 780 666 0144 Canada
    +1 204 272 7920 Canada
Webinar ID: 970 0369 3737
Passcode: 756099
    International numbers available: https://uwaterloo.zoom.us/u/anhL2oWoJ

Or an H.323/SIP room system:
    H.323:
    162.255.37.11 (US West)
    162.255.36.11 (US East)
    115.114.131.7 (India Mumbai)
    115.114.115.7 (India Hyderabad)
    213.19.144.110 (Amsterdam Netherlands)
    213.244.140.110 (Germany)
    103.122.166.55 (Australia Sydney)
    103.122.167.55 (Australia Melbourne)
    149.137.40.110 (Singapore)
    64.211.144.160 (Brazil)
    149.137.68.253 (Mexico)
    69.174.57.160 (Canada Toronto)
    65.39.152.160 (Canada Vancouver)
    207.226.132.110 (Japan Tokyo)
    149.137.24.110 (Japan Osaka)
    Meeting ID: 970 0369 3737
    Passcode: 756099
    SIP: 97003693737 at zoomcrc.com<mailto:97003693737 at zoomcrc.com>
    Passcode: 756099
--
Professor Marcel O'Gorman, PhD
University Research Chair
Past President, Society for Literature, Science and the Arts (SLSA)
Founding Director, Critical Media Lab
Department of English
University of Waterloo
Waterloo, Ontario, Canada N2L 3G1
Tel: 519 888 4567 x32946
http://criticalmedia.uwaterloo.ca
http://marcelogorman.net

I acknowledge that I work and teach on the traditional territory of the Attawandaron (Neutral), Anishnaabeg, and Haudenosaunee peoples. The University of Waterloo is situated on the Haldimand Tract, land promised and given to Six Nations, which includes six miles on each side of the Grand River.






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From pooley at muhlenberg.edu  Mon Nov 20 05:49:58 2023
From: pooley at muhlenberg.edu (Jeff Pooley)
Date: Mon, 20 Nov 2023 07:49:58 -0500
Subject: [acc-cca-l] New Open Access Book: Killer Fandom
Message-ID: <9e7cff75-f48c-40d9-961f-a12cd181dbba@Spark>

[?EXTERNAL]


mediastudies.press is a scholar-led, nonprofit, diamond open access publisher in the media, film, and communication studies fields. We are excited to announce the publication of Killer Fandom: Fan Studies and the Celebrity Serial Killer:

https://www.mediastudies.press/killer-fandom

Killer Fandom is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field?s successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Fathallah shows in the book, can be usefully studied with many of the field?s leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving ?murderabilia? industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more ?mainstream? fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects?marked by parodic humor and irony in many cases. Killer Fandom ultimately questions?given our crime-and violence-saturated media culture?whether it makes sense to set Dahmer and Wuornos ?fans? apart from the rest of us.

The book is available online and as a free download in PDF and ePub. A paperback version is also available.

https://www.mediastudies.press/killer-fandom

Killer Fandom appears in the Media Manifold Series series. Scholars interested in proposing volumes in this or other series are encouraged to reach out with a query:

https://www.mediastudies.press/proposals

You can learn more about mediastudies.press, including our operations and OA principles, on our site:

https://www.mediastudies.press/about

The press is a member of the Open Book Collective and the ScholarLed consortium, and also publishes the History of Media Studies journal. Please contact us at press at mediastudies.press<https://mailto:press at mediastudies.press>.
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From bgillespie at wlu.ca  Mon Nov 20 11:11:45 2023
From: bgillespie at wlu.ca (Bruce Gillespie)
Date: Mon, 20 Nov 2023 18:11:45 +0000
Subject: [acc-cca-l] Laurier's User Experience Design Program is hiring a
 Tenured Associate Professor
Message-ID: <YT3PR01MB870572E4F774395F21D5994ABEB4A@YT3PR01MB8705.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hello,

The growing User Experience Design program<https://www.wlu.ca/programs/liberal-arts/undergraduate/user-experience-design-bdes/index.html> at Wilfrid Laurier University (Brantford, Ontario, Canada) is hiring a Tenured Associate Professor with demonstrated leadership experience, a passion for curriculum design and experiential learning, and strong connections to the field.

Applications are due January 15, 2024, for an anticipated July 1st start date. Find all of the details here:

https://careers.wlu.ca/job/Brantford-Tenured-Associate-Professor-User-Experience-Design-Program-ON/728107547/

Thanks, in advance, for sharing this opportunity with your networks,

Bruce



BRUCE GILLESPIE (he, him, his)

Associate Professor, User Experience Design Program

Laurier Teaching Fellow



Wilfrid Laurier University

73 George St., Brantford, ON  N3T 2Y3

Office: Research and Academic Centre West, RCW314

Phone: 548-889-4333, Email: bgillespie at wlu.ca

www.wlu.ca/faculty/bruce-gillespie<http://www.wlu.ca/faculty/bruce-gillespie>

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From ghoskins at torontomu.ca  Tue Nov 21 07:32:55 2023
From: ghoskins at torontomu.ca (Guy Hoskins)
Date: Tue, 21 Nov 2023 09:32:55 -0500
Subject: [acc-cca-l] Growth & Upheaval in the Network Media Economy in
 Canada - 12th Edition released today
Message-ID: <CALNLBLht_OtCfAgRB-7=THfKaftu5PdMYNQMstq7iveUFtT+4g@mail.gmail.com>

[?EXTERNAL]


(Apologies for cross-posting!)

It is our pleasure to announce the release of the first report in our annual two-part series on the state of the communication, internet and media industries in Canada. This is part of the Global Media and Internet Concentration Project (GMICP) directed by Prof. Winseck, and the full report can be downloaded today from our website at the following link:

https://gmicp.org/growth-and-upheaval-in-the-network-media-economy-in-canada-1984-2022/

The attached press release outlines this year's standout findings, while the graphic below showcases the expanded range of sectors covered in this report.

Professor Winseck can be reached at dwayne.winseck at carleton.ca<mailto:dwayne.winseck at carleton.ca> or 613 769-7587 (mobile).

[unnamed.png]


Dr. Guy Hoskins
Post-doctoral researcher & Project Manager -
Global Media & Internet Concentration Project<https://gmicp.org/>
Ghoskins@<mailto:Ghoskins at ryerson.ca>torontomu.ca<http://torontomu.ca>

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From mgrace.lao at gmail.com  Tue Nov 21 14:52:57 2023
From: mgrace.lao at gmail.com (Grace Lao)
Date: Tue, 21 Nov 2023 21:52:57 +0000
Subject: [acc-cca-l] FW: Event: Safety Audits through a Feminist Lens
In-Reply-To: <SA2PR02MB7852AD3F886D9EDC1AC33118A2BBA@SA2PR02MB7852.namprd02.prod.outlook.com>
References: <SA2PR02MB785283D82DA3C97FCCD77CB1A2B1A@SA2PR02MB7852.namprd02.prod.outlook.com>
 <SA2PR02MB7852B65372D70D92896723AAA2BBA@SA2PR02MB7852.namprd02.prod.outlook.com>
 <SA2PR02MB78525B774535A00066AF217CA2BBA@SA2PR02MB7852.namprd02.prod.outlook.com>
 <SA2PR02MB7852AD3F886D9EDC1AC33118A2BBA@SA2PR02MB7852.namprd02.prod.outlook.com>
Message-ID: <PH7PR20MB580517AEAF618372CCDA336CFBBBA@PH7PR20MB5805.namprd20.prod.outlook.com>

[?EXTERNAL]


Apologies for cross-posting. This event may be useful for folks here.

From: WGSRF Communications <wgsrfcomms at gmail.com>
Date: Tuesday, November 21, 2023 at 3:31 PM
To: wgsrfcomms at gmail.com <wgsrfcomms at gmail.com>
Subject: FW: Event: Safety Audits through a Feminist Lens
Presented by: Women?s, Gender and Social Justice (WGSJ)
Feminist Safety Audits with Guest Speaker: Connie Guberman, Associate Professor, University of Toronto

Date : December 8, 2023
Time : 2:00 PM AST | 1:00 PM EST | 12:00 PM CST | 11:00 AM MIST |10:00 AM PST

This event is free. Register using Eventbrite: https://www.eventbrite.ca/e/safety-audits-through-a-feminist-lens-tickets-753453047347?aff=oddtdtcreator&keep_tld=1


Join us for an online talk with Connie Guberman who will share her knowledge about conducting safety audits through a feminist lens.

Guberman, a professor at the University of Toronto Scarborough, worked with Toronto?s METRAC (Metropolitan Action Committee on Violence Against Women and Children) where she developed the original Women?s Campus Safety Audit Guide and has been a consultant to municipalities, park and transit systems, university and college campuses internationally on safety and design. She was a partner in the community/campus project ?Engaging Young People to Prevent Violence Against Women on Campus? funded by Status of Women Canada and has been recognized by the City of Toronto and the Canadian Urban Institute for her work on ?equitable treatment for women in the areas of planning and violence against women.

If there are any specific questions you have in advance about conducting feminist -informed audits on your campus, Connie would like to know if advance of December 8. You can send her a message directly at c.guberman at utoronto.ca<https://www.eventbrite.ca/e/safety-audits-through-a-feminist-lens-tickets-753453047347?aff=oddtdtcreator&keep_tld=1>

A Zoom link will be emailed before the event on Dec. 8.

The goals of the Women's, Gender and Social Justice Association (WGSJ), formerly WGSRF, are to promote and foster Women's and Gender Studies (under all its myriad names) as an academic field and to build a network of its practitioners across Canada. The association encourages a wide definition of Women's and Gender Studies as a field of study and aims to aid those teaching and researching in the field in a variety of locations. For those of you interested in joining WGSJ or renewing your membership please click on the WGSJ Membership link.<https://wgsrf.com/membership/membership-form>

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From ddi_comms at sfu.ca  Wed Nov 22 12:53:15 2023
From: ddi_comms at sfu.ca (Digital Democracies Institute Communications)
Date: Wed, 22 Nov 2023 19:53:15 +0000
Subject: [acc-cca-l] 2024 Data Fluencies Dissertation Grant Competition
In-Reply-To: <SJ0PR04MB7550DC2CFEF027EF0103BE20A4C4A@SJ0PR04MB7550.namprd04.prod.outlook.com>
References: <SJ0PR04MB7550DC2CFEF027EF0103BE20A4C4A@SJ0PR04MB7550.namprd04.prod.outlook.com>
Message-ID: <6e19e642235342ceb39a6c92e3200c72@sfu.ca>

[?EXTERNAL]



Dear colleagues,

Please see below the call for Data Fluencies dissertation grant applications.
Feel free to share it with your networks!

All the best,


Pranjali Mann

Researcher, Communication Lead | Digital Democracies Institute
School of Communication| Simon Fraser University
| Website<https://digitaldemocracies.org/><https://digitaldemocracies.org/><https://digitaldemocracies.org/> | Facebook<https://www.facebook.com/SFUDDG/> | <https://twitter.com/sfu_ddg?lang=en> <https://twitter.com/SFU_DDI> Twitter<https://twitter.com/SFU_DDI>
At Simon Fraser University, we live and work on the unceded Traditional Coast Salish Lands of the s?l?ilw??ta?? (Tsleil-Waututh), k?ik?????m (Kwikwetlem), S?wx?w?7mesh ?xwumixw (Squamish) and x?m??k??y??m (Musqueam) Nations.

________________________________
From: Dannah Dennis <dennis at ssrc.org>
Sent: October 3, 2023 11:20 AM
Subject: Announcing the 2024 Data Fluencies Dissertation Grant Competition


Hello everyone,



We are very pleased to announce that the call for applications<https://www.ssrc.org/wp-content/uploads/2023/01/CFA-Data-Fluencies-Dissertation-Grants-2024-1.pdf> for the 2024 Data Fluencies Dissertation Grant Competition<https://www.ssrc.org/programs/data-fluencies/data-fluencies-dissertation-grants/> is now live on the SSRC website. We will begin accepting applications through our online portal on November 1, 2023, and the application deadline is January 24, 2024, 11:59 pm EST.



We invite proposals from applicants in the social and behavioral sciences, humanities, data sciences, and related fields working on projects that mobilize new knowledge and aim to foster more just and equitable futures in data and technology. This competition is open to PhD candidates who will have achieved ABD status by the start of the grant term (June 1, 2024) and are enrolled at any university in the US or Canada, regardless of citizenship.



Please share this information with your graduate students and throughout your wider networks! We look forward to receiving this year?s applications. Please let me know if you have any questions or want to chat more about this opportunity.



All the best,



Dannah







--



Dannah Dennis, PhD
Program Officer and Postdoctoral Fellow | Data Fluencies

dennis at ssrc.org| Twitter<https://twitter.com/dannahdennis>
Social Science Research Council<https://www.ssrc.org/programs/view/just-tech/#overview>
One Pierrepont Plaza (300 Cadman Plaza West), 15th Fl.

Brooklyn, NY 11201


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From hirjif at mcmaster.ca  Thu Nov 23 11:18:56 2023
From: hirjif at mcmaster.ca (Hirji, Faiza)
Date: Thu, 23 Nov 2023 18:18:56 +0000
Subject: [acc-cca-l] Call for Papers - Canadian Communication
 Association 2024 Annual Conference
In-Reply-To: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>
References: <12B735F6-6388-4C65-A386-EF61BFEE88D9@mcmaster.ca>
Message-ID: <4A8688F8-1BD7-49E4-9CB9-2C7FAA30010C@mcmaster.ca>

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From ghislain.thibault at umontreal.ca  Fri Nov 24 06:29:46 2023
From: ghislain.thibault at umontreal.ca (Ghislain Thibault)
Date: Fri, 24 Nov 2023 13:29:46 +0000
Subject: [acc-cca-l] =?utf-8?q?Call_for_Nominations=3A_CCA_Book_Prizes_/_?=
 =?utf-8?q?Appel_=C3=A0_nominations=3A_Prix_ACC_des_livres?=
Message-ID: <587B2129-214C-442D-9896-1B92A3FACEF7@umontreal.ca>

[?EXTERNAL]


Dear CCA members,
I am writing to remind you that nominations are now open for the CCA annual book prizes, the Gertrude J. Robinson Book Prize and the Emerging Scholar Book Prize. These accolades aim to recognize outstanding contributions by Canadian scholars through books published in 2023.

Kindly submit your nominations directly to me by January 15, 2024.

For detailed information regarding the criteria and guidelines for both book prizes, please refer to the Terms of Reference available on our website: https://acc-cca.ca/

Best regards,
Ghislain Thibault
CCA President

????

Ch?res et ch?res membres de l'ACC,
Je vous ?cris pour vous rappeler que les nominations sont maintenant ouvertes pour les prix annuels de livres de l'ACC, le prix Gertrude J. Robinson et le prix de la Rel?ve. Ces prix visent ? reconna?tre les contributions exceptionnelles de chercheur.se.s canadien.ne.s ? travers la publication d?un livre publi? en 2023.

Veuillez me soumettre vos nominations directement avant le 15 janvier 2024.

Pour des informations d?taill?es concernant les crit?res des deux prix du livre, veuillez vous r?f?rer au mandat disponible sur notre site web : https://acc-cca.ca

Cordialement,
Ghislain Thibault
Pr?sident de l?ACC


[Emerging.jpeg][Robinson.jpeg]





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From mcambre at ualberta.ca  Sun Nov 26 17:18:24 2023
From: mcambre at ualberta.ca (MC Cambre)
Date: Sun, 26 Nov 2023 19:18:24 -0500
Subject: [acc-cca-l] =?utf-8?q?CFP_for_the_41st_IVSA_in_Veracruz_on_=22Vi?=
	=?utf-8?q?sual_Accountability=3A_Show=2C_Don=E2=80=99t_Tell=22?=
Message-ID: <CALyQN4rtzHi=X28gXAdNLz2dFyym6SAMDOstUo5E8tyz6_7cOw@mail.gmail.com>

[?EXTERNAL]


Visual Accountability: Show, Don?t Tell
2024 Veracruz, Mexico

The International Visual Sociology Association invites submissions for its 41st annual meeting that will take place at Universidad Veracruzana, in Xalapa, Veracruz M?xico. We welcome interdisciplinary submissions from across the social sciences in the forms of workshops, paper presentations and exhibitions.


Call For Proposals:

o   Abstract submission deadline: January 30 2024

o   Abstract Submission Site: https://easychair.org/account/signin_timeout?l=aPk4PIKGk3soWkMOA3kmyI


o   Notification to delegates: February 20 2024

o   Early bird registration: March 31, 2024

o   Preliminary program publication: April 15, 2024

o   Registration deadline:  April 20th, 2024 (final deadline)

o   Conference sessions: 26-29 June 2024

 More information is available here: https://visualsociology.org/?page_id=8614


The 2024 IVSA conference is dedicated to exploring the concept of ?visual accountability? or visually mediated practices of regulation and control. Prior to the Covid-19 pandemic, and accelerating through it, we identified a shift in progress whereby digital images took an increasingly central role in constructing, maintaining and transforming formal and informal processes of adjudicating what counts as true. What kind of images are considered valid, are allowed and accepted as-if true? How do they convince, and get authorized, and become usable? How are digital technologies influencing the impact of visuality vis-?-vis accountability?



Will visual accountability be used in ways that impact vulnerable individuals (See Neu 2006)?  It is worth wondering how digital image sharing contributes to digital infrastructures and impacts practices of enacting certain truths in everyday life. Particular ways of looking that are honed online and emerge out of digital sociality, challenge visual sociology to devise new ways to dialogue with audiences across the academy, bring sociological understandings to the quotidian micro-level, and connect the practice of sociology to broader public issues.



Sociologist Pierre Bourdieu (1990) posited that the power of photography is extrinsic to photography itself and gains currency by communicating within a system of values. When these pictures become mobile, together with the apps that allow their creation and circulation, they contribute to what Hjorth and Pink call a ?social lubricant? (2014). In 2021, 22-year-old Gabby Petito was reported missing in the USA: Her boyfriend was on the run. Cyber sleuths using Twitter and TikTok began to share information to build a timeline of Petito?s movements, zeroing in on the Instagram photos she had been posting up to the time she disappeared. One user noted her hair had dark roots in one photo and seemed to have been freshly dyed blonde in another; others examined the pictures and triangulated with dates to show this was an error. Lavrence and Cambre (2020) use the term, the ?digital forensic gaze,? to describe ways of looking that mobilize veridical techniques when scrutinizing online images, as seen when people and groups mobilize online. In these kinds of contexts, such images are considered dubious until proven otherwise.

Meanwhile, seemingly moving in the opposite direction, institutions and corporations are using everyday images as evidence and are asking employees and others to ?prove? their claims with photos. For example, in June 2022, the FedEx Corporation in the USA announced it would be offering ?Picture proof of delivery? for packages released without a signature. Customers tracking packages will receive a photo showing its location. But what if the package is removed or the picture is manipulated? What might be at stake in the gradual normalization of these practices? A sense of obligation to ?show? not just ?tell? has begun to permeate the professional sphere, and nascent practices of institutional requests for photographs from employees and other members has slowly been gaining legitimacy. What are the implications of these new practices for visual sociology? What kinds of literacies are required to navigate these emerging ocular regimes? How are people everywhere mobilizing images as testimony and using visual practices to stake their veridical claims?
BEYOND THE THEME: Abstracts may also address other topics relating to visual methods, theories, and the visual analysis of society, culture and social relationships, beyond the general conference theme.

Possible topics include but are not limited to:

?       Images as legitimation

?       Post-truth, trust, and verification

?       visual methodologies and accountability

?       visual theory and digital representation

?       Public perception and deep fakes

?       Activism, engagement and ?situatedness?

?       Visibility, invisibility and the edited image

?       Digital sociality and performance

?       Surveillance and sousveillance

?       Seeing and being seen - social media

?       Approaches to AI


?       Photographs as ?proof? in the everyday (work and social)

?       Game playing, social interaction, and machine vision

?       Re/Presentation saving face/losing face

?       Digital crowds: sociological publics

?       Hyper-scrutiny the 21st century

?       Surveillance-based social credit systems

?       Visual ethics, collaboration & the researcher gaze

?       Framing the digital gaze


ABOUT IVSA & THE CONFERENCE
?The IVSA is a non-profit, democratic and academically oriented professional organization devoted to the visual study of society, culture, and social relationships. Our members represent a wide spectrum of disciplines, including sociology, anthropology, education, visual communication, photography, filmmaking, art and journalism? (visualsociology.org<http://visualsociology.org>).

Whilst strongly rooted in the discipline of sociology, the IVSA welcomes participation from a wide
range of disciplinary and artistic approaches. We also encourage those unfamiliar with visual methods and analysis to visually innovate and experiment in their respective areas of substantive specialization.
As well as panel sessions, the conference will include a student poster competition, research-creation exhibition, keynote address, and spotlight panels, ?walking the city? experiences and workshops. The 2024 Scholarly Awards will be announced and celebrated.



For more information about IVSA and conference guidelines, please visit: visualsociology.org<http://visualsociology.org>
Facebook:         https://www.facebook.com/visualsociology.org/
Instagram:        https://www.instagram.com/_ivsa_/

Twitter:             https://twitter.com/VisualScholars

CONTACT: Scientific co-ordinator: rhettalexandr.canojacome at concordia.ca<mailto:rhettalexandr.canojacome at concordia.ca>
Veracruz co-ordinator : pickupcw at gmail.com<mailto:pickupcw at gmail.com>
Research assistants:  emiliamejillas at gmail.com<mailto:emiliamejillas at gmail.com> ; caeso03 at gmail.com<mailto:caeso03 at gmail.com>

This event is being held through bi-lateral co-operation between Quebec, Canada and Veracruz, Mexico, we thank Concordia University, Montreal and the Social Sciences and Humanities Research Council of Canada.
--




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From dr.g.voorhees at gmail.com  Mon Nov 27 06:00:00 2023
From: dr.g.voorhees at gmail.com (Gerald Voorhees)
Date: Mon, 27 Nov 2023 08:00:00 -0500
Subject: [acc-cca-l] Lecture: What makes it Indigenous
Message-ID: <CAHysLZHF9cbts-U2br9OF7RRUy2HTb4Md_r5jEz2hbDPQGUHvA@mail.gmail.com>

[?EXTERNAL]


[POSTER] Guest lecture w/ Meagan Bryne
? Dear friends and colleagues,

Please join us for an upcoming event hosted online and at the University of Waterloo Games Institute<https://uwaterloo.ca/games-institute/>:

On Tuesday, 12 December from 11AM-12:30PM (EST/UTC-5): What Makes it Indigenous: On Readabilty and Forced Readability in Indigenous Media<https://uwaterloo.ca/games-institute/events/what-makes-it-indigenous-readability-and-forced-readability>, a lecture by Meagan Byrnes (Achimostawinan Games). Register for free using this Eventbrite link<https://www.eventbrite.ca/e/guest-lecture-what-makes-it-indigenous-tickets-753404712777>.

This talk will explore the concept of Readability and Forced Reliability of Indigenous culture in games media. This talk will make clear how Indigenous representation in media even by Indigenous creators can be subtly and not so subtly influenced by an overarching Colonial system. It will explore how this system with a vested interest in maintaining their conception of Indigenous culture in the public consciousness through Forced Readability can and does contribute to the erasure of Indigenous culture.
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From saroburn at yorku.ca  Mon Nov 27 06:02:04 2023
From: saroburn at yorku.ca (Shirley Roburn)
Date: Mon, 27 Nov 2023 13:02:04 +0000
Subject: [acc-cca-l] Care-ful convening CFP
Message-ID: <YQBPR0101MB60054CA52ACCCD46E7E81899A8B8A@YQBPR0101MB6005.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Dear CCA colleagues,


As the special editors of issue 6.2 of JEM, the Journal of Environmental Media, we are pleased to share with you the call for proposals ?Care-ful Convening: towards low carbon and inclusive knowledge sharing?. The deadline to submit an abstract for peer reviewed articles of 5000-7000 words is January 15, 2024. The deadline for ?actualize? and ?fantasize? submissions of 500-1500 words is May 15, 2024.


As per the CFP:

The consequences of human-induced climate change, the extinction of flora and fauna, pollution, environmental predation, and injustices are causing a spectrum of constraints, shrinkage, alteration and loss (Murphy, 2017; Elliott, 2018; Dokumaci, 2023). In response, people are figuring out how to think, communicate and act differently to account for damages done by systems whose human, more-than-human, and planetary harms are fueled by petrocultures (Chapman & Ahmed, 2021; Gomez-Barris, 2018; T??w?, 2022). Carbon-concerned researchers, professionals, and citizens are advancing necessary shifts, including the design and implementation of alternative forms of communicating and gathering. Our call invites scholars across disciplines to explore the articulation between media and new forms of collaborative and non-extractive ways of knowledge exchange and communication.


We are thrilled to invite you to take part in this CFP and in this ongoing conversation. The short version of the CFP is attached. Please see this link for the longer one:

https://www.centreemiledurkheim.fr/actualites/aac/aac-journal-of-environmental-media/


Please do not hesitate to contact myself (saroburn at yorku.ca) or any of the other editors if you have any questions.


All the best,


Shirley Roburn on behalf of the JEM special issue editors

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From D.Wershler at concordia.ca  Mon Nov 27 18:00:18 2023
From: D.Wershler at concordia.ca (Darren Wershler)
Date: Tue, 28 Nov 2023 01:00:18 +0000
Subject: [acc-cca-l] Job Opportunity: Coordinator of Technoculture,
 Art and Games (TAG) Research Centre
Message-ID: <FAE0A552-F911-4FEC-B186-47F999FE9660@concordia.ca>

[?EXTERNAL]



# Job Opportunity: Coordinator of Technoculture, Art and Games (TAG) Research Centre

Position Title: Research Centre Coordinator
Department: Technoculture, Art and Games (TAG) Research Centre, Milieux Institute for Arts, Culture, and Technology, Concordia University
Reporting to: TAG Director
Hours: 24 hours/week
Typical Work Schedule: 9am ? 5pm between Monday and Friday or as otherwise agreed upon depending on number of work hours
Salary: In accordance with CARE rates and applicant expertise (about $35,000 - $40,000 plus benefits for 24hr/wk, based on experience)
Employment period:  1 year (renewable)
Type of employment: Fixed duration research contract
Applications accepted until: 22 December 2023

## About the Technoculture, Art and Games (TAG) Research Centre

Founded in 2008 by Lynn Hughes and Bart Simon, The Centre for Technoculture, Art and Games (TAG) was the first interdisciplinary research unit in Canada dedicated to faculty and graduate research in game studies and design.

From its beginnings, TAG has focused on serving as a forum to draw scholars from diverse disciplines together and to nurture and develop novel, inter- and cross-disciplinary and critical perspectives to games research. Our collective research scope covers significant territory, including but not limited to: game cultures and player studies; game design methods; gaming and gambling;, alternative and experimental game design; liveness and games; games and AI; community building and design for inclusion; game industries: labour, journalism, and distribution platforms; games and intellectual property; game history; imaginative and alternative approaches to serious or applied games; and game/new media curation.

## Position Responsibilities

TAG seeks a Coordinator who will undertake the following:

- Assist director in managing research centre and activity planning
- Organize and coordinate research centre activities, both internal and external-facing
- Develop and maintain a TAG research and research-creation communication and dissemination strategy (online and offline)
- Maintain the TAG website, as well as regularly develop content for it and and other research communication channels; liaise with and coordinate with technical personnel when necessary
- Assist research centre members in activating TAG resources and infrastructure based on research and community needs
- Help TAG members attain more visibility for their research and research-creation
- Act as the day-to-day interface between the research centre, the Milieux Institute, and other entities internal and external to the University
- Supervise and oversee use of TAG work spaces and equipment
- Assist with hiring other staff (student and professional research assistants/associates) to assist with research centre activities, as well as process contracts for and supervise them
- Manage research centre finances (making purchases, maintaining expense documentation, submitting expenses and reports on Concordia?s internal platforms such as Unity and FRIS)
- Take up other tasks or projects where skills fit, as needed

## Requirements

- Strong written and verbal communication skills in English; French is an asset
- Knowledge and/or experience of the cultural, academic and professional beats of gaming, with special focus on games in an academic context
- Experience with arts administration and group management
- Experience with project management workflows and tools
- Ability to manage and successfully deliver multiple projects and tasks simultaneously
- Ability to work with a variety of people from a range of culturally and academically-diverse backgrounds and to consistently foreground the needs of the TAG community
- Ability to work independently with strong personal motivation and minimal supervision
- Ability to work remotely and in-person
- Ability to lead and inspire students by example; should be able to describe current and upcoming personal game-related academic or creative projects

## Application Instructions

To apply, please send your CV and a cover letter for the position to Darren Wershler at d.wershler at concordia.ca.

Address your cover letter to Acting TAG Director Dr. Darren Wershler and Associate Director Dr. Rilla Shabnam Khaled.

All applicants will receive an acknowledgement email. However, only those selected for an interview will receive further instructions. Interviews will take place over Zoom on a rolling basis until the right candidate is found.

The University is committed to employment equity and to act upon the problem of underrepresentation of women, Aboriginal peoples, racialized people and persons with disabilities.

The University is also committed to a working environment which is free of systemic discrimination and in which the values of equity, non-discrimination and diversity are fostered and promoted.

https://milieux.concordia.ca/coordinator-of-technoculture-art-and-games-tag-research-centre/

----------------------------------

Dr. Darren Wershler

Professor
Department of English, LB 653-04
Concordia University
1455 de Maisonneuve Blvd. W
Montreal, Quebec H3G 1M8
514-848-2424 e. 2349
fax 514-848-4501
d.wershler at concordia.ca


From dr.g.voorhees at gmail.com  Wed Nov 29 09:04:39 2023
From: dr.g.voorhees at gmail.com (Gerald Voorhees)
Date: Wed, 29 Nov 2023 11:04:39 -0500
Subject: [acc-cca-l] Lecture: What makes it Indigenous
In-Reply-To: <CAHysLZHF9cbts-U2br9OF7RRUy2HTb4Md_r5jEz2hbDPQGUHvA@mail.gmail.com>
References: <CAHysLZHF9cbts-U2br9OF7RRUy2HTb4Md_r5jEz2hbDPQGUHvA@mail.gmail.com>
Message-ID: <CAHysLZFEg2skmSHK5yKcDGP_0KvjM7vjtRgBbVqgkyey1TsvJw@mail.gmail.com>

[?EXTERNAL]


Hi all,

Unfortunately, Meagan Bryne's lecture "What makes it Indigenous?" has been cancelled. At this time, we have yet to reschedule. Thank you for your interest.

Best regards
Gerald

On Mon, Nov 27, 2023 at 8:00?AM Gerald Voorhees <dr.g.voorhees at gmail.com<mailto:dr.g.voorhees at gmail.com>> wrote:
[POSTER] Guest lecture w/ Meagan Bryne
? Dear friends and colleagues,

Please join us for an upcoming event hosted online and at the University of Waterloo Games Institute<https://uwaterloo.ca/games-institute/>:

On Tuesday, 12 December from 11AM-12:30PM (EST/UTC-5): What Makes it Indigenous: On Readabilty and Forced Readability in Indigenous Media<https://uwaterloo.ca/games-institute/events/what-makes-it-indigenous-readability-and-forced-readability>, a lecture by Meagan Byrnes (Achimostawinan Games). Register for free using this Eventbrite link<https://www.eventbrite.ca/e/guest-lecture-what-makes-it-indigenous-tickets-753404712777>.

This talk will explore the concept of Readability and Forced Reliability of Indigenous culture in games media. This talk will make clear how Indigenous representation in media even by Indigenous creators can be subtly and not so subtly influenced by an overarching Colonial system. It will explore how this system with a vested interest in maintaining their conception of Indigenous culture in the public consciousness through Forced Readability can and does contribute to the erasure of Indigenous culture.
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From aparajita.bhandari at uwaterloo.ca  Wed Nov 29 12:43:26 2023
From: aparajita.bhandari at uwaterloo.ca (Aparajita Bhandari)
Date: Wed, 29 Nov 2023 19:43:26 +0000
Subject: [acc-cca-l] [Call for Book Chapters]- Edited Collection on
 Subversive Gaming
Message-ID: <YT2PR01MB9205A205177F6CAC88D31408FA83A@YT2PR01MB9205.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hello everyone,


We are seeking chapter contributions for an edited volume on the topic of subversion in games and gaming culture as part of the Games in Context<https://link.springer.com/series/16027> Series.


Tanenbaum (2013) notes that video game players are often positioned by designers as ?agents of chaos? that are resistant towards pre-authored narratives and architectures. While this description is overly simplistic and does not account for the diverse, context-dependent, and sometimes contradictory goals that motivate play, it does speak to the importance of the element of subversion in both video games and video game cultures. Both with regards to underlying code and representational norms, players have long been invested to some degree in making ?a mockery of the author?s intentions? (Aarseth, 2004): Modding kits and associated modding communities have been integral to gaming subcultures since the early 1980s (Voorhes, 2014); speedrunners and ?glitch hunters? ?revel? in disregarding designers? operational assumptions about how players could or should interact with intelligently designed digital spaces (Hemmingsen, 2021, 447); queer, feminist, and critical race reimaginations of games and have long deployed strategies of transgressive play to illuminate and disrupt normative assumptions about the ?ideal player? (e.g. Gray, 2012; Schleiner, 2001; Sunden, 2009; Ruberg, 2019).


Games, as computational systems that create simulated systems through narratives and mechanics (Bogost, 2007), are deeply concerned with dynamics of boundedness and freedom. The nature of play can be understood as something that pushes up against (and in some cases, threatens) the power of the game as a world and as a structure of meaning(s) and knowledge(s). Viewed this way, subversion is a central consideration when it comes to understanding video games as an artistic medium and social experience. Subversion in gaming leads inexorably to questions of power; the power to define meanings, values and truths in both digital and non digital gaming worlds.


As diverse forms of media and communication technologies become increasingly ?gamified,? understanding dynamics of subversion and alterity becomes imperative in order to account for emerging dynamics of domination and resistance across media landscapes


Thus this book aims to bring together diverse projects that engage with subversion in relation to games and gaming cultures.


The peer reviewed book will be published as part of the Games in Context Series at Palgrave<https://link.springer.com/series/16027/books>.

This series asks us what it means to study, critique, and create games in context. Titles in this series include Feminism in Play<https://www.springer.com/book/9783319905389> (Edited by Kishonna L. Gray, Gerald Voorhees, Emma Vossen) and  Queerness in Play<https://www.springer.com/book/9783319905419> (Edited by Todd Harper, Meghan Blythe Adams and Nicholas Taylor).

Book Editors:

  *   Dr. Aparajita Bhandari, Assistant Professor of Critical Digital Studies, University of Waterloo, Canada

  *   Sara Bimo, PhD student in Communication and Culture, York University, Canada

What we?re looking for:

We invite academics, researchers, students and industry experts to submit book chapter proposals that address, but are not limited to, the following topics:

  1.  The potential (or lack thereof) of games in subverting patterns of globalization and colonial power, hegemonic political systems, ideologies, or structures of power

  2.  Analysis of how games and/or players can subvert traditional expectations of gender and sexuality

  3.  Subversive labor practices within the video game, esports and livestreaming industries

  4.  Gamification of everyday life

  5.  Investigating how games can act as a medium for societal critique, addressing issues such as inequality, race, class, and discrimination or alternatively the limitations of the games industry in enacting such critiques

  6.  The subversive potential of in-game art, sound design, and narrative structure and gaming environments

  7.  The role of player agency in subversive gaming, including choices that challenge ethical, moral, or societal norms.

  8.  The impact of controversial games, censorship, and the boundaries of free expression in gaming and gamer communities

  9.  Contributions of independent and alternative game developers to subversive gaming culture

Tentative Timeline:

Submit an abstract to us by: January 15th, 2024

Decisions on abstracts: January 25th, 2024

First chapter drafts due by: July 30th, 2024 (Chapters should be between 4000 to 7000 words)

How to Apply:

Interested contributors are asked to submit a 300-500 word (not including references) abstract summarizing the chapter background, methods, and aims. The submission should also contain the names, institution of affiliation, and a short biography of all contributing authors and contact details for the corresponding author. For inquiries and submissions, please email Dr. Aparajita Bhandari at aparajita.bhandari at uwaterloo.ca<mailto:aparajita.bhandari at uwaterloo.ca>. When submitting abstracts please put in the subject line ?Abstract submission- Subversive Gaming?.

References

Aarseth, E. (2004). Genre trouble. Electronic book review, 3, 1-7.

Bogost, I. (2010). Persuasive games: The expressive power of videogames. (Cambridge, Mass.: MIT Press, 2007).

Gray, K. L. (2012). Deviant bodies, stigmatized identities, and racist acts: Examining the experiences of African-American gamers in Xbox Live. New Review of Hypermedia and Multimedia, 18(4), 261-276.

Hemmingsen, M. (2021). Code is law: subversion and collective knowledge in the ethos of video game speedrunning. Sport, Ethics and Philosophy, 15(3), 435-460.

Ruberg, B. (2019). Video games have always been queer. NYU Press. NYC, New York.

Schleiner, A. M. (2001). Does Lara Croft wear fake polygons? Gender and gender-role subversion in computer adventure games. Leonardo Music Journal, 34(3), 221-226.

Sund?n, J. (2009, September). Play as transgression: An ethnographic approach to queer game cultures. In DiGRA Conference (Vol. 7).

Tanenbaum, T. J. (2013). How I Learned to Stop Worrying and Love the Gamer: Reframing Subversive Play in Story-Based Games. In DiGRA Conference (Vol. 7).

Voorhees, Gerald (2014). "Chapter 31: Shooting". In Perron, Bernard (ed.). The Routledge Companion to Video Game Studies. Taylor & Francis. pp. 251?258.

Best,


Aparajita Bhandari (she/her), PhD

Assistant Professor of Critical Digital Studies

Department of English Language and Literature

519-888-4567 ext. 42261

University of Waterloo


The University of Waterloo sits upon the traditional territory of the Neutral, Anishinaabeg, and Haudenosaunee peoples. It is important as a community to move beyond merely acknowledging to reckoning with ongoing structures of colonial violence in order to achieve true reconciliation. Learn more: https://apihtawikosisan.com/2016/09/beyond-territorial-acknowledgments/.
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From dkoerber at brocku.ca  Fri Dec  1 15:02:23 2023
From: dkoerber at brocku.ca (Duncan Koerber)
Date: Fri, 1 Dec 2023 22:02:23 +0000
Subject: [acc-cca-l] Final Call: Edited Collection on Social Media Crises
Message-ID: <QB1PR01MB3828D8393574BA9F86AA2FDDD681A@QB1PR01MB3828.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Final Call
This is a reminder that the deadline to submit a chapter proposal for The Culture of the Social Media Crisis: Causes, Impact, Consequences is approaching (December 15). Please see the original Call for Chapters below.

Duncan Koerber
Brock University

-------------------------


CALL FOR CHAPTERS for Edited Collection on the Culture of the Social Media Crisis



Authors are invited to contribute chapters to an upcoming edited collection on crisis communication and social media: The Culture of the Social Media Crisis: Causes, Impact, Consequences. The book?s chapters will explore the cultural rise in prominence of the social media crisis, its unique characteristics, and its place in the broader academic field of crisis communication. This book project is under contract with University of Toronto Press and is anticipated to be published in 2025.



Social media crises have caught organizations, prominent and everyday people, and public relations practitioners off-guard despite crisis communication being a subject of academic study for many decades. In recent years, we have seen a surge in social media crises, with controversies ranging from celebrity scandals to political conflicts to public health debates. Controversial posts are causing organizations to spend considerable resources dealing with social media threats to their reputations and, ultimately, bottom lines. High-profile individuals face mobs of users?some real, some bots?who demand real-world consequences for Twitter, Facebook, TikTok, and Instagram posts that they don?t like. Even everyday people face reputational damage and job loss from social media posts that offend some group of social media users somewhere in the world.

This edited collection will explore the nature, characteristics, and consequences of this new kind of crisis that originates on social media platforms. While crises in the ?real world? involving bodies, products, or the natural environment have been studied extensively, online crises rooted in language, image, and video remain relatively unexplored as a cultural phenomenon. Yet these situations can also cause significant damage to images, reputations, operations, and livelihoods.



The editor seeks chapters that examine case studies and apply or develop theoretical approaches to understand what makes the social media crisis unique.

In addition to the academic field of crisis communication proper, the editor welcomes perspectives from various disciplines, including but not limited to communication studies, cultural studies, management, political science, law, sociology, psychology, healthcare, and media studies.



The following list offers possible topics to consider; however, it is by no means an exhaustive one, and submissions are welcomed on any aspect that falls within the scope of this book:

  *   Online political divides, polarization, and tribalism
  *   Conditions for the emergence of the social media crisis
  *   How a paracrisis turns into a crisis
  *   Public health/pandemic social media crises
  *   Online debates over meaning and language that lead to a crisis
  *   The role of bots in fomenting crisis situations
  *   Old tweets that cause new problems
  *   User attention to problematic social media content
  *   Comparisons between the social media crisis and the offline crisis
  *   The role of online mobs in crisis formation
  *   The place of social media algorithms in online crisis development
  *   Social media crises and the erosion of institutional trust
  *   The debate over online cancel culture
  *   Online outrage and crisis
  *   Real-life consequences of social media crises as reasonable or overblown
  *   Legal, regulatory, and ethical implications
  *   The discursive nature of this kind of crisis (text, image, video)
  *   The influence of a social media crisis on public perceptions and opinions
  *   The role of social media influencers
  *   Artificial intelligence in faking online crisis situations (Midjourney, ChatGPT etc.)

This edited collection will provide new directions for researchers and emphasize recent case studies to illuminate theory.

Please submit a CV and a chapter proposal of about 500 words to the editor, Duncan Koerber, at dkoerber at brocku.ca by December 15, 2023. Proposals should explain the overall argument or point of the chapter, describe the case(s) to be examined, outline the chapter?s sections, and explain the chapter?s connection to crisis communication theories and/or prior research. Authors will be notified of proposal acceptance by February 1, 2024. Full chapters of about 6000 words (excluding references) will be due by June 1, 2024.


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From rteruell at pnw.edu  Sat Dec  2 08:37:19 2023
From: rteruell at pnw.edu (Rhon Teruelle)
Date: Sat, 2 Dec 2023 15:37:19 +0000
Subject: [acc-cca-l] South Atlantic Quarterly
Message-ID: <DM4PR14MB50878A0F1953438C651B62ABC880A@DM4PR14MB5087.namprd14.prod.outlook.com>

[?EXTERNAL]



Hello!

I would like to include this announcement in the next set of outgoing notices on the listserv. Thanks in advance.

I am pleased to announce the publication of ?Beyond the Echo Chamber: The Tactical Use of Social Media in Social Movements,? a special issue of South Atlantic Quarterly (122:4), edited by Alex Khasnabish and Rhon Teruelle.



This special issue focuses on the tactical and political uses of social media in struggles for radical social change. Pushing past the well-worn tropes of networks, filter bubbles, and echo chambers, contributors consider how social movements across the political spectrum are making use of the ?social web? in their change efforts and what consequences those efforts are having. Aspiring to enrich critical conversations about movements, social justice, free speech, and digital communication infrastructure, the authors ask, ?How are contemporary movements entering into these digital ecologies, and how are they being affected by them??



Contributors: Isabel Aguilera, Dilruba ?atalba?, Elizabeth Collingwood-Selby, Stuart Davis, Brian Dolber, Patricio Az?car Donoso, Jaime Donoso Espinosa, Vitrina Dyst?pica, Peter Funke, Max Haiven, Duru Su Kad?o?lu, Malav Kanuga, Alex Khasnabish, Adam (A.T.) Kingsmith, Aris Komporozos-Athanasiou, Tanner Mirrlees, Jorge Pavez Ojeda, Rosario Fern?ndez Ossand?n, Ceren S?zeri ?zdal, Hugo Sir Retamales, Rhon Teruelle, Willy Thayer, The Naci?n, Otredad, Deseo (Nation, Otherness, Desire) Collective, Michael Truscello, Antonieta Vera, Todd Wolfson, and ?zlem Danac? Y?ce.



Browse the table of contents and read the introduction, made freely available, and Brian Dolber?s article, ?Organizing at the Digital Water Cooler: Social Media, Platform Organizing, and the Fight Against Surveillance Capitalism,? made freely available for three months, at
https://read.dukeupress.edu/south-atlantic-quarterly/issue/122/4. The issue is available for purchase at https://www.dukeupress.edu/beyond-the-echo-chamber.



Dr. Rhon Teruelle
Assistant Professor of Mass Communication and Social Media
Department of Communication & Creative Arts
Purdue University Northwest

"The philosophers have only interpreted the world, in various ways. The point, however, is to change it." - Marx


New Pubs:


?Beyond the Echo Chamber: The tactical use of social media in social movements? (co-edited with Alex Khasnabish). Special issue of South Atlantic Quarterly, 122(4). [2023]Link<https://read.dukeupress.edu/south-atlantic-quarterly/issue/122/4>

?The Lamplighter Project on Twitter: An essential tactical resource for police whistleblowers.? South Atlantic Quarterly, 122(4), 729-745. [2023]Link<https://read.dukeupress.edu/south-atlantic-quarterly/article-abstract/122/4/729/382916/Police-Whistleblowers-the-Lamplighter-Project-and?redirectedFrom=fulltext>


?The Free Press Under Attack: Police Attacks on the Media at the George Floyd/Black Lives Matter Protests During the Covid-19 Pandemic.? Coronavirus, Crisis and Culture: Protests, Policing and Mediation during the 2020 Pandemic. B. Harbisher & S. Price, eds. London, UK: Rowman Littlefield International. pp. 1-20. [2023]
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From theop at yorku.ca  Mon Dec  4 07:00:02 2023
From: theop at yorku.ca (Philippe Theophanidis)
Date: Mon, 4 Dec 2023 14:00:02 +0000
Subject: [acc-cca-l] =?utf-8?q?Public_lecture_in_Toronto=3A_=E2=80=9CMome?=
 =?utf-8?q?nt_and_Myth_in_the_Philosophy_of_Film=E2=80=9D_Dec=2E_8th?=
Message-ID: <530A83F2-32F0-4AF2-AA3F-53B38E61FF73@yorku.ca>

[?EXTERNAL]


For those in Toronto this week

? ? ?

The Spiral Collective<https://spiralfilmphilosophy.ca/about/> is pleased to announce  its 2023 ?Spiral Talks? Lecture and Screening, free to the public

? Moment and Myth in the Philosophy of Film ?

with
 Dr. <https://english.ufl.edu/trevor-mowchun/> Trevor Mowchun<https://english.ufl.edu/trevor-mowchun/>
University of Florida

? DATE ?
December 8, 2023
Talk: 5pm
Screening: 7pm

? LOCATION ?
Toronto Metropolitan University
Image Arts Building (IMA), room 307
122 Bond Street, Toronto

? ? ?

In this talk, Mowchun retrospectively identifies some of the underlying impulses that shaped the writing of his recent book, Metaphysics and the Moving Image, and its guiding intuition that, in film, the end of the Western tradition of metaphysics is confronted with the possibility of its transformative renewal, a renewal that may help to reverse the tradition?s ill-effects on our relationship with Being. The author questions why this idea is borne out almost exclusively through a corpus of narrative fiction films. While these films are shown to enact various disclosures of Being, along with the sense of concealment that never leaves the latter?s side, Mowchun wonders why the more obvious philosophical possibilities of avant-garde film never entered his radar of analysis, undergoing what appears to be a methodological denial in favour of the sense-making and identificatory systems of narrative film, even highly modernist films which challenge the integrity of these systems. To this end, the avant-garde film and its direct encounter with its subject matter (risking abstraction) will be tested against the book?s unconscious bias towards narrativity to see what it can offer a ?cine-metaphysics for a post-metaphysical age.? Depending on the results of this speculative addendum, the author will then decide if his original corpus of narrative films does not have something in common with the avant-garde after all, and if the revelatory moments he finds in them are not indicative of something deeper than any narrative: myth.

Followed by a Screening and Discussion at 7pm.

? ? ?

Program

?? NORTHSTARLING (Daniel Gerson & Trevor Mowchun, 2019, 16mm/digital, black and white, 13 min)
A woman?s stream of consciousness quickens during the coldest time of year. The deep-freeze of winter is summertime for time itself.

?? DRINK SOME DARKNESS (Trevor Mowchun, 2020, digital, colour, 10 min)
A sentient patch of projector-light leads the viewer through a liminal space fit with three doors, each its own microcosm of feeling, its own film within the film. Inspired by a poem of haunting revelation from the great Swedish poet, Tomas Transtr?mer.

?? UNMASTERED (Trevor Mowchun & Shaun Gamboa, 2023, digital, colour, 17 min)
Three friends hold a formal discussion on a complex film character whose fractured and libidinal psyche inspires a journey into the unconscious realm of the film in which he appears. An ?unmastering? of the cinematic masterpiece and the intellectual discourses that become its slave.

?? FIBONACCI PRIVACY FENCE (Trevor Mowchun, 2023, digital, color, 15 min)
When I was in high school, no matter how hard I tried I was always terrible at math. I could never grasp the fundamentals well enough to perceive any kind of creative opening or spark in the severity of the work. One step after another, each more obscure to me than the last. I suppose I was not inclined to solve abstract problems that I couldn?t clearly envision or relate to. Perhaps my teachers were to blame. Anyways, for all that time and energy spent on a system or language (which is it?) I will likely never understand, I hereby exact my poetic revenge!

?? DEGREE OF DIFFICULTY (Trevor Mowchun, digital, in progress)
When the class ends the students peacefully file out. The tired teacher is the last to leave. He passes through empty hallways with no sign of the students he tried to teach, nor the few who managed to teach him something. On the way to the parking lot, he crosses paths with other students from other classrooms. Were all these classes as predictable as this route? A film exploring the physical movements, rhythms, and possible aftershocks of a life of the mind we call the university.

? ? ?

Trevor Mowchun<https://english.ufl.edu/trevor-mowchun/> is Assistant Professor and Director of Film and Media Studies at University of Florida. He is the author of Metaphysics and the Moving Image: ?Paradise Exposed?<https://edinburghuniversitypress.com/book-metaphysics-and-the-moving-image.html> (Edinburgh University Press, 2023). Some of his film writing can be described as experimental, making use of diaries, diagrams, aphorisms, and marginalia. This is consistent with his work as an experimental filmmaker in films such as World to Come (2015) and Drink Some Darkness (2020).

? ? ?

The event is organized by The Spiral Collective<https://spiralfilmphilosophy.ca/about/> in collaboration with:

The Communications Program, Glendon Campus, York University
School of Image Arts, Toronto Metropolitan University

Spiral is a Toronto-based collective dedicated to exploring intersections of film, media, and philosophy with a special interest in issues and themes of political resistance and aesthetic dissonance.

spiralfilmphilosophy at gmail.com<mailto:spiralfilmphilosophy at gmail.com>
spiralfilmphilosophy.ca<http://spiralfilmphilosophy.ca/>
Facebook<https://www.facebook.com/events/714333773559735/>

[Mowchun - Talk.jpeg]
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From jason_congdon at sfu.ca  Mon Dec  4 15:11:31 2023
From: jason_congdon at sfu.ca (Jason Congdon)
Date: Mon, 4 Dec 2023 22:11:31 +0000
Subject: [acc-cca-l] Call for applications: MA & PhD programs @ SFU School
 of Communication
Message-ID: <82AB4099-C7E1-431D-8DE5-086BEE864142@sfu.ca>

[?EXTERNAL]


Dear Communication Faculty, Staff, and Students:

Please consider circulating this call for applications to undergraduate and master?s-level students who may be interested in considering one of our graduate programs!
[https://media.campaigner.com/media/58/583800/email%20graphic.jpg?id=hrl9p1r]

Call for MA & PhD applications:
Simon Fraser University School of Communication


Simon Fraser University?s School of Communication welcomes applications to our MA and PhD programs for studies commencing in September 2024.



In addition to our venerable PhD program<https://www.sfu.ca/communication/students/future-students/phd.html>, we offer two distinctive MA curricula: our two-year thesis-based MA program<https://www.sfu.ca/communication/students/future-students/masters.html> trains students in academic communication research and our 16-month, project-based curriculum teaches communication research for social change<https://trk.cp20.com/click/cigo-2lz546-ubpljr-by7heau9/>.



The School?s PhD program admits a small number of talented researchers each year to work closely with our faculty while undertaking rigorous training in the critical foundation of communication theory, political economy, policy, the study of culture and media, and technology and data studies.



MA applicants have the option to pursue thesis-based training in academic communication research or project-based training in communication research for social change.



Students in our thesis-based curriculum normally take four courses over two terms and conduct research leading to the MA thesis.

Students in our communication research for social change curriculum work closely with faculty to produce projects aimed at understanding and confronting pressing social problems, often through collaboration with communities and progressive organizations. MA projects may entail a variety of media forms, including audio, apps, film and video, performance, print, social media, and web sites, among other forms. The program culminates with a symposium in which students present and discuss their project and its outcomes with their peers, supervisors, and others.



The School of Communication celebrates its 50th anniversary this year<https://www.sfu.ca/communication/upcoming-events/cmns-50th-anniversary.html>; our legacy of critical and impactful research and teaching is one of our ongoing strengths and a defining feature of our graduate programs.



Applications to our PhD program are due by January 9, 2024.

Applications to our MA program are due February 15, 2024.

If you have any questions about the School of Communication?s graduate programs, please email Jason Congdon, Graduate Program Coordinator, at gradcmns at sfu.ca<mailto:gradcmns at sfu.ca>.

MA Program<https://trk.cp20.com/click/cigo-2lz546-ubpljs-by7heau0/>

PhD Program<https://trk.cp20.com/click/cigo-2lz546-ubpljt-by7heau1/>


CMNS Faculty<https://trk.cp20.com/click/cigo-2lz546-ubplju-by7heau2/>

[Facebook]<https://trk.cp20.com/click/cigo-2lz546-ubpljv-by7heau3/>[Twitter]<https://trk.cp20.com/click/cigo-2lz546-ubpljw-by7heau4/>[Instagram]<https://trk.cp20.com/click/cigo-2lz546-ubpljx-by7heau5/>
Kind regards,

Jason Congdon (he or they)
Graduate Program Coordinator | School of Communication

Faculty of Communication, Art and Technology | Simon Fraser University
Room K-9655 | 8888 University Drive, Burnaby, BC, V5A 1S6
T: 778-782-3595 | sfu.ca/communication<http://www.sfu.ca/communication.html>

I respectfully acknowledge the x?m??k??y??m (Musqueam), S?wx?w?7mesh ?xwumixw (Squamish), s?l?ilw??ta?? (Tsleil-Waututh), q??c??y? (Katzie), k?ik?????m (Kwikwetlem), Qayqayt, Kwantlen, Semiahmoo and Tsawwassen peoples on whose traditional territories SFU?s three campuses reside.

[https://trk.cp20.com/open/cigo-2lz546--by7heau4/img.gif]

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From george.eric at uqam.ca  Tue Dec  5 07:22:20 2023
From: george.eric at uqam.ca (=?utf-8?B?R2VvcmdlLCDDiXJpYw==?=)
Date: Tue, 5 Dec 2023 14:22:20 +0000
Subject: [acc-cca-l] =?utf-8?q?Rethinking_Gramsci_2024__Global_Perspectiv?=
 =?utf-8?q?es_on_Gramsci__From_May_8th_to_10th_2024=2E_Montreal=2C_Repense?=
 =?utf-8?q?r_Gramsci_2024__Perspectives_globales_sur_Gramsci__Du_8_au_10_m?=
 =?utf-8?q?ai_2024=2E_Montr=C3=A9al=2E?=
Message-ID: <C9EF409C-F45D-4FA0-911B-D6391F8E8D15@uqam.ca>

[?EXTERNAL]



Rethinking Gramsci 2024

Global Perspectives on Gramsci

From May 8th to 10th 2024. Montreal.

How have Gramscian categories been appropriated in our global context and how do they continue to be relevant for the contemporary moment? With the spread of his ideas throughout the world, the name of Antonio Gramsci has acquired an impressively wide range of uses and meanings. Building on the experience of Rethinking Gramsci 2023, this year's edition explores the reception and interpretation of Gramscian insights around the globe. It did not take long for Gramsci?s innovative interpellation of orthodox Marxism to transcend its original context and gain centrality within what would become Western Marxism. The reception of his ideas among the English Marxists, for example, helped to give shape to the cultural Marxism of figures like Raymond Williams and Stuart Hall. Furthermore, Gramscian ideas formed the foundation of Neo-Marxist thought and practice, as expounded in seminal works like Mouffe and Laclau?s Hegemony and Socialist Strategy. Subaltern scholars from South Asia, for their part, imbued Gramsci?s concept of the subaltern with new connotations and applications, while postcolonial thinkers gave regional inflections to his legacy and re-signified it within their own particular struggles. Rethinking Gramsci 2024: Global Perspectives on Gramsci intends to explore the myriad uses and meanings of Gramsci from various perspectives and contexts throughout the world. We encourage theoretical and empirical approaches from any number of possible standpoints, be they academic, practical, or artistic.

The conference will be held in hybrid mode from May 8th to May 10th 2024. The in-person talks will be at the Istituto di Cultura Italiana, in Montreal, Canada. We are currently accepting paper proposals. Please send a titled abstract (max. 500 words), short biography, and keywords to rethinkinggramsci at gmail.com<mailto:rethinkinggramsci at gmail.com> before February 1st.  Abstracts may be in French or English.

Please visit rethinkinggramsci.com<http://rethinkinggramsci.com/> for further information on our projects.

Suggested themes:

-       The Global Subaltern Question
-       Machiavellian Gramsci: Coercion and Consent
-       Hegemonies / counter-hegemonies today
-       Traditional / Organic Intellectuals
-       Culture and politics
-       Praxis, Resistance and Social movements


Repenser Gramsci 2024
Perspectives globales sur Gramsci
Du 8 au 10 mai 2024. Montr?al.
Comment les id?es d?Antonio Gramsci ont-elles ?t? appropri?es dans le monde et en quoi demeurent-elles encore pertinentes aujourd?hui? Avec sa diffusion mondiale, la pens?e gramscienne a fait l?objet d?un ?ventail impressionnant de mobilisations qui l?ont investi de multiples significations. En s?appuyant sur l??dition pr?c?dente du colloque, Repenser Gramsci fournit l?occasion l?occasion d?une exploration collective des multiples r?ceptions et interpr?tations des ?crits de Gramsci ? travers le monde. Il n?a pas fallu longtemps pour que le projet gramscien d?une r?novation radicale du ? marxisme orthodoxe ? transcende son contexte d'origine et gagne en importance au sein de ce qui allait devenir le ? marxisme occidental ?. La r?ception de ses id?es par l??cole de Birmingham a contribu?, par exemple, ? donner forme ? un ? marxisme culturel ? profond?ment original, sous l?impulsion de personnalit?s telles que Raymond Williams ou Stuart Hall. La pens?e gramscienne se trouve, en outre, au fondement de th?ories et de pratiques ? postmarxistes ?, telles qu?expos?es dans l?ouvrage s?minal d?Ernesto Laclau et Chantal Mouffe intitul? H?g?monie et strat?gie socialiste. Des chercheurs du champ des ? subaltern studies ? en Asie du Sud ont, pour leur part, attribu? de nouvelles connotations au concept gramscien de ? subalternit? ?. Les ?tudes postcoloniales (et d?coloniales) ont quant ? elles effectu? une op?ration de traduction de l?h?ritage gramscien dans le cadre des luttes propres aux pays du ? Sud ?. Le colloque Repenser Gramsci 2024 : perspectives globales sur Gramsci se propose alors de discuter de toutes les formes d?appropriation pass?es ou actuelles de la pens?e gramscienne. Toutes les contributions th?oriques ou empiriques, que celles-ci soient de nature acad?mique, politique ou artistique, sont les bienvenues.
La conf?rence se tiendra en mode hybride du 8 au 10 mai 2024. Les conf?rences en pr?sentiel auront lieu ? l'Istituto di Cultura Italiana, ? Montr?al, au Canada. Nous acceptons actuellement des propositions de communication. Veuillez envoyer un r?sum? titr? (max. 500 mots), une courte biographie et des mots-cl?s ? rethinkinggramsci at gmail.com<mailto:rethinkinggramsci at gmail.com> avant le 1er f?vrier. Les r?sum?s peuvent ?tre r?dig?s en fran?ais ou en anglais.
Pour plus d?informations sur nos projets, veuillez consulter notre site web rethinkinggramsci.com<http://rethinkinggramsci.com/>.

Th?mes sugg?r?s :
- La question de la subalternit? dans le monde
- Th?orie politique gramscienne : rapports de forces, coercition et consentement
- H?g?monies / contre-h?g?monies aujourd'hui
- Intellectuels traditionnels / organiques
- Culture et politique
- Praxis, r?sistance et mouvements sociaux

[Poster_FR.png][POSTER_EN.png]
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From BenjaminWoo at CUNET.CARLETON.CA  Tue Dec  5 07:32:35 2023
From: BenjaminWoo at CUNET.CARLETON.CA (Benjamin Woo)
Date: Tue, 5 Dec 2023 14:32:35 +0000
Subject: [acc-cca-l] Reminder: Carleton COMS postdoc opportunity
Message-ID: <YTBPR01MB31814200A5A45BE8BA918233E285A@YTBPR01MB3181.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Dear colleagues,

As a reminder, the Jan. 5 deadline for our internally funded postdoctoral fellowship in Communication and Media Studies is quickly approaching. We?re looking for an early career researchers (PhD completed within five years of the start days) working on any topic in communication and media studies, though preference will be given to proposals that engage with perspectives, theories, and methods that have historically been marginalized in the field. Please share with qualified candidates in your networks.

https://carleton.ca/sjc/wp-content/uploads/Carleton-COMS-Postdoc.pdf

Benjamin WOO Chun How (he/him/?), PhD
Associate Director, School of Journalism and Communication
Associate Professor and Program Head, Communication & Media Studies
benjaminwoo.net<https://benjaminwoo.net/>  |  roccetlab.ca<https://roccetlab.ca/>

Carleton University
RB 4302A, 1125 Colonel By Dr., Ottawa ON  K1S 5B6
+1 (613) 520-2600, ext. 7435

carleton.ca/sjc/communication<https://carleton.ca/sjc/communication/>
[A picture containing logo, symbol, graphics, carmine  Description automatically generated]
This email contains links to content or websites. Always be cautious when opening external links or attachments.

Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages.

When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat

-----End of Disclaimer-----

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From Vincent.Manzerolle at uwindsor.ca  Tue Dec  5 13:22:39 2023
From: Vincent.Manzerolle at uwindsor.ca (Vincent Manzerolle)
Date: Tue, 5 Dec 2023 20:22:39 +0000
Subject: [acc-cca-l] CFP - Symposium on Crowdfunding and Personal Donation
 Platforms
Message-ID: <YTBPR01MB24639B4405BFA79C3AD09C679F85A@YTBPR01MB2463.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Dear colleagues,

Please find below the CFP for a symposium on crowdfunding and personal donation platforms taking place at the University of Windsor. This interdisciplinary symposium seeks presenters working broadly at the intersection of legal and media studies.

More details provided below and at https://www.lteclab.com/post/symposium-workshop-the-law-of-giving


================================================================


????????????????????????????????????????????????Call for Papers

Symposium and Workshop June 25-27, 2024

University of Windsor (Ontario, Canada)


The Law of Giving:

An Interdisciplinary Inquiry into the Ecosystem and Legal Implications of Crowdfunding and Personal Donation Platforms


Deadline to submit abstract for paper: January 12, 2024 (3:00 pm EST)

Submit abstracts here: https://uwindsor.ca1.qualtrics.com/jfe/form/SV_d0DLSwygYnXvKEm


Symposium & Workshop Synopsis


Crowd funding and personal donation platforms raise a constellation of issues that have garnered relatively little attention. Donation platforms such as GoFundMe or KickStarter operate multi-million-dollar businesses. This reality, alongside the several multimedia tactics that are deployed to seduce potential donors may not be transparent to them. In addition, personal donors? data can be highly sensitive information when it relates to political affiliations, religious beliefs, or is connected to oppressed minority groups at the local level or through foreign governments or organizations. And yet, organizations that initiate and benefit from donation campaigns may not be subject to the personal data protection laws when such laws apply to commercial activities only. When leaked or made accessible to government authorities or employers, personal donations can lead to drastic measures including law enforcement freezing of bank accounts, or loss of employment. As such, personal donations raise fundamental human rights issues, the regulation of which deserves particular attention and scrutiny. More broadly, the political, economic, and cultural impact of crowd funding and personal donation platforms invites a deeper critical and interdisciplinary engagement.


The Symposium aims to bring together scholars from diverse disciplines, including law, communication and media studies, sociology, anthropology, economics, business, and political science, to reflect on the multifaceted dynamics of crowd funding and personal donation platforms and practices shaped by an evolving ecosystem of platforms, devices, data collection practices, political climates, social norms, fundraiser needs, donor motivations, and regulatory frameworks. Zones of inquiry include the following:

  *   What incites personal donors to give, and what are their perceptions with respect to ventures, causes, political movements calling for fundraising?

  *   What is the personal donor in law? (i.e. the nature of the transactions performed, privacy and personal data implications, legal protections against deception and fraud, tax treatment incentives, among other considerations).

  *   When does a personal donor become an investor?

  *   How are communication, social media, digital platforms (GoFundMe, Kickstarter, etc..) impacting personal donations both from the perspective of fundraisers and personal donors?

  *   What are the social dynamics and cultural factors that influence the success of crowdfunding campaigns?

  *   What types of industries (creative, cultural, educational, healthcare etc.) or causes (humanitarian, emergency relief, political, etc.)  resort to personal donations and what are considerations specific to each of those industries or causes?

  *   What are the opportunities and pitfalls for inventors and start-up companies resorting to crowdfunding and online donation platforms to subsidize the development of their new technology or product?

  *   What are the narratives, tools, methods deployed by fundraisers? When are such narratives justifiable and laudable, and when are they deceptive, misleading, or fraudulent?

  *   What is the level of accountability and transparency to which fundraisers, digital donation platforms and other intermediaries are or should be subject to?

  *   Is there a need for greater protection of donors? good will and more generally of the public?

  *   How do governments support some fundraisers (e.g. tax breaks, interests in charity reliance, etc.) and ban others? (e.g. security surveillance, banking and finance regulation, criminal sanctions)

  *   ?What should the extent of state control be over eligible causes for tax purposes and proscribed ones?

  *   What are the human rights implications (e.g. potential discrimination, constraints on right of association, liberty) of such government regulations?

The Symposium and Workshop?s main goal is to further develop a research agenda in this area of study through the benefits of an interdisciplinary approach, gathering researchers across different disciplines and with different perspectives to address these challenging and critical questions.


The selected participants will be invited to contribute to a book project / collection of essays to be published in a leading academic journal/press.

=================================================================

Dr. Vincent Manzerolle

Associate Professor | Undergraduate Program Chair

Department of Communication, Media & Film

University of Windsor

----------------------------

Fall 2023 Office Hours: Thursdays 2:30 - 4:30

Location: 4113 Lambton Tower
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From myriamdur at hotmail.com  Thu Dec  7 12:04:09 2023
From: myriamdur at hotmail.com (Myriam Durocher)
Date: Thu, 7 Dec 2023 19:04:09 +0000
Subject: [acc-cca-l] CfP - Panel "Critical and/or creative approaches to
 bodily data and the management of health risks" - EASST-4S 2024 in
 Amsterdam
In-Reply-To: <587B2129-214C-442D-9896-1B92A3FACEF7@umontreal.ca>
References: <587B2129-214C-442D-9896-1B92A3FACEF7@umontreal.ca>
Message-ID: <DM4PR10MB6038B9CE32E2BD56204F5322AF8BA@DM4PR10MB6038.namprd10.prod.outlook.com>

[?EXTERNAL]


***La version fran?aise suit.

Dear all,


Please consider applying for the panel co-organized by Dr. Samuel Thulin and I at the next EASST/4S Conference, to be hosted in Amsterdam in July 2024. The panel is entitled "Critical and/or creative approaches to bodily data and the management of health risks" and you can find the full call here<https://nomadit.co.uk/conference/easst-4s2024/p/14126>.


Please share widely among interested networks and colleagues!


Best wishes,


Myriam Durocher, PhD (on behalf of Sam & I)

Postdoctoral researcher, University of Amsterdam

Anthropology; Health, Care & the Body Programme Group





---------------------------------------------------------------------------------------------------------------



Bonjour,


Je vous prie de consid?rer soumettre une proposition de communication pour le panel que je co-organise avec Dr Samuel Thulin pour la prochaine ?dition de la conf?rence EASST/4S qui sera tenue ? Amsterdam en juillet 2024. Le panel s'intitule "Critical and/or creative approaches to bodily data and the management of health risks" et vous pouvez trouver l'appel complet ici<https://nomadit.co.uk/conference/easst-4s2024/p/14126>.


Je vous encourage ? partager l'appel dans vos r?seaux et aupr?s des coll?gues qui pourraient y trouver un int?r?t.


Merci!


Sinc?rement,


Myriam Durocher, PhD (en mon nom et celui de Sam)

Chercheuse postdoctorale, University of Amsterdam

Anthropology; Health, Care & the Body Programme Group


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From Colette.Brin at com.ulaval.ca  Fri Dec  8 07:46:51 2023
From: Colette.Brin at com.ulaval.ca (Colette Brin)
Date: Fri, 8 Dec 2023 14:46:51 +0000
Subject: [acc-cca-l] =?windows-1252?q?Appel_=E0_communications=2C_colloqu?=
 =?windows-1252?q?e_=22Dire_le_vrai=22?=
In-Reply-To: <YT3PR01MB990077C79B6688A2B1B601DFC68AA@YT3PR01MB9900.CANPRD01.PROD.OUTLOOK.COM>
References: <YT3PR01MB990077C79B6688A2B1B601DFC68AA@YT3PR01MB9900.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YQBPR01MB1030349D63505E0E13F0CCCE6C38AA@YQBPR01MB10303.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Colloque "Dire le vrai dans la culture m?diatique (XIXe ? XXIe si?cles)", 3 et 4 octobre 2024
Paris, 3 et 4 octobre 2024
Organis? par

  *   GRIPIC (CELSA, Sorbonne Universit?, Paris)
  *   Chaire de journalisme scientifique Bell (Universit? Laval, Qu?bec)
  *   M?dias 19 (Universit? Laval)
https://www.medias19.org/actualites/colloque-dire-le-vrai-dans-la-culture-mediatique-19e-21e-siecles-3-et-4-octobre-2024

Vous trouverez aussi une version PDF en PJ.

La date limite de remise des propositions est le 15 mars.

N?h?sitez pas ? faire circuler dans vos r?seaux !

De la part du comit? scientifique,


[id:image001.png at 01D22B1B.78159F40]
Colette Brin (elle/la)
Professeure titulaire et directrice du Centre d??tudes sur les m?dias
Directrice des programmes de 2e et 3e cycles, par int?rim (1er juin 2023 - 31 mai 2024)
D?partement d'information et de communication
Pavillon Louis-Jacques-Casault, salle 5612
T?l.: +1 (418) 656-2131, poste 406736
Courriel : c<applewebdata://CAA7DBB7-FFDD-4569-9751-BEC751AFF898/colette.brin at com.ulaval.ca>olette.brin at com.ulaval.ca<applewebdata://CAA7DBB7-FFDD-4569-9751-BEC751AFF898/colette.brin at com.ulaval.ca>
Publications en libre acc?s sur CorpusUL<http://www.corpus.ulaval.ca>
Avant d'imprimer, pensez ? l'environnement.

Le campus de l?Universit? Laval est situ? ? la crois?e du Niowents?o du peuple Huron-wendat, du Ndakinna du peuple Wabanaki, du Nitassinan du peuple innu, du Nitaskinan du peuple Atikmekw et du Wolastokuk Mal?cite.

[id:image002.png at 01D22B1B.78159F40]

Avis relatif ? la confidentialit? Ce message contient des renseignements qui peuvent ?tre confidentiels ou prot?g?s. Il s'adresse au
destinataire pr?vu ou ? une personne autoris?e ? le recevoir en son nom. Si vous l'avez re?u par erreur,
nous vous prions d'en informer l'auteur dans les meilleurs d?lais, de ne pas divulguer son contenu et de le
supprimer de votre syst?me.



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From helene.bourdeloie at gmail.com  Fri Dec  8 08:22:16 2023
From: helene.bourdeloie at gmail.com (=?UTF-8?Q?Helene_BOURDELO=C4=B0E?=)
Date: Fri, 8 Dec 2023 16:22:16 +0100
Subject: [acc-cca-l] CFP: Special Issue on "Fatphobia" - Journal of Gender
 Studies - Submission : January 10, 2024
Message-ID: <CAK7-rqDpgNgixqQKMkLzqiBeO9JYst+557=1OXnVbUszT=XchQ@mail.gmail.com>

[?EXTERNAL]



***La version fran?aise suit.


Dear colleagues,



Please find at the following link<https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743> a CFP on the topic of fatphobia (submissions concerning fatphobia in the digital context are particularly welcome) for the Journal of Gender Studies, titled "Fatphobia: Construction, Representations, and Discourses").



We hope you will receive it well.



Key Deadlines:



January 10, 2024: Submission of proposals in the form of a 2-page abstract. The proposal should include a list of recent references and 5 keywords.

February 9, 2024: Proposal acceptance notifications.

September 9, 2024: Full paper submissions deadline.

December 12, 2024: Acceptance notifications for submitted papers.



The expected publication date is in 2025.



Looking forward to reading your contributions,


Feel free to circulate.


Best wishes,



H?l?ne Bourdeloie  & Laurence Larochelle


CFP: https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743

??



Ch?res et chers coll?gues,


Nous vous prions de bien vouloir trouver sur le lien <https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743> ci-apr?s<https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743> <https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743>  un appel ? articles (AAC) sur la th?matique de la grossophobie (les articles concernant la grossophobie en contexte num?rique sont particuli?rement les bienvenus) pour la revue Journal of Gender studies.


Vous en souhaitant bonne r?ception.


La r?ception des propositions est attendue le 10 janvier 2024.



H?l?ne Bourdeloie  & Laurence Larochelle


CFP:  https://think.taylorandfrancis.com/special_issues/fatphobia-construction-representations-discourses/?utm_source=TFO&utm_medium=cms&utm_campaign=JPG15743



****
H?l?ne Bourdeloie
Centre Internet et Soci?t? (CIS) CNRS, d?l?gation
LabSIC & chercheuse associ?e au CARISM (Universit? Paris II Panth?on-Assa)
Universit? Sorbonne Paris Nord  / Paris Nord Sorbonne University
http://www.helenebourdeloie.org



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From Patricia.Elliott at uregina.ca  Fri Dec  8 11:01:00 2023
From: Patricia.Elliott at uregina.ca (Patricia Elliott)
Date: Fri, 8 Dec 2023 12:01:00 -0600
Subject: [acc-cca-l] =?utf-8?q?SPECIAL_ISSUE_=7C_NUM=C3=89RO_SP=C3=89CIAL?=
 =?utf-8?q?_-_Facts_=26_Frictions_/_Faits_=26_frictions?=
Message-ID: <657359DC02000048001B0D3B@gw004.cc.uregina.ca>

[?EXTERNAL]



Facts & Frictions volume 3 number 1 | Faits & frictions tome 3 num?ro 1

SPECIAL ISSUE | NUM?RO SP?CIAL<https://factsandfrictions.ca/volume-3-issue-1-tome-3-numero-1/>
FORCED CHANGE: PANDEMIC PEDAGOGY AND JOURNALISM EDUCATION
CHANGEMENT FORC? : P?DAGOGIE DE LA PAND?MIE ET ENSEIGNEMENT DU JOURNALISME

Table of Contents | Table des mati?res

INTRODUCTION

1. Introduction to Forced change: Pandemic pedagogy and journalism education<https://factsandfrictions.ca/portfolio-item/forced-change-introduction-pandemic-pedagogy-journalism-education/>
Introduction ? Changement forc? : P?dagogie de la pand?mie et enseignement du journalisme<https://factsandfrictions.ca/portfolio-item/changement-force-pedagogie-pandemie-et-enseignement-du-journalisme/>
Trish Audette-Longo, Christine Crowther, Nana aba Duncan, Chantal Francoeur & Shenaz Kermalli

FORCED CHANGE | CHANGEMENT FORC?

2.PODCAST EPISODE 1 : Mentorat, gentillesse et empathie en p?dagogie et journalisme de donn?es en temps de pand?mie<https://factsandfrictions.ca/portfolio-item/changement-force-mentorat-gentillesse-journalisme/>
PODCAST EPISODE: 1 Mentoring, kindness and data journalism during the pandemic
Chantal Francoeur

3. ARTICLE: Creating the new journalism classroom for a future in the balance: A not-so-modest proposal for a pedagogy of care, dialogue and critique<https://factsandfrictions.ca/portfolio-item/forced-change-creating-new-journalism-classroom/>
ARTICLE : Cr?er les nouvelles salles de classe de journalisme pour un futur balanc? : Une proposition pas si modeste pour une p?dagogie de soin, de dialogue et de critique
Adrian Harewood

NEW APPOACHES | NOUVELLES APPROCHES

4. PODCAST EPISODE 2: Technology and changing course delivery through the pandemic<https://factsandfrictions.ca/portfolio-item/forced-change-technology-changing-course/>
BALADO ?PISODE 2 :  La technologie et l??volution de l?enseignement ? travers la pand?mie
Nana aba Duncan, Andrea Hunter, Roger Martin & Winston Sih

5.COMMENTAIRE & PLAN DE COURS : Retrouver le moral : une approche ax?e sur les solutions ? l?intention des ?tudiantes et ?tudiants de 1e ann?e en journalisme<https://factsandfrictions.ca/portfolio-item/changement-force-retrouver-le-moral/>
COMMENTARY & COURSE OUTLINE: Getting their mojo back: A solutions approach for first-year journalism students<https://factsandfrictions.ca/portfolio-item/forced-change-getting-their-mojo-back/>
Aphrodite Salas

6. RESOURCE LIST: How to create a virtual newsroom<https://factsandfrictions.ca/portfolio-item/forced-change-how-to-create-a-virtual-newsroom/>
LISTE DE RESSOURCES : Comment cr?er une salle de r?daction virtuelle ?
Adrian Ma & Lindsay Hanna

7. COMMENTARY: All together now: Why the future of Canadian journalism education needs collaboration ? and lots of it<https://factsandfrictions.ca/portfolio-item/forced-change-all-together-now-journalism-education-needs-collaboration/>
COMMENTAIRE : Tous ensemble maintenant : Pourquoi le futur de l?enseignement du journalisme canadien a besoin de collaboration ? et beaucoup de collaboration
Archie McLean

8. ARTICLE: Fake news and fact-checking: Combating misinformation and disinformation in Canadian newsrooms and journalism schools<https://factsandfrictions.ca/portfolio-item/forced-change-fake-news-and-fact-checking/>
ARTICLE: Les fausses nouvelles et la v?rification des faits : Combattre la d?sinformation et la m?sinformation dans les salles de r?daction et les ?coles de journalisme au Canada
Brooks DeCillia & Brad Clark

9. COMMENTARY: A new approach to teaching public health advocacy<https://factsandfrictions.ca/portfolio-item/forced-change-new-approach-to-teaching-public-health-advocacy/>
COMMENTAIRE : Une nouvelle approche ? l?enseignement de la d?fense de la sant? publique
Kate Mullligan & Robert Steiner

TRAUMA-INFORMED JOURNALISM | JOURNALISME INFORM? DES TRAUMATISMES

10. PODCAST EPISODE 3: Talking trauma ? how journalism educators are finding new ways to teach an age-old topic<https://factsandfrictions.ca/portfolio-item/forced-change-talking-trauma-journalism-educators-new-ways/>
BALADO ?PISODE 3 : Parlons trauma - comment les formateurs en journalisme trouvent de nouvelles fa?ons d?enseigner un sujet vieux comme le monde
Matthew Pearson, Saranaz Barforoush,Duncan McCue & Kelly Roche

11. ARTICLE: Simulated solutions: Using a clinical simulation exercise to prepare journalism students for trauma-intensive interviews<https://factsandfrictions.ca/portfolio-item/forced-change-simulated-solutions/>
ARTICLE : Solutions simul?es : Utilisation d?un exercice de simulation clinique pour pr?parer les ?tudiants en journalisme ? des entretiens ? fort impact traumatique
Matthew Pearson

BUILDING COMMUNITY | BAT?R UNE COMMUNAUT?
12. PODCAST EPISODE 4: Teaching anti-oppressive journalism in a time of pandemic fatigue<https://factsandfrictions.ca/portfolio-item/forced-change-teaching-anti-oppressive-journalism/>
BALADO ?PISODE 4 : Enseigner le journalisme anti-oppressif dans un temps de fatigue pand?mique
Eternity Martis, Shari Okeke, Asmaa Malik, Duncan McCue & Adrian Harewood

13. COMMENTARY: Newsroom Notes<https://factsandfrictions.ca/portfolio-item/forced-change-newsroom-notes/>
COMMENTAIRE : Nouvelles de salle de presse
Angela Misri

LISTENING PARTY | ACCOMPAGNEMENTS DES BALADOS
Materials curated by Trish Audette-Longo, and Nehaa Bimal

14. Teaching journalism after 2020<https://factsandfrictions.ca/portfolio-item/forced-change-listening-party-teaching-after-2020/>
Enseigner le journalisme apr?s 2020

15. Teaching trauma-informed journalism<https://factsandfrictions.ca/portfolio-item/forced-change-teaching-trauma-informed-journalism/>
Enseigner le journalisme conscient des traumatismes

16. Teaching anti-oppressive journalism<https://factsandfrictions.ca/portfolio-item/forced-change-teaching-anti-oppressive-journalism-duplicate-1/>
Enseigner le journalisme anti-oppressif

Guest Editors: Trish Audette-Longo, Christine Crowther, Nana aba Duncan, Chantal Francoeur & Shenaz Kermalli
Student staff: Fannie Arcand, Yanjano Banda, Nehaa Bimal, Wafa El-Rayes, Nathan Fung, Sophie Kuijper Dickson, Zora Ait El Machkouri, Charlotte Nieuwenhuis & Constantina Varlokstas


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From bgirard at iamcr.org  Mon Dec 11 05:51:40 2023
From: bgirard at iamcr.org (Bruce Girard)
Date: Mon, 11 Dec 2023 09:51:40 -0300
Subject: [acc-cca-l] IAMCR Christchurch 2024 submissions now open
Message-ID: <c26d3640-4a3f-42b9-bb59-6a8296c1965d@iamcr.org>

[?EXTERNAL]



[IAMCR 2024 logo]<https://christchurch2024.iamcr.org>The International Association for Media and Communication Research (IAMCR) is pleased to announce the opening of the submission platform for its 2024 conference, to be held from 30 June to 4 July in Christchurch, New Zealand. Hosted by the University of Canterbury, the conference welcomes submissions in the fields of media and communication research from now until 7 February 2024. The central theme for 2024 is "Whiria te t?ngata / Weaving people together: Communicative projects of decolonising, engaging, and listening," inspired by a M?ori proverb about strength through common purpose.

IAMCR invites abstracts for its various thematic sections and working groups, as well as for two special segments: Flow34 and Pitopito k?rero. Flow34 focuses on academic audio/visual work, such as podcasts and videos that creatively integrate academic and aesthetic dimensions. Meanwhile, Pitopito k?rero is a special strand for short videos on the conference theme. While most of the conference will be in-person only, Flow34 and Pitopito k?rero are open for members who cannot attend the event in Christchurch.

The abstract submission system is now open, with a deadline set for 7 February 2024, at 23:59 UTC. Abstracts should be between 300 and 500 words, with a maximum of two submissions per author. The Flow34 proposals consist of an academic description and a basic script of the audio/visual work, with a maximum length of 750 words. Pitopito k?rero has a different procedure for submissions

The University of Canterbury, hosting the event, is renowned for its Media and Communication program, including M?ori strategic communication. Christchurch, the host city, is noted for its blend of colonial heritage and modern architecture, rebuilt following earthquakes a decade ago. The event will take place at Te Pae, a new conference centre on the banks of the Avon river.

For more details and to submit your abstract, please visit the IAMCR 2024 conference website at https://christchurch2024.iamcr.org<https://christchurch2024.iamcr.org/>

--

Bruce Girard
Director, IAMCR
https://iamcr.org
IAMCR Christchurch 2024<https://christchurch2024.iamcr.org>

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From ghoskins at torontomu.ca  Tue Dec 12 07:17:56 2023
From: ghoskins at torontomu.ca (Guy Hoskins)
Date: Tue, 12 Dec 2023 09:17:56 -0500
Subject: [acc-cca-l] Media & Internet Concentration in Canada - 12th Edition
 released today
Message-ID: <CALNLBLgDixq2MVcnr4Hs2o3hW5+i=Fb4oHP+ffaiVfk1XXGgWQ@mail.gmail.com>

[?EXTERNAL]


(Apologies for cross-posting!)

It is our pleasure to announce the release of the second report in our annual two-part series on the state of the communication, internet and media industries in Canada. This is part of the Global Media and Internet Concentration Project (GMICP) directed by Prof. Winseck, and the full report can be downloaded today from our website at the following link:

https://gmicp.org/media-and-internet-concentration-in-canada-1984-2022/  <https://gmicp.org/media-and-internet-concentration-in-canada-1984-2022/>

Meanwhile, the attached press release outlines this year's standout findings.

Professor Winseck can be reached at dwayne.winseck at carleton.ca<mailto:dwayne.winseck at carleton.ca> or 613 769-7587 (mobile).

Dr. Guy Hoskins
Post-Doctoral Fellow & Project Manager -
Global Media & Internet Concentration Project<https://gmicp.org/>
Ghoskins@<mailto:Ghoskins at ryerson.ca>torontomu.ca<http://torontomu.ca>
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From helene.bourdeloie at gmail.com  Tue Dec 12 08:45:56 2023
From: helene.bourdeloie at gmail.com (=?utf-8?Q?Helene_BOURDELO=C4=B0E?=)
Date: Tue, 12 Dec 2023 16:45:56 +0100
Subject: [acc-cca-l] =?utf-8?q?AISLF_Congr=C3=A8s_2024_Ottawa_-CR33_Socio?=
 =?utf-8?q?logie_com_=26_num=C3=A9rique_=22Les_enjeux_relationnels_entre_h?=
 =?utf-8?q?umains_et_non-humains_en_questions=22_Prolongation_appels_date_?=
 =?utf-8?q?limite_du_12_janvier_2024?=
Message-ID: <D54FE2AA-B598-49DC-A074-D8D3AEA6D423@gmail.com>

[?EXTERNAL]



Ch?res et chers coll?gues,

Nous avons le plaisir de vous annoncer que la date limite pour r?pondre ? l?appel ? communications du congr?s de l?AISLF est repouss?e au 12 janvier 2024.

Intitul? "Produire les savoirs : les enjeux relationnels entre humains et non-humains en questions ?, l?appel du CR33 Sociologie de la communication et du num?rique se trouve ici<https://congres2024.aislf.org/pages/23-aac.php?aac=CR33>.


Pour celles et ceux qui n'en disposent pas encore, il est n?cessaire de cr?er un compte....

Au plaisir de d?couvrir vos contributions.


Le comit?

Appel du CR33: https://congres2024.aislf.org/pages/23-aac.php?aac=CR33

****
H?l?ne Bourdeloie
Centre Internet et Soci?t? (CIS) CNRS, d?l?gation
LabSIC & chercheuse associ?e au CARISM (Universit? Paris II Panth?on-Assa)
Universit? Sorbonne Paris Nord  / Paris Nord Sorbonne University
http://www.helenebourdeloie.org



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From JenSiushansian at cmail.carleton.ca  Tue Dec 12 15:16:03 2023
From: JenSiushansian at cmail.carleton.ca (Jen Siushansian)
Date: Tue, 12 Dec 2023 22:16:03 +0000
Subject: [acc-cca-l] 2024 CGC Conference Call for Papers
In-Reply-To: <YQXPR01MB4277FA1BC573CC30B257CDD291AAA@YQXPR01MB4277.CANPRD01.PROD.OUTLOOK.COM>
References: <YQXPR01MB4277FA1BC573CC30B257CDD291AAA@YQXPR01MB4277.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YT2PR01MB42889C43AF3CCB80480A08B3918EA@YT2PR01MB4288.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Good evening,


I am writing today as a follow-up to my previous message about Carleton University's 19th annual Communication Graduate Caucus student conference scheduled for March 14th-15th 2024. We ask that you please circulate the following message to your graduate students.



The decision has been made to extend the application deadline ? to ensure that all interested individuals have ample time to prepare and submit their applications at this busy time of year.


The new deadline for applications is Friday December 29th, 2023 @ 11:59pm.


All applications are to be submitted through this Google Form link: https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform

[https://lh6.googleusercontent.com/F7ZhLWOxxWnmy0-KfCDPxXb7ySO4LXxGSZUD3jUJ5mbh8qbkQUAquhilthXSdh5tYu7iRTtCKpo=w1200-h630-p]<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
Power & Responsibility<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
docs.google.com


For those interested in submitting a short paper (1000-word max) based on your submitted abstract for the CGC paper prize, please reach out to the conference committee members for guidelines and further information at: cgc2024conference at outlook.com<mailto:cgc2024conference at outlook.com>



Please feel free to also share this information with other students/faculties who might be interested in participating. We are excited about the possibility of having representation from your university at Carleton University's 2024 CGC Conference.



Should you have any questions or require further information, please do not hesitate to reach out to us at the CGC conference email provided above.



Warmest regards,



The 2024 CGC Conference Committee

_

Jennie Siushansian (They/Them)
MA Student / Teaching Assistant
School of Journalism and Communication - Carleton University
I acknowledge the Anishinaabe Algonquin People whose traditional unceded territory is where I work, learn, and live on.
________________________________
From: Jen Siushansian
Sent: Monday, November 6, 2023 5:28 PM
To: acc-cca-l at mailman.ucalgary.ca <acc-cca-l at mailman.ucalgary.ca>
Subject: 2024 CGC Conference Call for Papers


Hello,


I am reaching out on behalf of Carleton University?s 2024 CGC Conference: Power & Responsibility, which will be held March 14-15, 2024. I am attaching the call-for-papers with all the information regarding the conference and submission guidelines.


As stated in the CFP, submissions can be made through the following Google doc:

https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform

[https://lh6.googleusercontent.com/F7ZhLWOxxWnmy0-KfCDPxXb7ySO4LXxGSZUD3jUJ5mbh8qbkQUAquhilthXSdh5tYu7iRTtCKpo=w1200-h630-p]<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
Power & Responsibility<https://docs.google.com/forms/d/e/1FAIpQLSdokxFYK2yL0vsbO3mtDFRFcfqgF0fo8-LwSHpDxTTRbS6phQ/viewform>
docs.google.com


If you would please pass this along to your graduate students on our behalf, that would be much appreciated.


Take care,

Jen, Morgan, Emma

2024 CGC Conference Co-Chairs

_

Jennie Siushansian (They/Them)

MA Student / Teaching Assistant

School of Journalism and Communication - Carleton University


I acknowledge the Anishinaabe Algonquin People whose traditional unceded territory is where I work, learn, and live on.

This email contains links to content or websites. Always be cautious when opening external links or attachments.

Please visit https://carleton.ca/its/help-centre/report-phishing/ for information on reporting phishing messages.

When in doubt, the ITS Service Desk can provide assistance. https://carleton.ca/its/chat

-----End of Disclaimer-----

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From smlodoen at uwaterloo.ca  Thu Dec 14 11:48:18 2023
From: smlodoen at uwaterloo.ca (Shannon Lodoen)
Date: Thu, 14 Dec 2023 18:48:18 +0000
Subject: [acc-cca-l] CFP of Interest: Canadian Society for the Study of
 Rhetoric
Message-ID: <YQXPR01MB42485AD2677648697B91707EA78CA@YQXPR01MB4248.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


Hi there,

I?m writing on behalf of the Canadian Society for the Study of Rhetoric (RhetCanada) to pass along the Call for Proposals<http://rhetcanada.org/rhetcanada-2024-call-for-proposals/> for our 2024 annual conference, which may be of interest to folks associated with CCA/ACC. The conference will take place June 12-14 at McGill University as part of the Congress for the Humanities and Social Sciences; there will also be an accessible and affordable online day of remote presentations preceding the official conference (on Saturday June 8).

RhetCanada is a warm and welcoming association, and a great place to meet other folks working at the intersection of rhetoric and many other fields (pop culture, AI, policy, medicine, etc.). Our conference features plenary sessions and colloquial discussions to foster engagement and exchange of ideas between scholars and disciplines. We welcome papers on all aspects of rhetoric, in English or French. Submissions are due by January 20th, 2024.

All best,
Shannon

Shannon Lodoen (she/her)
PhD Candidate, English Language and Literature
Special Lecturer, ARTS 130 (024)
Associate Editor, IEEE Society on Social Implications of Technology Newsletter
Student Representative, Canadian Society for the Study of Rhetoric
University of Waterloo, ON, Canada




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From gbird at wlu.ca  Fri Dec 15 06:30:00 2023
From: gbird at wlu.ca (Greg Bird)
Date: Fri, 15 Dec 2023 13:30:00 +0000
Subject: [acc-cca-l] Dispositif: A Cartography (MIT Press, 2023)
Message-ID: <YQBPR0101MB5061CC12C09C2FA086E6F973C293A@YQBPR0101MB5061.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Dear Friends,



We are writing to inform you about our recently published anthology Dispositif: A Cartography.



Publication Date: December 5, 2023

Publisher: The MIT Press

Pages: 514



Penguin Random House has made the book widely available. You can view it here at the MIT Press Bookstore<https://bookshop.org/p/books/dispositif-a-cartography-giovanbattista-tusa/19183201?ean=9780262544337>.

[https://images-us.bookshop.org/ingram/9780262544337.jpg?height=500&v=v2-4e402a90e83eebfb6cc1b982634a177d]<https://bookshop.org/p/books/dispositif-a-cartography-giovanbattista-tusa/19183201?ean=9780262544337>
Dispositif: A Cartography a book by Greg Bird and Giovanbattista Tusa<https://bookshop.org/p/books/dispositif-a-cartography-giovanbattista-tusa/19183201?ean=9780262544337>
bookshop.org


Description:


A groundbreaking anthology that places dispositifs (?apparatuses?) at the center of contemporary thought.


Dispositif is one of the most prevalent yet elusive terms in contemporary thought. This comprehensive anthology brings together formative, seminal, and contemporary texts and visual applications to illuminate how central dispositifs are to contemporary theory. Greg Bird and Giovanbattista Tusa's selection and placement of critical texts invite readers to explore common themes and genealogies, different interpretations and readings, and their diverse deployments across multiple disciplines and genres by such figures as Karl Marx, Franz Kafka, Judith Butler, Martin Heidegger, Gilbert Simondon, Michel Foucault, Edward Said, Jasbir Puar, Donna Haraway, Giorgio Agamben, Jacques Derrida, Tiqqun, Claire Fontaine, and many others.


Dispositif: A Cartography is a true toolbox for the development of technological ecology thinking that accounts for situated knowledge. This collection provides coordinates for reorienting oneself in a permanently changing world, offering possible roadmaps for navigating these profoundly uncertain times. More than just a compilation of interventions on the dispositif, this volume acts as a guide for understanding the complex interaction between technology, philosophy, and the languages of the arts and media.


Request for Reviewers: If you or anyone in your circle would be interested in reviewing this book, please contact us. We will put the prospective reviewer in touch with our editors.


Please don't hesitate to distribute this book announcement in your scholarly circles.


We hope you get a chance to leaf through the book and, of course, enjoy it.



All the best,

Greg Bird & Giovanbattista Tusa.
[cid:bd91d0e7-84dc-448b-b034-3110e111472a]
[cid:8638e6b8-efc6-4aa9-9eb4-12d4efb473ed]
--------------

Greg Bird | Associate Professor | Director MA in Cultural Analysis & Social Theory Program | Department of Sociology | Wilfrid Laurier University | @GregUccello | https://mitpress.mit.edu/9780262544337/dispositif/


Wilfrid Laurier University is on the traditional and unceded territory of the Neutral, Anishnawbe and Haudenosaunee peoples.  Brantford, Kitchener, and Waterloo are located on the Haldimand Tract<http://www.sixnations.ca/LandsResources/HaldProc.htm>.
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From hirjif at mcmaster.ca  Mon Dec 18 14:27:28 2023
From: hirjif at mcmaster.ca (Hirji, Faiza)
Date: Mon, 18 Dec 2023 21:27:28 +0000
Subject: [acc-cca-l] Reminder - CCA 2024 submission deadline
Message-ID: <5DFC0C15-F3FD-43E1-B9C5-F455A447968E@mcmaster.ca>

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From Info.dic at com.ulaval.ca  Wed Dec 20 09:11:11 2023
From: Info.dic at com.ulaval.ca (COM Info DIC)
Date: Wed, 20 Dec 2023 16:11:11 +0000
Subject: [acc-cca-l] TR: Affichage d'un poste de professeur
In-Reply-To: <YT2PR01MB46086B5A24D68C07AD19A622D496A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
References: <YT2PR01MB4608C39E7E76A481C5C9979DD490A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
 <YQBPR0101MB4888021EA4DAD29763D8123A8290A@YQBPR0101MB4888.CANPRD01.PROD.OUTLOOK.COM>
 <YT2PR01MB46080D9162BBEBA9BAF51B85D490A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
 <YQBPR0101MB48889E56BD29F0D458FF218C8297A@YQBPR0101MB4888.CANPRD01.PROD.OUTLOOK.COM>
 <YT2PR01MB46080FBFB155681DF86E1A09D496A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
 <YT2PR01MB460840911AD97E3B7964DD1CD496A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
 <YT2PR01MB46086B5A24D68C07AD19A622D496A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>
Message-ID: <YT2PR01MB4608A30292F1F88510D1FD72D496A@YT2PR01MB4608.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]



Bonjour,

Nous avons un poste de professeur ? combler, voici les liens pour l?affichage ainsi que les documents.

L?affichage de poste professoral demand? a ?t? effectu?, et est d?s maintenant accessible sur l?intranet<https://intranet.rh.ulaval.ca/emplois-professeurs-1> et le site externe des ressources humaines<https://www.rh.ulaval.ca/votreexpertise>.

Meilleures salutations,


[cid:image001.png at 01DA3258.02114CD0]

[signature_2702687524]
Sharon Beaulieu Lavoie
Agente de secr?tariat
D?partement d'information et de communication - Direction
Facult? des lettres et des sciences humaines
Universit? Laval

T  418 656-2131, poste 405078
Cellulaire : 418 750-0134

Pavillon Louis-Jacques-Casault, local 5618
1055, avenue du S?minaire
Qu?bec (Qu?bec) G1V 0A6
Je serai en pr?sentiel les mercredis et jeudis

Avis relatif ? la confidentialit?<https://www.ulaval.ca/notre-universite/avis-de-confidentialite.html>

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From Nicolas.Bencherki at teluq.ca  Thu Dec 21 06:54:39 2023
From: Nicolas.Bencherki at teluq.ca (Bencherki, Nicolas)
Date: Thu, 21 Dec 2023 13:54:39 +0000
Subject: [acc-cca-l] =?iso-8859-1?q?Poste_de_professeur=2Ee_substitut_en_?=
 =?iso-8859-1?q?communication_organisationnelle_=E0_l=27Universit=E9_T=C9L?=
 =?iso-8859-1?q?UQ?=
Message-ID: <d8f7947337dd4300b66d11c379dc1b38@teluq.ca>

[?EXTERNAL]


[This position requires knowledge of French]

Bonjour,

J?esp?re que vous envisagerez envoyer votre candidature ? ce poste de professeur.e subistitut (1 an) en communication organisationnelle ? l?Universit? T?LUQ, qui est l?universit? ? distance de l?Universit? du Qu?bec.

Vous vous joindrez ? une ?quipe tr?s dynamique !

Vous pouvez consulter l?offre compl?te ici : https://phh.tbe.taleo.net/phh01/ats/careers/requisition.jsp?org=TELUQ&cws=44&rid=838

Nicolas

PROFESSEURE, PROFESSEUR SUBSTITUT EN COMMUNICATION ORGANISATIONNELLE
Le D?partement des Sciences humaines, Lettres et Communications de l?Universit? T?LUQ, ?tablissement d?enseignement universitaire ? distance, cherche ? pourvoir un poste substitut de professeure ou professeur en communication organisationnelle.
Secteur disciplinaire
Communication
Sommaire de la fonction
Selon des modalit?s ?prouv?es dans la pratique de la formation ? distance, la professeure ou le professeur assume des responsabilit?s d?enseignement, de recherche et de services ? la collectivit?. Elle ou il participe aux activit?s et ? la vie acad?mique du d?partement Sciences humaines, Lettres et Communication. Ce poste est principalement ax? sur l?enseignement, la r?vision de cours et l?encadrement des ?tudiantes et ?tudiants.
Exp?rience
Exp?rience d?enseignement en milieu universitaire.
Excellente ma?trise de la langue fran?aise et grande comp?tence en mati?re de communication ?crite.
Exp?rience en formation ? distance sera consid?r?e comme un atout.
Formation
D?tenir un doctorat en communication ou ?tudes doctorales en voie d??tre compl?t?es (sp?cialisation en communication organisationnelle) ou autre discipline jug?e pertinente.
Dur?e de l?engagement
Poste substitut (1 an)

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From lhubner at uottawa.ca  Thu Dec 21 07:11:35 2023
From: lhubner at uottawa.ca (=?Windows-1252?Q?Lena_H=FCbner?=)
Date: Thu, 21 Dec 2023 14:11:35 +0000
Subject: [acc-cca-l] =?windows-1252?q?Publication_no=2E_26_des_Cahiers_du?=
 =?windows-1252?q?_CEDREF_sur_les_d=E9fis_m=E9thodologiques_et_=E9pist=E9m?=
 =?windows-1252?q?ologiques_de_la_recherche_f=E9ministe?=
Message-ID: <YT1PR01MB86200F0AA9DCB9DDE69587E0D195A@YT1PR01MB8620.CANPRD01.PROD.OUTLOOK.COM>

[?EXTERNAL]


**English follows**

Ch?res et chers coll?gues,

Nous avons le plaisir de vous annoncer la parution du dernier num?ro des Cahiers du CEDREF (n?26) intitul? ? Faire de la recherche f?ministe : d?fis ?pist?mologiques et m?thodologiques au Qu?bec et en France<https://journals.openedition.org/cedref/1918> ? que nous avons co-dirig?.

Nous vous en souhaitons bonne lecture.

Joyeuses f?tes de fin d'ann?e,

H?l?ne Bourdeloie & Lena H?bner

Lena H?bner, PhD
Professeure adjointe | Assistant Professor
D?partement de communication | Department of Communication
Facult? des arts | Faculty of Arts
Universit? d?Ottawa | University of Ottawa
www.lenahubner.net<http://www.lenahubner.net/>



Dear colleagues,

We are very happy to announce the publication of the latest issue of the Cahiers du CEDREF (n?26) entitled ? Faire de la recherche f?ministe : d?fis ?pist?mologiques et m?thodologiques au Qu?bec et en France <https://journals.openedition.org/cedref/1918> ? that we co-edited (in French only).

We hope you enjoy reading it.

Wishing you all happy holidays,

H?l?ne Bourdeloie & Lena H?bner

Lena H?bner, PhD
Professeure adjointe | Assistant Professor
D?partement de communication | Department of Communication
Facult? des arts | Faculty of Arts
Universit? d?Ottawa | University of Ottawa
www.lenahubner.net<http://www.lenahubner.net/>
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From katherine_reilly at sfu.ca  Thu Dec 21 14:04:20 2023
From: katherine_reilly at sfu.ca (Katherine Reilly)
Date: Thu, 21 Dec 2023 21:04:20 +0000
Subject: [acc-cca-l] CFP: Data in motion for a more-than-human world
Message-ID: <be3ea3ba9d174e1eae71a58bbd863d8a@sfu.ca>

[?EXTERNAL]



Call for Papers:
Special Issue of the Journal Somatechnics: Journal of Bodies ? Technologies ? Power
?Data in motion for a more-than-human world?

Guest Editors:
Katherine Reilly, Associate Professor in the School of Communication at Simon Fraser University
Gillian Russell, Assistant Professor in the School for Interactive Arts and Technology, Simon Fraser University
Rachel Horst, PhD Candidate in Education, University of British Columbia

Contact: kreilly at sfu.ca; gillianr at sfu.ca; rachel.horst at ubc.ca

Keywords: Data and Abstraction, Environmental and Multispecies Studies, Method and Practice

This special issue examines the mutual entanglements and fluid interfaces between data and embodiment by gathering papers that engage a more-than-human view of soma-data-techniques.

The issue will problematize the notion of data as a driver of knowledge, a discoverable fact, a container of meaning, or a solidified agreement about what is assumed to be true about the world and embodiment. It seeks to overcome visions of data which suggest that knowledge is something discrete and unchanging, a butterfly pinned to a board, ready for inspection.

We seek papers that engage in posthuman and relational approaches to data and that understand the world and bodies to be in constant motion and exchange. We position soma-data-techniques as relational processes, methods or practices of meaning making that offer more-than-human approaches to mediating the sensorium or ?regime of perception.?

For example, a positivist approach to understanding the escalating problem of anthropogenic marine debris focuses on quantitative data - the counting and classifying of garbage found in and along the shores of oceans. Relational approaches, on the other hand, might seek to understand data-bodies, human and other than human, and the entanglements of desires, incorporating the somadata of feeling, sensing, and imagining marine plastics to transform behaviors and systems. Data from this view isn't about plastic but rather is plastic; just as our bodies are not discrete entities, but are becoming-plastic and enmeshed in relations with the ocean.

Some concepts of interest to this volume include:

The sensorium / placemaking
Data bodies / Data embodiment
The body-territory
Sensual data
Multi-species knowledge
Sentipensar (feel-think)
Aurality and data
Data subjectivity
Affective data
Data surrogacy
Sensory knowledge / Re-sensing
Data literacies
Epistemic meshworks

Through novel thinking about these and other related concepts, this special issue takes an interdisciplinary look at the soma-data-techniques of information systems, research-creation, design, culture and knowledge production with a particular focus on human relationships to natural and built environments. We are particularly interested in papers that challenge social processes based in 'containment' views of data (such as data repositories, citizen science, open government, etc.) and papers that explore and experiment with alternative ways of 'doing data.'

Submissions Instructions:

Written explorations - 6000-7000 words including references.
Practice-based or image-intensive papers - 2000-2500 words including references.

Style guide: https://www.euppublishing.com/page/soma/style


Timeline:
* Submission deadline, February 16, 2024
* Editor acceptance/rejection, March 15, 2024
* Revisions from accepted authors, July 2024
* Final round of revisions, September 2024
* Publication, November 2024

Please send documents in Microsoft Word .doc or .rtf format to kreilly at sfu.ca<mailto:kreilly at sfu.ca> with CC to somatechnicsjournal at gmail.com<mailto:somatechnicsjournal at gmail.com> and the subject line ?Special Issue: Data in motion for a more-than-human world?.



Dr. Katherine Reilly
Associate Professor | School of Communication

Associate Dean Research | Faculty of Communication, Art and Technology

Simon Fraser University
8888 University Dr., Burnaby, B.C. V5A 1S6


[acknowledgement]
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